ITV

Category: iWorld

  • Anuj Gandhi’s Dor TV sells out in 12 hours, next sale announced

    Anuj Gandhi’s Dor TV sells out in 12 hours, next sale announced

    MUMBAI: The dawn of a new era in Indian entertainment has arrived, and it’s nothing short of extraordinary. In a dazzling display of innovation and consumer adoration, Dor TV, India’s first subscription-based television service, made a thunderous debut on Flipkart. Launched by Streambox Media on 1 December 2024, this trailblazing offering captured the hearts of millions, selling out its entire inventory in just 12 electrifying hours. Powered by Gandhi’s visionary leadership (read the exclusive interview with Anuj Gandhi), cutting-edge technology, and an irresistible blend of affordability and convenience, Dor TV’s launch wasn’t just a success—it was a celebration of India’s love for groundbreaking ideas.

    This remarkable response highlights Indian consumers’ hunger for innovative, hassle-free entertainment solutions. With its promise of integrating 24+ OTT platforms, 300+ live channels, and 4K QLED TV technology into a single subscription, Dor has not only resonated with users but also topped the charts as one of Flipkart’s top three brands in the TV category.

    Streambox Media, led by Anuj Gandhi, envisions a world where fragmented content and tedious subscription management are relics of the past. With Dor, viewers can enjoy a streamlined entertainment experience powered by AI-driven personalisation, all while enjoying top-notch visuals and audio quality on an ultra-modern 43-inch 4K QLED TV.

    Expressing his excitement, Gandhi stated, “The overwhelming response we’ve received truly surpassed our expectations and yet it aligns perfectly with our vision for the country. Seeing India embrace Dor with such enthusiasm validates the belief we’ve held in crafting a consumer-first offering. It’s a clear testament that Indian households are ready for a smarter, more seamless way to enjoy their content. This incredible support only strengthens our commitment to making Dor accessible to everyone, and we’re working tirelessly to ensure no one misses out on this transformative digital journey.”

    What’s Next for Dor?

    With the success of its first sale, Streambox Media has announced the next sale date: 8 December 2024. Larger TV variants, including 55-inch and 65-inch models, are slated for an early 2025 release, expanding options for Indian households looking for a premium entertainment experience. As the connected TV market in India continues to grow, Streambox Media aims to lead the charge with Dor, empowering consumers with affordable, cutting-edge technology.

    Dor’s success signifies India’s growing appetite for innovation that’s tailored to its unique needs. As Gandhi aptly put it, “With Dor, we are not just launching a product; we’re creating a revolution.”

  • BSNL signs IPTV provider Skypro to offer entertainment services to its customers

    BSNL signs IPTV provider Skypro to offer entertainment services to its customers

    MUMBAI:: It’s a connection that they are hoping will work out for the best. State-owned telecoms provider Bharat Sanchar Nigam Ltd (BSNL) has announced a strategic link up  with IPTV provider Skypro as a part of which it hopes to bring next generation TV  and internet experiences to the telco’s consumers across India.

    A press release states that BSNL’s FTTH  customers will gain free-of-cost access to Skypro’s IPTV services through the Skypro TV app in their smart TVs. The app will offer  500 plus  HD/SD/live channels, 20+ OTT and various other value added services, interactive features, with no set-top required.

    BSNL CGM Punjab circle Ajay Kumar Karaha said – “On 28 November CMD  Robert Ravi launched our new internet TV service, powered by Skypro’s state-of-the-art IPTV platform. This service offers FTTH customers access to popular channels like Colors, Star, Zee, and sports channels like Star Sports, with no need for separate bandwidth and set-top box. After thorough testing, we’re ready to roll it out in Chandigarh, starting with 8,000 customers. We also plan to expand internationally, providing BSNL users with easy access to this exciting new feature.”

    Skypro chief technology officer Pawanpreet Dhaliwal said “ This partnership with BSNL is a proud moment for Skypro as we continue our mission to revolutionise entertainment in India. We are starting from Punjab circle and the service will extend to other circles soon. Our focus has always been on delivering innovative solutions that transform the way people consume content. By joining forces with BSNL, we are combining reliable connectivity with cutting-edge entertainment to make world-class viewing experiences accessible to every home.” 
    . 
    “We are excited to partner with BSNL to bring Indians a truly modern and immersive entertainment experience,” added  Skypro business head Nitin Sood. “At Skypro we have been working towards building solutions that bring the quality of the theatre screen in the comfort of your living rooms. This partnership represents a major milestone for us, enabling Skypro to expand its reach and deliver cutting-edge entertainment solutions to a wider audience. By combining our expertise with BSNL’s extensive network, we are setting a new benchmark for home entertainment in India.”

