Category: iWorld

  • GoNews becomes NBA India’s first digital member

    NEW DELHI: One of India’s youngest digital news channel GoNews has become the first digital member of News Broadcasters Association (NBA) of India, which has been under pressure in recent times with organization members accusing each of alleged malpractices and a new news channel boss dubbing it a “toothless” body.

    In an official statement, Pankaj Pachauri-founded Cloudburst Mediaworks Pvt. Ltd., owners of GoNews, said the NBA board at its meeting held on 9 May 2017 considered its application and granted it associate member status with effect from 18 May 2017.

    GoNews, an app-based news channel, was officially launched in April 2017. True to its adage of providing news on the go, the inauguration too was live-streamed to over 20,000 smart phone users who had downloaded the app on their smart phones, besides scores of followers on social media.

    According to Pachauri, creation of app-based news channel was done on purpose so as to disseminate basic information and hard facts to viewers having no or little access to satellite TV.

    A former TV news journalist who had also done a stint as former PM Manmohan Singh’s media advisor, Pachauri said research and data convinced him that satellite TV news was losing its viewership as well as sheen because it had become “highly opinionated” and was increasingly becoming “hostage to advertising”.

    Meanwhile, not all TV news channels in India are members of NBA, but with GoNews’ addition membership strength has gone up to 24 companies with 63 channels. Most NBA India members are also part of a bigger industry organization called the Indian Broadcasting Foundation (IBF).

    NBA was formed some years back after the news channels said their interest was not properly being highlighted by the IBF on various forums. NBA represents the private television news and current affairs broadcasters and is an organization funded entirely by its members. Co-founder of a new news channel, Republic TV, Arnab Goswami recently described the organization as a “cabal” and “toothless” body when asked the reason for NBA India last week opposing release of Republic’s debut-week audience measurement data.

    ALSO READ:

    New digital player GoNews voluntarily submits to NBA self-regulations

  • ACT leads in wired subs adds, Jiojuggernaut marches on

    BENGALURU: Atria Convergence Technologies Pvt. Ltd (ACT) leads in wired broadband internet subscribers additions in calendar year 2017 (CY-17) until 31 March 2017 (Mar-17) as per data released by the Telecom Regulatory Authority of India (TRAI). ACT has added 50,000 subscribers, of which 30,000 were added in March 2017 followed by Indian telecom major Bharti Airtel Limited (Airtel) which added 40,000 subscribers during the same period. The MukeshDhirubhaiAmbani led Reliance Industries Limited juggernaut Reliance JioInfocom Limited (Jio) continued as the company with the largest wireless broadband internet subscriber base in the country – all of it being wireless so far. Having overtaken the incumbent biggest wireless broad band internet player until Oct-16, Airtel, Jio had a subscriber base of 108.68 million (1086.8 lakh) in Mar-17.

    One lakh (0.1 million) wired broadband internet subscribers were added in CY-17 as per TRAI data. Among the wireline ISP’s,BSNL is the biggest player by far with 99.8 lakh subscribers. BSNL added 30,000 wired broadband subscribers in CY-17.The second largest wireline ISP in India is Airtel which closed Mar-17 with 20.8 lakh wireline subscribers, after adding just 10,000 subscribers to its wireline internet subscriber base during Mar-17 and as mentioned above, 40,000 in CY-17. The third largest wireline broadband internet services provider was regional private player ACT Broadband with a subscriber base of 11.7 lakh at the end of Mar-18. The government run Mahanagar Sanchar Nigam Limited (MTNL) lost 30,000 subscribers in CY-17and had a subscriber base of 10.1 lakh at the end of Mar-17. The fifth player in the list of top five wireline broadband internet service providers in the country is another regional player – You Broadband or You BB. There was no change in the minnow’s subscriber base of 6.2 lakh in Mar-17 vis-à-vis Feb-17. Please refer to the figure below:

    public://act1.jpg

    The wireless broadband internet subscriber base of the top 5 service providers grew by 22.09 percent (437.6lakh) in CY-17 from 1981.4 lakh to 2419 lakh in Mar-17. The top five service wireless internet service providers subscriber base grew 6.7 percent (151.9 lakh) between Feb-17 and Mar-17. 
    The top five wireless service providers constituted 87.48 percent market share of the totalbroadband subscribers at the end of Mar-17. These service providerswere Jio(108.68 million), Airtel (49.13million or 491.3 lakh), Vodafone (37.72 million or 377.2 lakh), Idea Cellular (24.70 millionor 247 lakh) and BSNL(21.67 or 216.7million).Jio added 35.52 million or 355.2 lakh (50.61 percent growth in CY-17 subscribers in CY-17 and 5.84 or 58.4 lakh (5.68 percent growth in Mar-17) subscribers in Mar-17.

