Category: iWorld

  • Times Internet acquires Viral Shots; eyes 1 billion screen views

    Times Internet acquires Viral Shots; eyes 1 billion screen views

    MUMBAI: Times Internet, the digital arm of the Times of India Group has acquired Gurgaon based micro video app Viral Shots for an undisclosed amount.

    Founded by Shalini Tewari and Kumar Apurva, this micro content app curates stories from over 300 social and web destinations and is clocking approx 100 million screen views per month. The content shots- each with a picture and less than 60 words – are presented in a number of enthralling formats that creates a unique reading experience.

    Times Internet corporate developement VP Miten Sampat says, “This fits into our prime goal of providing our readers an innovative & informative content experience. We found the format and curated content of ViralShots very addictive and their engagement with users was amazing and feel confident that this can become the number one app in its category.”

    “Viral Shots has massive engagement with its audience with users launching the app several times a day and giving over 100 screen views/DAU. It’s clear we are being able to deliver content that the consumer is enjoying and we are now very excited that we can leverage the deep understanding that the Times group has in the content and mobile space to grow even faster,” adds Tewari.

    Viral Shots currently serves differentiated content in English, Hindi, Bengali and Telugu and will be available in all major Indian languages by mid 2016.

  • ‘Digital India’ working towards empowered Digital Village: Prasad

    ‘Digital India’ working towards empowered Digital Village: Prasad

    NEW DELHI: The transformative and ambitious ‘Digital India’ programme of the Government of India has started bearing fruits after six months of its inception and e-services have begun to pick up momentum and reaching the bottom of the pyramid, which is digitally empowering the people of the country.

     
    Making this claim, Communications and Information and Technology Minister Ravi Shankar Prasad said today that the governments at the Central and state levels, industry and academia need to work in tandem to accelerate the pace of digitisation.
     

    He was addressing the second edition of the international conference ‘i-Bharat’ organised by FICCI in partnership with the Department of Electronics & IT (DeitY) of the Ministry.
     

    Highlighting the progress of Digital India, Prasad said more than 12,000 rural post office branches had been linked digitally and soon payment banking would also become a reality for the post offices. As part of Digital India, the government had also planned to make Digital Village across the country by linking all schemes with technology. The digital village would be powered by LED lighting, solar energy, skill development centres, e-services like e-education and e-health. To make this programme a success, District Collectors will have to play an important role.
     

    Speaking about e-Taal, Prasad said the web portal disseminates real time statistics of the e-transactions taking place at the national and state level e-Governance Projects. He added that the National e-Governance Plan of the Government sought to provide impetus for long-term growth of e-Governance within the country.
     

    On promoting electronic manufacturing in India, Prasad said the progressive policies and aggressive focus on ‘Make in India’ initiative have played a significant part in the resurgence of the electronics manufacturing sector. Investment in the electronics manufacturing has increased, giving a quantum jump to the sector.
     

    Elaborating on the headway made in connecting gram panchayats of the country with the optical fibre network, Prasad said 18 states were on board and the work was on at a rapid pace. To script a success story with ‘Digital India,’ the government and industry had to look for innovative ways to expedite the process of connecting India digitally, he added.
     

    FICCI President Harshavardhan Neotia said the Government has embarked on a reforms programme focused on making India an easy place to do business. The emphasis has been on simplification and rationalisation of the existing rules and introduction of information technology to make governance more efficient and effective. Jan Dhan Yojana, Aadhaar and Mobile number (JAM) trinity is acting as a game changing reform that is allowing transfer of benefits in a leakage-proof, well-targeted and cashless manner.

     

    FICCI-IT Committee chairperson Debjani Ghosh said technology was changing the world and its transformative powers were evidently visible in India. New technologies were deeply impacting governance, society, and security and this year’s i-Bharat conference aimed to bring together leaders from all segments of industry and government to explore and demystify the complex technology trends and reach at solutions and execution techniques of the programs to connect India digitally. She added that the government and industry needed to figure out new solutions to speed up the process of making India digital. 

  • Netflix a damp squib; broadcasters long term gainers: Edelweiss

    Netflix a damp squib; broadcasters long term gainers: Edelweiss

    MUMBAI: While the world is going gaga over Netflix’s simultaneous launch in 130 countries across the globe including India, financial services company Edelweiss is not too impressed, at least in the medium term.