    Skypro claims that its service offers the lowest latency, multi CDN, low bandwidth, low channel zap time and crystal clear viewing experience for the customer.  

    “By joining forces with BSNL, Skypro is stepping into a new era of entertainment,” said Skypro president emeritus Ranjit Singh Sandhu. “This collaboration is a huge leap towards our vision of making premium content accessible to all, combining BSNL’s reliable network with Skypro’s innovative technology to deliver an unparalleled viewing experience that connects and engages audiences across India.“

    To date, Skypro has partnered with over 100+ ISPs across the country, expanding their reach and ensuring high-quality services for users nationwide. Additionally, it is also planning the launch of Oneplay – an online cloud gaming platform. 

    With Oneplay, consumers will be able to stream their favourite games anytime, anywhere, on any device, especially on TVs without the need for high-end gaming consoles with players’ progress securely saved in the cloud for seamless gaming experiences. This service will enable rural India access to high-end games at a fraction of the cost. 

  • EU nations cooperate to take down pirate global streaming service

    EU nations cooperate to take down pirate global streaming service

    MUMBAI: What does it take shut a global  illegal streaming service originating somewhere in Europe?

    Try this for size: The European Union Agency for Criminal Justice Cooperation  (Eurojust ). The European Union Agency for Law Enforcement Cooperation (Europol). The Audiovisual Anti-Piracy Alliance (AAPA). Italian, Croatian, Romanian, Swedish, Swiss, Dutch, Chinese  and the UK authorities.

    Quite a handful, right?

    Well, they all worked down together late November  to take down one of the world’s largest illegal streaming services, according to a  press release issued by Eurojust.  In a large-scale operation, over 100 searches were carried out against 102 suspects. Eleven suspects were arrested in Croatia.

    The suspects illegally distributed material from streaming services online, including films and series. They also pirated more than 2,500 television channels, mainly sports. The illegal service served more than 22 million users worldwide. They were able to make over Euros 250 million in illegal profits per month. The economic damages to the copyright holders of the material is estimated at Euro10 billion. 

    To evade authorities, the suspects allegedly used encrypted messaging services to communicate and false identities to register phone numbers, credit cards, server rentals and TV subscriptions.

    On 26 November, during an international operation, the servers hosting the illegal streaming were seized and shut down, disrupting the services.

    Collaboration between authorities was set up at Eurojust to effectively pull the plug on the illegal streamer. Coordination meetings at Eurojust’s headquarters allowed authorities from Italy, Croatia, the Netherlands, Romania, Sweden, Switzerland and the UK  to work together on the investigation and plan the operation to shut down the service and arrest the suspects. Europol supported the operation by deploying experts and analysing the available intelligence during the investigation phase. 

    The cooperation between the authorities culminated in a joint operation to take down the services on 26 November. The operation  involved over 270 officers from the Polizia Postale carrying out 89 property searches in 15 Italian regions. An additional 14 searches were conducted by law enforcement agencies abroad, including five addresses in the UK, and further searches and seizures in the Netherlands, Sweden, Switzerland, Romania, France, Bulgaria, Germany and Croatia,  according to the AAPA.

    During  the searches in Italy, the Netherlands, Sweden, Switzerland, Romania, Croatia, the UK  and China, over Euros 1.6 million in cryptocurrency and Euros 40,000 in cash was seized. Croatian police arrested 11 suspects. AAPA said that “the immediately seized proceeds represent only a fraction of an illegal business that is alleged to yield approximately Euros 3 billion per annum.”

    The operation was massive as can be ascertained from the results achieved:  102 suspects were identified  with the arrest of 11 people after searching 112 houses. 100 domains were blocked with 29 servers being taken away along with 27 different IPTV equipment and devices. During the searches 560 resellers names were discovered along with an assortment of drugs and weapons. 

    AAPA co-president Mark Mulready said: “We applaud the efforts of the Catania public prosecutor’s office, the Croatian state attorney office for suppression of corruption and organised crime, Europol, Eurojust, and all of the law enforcement agencies involved in these operations. The scale of these multi-jurisdictional law enforcement actions highlights the considerable challenge our industry faces when dealing with such sophisticated international pirate networks.