    Please refer to the figure below for All India wireless subscriber base and subscriber base of top 5 wireless broadband internet service providers:

    public://act2.jpg

    Among the top 5 wireless broadband internet services providers in the country, Jio has shown the highest growth. Please refer to the figure below for growth of top 5 wireless broadband internet service providers in the country:

    public://act3.jpg

    Notes: (1) The unit of currency in this report is the Indian rupee – Rs (also conventionally represented by INR). The Indian numbering system or the Vedic numbering system has been used to denote money values. The basic conversion to the international norm would be:
    (a) 100,00,000 = 100 lakh = 10,000,000 = 10 million = 1 crore.
    (b) 10,000 lakh = 100 crore = 1 arab = 1 billion.

    (2) TRAI reports indicate data in millions of numbers up to 2 decimal places. Hence it is assumed in this report that a figure of 0.51 million (5.1 lakh) subscribers for You BB for Dec-2015 would be granular to the nearest 10,000. While percentages have been mentioned up to two decimal places, the accuracy may vary, depending upon the exact number.

     (3) MSOs’ have a number of subsidiaries and alliances, hence broadband numbers are split as applicable. The consolidated subscription numbers of these entities could be larger. Hathway is a case in point.

  • Asianet Broadband to move into Tamil Nadu; launches superfast package in Kozhikode

    MUMBAI: Down south, Asianet Broadband a part of Asianet Satellite Communications has announced it is spreading its wings into Tamil Nadu. Asianet Broadband has 200,000 subscribers from residential areas SMEs and office in 56 and cities towns across God’s own country Kerala.

    It made this announcement last week, along with the introduction of a super fast broadband package.

    The new package called GIGA Fibre 200 it is being offered in Calicut and is being delivered over its brand new optical fibre network, it passing over 45,000 homes in the city at launch. The idea is to take it up to 100,000 homes across the city and outskirts in phases,the company says.

    Asainet Broadband has a total bandwidth capacity of more than 30 Gbps, which is the largest in the state of Kerala among the new generation private ISPs.

    The GIGA Fibre 200 package priced of Rs 999 a month at 200 MBPS speeds with a 200 GB limit. Asianet has a sweetener attached to the package: those paying three months advance rent in advance will get the wifi modem free.. The delivery of the broadband is being done using tate of the art DOCSIS & GPON technology.

    Optic Points out Asianet Satellite Communications president & COO . G.Sankaranarayana: “ Lightning fast downloads, simultaneous streaming, plenty of data & very Hi speed to ensure a great experience even with multiple users. New areas like Virtual reality, Telemedicine etc are all possible today. Possibilities are endless. Kozhikode is just a start and we are going to rollout GIGA fiber across other markets in Kerala too.”

  • Hooq’s ‘Marlina…” goes to Cannes

    MUMBAI: Hooq, one of the largest Video on Demand service in South-East Asia, has announced that its first Indonesian original production will be screening at the Director’s Fortnight in Cannes which opens this week. This is on the back of a series of announcements from Hooqthat underscores its commitment to Asian film production through ventures with top independent studios and filmmakers in the region.

    “Hooq is very proud that Marlina will be screening at Cannes Directors’ Fortnight this year! We look forward to many more successful Hooq original productions that will gain recognition in the international film industry, but more importantly will keep our customers Hooq’d month after month! Our continued commitment to the Asian film industry will see us investing in more original productions with the goal to give new and established talents an avenue to tell their stories in multiple formats – be it a feature film or a 10-part series,” said Peter Bithos, Chief Executive Officer of Hooq.

    In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, In addition to Marlina the Murderer in Four Acts, Hooq recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    MARLINA THE MURDERER IN FOUR ACTS
    The most recent work of director Mouly Surya (36), Marlina the Murderer in Four Acts will premiere on 24 May 2017 at Quinzaine des Réalisateur (Directors’ Fortnight) which takes place in parallel to 2017 Cannes Film Festival.