     

    So when all and sundry are trying to predict and second guess the impact Netflix’s launch will have on the over-the-top (OTT) scene as well as on the broadcast industry in India, according to Edelweiss, the impact of Netflix in India will be limited on direct to home (DTH) and cable TV players over the medium term.

     

    Citing the reasons for the same, Edelweiss lists:

     

    1) Netflix does not have local content

    2) Free content is easily available on Erosnow, Hotstar, YouTube

    3) Steep pricing at 2-3x prevailing cable TV/DTH rates

    4) Broadband speed beyond top cities will be a huge challenge

    5) Lack of India cricket matches

     

    The Indian pay TV market is on its way to embrace OTT platforms, especially for sports content, following increasing usage of internet. According to the company, this will be an additional source of revenue for broadcasters like Zee, Sun TV and TV18 over the longer term. “However, most broadcasters already have their OTT platforms and are yet to sign content deals with Netflix,” the company said in its report.

     

    A successful OTT in US:

     

    Netflix is a successful OTT in US as cable TV ARPU is $60 per month versus Netflix’s ARPU of $20-24. Secondly, the US has higher broadband penetration (~80 per cent) with good speed; and original content is dished out by Netflix. However, in India, Netflix currently lacks these advantages.

     

    “Hence, we do not expect Netflix to have any major impact on Indian DTH/cable TV players over medium term. Netflix has a long way to go before tasting success in India,” Edelweiss said.

     

    Pricing, slow broadband key challenges in India:

     

    As was reported earlier by Indiantelevision.com, in India, Netflix’s subscription rates are Rs 500, Rs 650 and Rs 800 for basic, standard and premium packs respectively. “These are 2-3x the prevailing cable TV/DTH rates. Besides, broadband will entail additional costs,” the report added. 

     

    Internationally, Netflix has done well riding attractive pricing, which is almost half the cable TV/DTH rates, and original content. While the company currently does not enjoy these benefits in India, in a bid to attract subscribers, it is offering free services in its first month of operations. 

     

    According to Edelweiss, plans are also afoot to facilitate streaming via laptops, TV, smart phones and tablets. “However, we believe in India where subscribers pay ~Rs250-450 per month for cable TV (includes sports channels), Netflix’s rates are on the higher side. Broadband speed will also be a challenge. Netflix requires minimum speed of 512kbps and recommends 3mbps speed for SD content and 5mbps for HD videos, which further limits its expansion plans,” the report said.

     

    Sports missing, India savours diverse content:

     

    Netflix is currently beaming international TV shows in India along with English and Hindi movies. “The company is currently not offering local content. Sports content, the main driver of the OTT platform, is also not offered. With India being a country with diverse culture it consumes content in eight different languages. Currently, Netflix is beaming only English content which will attract only niche audience,” the report added.

     

    With Netflix’s subscription price being by far the steepest in India as compared to competition, some of whom even offer content for free on their platform, it remains to be seen whether other players up their price, match Netflix’s or continue to offer content at a lower price. That said, with growing competition in the space from the likes of Arré, ALT Digital, DittoTV, ErosNow, HOOQ, Hotstar, Netflix, nexGTV, Sony Liv, Spuul, Voot and YuppTV, Netflix’s content strategy in the near future will be the key differentiator, which will separate the best from the rest.

  • Netflix acquires first Indian documentary

    Netflix acquires first Indian documentary

    MUMBAI: Over the top (OTT) service provider, Netflix, made a big bang launch across the world and in India on 7 January, has picked up its first documentary film from India.

    Titled What’s Love Got To Do With It?, the documentary is directed by Rohena Gera.

    The film is available on its Indian site as well as in four other territories including US, Canada, UK, Australia and New Zealand.

    What’s Love Got To Do With It? is a fun, moving documentary, which explores why urban individuals often choose arranged marriages over love.

    On seeing the film, filmmaker Ashutosh Gowariker said, “What’s Love Got To Do With It? is the first fun documentary that I’ve seen. It addresses our national preoccupation of arranged marriages with humour. It’s not only funny, but also insightful, while being entertaining, and hence I like to call it… a FunDoc!”