    “We are proud to have collaborated with our law enforcement partners to provide technical training and in-field support to assist them in successfully tackling the world’s largest pirate network.   We are very grateful to the AAPA members who supported this action day, including Premier League, Sky Group, Nagravision, Deutsche Fußball Liga (DFL), beIN Sports, United Media, Friend MTS and Irdeto.  We will continue to closely collaborate with law enforcement agencies in Europe and beyond to enable them to successfully identify, investigate and prosecute large-scale cross-border pirate networks.”

    The authorities involved in the actions were:

    * Italy: Public Prosecution Office Catania
    * Croatia: The Office for the Suppression of Corruption and Organised Crime 
    * Netherlands: Fiscal Information and Investigation Service; Public Prosecution Service Rotterdam 
    * Romania: Directorate for Investigating Organized Crime and Terrorism; Direction for Fighting Organized Crime – Cyber Crime Fighting Service
    * Sweden: National unit against organized crime at the Swedish Prosecution Authority; Swedish Police Authority
    * Switzerland: Office of the Attorney General of Switzerland; Federal Office of Police 
    * United Kingdom: City of London Police

  • Vibhu Agarwal’s Atrangii ropes in Rajesh Tripathi as content head 

    Vibhu Agarwal’s Atrangii ropes in Rajesh Tripathi as content head 

    UMBAI: The musical chairs game in the television industry continues. With Nivedita Basu opting out of Atrangii and joining Dangal, it was time to bring in someone else at the Vibhu Agarwal-owned Atrangii app. 

    So it has. 

    Agarwal  has recruited writer, producer and show runner Rajesh Tripathi as its head of content. Prior to joining Atrangii, Rajesh has worked as a producer for shows like Savdhan India, Mauka-e-Vardaat, Kaccha Papad Pakka Papad, Naagvadhu – Ek zehreeli Kahaani,  Crime & confession Season-3. He is known for his involvement in iconic thrillers and horror shows such as Shhh…Phir Koi Hai, Adalat, and Savdhaan India.

    With core strengths in crime, thriller, and horror, Rajesh has worked as script consultant and show runner for a leading entertainment channel like Star TV.

    With Rajesh Tripathi at the helm of content creation, Atrangii aims to elevate its storytelling capabilities, particularly in genres that resonate deeply with audiences, says a company press release..   

    Said Atrangi founder & CEO Vibhu Agarwal:  “Rajesh Tripathi’s appointment marks a significant step in our journey to redefine content excellence. His experience, creativity, and leadership will play a pivotal role in driving our vision for Atrangii forward.”

    Added Rajesh Tripathi: “I am genuinely excited to join the Atrangii family and collaborate with a team that is deeply committed to creating unique and impactful stories. Storytelling, for me, is about forging connections with people, and Atrangii’s vision resonates perfectly with my passion for meaningful narratives. I look forward to this journey of creativity and crafting content that not only entertains but also leaves a lasting impression on hearts and minds.”
     
     

  • Fast platform RunnTV attracts investment from South Africa’s media conglomerate eMedia

    Fast platform RunnTV attracts investment from South Africa’s media conglomerate eMedia

    MUMBAI: In the fast evolving world of television today, partnering is the way to go. That’s the belief of the Runn Media Lab-owned free ad-supported television (Fast)-based content streaming platform RunnTV. Founded by Manish Sinha, the company announced a strategic partnership with south African media group and broadcaster eMedia Investments on 29 November As part of this partnership, eMedia has also made a strategic investment in RunnTV.  The financial terms of the deal remain undisclosed.

    The partnership and investment will enable both companies to combine expertise and resources across media and technology, catalysing their growth across the digital streaming landscape both in India and in the overseas markets.

    RunnTV is a new-age streaming platform offering its users free, entertainment across genres while providing advertisers a premium, brand-safe space to effectively reach their target audiences. Launched in November 2023, it is targeting the emerging and high growth Fast market in India and beyond through mobile and connected devices.

    “eMedia joining us as a partner and a strategic investor presents exciting new opportunities for RunnTV.The partnership will fuel a robust and sustainable growth, technology and product innovation, expanded content offerings, and expansion to new markets,” says RunnTV founder & CEO Manish Sinha. “We look forward to this partnership to reshape digital entertainment, not only in India but across the globe.”

    eMedia is a Rand 3.1 billion (Rs 1,450-odd crore) turnover media conglomerate in South Africa having businesses in television and radio broadcasting, OTT streaming, content production, and properties and facilities. eMedia holds owns multiple marquee media brands including eTV, eNCA, eVOD, Openview,  Cape Town Film Studios and YFM.