    Marlina depicts the story of a widow on her journey to look for justice after a band of robbers assaults her. This film written by Mouly Surya and Rama Adi is based on Garin Nugroho’s story idea. It is produced by Rama Adi and Fauzan Zidni and starring Marsha Timothy, Dea Panendra, Yoga Pratama and Egi Fedly.

    “It is a big honor to be included in the Directors’ Fortnight line up, an event to seek the world’s famous auters with more edgy works. This is a good event for Marlina and I hope the film will get the opportunity for a wider distribution after this screening,” said Mouly Surya during the press conference at Plaza Indonesia on 12 May 2017.

    Marlina is a co-production between Cinesurya, Kaninga Pictures (Indonesia), Sasha & Co Production (France), Astro Shaw (Malaysia), In addition to Marlina the Murderer in Four Acts, HOOQ recently announced a host of original productions – Critical Eleven and Sweet 20 to hit cinemas in May and June 2017 respectively, the highly anticipated On the Job which will debut in cinemas in August followed by a 5-part series that will launch exclusive on Hooq six weeks later and The T Party (working codename) will hit the service later this year. At the same time, Hooq also announced a new initiative Hooq Filmmakers Guild – which is a search for Asian film talents to turn their ideas into reality.

    Chairman of Indonesian Creative Economy Agency Triawan Munaf said, “Mouly Surya’s success in the Cannes Directors’ Fortnight is a major achievement for Indonesian cinema. Aside from being selected in this section for the first time, an Indonesian film is finally being featured again in the world’s most prestigious film festival.”

    The Counselor for Cooperation and Cultural Action of the Embassy of France and Director of IFI Marc Piton said, “Supported by CNC, IFI and Cinema du Monde, Mouly’s work has marked close relationships between Indonesia and France in cinematography. Being selected for the Director’s Fortnight at Cannes also shows that Indonesian films are gaining more recognition internationally.”

    Organized by Societe des Realisateurs de Films (French Directors Guild) and initially held in 1969, the Directors’ Fortnight that runs parallel to the Cannes Film Festival aims to aid filmmakers and contributes to their discovery by the critics and audiences alike. The Director’s Fortnight has discovered and debut famous directors such as Werner Herzog, George Lucas, Martin Scorsese, Jim Jarmush, Michael Haneke, Spike Lee, Sofia Coppola and many more. The selected titles will be premiered at the festival from 18 – 28 May 2017 in Cannes, followed by the premiere in Marseille, Paris, Geneva, Rome, Milan, Florence and Brussels.

    Marlina was previously selected for the Asian Project Market at 2015 Busan International Film Festival and Cinefondation L’Atelier at 2016 Cannes Film Festival. This film received funds from Talents Tokyo through the Next Masters Support Programme and subsidy from Cinémas du Monde from French Ministry of Foreign Affairs.

    Marlina is the fourth full-length feature film from Indonesia to be selected for the Cannes Film Festival. The previous three films are Tjoet Nja Dhien (1988, Semaine de la Critique), Daun di Atas Bantal (1998, Un Certain Regard) and Serambi (2006, Un Certain Regard).

    Mouly directed What They Don’t Talk About When They Talk About Love (2013), the first Indonesian film selected to compete in the World Cinema Dramatic Competition at the Sundance Film Festival. Her first film, Fiksi (2008), led Mouly to be the only female who received Citra Awards for the best director.

  • Zee TV goes into overdrive on Dangal world premiere

    MUMBAI: It’s the mega blockbuster of Indian Hindi cinema. And Zee TV is pulling out all the stops to give the world television premier of the Aamir Khan starrer the Rs 1000 crore box office Dangal on 21 May 12 noon to 4 pm the spotlight it deserves in the minds of TV viewers.

    Over the past month, Zee TV’s marketers have been using its network of channels, its social media, ground activation, print, mobile, outdoors, PR, radio to promote the movie premier to viewers. Estimates are that Zee has spent close to Rs 60 crore-75crore to acquire the TV rights for the movie and it is pumping in excess of a Rs 6 crore on promotional spends.