    Gera added, “I am delighted and honoured that Netflix has chosen What’s Love Got To Do With It? I feel that this signifies the democratisation of cinema in many ways. If a tiny-budget film like mine can be on a platform side by side with big Bollywood films, independent gems and grand classics I feel there is a lot to look forward to for filmmakers and audiences alike!”

  • Audioboom partners ErosNow for India foray

    Audioboom partners ErosNow for India foray

    MUMBAI: Prepping up for its launch in the Indian market, audio content providing on-demand platform Audioboom has entered into an agreement with Eros International’s digital OTT platform  ErosNow. 

     

    The two companies will operate on an advertising revenue share arrangement.

     

    Under the deal, ErosNow will equip its 30 million registered users with access to exclusive Audioboom local and global podcasts and entertainment, comedy, sports, news and current affairs content.

     

    Through the partnership, ErosNow users will be able to personalise their own listening experience within the ErosNow app, with access to music and spoken word audio on-demand as well as films and TV shows. Eros will provide Audioboom with access to the very best of Bollywood acting talent for the creation and distribution of exclusive spoken-word audio content for the Indian market and beyond.

     

    A key element of the proposed partnership will see Audioboom responsible for all audio content curation (music and spoken word), ad sales and ad campaign delivery within the audio section of the ErosNow mobile and web applications. 

     

    Pending the signing of a long form agreement, the parties will work together closely around technical integration and ad sales implementation.

     

    Audioboom CEO Rob Proctor said, “I am excited to be partnering with Eros and continue our global expansion with the leading entertainment company in India. We’re delighted to bring Audioboom’s extensive audio content to Eros’ massive audience, and to be creating high-quality audio with some of Eros’ biggest Bollywood stars. The opportunity to create highly-sought after on-demand audio, along with the potential revenue opportunities that this brings, gives us significant first mover advantage in this very important and lucrative market.”

     

    Eros Digital CEO Rishika Lulla Singh added, “We’re always looking for new ways to engage and connect our users to their favorite celebrities on ErosNow, offering behind the scenes exclusives and star cast interviews. With their focus on sharing content and social network integration, the Audioboom platform is the perfect partner for ErosNow, providing a new medium for our talent to connect with their fans.”

  • Netflix: The India story – the promise & challenges

    Netflix: The India story – the promise & challenges

    MUMBAI: For starters, Netflix is so easy to subscribe. Just log on, sign up with your email address and it prompts you for a password. And lo and behold you are in. You just have to put in your name, credit card details, and CVV number and presto you are a subscriber. Of course with a one-month free trial: the Rs 650 subscription package was on offer for me.

     

    Then it asked me for the kind of content I wanted to watch. I ticked some of the shows it is well known for and some Hindi flicks, which showed up. And then came up the dashboard that Netflix is so well known for with rows of offerings right from those Popular on Netflix, to Top Picks I made, to Indian movies and TV, binge worthy US dramas and so on. 

     

    For me, it was Netflix’s original drama series and movies, which drew me in.

     

    But for most Indians it will be Hindi movies and TV shows. Netflix at first look does not seem to have too wide a catalogue. C Kompany, Mickey Virus, Chittangong, Kyo Kii Main Jooth Nahi Bolta, Fandray, Double Trouble, Filmistaan, Gaddar – the Traitor, The Good Road, Kya Kool Hain Hum, Piku, Singh is Bliing, Hum Aapke Hain Kaun, Heropanti, D-Day, Gulaab Gang, Krishna Cottage, Revolver Rani, Shootout at Lokhandwala, Youngistaan, Andaaz Apna Apna, Chaar Sahibzaade, Shahid, Shor in the City are amongst the films that were thrown up for me to choose by Netflix’s recommendation algorithm. No TV shows at least at first blush.

     

    Indications are that there are about 85 movies from India available on the service. And most of these appear to be edgy, independent films screened at and critically acclaimed at festivals overseas along with some very old successful ones, which the youth might lap up.

     

    Apart from the fact that most of these movies, if not all, have already had multiple airings on Indian cable and satellite channelsthe other disadvantage is that this fare has already been either downloaded by the torrent download crazy Indian urban youth or sideloaded by mobile shopkeepers in interior India for a few hundred rupees.