    Through this collaboration, eMedia will not only further strengthen its already strong digital portfolio but will also leverage Runn Media Labs’ media technology and RunnTV platform to expand its digital business to other international markets including India.

    “We are very excited to invest in and partner with RunnTV and join forces on this exciting journey,” says Khalik Sherrif, CEO at eMedia. “RunnTV team has built a strong technology that powers its Fast platform and has an exciting and promising roadmap. We look forward to working closely with the talented team at RunnTV to shape the future of media and entertainment together.” 

    Shall we raise a toast to the new beginnings?

  • SonyLiv’s & Indian Magic Eye’s Lampan triumphs at IFFI 2024

    SonyLiv’s & Indian Magic Eye’s Lampan triumphs at IFFI 2024

    MUMBAI: There were five of them in contention, but Marathi series Lampan finally bagged the best OTT series award (we at Indiantelevision.com refuse to use the term web series for reasons best known to all) at the International Film Festival of India in Goa on 28 November 2024. Produced by Shrirang Godbole and Hrishikesh Deshpande of Indian Magic Eye, the series airs on SonyLiv.

    The best series award was received by the jubilant team of Lampan including a beaming SonyLiv programming commissioner and head of content Saugata Muherjee, Shrirang Godbole, and its cast and crew.  The award also entails a cash prize of Rs 10 lakh which is to be shared between the producers and SonyLiv.

    A jury consisting of Madhur Bhandarkar, Krishna Hebbale, Harish Shankar and Rupali Ganguly went through a difficult process of adjudicating the winner amongst the five finalists which included: Kotta Factory (TVF, Netflix), Kaala Paani (Posham Pa Pictures, Netflix), Ayali (Estrella Stories, Zee5), Jubliee (Andolan Films with Reliance and Phantom Studios, Amazon Prime Video).

    However, Lampan (set in rural India)  which  explores the emotional and social struggles of a young boy navigating his identity within the complex dynamics of his community came out on top for its remarkable storytelling, high production values, and exceptional performances.

    The series directed by Nipun Avinash Dharmadhikari is  based on stories written by Prakash Narayan Sant. It stars Chandrakant Kulkarni, Geetanjali Kulkarni, Mihir Godbole, Kadambari Kadam, Pushkaraj Chirputkar and  Avani Bhave. The writer of the show is Chinmay Kelkar. 
     

  • Digital content creators and their reliance on fictional facts

    Digital content creators and their reliance on fictional facts

    MUMBAI: We have known it for a long time. And many have cautioned us about it as well. 

    Now here’s some data to support the fact that digital content influencers and creators are pretty inventive about the so-called information that they tout as facts.

    A Unesco backed  Behind the Scenes survey  has revealed that 62 per cent of influencers do not carry out rigorous and systematic fact-checking of information prior to sharing it.  However,  73 per cent expressed the desire to be trained to do so. 

    The survey is the first global analysis of digital content creators’ motivations and practices, and of the challenges they face. It involved 500 influencers in 45 countries, with the expertise of a dedicated research team at US-based Bowling Green State University.

    The survey found that content creators have difficulty determining the best criteria for assessing the credibility of information they find online. 42 per cent of respondents said they used “the number of ‘likes’ and ‘shares’ a post had received” on social media as the main indicator. 21 per cent were happy to share content with their audiences if it had been shared with them “by friends they trusted,” and 19 per cent said they relied “on the reputation” of the original author or publisher of content. 

    Here’s more: mainstream news media is only the third most common source (36.9 per cent) for content creators, after their own experience and their own research and interviews.

    Clearly, a lot needs to be done to train digital content creators as well as followers who swallow any drivel  that’s dished out to them as a fact. Unesco has launched an online course to address this and educate them. More than 9,000 participants from 160 countries already registered to participate. 

    They will learn how to:
    * source information using a diverse range of sources
    * assess and verify the quality of information
    * be transparent about the sources which inspire their content
    * identify, debunk and report misinformation, disinformation and hate speech
    * collaborate with journalists and traditional media to amplify fact-based information.

    Can some more educational initiatives in India be instituted by educational institutes to educate the digital and social media crowd?