    At the time of writing, the channel’s sales team had managed to find Bournvita the title sponsor, and Yepme.com, Sugarfree and Volkswagen as the co-powered by sponsors and Wonder Cement, makemytrup, Elica kitchen, Cipla, Abbot as the associate sponsors for Dangal’s telecast on Zee TV HD. Its SD feed had attracted Bajaj Pulsar, Lifebuoy, Yepme.com as the co-powered by sponsor and Godrej, Wonder Cement and Zee Rainweare as the associate sponsors.

    According to Zee TV business head Deepak Rajadhyaksha, the channel was clear about selling Dangal’s premier at a premium. “We had advertisers queueing up for the SD title sponsorship as well,” he says. “However, we were not willing to compromise on rates as we know the value of the product. Actually we were happier not have a title sponsor on board rather than compromising on price. We still have a couple of days left and are open to proposals as well.”

    An estimate is that prices have been kept at around Rs 350,000 for 10 seconds and the title sponsorship was pegged at around Rs 8-12 crore, for SD and around half that for HD. Sponsors were given a package which consisted of 1+1 repeat telecast. The second telecast is slated to follow on 28 May.

    Deepak points out that around five more telecasts will have to be done for Zee TV to break even on the price that the network has coughed up for the rights.

    What he is pleased about is that Zee TV has put its creative and financial muscle behind promoting the film’s premier. “It was a challenge for us – a great one,” says Deepak Rajadhyaksha. “How to create the experience on Zee TV for those who have watched the film in theatres to watch it on air once again, and how to get the fence sitters who did not watch the movie in cinema halls to come and watch it on Zee TV for the first time,” says Rajadhyaksha.

    The marketing

    It began with a teaser promo on 15 April 2017 wherein the first scene of Dangal was aired on its channels to peak consumer interest, says Zee TV business head Deepak Rajadhyaksha. This was followed by the second phase of creative communication with the key messaging being “sara khel hi palat daala” (he turned the game upside down, or he broke the shackles). This was followed by the third phase which has now commenced wherein the Dangal tracks are being played out in promos.

    Simultaneously a contest was activated which was promoted on radio (Big FM) , TV, telcos such as Vodafone and Idea and on digital (its own pages on Facebook and Twitter) wherein the gratification was that 10 winning viewers would get a chance to engage with the cast, crew and ask them a question over the telephone or in the studio during a post-premier special episode between 4 and 5 pm on Zee TV.

    “It’s an interactive show in which there will be a sharing of experiences, life changing experiences which have happened because of Dangal,” says Radjadhyaksha.

    The production of the special Dangal show is being handled by the inhouse team of Zee TV’s production company Essel Vision at its Saregamapa studios with a 12 camera set up.

    The creative team at Zee TV has also taken steps to do product integration of the film Dangal into two of its shows – Mehak and Piyaa Albela. “Over this week and next week, we have designed the highpoints wherein the protagonists in each of them are having a Dangal of their own.”

    To build more connectivity with the film, the programming team has also created a special episode of Saregamapa on 20 May wherein the young Babita and Geeta will be participants. “It will focus on the music of Dangal,” says Rajadhykasha.

    He points out that the objective was to create synergies between all the properties of the Zee TV group, whether social, on television, digital, or on its OTT service DittoTV .”We are cross promoting in every way possible,” he says.

    What the marketing team is excited about was the True View Advertising option they took out courtesy Google on digital. “We had pre-rolls and bumper ads,” reveals Deepak Rajadhyaksha. “The six second bumper ads worked well for us.”

    The objective was to get around 85 million digital impressions on digital, and we have achieved that, discloses Rajadhyaksha.

    And as the premier date near, the promotion is also shifting to print, malls and bus depots and on the outdoors. “We have designed akhadas (wrestling arenas) in bus depots and stops and in malls where audiences will get to see live wrestlers in combat,” says Rajadhyaksha. “Ads will come out in print media announcing the premier as well as on the outdoors.”

    Says a media planner not willing to disclose her name: “Yes, the promotional activity has been on for a month. But the Zee TV team could have used more ammo for a premier such as Dangal. It’s a great film and it will attract audience, but the buzz could have been stronger. Remember folks will engaged with the IPL final later that day in the evening. How much of a promotional blast the team puts out over today, tomorrow and day-after – the last leg – will finally decide the incremental ratings they will pocket for Dangal.”

    Rajadhyaskha is however pleased with the effort that has been put behind and is quite confident it will rate well. “There is nothing else on competing channels in that slot.”

    Now it’s over to the viewer to decide the fate of the labour of Mahavir Phogat, Babita, Geeta, Aamir Khan and Zee TV.