     

    Will Netflix work in India offering the primary subscription video on demand (S-VOD) model only? When all the major long established Indian entertainment players are going in for A-VOD or advertising video on demand. Hotstar from 21st Century Fox’s Star India is A-VOD and has been doing so far for nearly a year. Voot from Viacom18 is taking the same tack. ErosNow is offering several packages – amongst which figures even T-VOD (transactional video on demand). OTT player HOOQ and Zee’s DittoTV are the only exceptions, which have been doing S-VOD and senior management in the Zee Network has been questioning whether they need to re-look that model.

     

    Will Indians take to it rapidly like they have in other markets that it has been launched, giving it a global 70 million subscribers? India has a billion mobile phone subscribers, about 400 million internet users – a number that has been exploding with 3G being prices falling and faster 4G and broadband services rolling out rapidly at competitive pricing. But 4G and 8 Mbps-100 Mbps speed wired broadband is mainly coming to the metros and first rung towns. In the interiors, it is still plain old 2G and slow internet, which appears pricey for the low income folks there.

     

    Netflix has recommended that users need a minimum of 0.5 Megabits per second for broadband connection speed and an Internet speed of 5 Mbps if they want to watch the HD quality stuff. According to the OTT service, an hour of watching movies or TV shows in standard definition hogs up 1 GB of bandwidth per stream, while HD viewing guzzles up to 3 GB per hour for each stream. Ultra HD is the biggest monster eating up 7 GB per hour of viewing.

     

    But viewers can adjust their data settings to control the amount of bandwidth consumed per hour by keeping them at low at 300 MB per hour and medium at 700 MB per hour of standard definition viewing.

     

    Most Indian broadband subscribers have packs of 1 to 4 MB per seconds with data caps of around 40-50 GB, after which the speeds fall to 512 kbps.

     

    With Netflix viewing being such a hunger guzzler of bandwidth for an hour, Indian subscribers could end up with their packs being consumed very quickly before slipping to 512 kbps, which may not make for a pleasant viewing experience. That’s something which Netflix and its members will have to deal with. Either their craze for the global provider’s content could incite them to up their bandwidth packs, which will mean a stiffer bill for them. Or they can pray for bandwidth prices to fall so that the monthly outgoing stays the same.

     

    Then there’s the question of the credit card. Even though e-commerce transactions have been growing by leaps and bounds and companies have been getting unbelievable valuations, a large part of India on the whole has yet to be open to sharing their credit card details online (only a fractional part of the large part of India have opted for the plastic anyway). 

     

    But that figure could run into a few millions, of which a million or so could sign up within the next two years (it could happen earlier, depending on the marketing blitz planned). That could prove good enough for Netflix to add to their global count and tom-tom at its next shareholder conference.

     

    Netflix CEO and co-founder Reed Hastings has one objective in mind: global domination of video viewing by changing the paradigm of its consumption – empowering consumers to watch what they want to watch, when they want to. And he is offering them a smorgasbord of original content produced in several countries right from Korea to Mexico to the US to the UK to what have you. Indian original content will come down the line, no doubt. The more that does and the sooner it does, the better it will be for Netflix.

     

    It seems like a long haul for the US paradigm shifter. The journey for Netflix has probably just begun.

  • #NetflixEverywhere: India launch amongst 130 countries; subscription priced at Rs 500-800

    #NetflixEverywhere: India launch amongst 130 countries; subscription priced at Rs 500-800

    #NetflixEverywhere: India launch amongst 130 countries; subscription priced at Rs 500-800

     
    MUMBAI: After months of speculation, over the top (OTT) player Netflix has finally made its big bang launch in India simultaneously with another 129 countries.
     
    In a rapidly crowding Indian OTT space, Netflix will be offering subscribers three monthly subscription plan options. 
     
    The Basic plan is priced at Rs 500, the Standard at Rs 650, whereas the Premium plan is priced at Rs 800. The different subscription plans offer viewers the choice of viewing the content in different formats including HD as well Ultra HD and on multiple screens and devices. What’s more, the first month’s subscription is being offered for free to subscribers.
     