  • Crunchyroll brings epic anime experience to Comic-Con Delhi with Rana Daggubati

    Crunchyroll brings epic anime experience to Comic-Con Delhi with Rana Daggubati

    Mumbai: Delhi anime fans, brace yourselves! From  6 to 8 December, Crunchyroll brings an unparalleled anime extravaganza to Delhi Comic Con 2024. Dive into the vibrant anime world with the Solo Leveling Dome—an immersive experience that brings Sung Jinwoo’s journey to life. And the highlight? Superstar Rana Daggubati, the voice behind Barca in Hindi, Tamil, and Telugu, will be joining the action.

    That’s not all—Crunchyroll hosts two special fan screenings of the highly anticipated Solo Leveling -ReAwakening- movie in Mumbai and Delhi. Here’s what’s in store for anime fans at Crunchyroll Booth at Delhi Comic Con and the exclusive fan screening!

    Step Inside the Solo Leveling Dome: Immerse yourself in the breathtaking world of Solo Leveling with a one-of-a-kind experience inside the iconic dome. Get a sneak peek of stunning scenes from the series in a fully immersive setup that’ll give you chills (the good kind)! Solo Leveling fans also have the opportunity to pose for a memorable Polaroid photo to take home.

    Barca meets Delhi as Rana Daggubati joins the Fun: Meet Rana Daggubati, the voice of Barca, the powerful ice elf boss from Solo Leveling. He will be there to meet fans! Catch him at the booth and on the main stage as he shares his experience voicing Barca and his excitement about diving into the anime universe.

    Anime Trivia Madness: Think you know your anime? Prove it! Trivia sessions at the booth and main stage will test your knowledge with fun and challenging questions. Winners walk away with exclusive Crunchyroll goodies—don’t miss your chance to snag some swag!

    Epic Anime Collectibles Await You! Get your hands on exclusive fan giveaways at the Crunchyroll booth, including Crunchyroll-branded swag bags, One Piece collector cards for all the pirate lovers, Solo Leveling trading cards to bring the adventure home, and Dragon Ball Daima fan cards to celebrate the Saiyan legacy.

    Special fan screening of Solo Leveling -ReAwakening- in Mumbai and Delhi: Crunchyroll and Sony Pictures Entertainment are hosting two special fan screenings of Solo Leveling -ReAwakening-, the thrilling omnibus film that recaps the first season and previews the first two episodes of the eagerly awaited second season. Mumbai anime fans can catch the movie on the 4th of December, and Delhi fans can catch a special screening with an exclusive fan greeting with Rana Daggubati on December 6. To be a part of the screenings, fans can find out more details here.

  • High Stakes and High Drama: The Portrayal of Gambling in Indian TV Shows and Movies

    High Stakes and High Drama: The Portrayal of Gambling in Indian TV Shows and Movies

    Gambling has always held a place of intrigue and excitement in popular culture. In Indian television and cinema, this fascination is evident through numerous depictions that range from high-stakes drama to moral cautionary tales. This article delves into how gambling is portrayed in Indian TV shows and movies, exploring its cultural impact and underlying themes.

    The Glitz and Glamour of Gambling

    Indian cinema has a long history of showcasing the allure of gambling. Classic films like “Shree 420” and “Jewel Thief” introduced audiences to the thrill of high-stakes games. More contemporary movies such as “Teen Patti” and “The Great Gambler” continue this tradition, depicting gambling as an activity filled with suspense and excitement. These films often glamorize the world of gambling, presenting it as a domain of the rich and daring. This is akin to the allure of a high limit online casino, where the stakes are higher, and the rewards are greater.

    Gambling as a Plot Device

    Gambling serves as a compelling plot device in many Indian TV shows and movies, creating tension and driving the narrative forward. In “Baazigar,” for example, the protagonist’s gambling prowess is central to his quest for revenge. Similarly, TV shows like “Kumkum Bhagya” use gambling to introduce twists and turns, keeping viewers on the edge of their seats. 

    In addition to mainstream movies and TV shows, regional cinema has also explored gambling themes. Films like “Soodhu Kavvum” in Tamil and “Anjaneyulu” in Telugu highlight gambling’s role in both plot development and character arcs. These stories illustrate how deeply ingrained gambling is in the cultural and entertainment fabric of India.