  • OTTV 2017: Co-existence with traditional TV predicted, scope for OTT kids content

    MUMBAI: “Can OTT TV challenge traditional TV?” was the session on OTTV Summit 2017, as industry experts shared their views with regards to the future of the traditional TV consumption and OTTV consumption. Will traditional TV die soon? Will OTT take over traditional TV?

    Moderated by Dveo Media CEO Deepak Ramsurrun, the session saw Alt Balaji COO Sunil Nair, Sony Pictures Network India head of marketing and analytics digital business Abhishek Joshi, Lattu Media founder and CEO Vivek Bhutyani and News Corp VC Circle’s Shreyas Rao expressing their views..

    The session started by Nair stating that every platform has its audience so the whole assumption that, at any point of time, OTT is going to impact traditional television, is not going to happen. “I think OTT and television will co-exist for a long time. The audience will not go away easily. There might be 100m users of Jio, but still the number is small as compared to this huge animal. So, we should accept this and co-exist with them.”

    Sharing his view, Joshi mentioned, “Fortunately, I am from the organisation which has a strong presence in traditional TV and in OTT space as well. We strongly believe that content is democratic. We treat other platforms as distribution partners to increase the reach of the content on TV and OTT service as well. How do we differentiate the OTT digital content and traditional TV content? I firmly believe that whatever content works on TV will work on OTT. There are 30 OTT platforms in India — the strategy is not how to distribute it but how to monetise it. As a digital platform, we have not been able to crack that code yet. We all are doing Freemium, SVoD, TVoD whereas traditional television have been existing since 30 years.”

    Having a different point of view, Bhutyani who founded Lattu Kids, India’s first kids’ only platform which aims to become the safest destination for kids and parents to view content, compared the consumer on traditional TV and the one on digital, he likened traditional TV to Rajasthani Thali and Gujarati Thali. What he actually meant was that, “in a thali”, the consumer gets so many options but, s/he may not want a few of the items that are offered. In digital, it gives the consumer the power to have that choice. Content is very important. The viewership in kids genre has been on a decline. Globally, in top 10 YouTube channels, there are 2-3 kids channel. Parents informed us that they are not happy with the kind of content broadcasters have been showing.”

  • Insight: Significant growth in FTTH market foreseen till ’25

    MUMBAI: Fiber to the home is a communication technology which delivers the communication signal over optical fiber directly to the home from the operator’s switching equipment. Fiber to the home is replacing traditional copper infrastructures such as coaxial cables and telephone wires. At present, Fiber to the home market is in nascent stage and offers enormous advancements in bandwidth to the consumers which enables fast access to videos, voice, data and internet services. Fiber to the home technology offers high speed of network at affordable prices. Fiber to the home provides support to applications such as tele-health, community based security, social applications, art & education applications, mobility, home automation, video conferencing, online storage, property management etc.

    Fiber To The Home Market Segmentation

    Fiber to the home market can be segmented on the basis of type into Homes Passed and Homes Connected. At present, Connected Homes segment has highest market share in global Fiber to the home market. On the basis of Deployment Provider Type, the global Fiber to the home market can be segmented into Incumbent Local Exchange Carrier (ILEC), Competitive Local Exchange Carrier (CLEC), Municipality/ Publicly Owned Systems, Developer/ Integrator, Multi-system Operator (MSO) Cable and Electric Co-ops. In 2014, Incumbent Local Exchange Carrier segment represents highest market share in global fiber to the home market. Fiber to the home has many applications such as Internet Video, VoIP, File Sharing, Online Gaming, Web/ Data, Video Conferencing etc. The end users of Fiber to the home market can be classified into urban area, sub-urban area and rural area. At present, urban area segment has highest share contribution in global fiber to the home market and sub-urban area segment is expected to reflect highest growth rate over the forecast period.

    Fiber to the home Market: Region-wise Outlook

    The global Fiber to the home market is expected to witness a healthy CAGR through 2025 owing to increasing adoption of fiber to the home among telecom carriers across the globe, an FMI report stated. Regionally, the Fiber to the home market can be segmented into North America, Latin America, Western Europe, Eastern Europe, Asia-Pacific excluding Japan (APEJ), Japan and Middle East & Africa (MEA). At present, among all the regions, North America followed by Japan is expected to account for the highest share in global smart manufacturing market. Latin America and MEA regions are reflecting slow penetration as compared to other regions.