    It may be recalled that the Singtel, Sony Pictures Television and Warner Bros’ JV OTT venture HOOQ, which launched in India last year priced its monthly subscription at Rs 199. On the other hand, ErosNow is planning to adopt the quasi-premium two-tiered subscription service priced at Rs 50 and Rs 100 per month in India. Moreover, with most other players offering content for free on their platforms, Netflix’s entry level subscription might come across as slightly steep, especially for the Indian audience, who is used to watching content for free.
     

    Netflix will offer drama, action, comedy, documentaries and TV shows personalised for viewers. The OTT player will keep adding new movies and TV shows all the time and will also provide options for subtitles or dubbing.

    The much anticipated big announcement was made by Netflix CEO Reed Hastings at the ongoing Consumer Electronics Show (CES) in Las Vegas.
     
    Apart from India some of the other countries where the service was launched are: Vietnam, Saudi Arabia, Singapore, Turkey and Indonesia amongst others. However, a major market that was missing was China.
     
    With Netflix’s entry into the Indian market, it’s game on as existing OTT players like Hotstar, Sony Liv, ErosNow, DittoTV, Spuul and HOOQ gear up to face the competition.
     
    How 2016 will shape up for the OTT players, only time will tell but one thing’s for sure, the ones with the correct content, marketing and revenue generating strategies as well as with deep pockets will survive in the long haul.
     
  • Netflix launches in India; three pricing packages on offer

    Netflix launches in India; three pricing packages on offer

    MUMBAI: In one fell swoop, it is hoping to change the world of audio visual consumption. Netflix co-founder & chief executive Reed Hastings today announced the launch of the Internet TV network or OTT service in 130 countries all over the world at the CES show in Las Vegas. And India figures amongst the list, taking its footprint to 190 nations. 

     

    The price: Rs 500 for the basic service, Rs 650 for the standard package and Rs 800 for the premium one. The Rs 500 tag allows viewers to watch the content in standard definition on one screen only at one time. For Rs 650 viewers get access to HD content and can watch on two screens simultaneously. The Rs 800 package brings in the full monty with subscribers being able to watch both HD and Ultra HD content on four screens at the same time. 

     

    However, the first month is being offered free for trial to new subscribers.

     

    “Today you are witnessing the birth of a new global Internet TV network,” said Hastings in Las Vegas. “With this launch, consumers around the world — from Singapore to St. Petersburg, from San Francisco to Sao Paulo — will be able to enjoy TV shows and movies simultaneously — no more waiting. With the help of the Internet, we are putting power in consumers’ hands to watch whenever, wherever and on whatever device.”

     

    Viewers in India will get to watch Netflix original series such as Marvel’s Daredevil and Marvel’s Jessica Jones, Narcos, Sense8, Grace and Frankie, and Marco Polo, as well as a catalog of licensed TV shows and movies.

     

    While largely available in English in most new countries, Netflix has added Arabic, Korean, Simplified and Traditional Chinese to the 17 languages it already supports. He added that newer languages will be added from hereon.

     

    “From today onwards, we will listen and we will learn, gradually adding more languages, more content and more ways for people to engage with Netflix,” said Hastings. “We’re looking forward to bringing great stories from all over the world to people all over the world.” 

     

    He emphasised that the consumption on Netflix is on the up. “Our 70 million members consumed 12 billion hours of Netflix in Q4 of this year as compared to 8.5 billion last year,” he said. He also announced that Netflix will be adding high dynamic range (HDR) video delivery later this year, adding to the 4K or Ultra HD, which it produces most of its series in currently.

     

    Netflix chief content officer Ted Sarandos revealed that 600 hours of original programming will be delivered to its members in 2016. This will include 31 new and returning original series, two dozen original feature films and documentaries, a wide range of stand-up comedy specials and 30 original kids series — available at the same time to members everywhere. 

     

    Amongst the highlights are The Crown, which is about the young Queen Elizabeth while Baz Luhrmann will be directing a series called The GetDown about New York at a time when its crime scene was crumbling and giving way to the disco,  graffiti and hiphop culture. 

     

    Sarandos explained that Netflix is making a difference to piracy wherever it goes because it does not trap viewers in frustrating business models and linear viewing experiences in which television operates. 

     

    “We deliver all episodes at one go so viewers can watch when they want to watch and we are constantly improving our compression technologies to allow for a better viewing experience. We helped create binge viewing,” he said. 