    The Moral Quandary

    While gambling is often depicted with glamour, Indian media also addresses its darker side. Movies like “Gambler” and “Oye Lucky! Lucky Oye!” highlight the moral and ethical dilemmas associated with gambling. These stories often serve as cautionary tales, illustrating the potential for addiction and the impact on personal relationships. They reflect societal concerns about gambling’s influence and the consequences of indulgence. 

    Television series also explore these moral complexities. Shows like “Crime Patrol” and “Savdhaan India” frequently feature episodes where gambling leads to criminal activities and personal downfalls. These narratives underscore the risks involved and serve as a reminder of the potential negative outcomes associated with gambling.

    Cultural Reflections

    The portrayal of gambling in Indian media is a reflection of broader cultural attitudes. On one hand, it represents aspiration and the desire for quick success. On the other, it acknowledges the risks and moral complexities involved. This duality resonates with audiences, offering both escapism and a mirror to societal issues. 
    Moreover, gambling in Indian media often intersects with themes of power, wealth, and status. Characters involved in gambling are frequently depicted as affluent or striving for wealth, reflecting societal aspirations. This intersection adds another layer of complexity to the portrayal of gambling, making it a rich and multifaceted subject.

    Technological Influence

    The advent of digital platforms has also influenced the portrayal of gambling in Indian media. Online gambling and high limit online casinos are becoming increasingly popular, and this trend is reflected in newer films and TV shows. For instance, movies like “Rummy” and web series like “The Casino” explore the world of online gambling, highlighting its growing significance in modern entertainment. 

    These digital narratives often emphasize the convenience and accessibility of online gambling, appealing to a younger, tech-savvy audience. This shift in portrayal indicates a broader trend in the entertainment industry, where digital platforms are increasingly shaping content and themes.

    Disclaimer: This article does not have journalistic/ editorial involvement of indiantelevision.com. indiantelevision.com group or its websites does not endorse/ subscribe to the contents of the article/advertisement and/or views expressed herein.

    The reader is further advised that Online Casino, Betting, Online Gaming , Crypto products, Financial Investments/Engagement , NFTs, Products associated with health, wellness, and food are unregulated and can be highly risky. There may be no regulatory recourse for any loss from such transactions or risk associated with health conditions.

    Indiantelevision.com group shall not in any manner, be responsible and/or liable in any manner whatsoever for all that is stated in the article and/or also with regard to the views, opinions, announcements, declarations, affirmations etc., stated/featured in the same. The decision to read hereinafter is purely a matter of choice and shall be construed as an express undertaking/guarantee in favour of indiantelevision.com (indiantelevision.com group) of being absolved from any/ all potential legal action, or enforceable claims. The content may be for information and awareness purposes and does not constitute financial advice. 

  • Australia passes bill banning social media for kids; India’s Vaishnaw calls for stricter regulation

    Australia passes bill banning social media for kids; India’s Vaishnaw calls for stricter regulation

    MUMBAI: No social media for kids. The Aussie house of representatives passed a bill yesterday imposing a ban against Instagram, Tiktok, Facebook, SnapChat, X,  Reddit from allowing kids under 16 from accessing these networking platforms. The onus has been put on social media to ensure that kids don’t use them;  fines up to $33 million will be imposed on them if a kid’s profile is found active. The bill will now require senate approval which it most likely will get and social media  will have  a year to clean up their acts. 

    That was Down Under. 

    In India too, the government would like to bring  social media under tight regulation. 

    While addressing a parliament question during the ongoing session of the Lok Sabha today, union minister of information & broadcasting, railways, and electronics & IT, Ashwini Vaishnaw,  once again highlighted the urgent need to strengthen existing laws governing social media and OTT platforms.

    “We are living in the era of social media and OTT platforms. However, the democratic institutions and traditional forms of the press that once relied on editorial checks to ensure accountability and correctness of content, have seen these checks diminish over time,” he said. 

    He noted that due to the absence of such editorial oversight, social media has become a platform for freedom of press on one hand, but on the other hand, it has also become a space for uncontrolled expression, which often includes vulgar content. 

    Acknowledging the distinct cultural differences between India and the geographies where these platforms originated, Vaishnaw emphasised. “The cultural sensitivities of India vastly differ from those of the regions where these platforms were created,” he said.  

    This makes it imperative for India to make existing laws more stricter and he urged everyone to come to a consensus on this matter.

    The minister also urged the parliamentary standing committee to take up this important matter issue as a priority. “There should be societal consensus on it, along with stricter laws to address this challenge” he said.

    Will Indian society agree?