    Fiber to the home Market: Drivers

    Increasing demand of high speed network at home for accessing online entertainment, smart systems and online books, apps and music, supplemented by technological advancement and growing penetration of cloud computing, smart grids, e-learning, e-health and e-governance service across the word are expected to drive the Fiber to the home market growth between 2015 and 2025. Furthermore, FTTH Providers are continuously supporting Greenfield activity by replacing old copper wires with fiber. In addition, more number of telecom carriers have started adapting fiber to the home to offer their customers with high bandwidth to access data. However, high capital investment, stringent regulatory risks and geographic limitations are restricting the growth of global Fiber to the home market, the FMI report stated.

    Fiber to the home Market: Key Players

    The key players operating in the global Fiber to the home market includes 3M Communication Technologies, ADTRAN Inc., Huawei Technologies Co. Ltd, DASAN Networks Inc., FiberHome Networks Co. Ltd., Enablence Technologies Inc., ZTE Corporation, Mitsubishi Electric Corp., Fujikura Ltd. and Superior Essex Inc.. Major players in the market follow the strategy of introducing innovative and cost effective solution to buy out competition. In addition, strategic partnership, collaborations and joint ventures are the other major strategies followed by the Fiber to the home solution provider to outperform competitors, the FMI report added.

  • 100% more Airtel data offered in b’band plans

    MUMBAI: Following its rollout of ‘V-Fiber’ superfast broadband to serve the exploding demand for reliable high speed data solutions in Indian homes, now introduces larger bundles of data at existing prices to enable customers to do more New proposition designed to drive adoption of high speed broadband in the country and accelerate the journey towards digitally connected homes

    Bharti Airtel, India’s largest telecommunications services provider, has announced refreshed home broadband proposition to serve the exploding demand for high speed data in today’s digital homes and drive the adoption of superfast broadband in the country. The new plans now offer up to 100% more high speed data benefits within the same monthly rentals.

    In-home high speed data consumption in India is increasing exponentially with customers looking to stream HD/4K content, download heavy file across a variety of connected devices like smartphones, tablets, Smart TVs, Internet TV solutions and security solutions etc. Fixed broadband (Wi-Fi) continues to be the preferred mode of high speed data delivery given its consistent speeds and in the near future will also enable the IoT play for homes with connected appliances and much more.

    To serve this growing demand and enable a seamless high speed data experience in a multi-device environment, Airtel has built a future ready network and introduced ‘V-Fiber’ that delivers consistently superfast broadband speeds of up to 100 Mbps to homes. The ‘V-Fiber’ high speed broadband experience is available to customers within the same plan rentals and requires only a quick modem switch.

    Airtel’s refreshed broadband plans are designed to unlock the ‘V-Fiber’ superfast broadband experience with generous bundles of high speed data within existing plan rentals that enable Indian homes to get on to the digital super highway.

    For instance, the Rs. 599 plan in Mumbai now offers 20 GB high speed data compared to 8 GB earlier, while the Rs. 699 plan will now offer 30 GB of high speed data compared to 15 GB earlier. The Rs. 999 plan now offers 60 GB compared to 30 GB and the Rs. 2599 plan offers 400 GB compared to 200 GB. Similar large increments in data benefits have been effected at every price point in every city with unlimited calling to any network available across all plans.

    Hemanth Kumar Guruswamy, CEO – Homes, Bharti Airtel (India) said, “Our new plans are aimed at putting India onto the digital superhighway and complement our superfast broadband offerings like ‘V-Fiber’. At Airtel, our mission is to enable a superior digital experience and offer great value to our customers. Our customers can now add to their online experience with exciting speeds backed by unmatched service reliability. We believe these new plans will also drive the adoption of high speed broadband in the country.”

    Existing customers will be upgraded to the new benefits automatically within the current bill cycle while new customers can choose from a host of plans that offer great value backed by best-in-class high speed broadband experience.

    The upgraded plans are yet another addition to Airtel’s initiatives to innovate products that offer great value to customers. Recently, the company rolled out Airtel Surprises and myHome Rewards that offered free additional data benefits to customers.

  • SonyLiv adds another language to its catalogue, launches first Gujarati rom-com web series

    MUMBAI: Younger by a few years or older by a wide age gap? Arranged by the family, the saccharine sweet romance or the clandestine hush-hush affair?