     

    He stated that peer-to-peer torrent downloading via Bittorrent has dropped by 14 per cent in the first six months of the service’s launch in Australia. 

     

     

    A Netflix press release explained that the service is available on virtually any device that has an Internet connection, including personal computers, tablets, smartphones, Smart TVs and game consoles, and automatically provides the best possible streaming quality based on available bandwidth. Many titles, including Netflix original series and films, are available in high-definition with Dolby Digital Plus 5.1 surround sound and some in Ultra HD 4K. Advanced recommendation technologies with up to five user profiles help members discover entertainment they’ll love.

  • Twitterati become speed breakers as Twitter mulls 10K character limit

    Twitterati become speed breakers as Twitter mulls 10K character limit

    MUMBAI: The line between news and views are broadening with time. Spontaneity is inclining thick and fast towards social media with Twitter leading the race while views and opinions are filling television sets. If we take the recent earthquake in North East India for example, the news broke instantaneously on Twitter and even the Richter scale measurement was first revealed on the micro blogging website. Traditional media took more than two hours to put the first ticker on as the natural calamity struck the territories in the wee hours of the morning. The story was quite similar when former president of India APJ Abdul Kalam collapsed at a gathering and later breathed his last.

    If reports are to be believed then Twitter CEO Jack Dorsey is planning to take the micro blogging social media platform’s character limit to a whopping 10,000 from 140. Of the 10,000 characters 140 of them will be visible as a tweet and rest will be a part of a story, which can be accessed after clicking on the ‘show more’ option.

    This is speculatively done to stay in par with rivals and is likely to be implemented by March this year. Facebook has instant article, a feature which at this stage is not available for all users. This feature enables user to write article and publish it in a story format. LinkedIn also has a similar facility with Pulse where one can publish their creative pieces. The facility though is an encouraging one for the writers and critics who prophesize with their words but Twitteratis are leaving no stone unturned to let Dorsey and his team know that they are totally against it by posting photographs like the ones given below:

    “I am a fan of Twitter because it keeps my top floor busy. Compressing and expressing is the panache of the platform. Now I fear that I might just lose the flare to rambling. People can articulate more in terms of number of characters now but yes the magic is in bits and bytes,” said a senior journalist.

    Millions of tweets have made Twitter 10K trend globally with most of the tweets signifying reservations against the concept. Now it remains to be seen if the flood of tweets make team Twitter change their decision or not.

  • Letv to launch handsets in India officially on 20 January

    Letv to launch handsets in India officially on 20 January

    BENGALURU: On 5 January, internet conglomerate and technology company Leshi Internet Information and Technology or Letv launched its Le 3D Helmet, LeMe Bluetooth Headphones and Super Cycle in New Delhi. The company will launch its globally successful flagship Superphones in India on January 20 in NCR.

     

    Letv entered the smartphone industry in April 2015, having sold one million Le Superphones in November. The top-seller Le Superphones, released by the company that entered the smartphone market just half a year ago, have achieved great sales success says the Chinese company. Letv is also the first company that has publicly-announced a phone with Qualcomm’s new Snapdragon 820 processor, the LeTV Le Max Pro.

     

    The company recently organised meetups under the brand Le Meetup with #Superfans, bloggers, keen tech enthusiasts and influencers in New Delhi, Bengaluru and Hyderabad to give them an exclusive hands-on experience of LeTV’s products even before sales kicked off in India.

     

    Along with the US, India is a key market for LeTV’s expansion plans. The company intends to match the product launches in India with that of global launches. On entering India Letv will initially focus on device and content offerings. Going forward it plans to bring its complete ecosystem to India and is currently focusing on strengthening the development of its internet app services.

     

    Letv is engaged in myriad businesses, spanning Internet TV, video production and distribution, smart gadgets and large-screen applications to e-commerce, eco-agriculture and connected super-electric cars. The company also has a large content libraries comprising movies, TV dramas, entertainment shows, sports and music, which can be viewed on Letv devices.

     

    Letv operates across six screens -mobile, tablet, computer, cinema, smart TV, automobiles.

     

    To build a 360-degree experience for customers, Letv also operates an e-commerce platform – LeMall.com. The platform was officially launched in India after its debut in Hong Kong and US, highlighting the importance of the Indian market for Letv.