    The dilemmas of an average, middle-class joint Gujarati family define the flavour of India’s first ever Gujarati rom-com web series ‘Kacho Papad Pako Papad’ on SonyLIV.

    With this show SonyLiv, the digital platform of Sony Pictures Networks (SPN) marks yet another spectacular addition to its regional content catalogue since it introduced the Marathi web series Yolo, earlier this year. By giving viewers a chance to enjoy high quality, relatable entertainment created specifically for them, SonyLiv once again delivers on its brand promise – ‘We Liv to Entertain.’

    A rollicking affair that promises to have you in bouts of laughter, this Gujarati web series has the perfect combination of content and actors that ensures you are glued to your screens. Starring acclaimed actors Rupa Divatia, Pratap Sachdeo, and Bhakti Rathod, ‘Kacho Papad Pako Papad’ revolves around the sprightly misadventures of the Maniyar family.

    The family has an uncanny ability to make any ordinary issue look like an extra-ordinary challenge. It all begins when their son Vipul brings home a girl who is older than him, to be introduced to the family. However, trouble ensues when a girl who is several years younger, professes her love for their son and her intent to marry him.

    Sony Pictures Networks EVP and head – digital business Uday Sodhi said: “Regional content consumption is growing rapidly and with access to faster internet speeds, this growth will only amplify. To cater to this emerging demand, we at SonyLiv decided to launch India’s first-ever rom-com Gujarati web-series ‘Kacho Papad Pako Papad’. The show underlines our brand promise of providing the best in entertainment to our viewers, with engaging and relatable content tailor-made to suit their entertainment and language preferences. We hope our viewers enjoy the series, one of the many firsts in our business.”

    Starting 19 May, 2017, the exciting Gujarati web-series will be available on SonyLiv’s web and mobile platforms. Spread across a 12 week duration, with each episode spanning 6–8 minutes, a new episode will release every Friday. SonyLIV users also have the option to subscribe to the entire web series, if they want to binge watch the show.

    Link to the web-series: http://bit.ly/2pUTgV9

  • ALTBalaji enters kids’ entertainment with animated Moe Doe, Ding Dong Bell & Happy Lucky Ki Katti Batti

    MUMBAI: After disrupting the digital entertainment space with original shows, ALTBalaji enters the untapped domain of kids’ entertainment segment in digital world. ALTBalaji -India’s largest mobile platform of original shows launches animated shows which includes popular and original characters; in both animation and live action. The original homegrown content is exclusively created for kids of age group 0 to 12 years; as there is a dearth of content designed for them. ALTBalaji is attempting to captivate the huge demand gap of this segment with ALTBalaji kids’ offerings.

    These original shows are created keeping in mind the age group and their needs. The kids get to play, learn, and explore with the shows on the app. The app has parental control system which enables parent to be selective in the content that the kids are allowed to watch. Subscribed users could enable this parental lock on ALTBalaji mobile platform so that kids could access only ALTBalaji KIDS!

    ALTBalaji Nachiket Pantvaidya CEO said, “Over the last few years, there’s been a paradigm shift from TV to mobile consumption, this is especially true for Generation Z apart from parents today. Kids’ entertainment on mobile & tablets has made them invincible, parents can control what the kids are learning or watching and they can decide what time they should watch it. Our content is fresh and entertaining; it lets the young minds explore, learn and nurture their creative and artistic side. To ensure easy understanding and to cater to diverse set of audience, we are offering shows in different languages including English, Tamil, Bengali, Telugu. This is especially good for Indian diaspora spread across the world as ALTBalaji app is available in 80 countries. We are excited to explore the untapped potential of this segment.”

    ALTBalaji app encompasses exciting animated series like Moe Doe – a story about friendship between a little boy (Moe) and a dinosaur (Doe); Ding Dong Bell – story about three best friends; Happy Lucky Ki Katti Batti – a way to teach kids about shapes, maths, colours, good habits and values. ALTBalaji showcases the most iconic nursery rhymes through the animated show Nursery Rhymes. The platform has acquired original famous cartoons like Little Krishna, Shaktimaan, Shuriken School and many more.

    ALTBalaji was launched all over the world on 16th April. The OTT platform aims to offer 250+ hours of original, exclusive content to its subscribers.