Category: iWorld

  • Selective, snackable, short episodes, niche mktg vital, says Manav Sethi as ALTBalaji ranks among top OTTs

    Selective, snackable, short episodes, niche mktg vital, says Manav Sethi as ALTBalaji ranks among top OTTs

    MUMBAI: The consumer who is on the move doesn’t consume long-form content. Snackable content is crucial. Every show is split into 10-12 episodes ranging between 20-30 minutes. Ninety per cent of the marketing spends is on digital. These are some of the critical insights Indiantelevision.com gleaned from an expert at ALTBalaji, which has ranked third among 34-odd India-based revenue-grossing video streaming apps, within six months of its existence.

    Online video (OTT) platform for original and exclusive shows ALTBalaji has been ranked amongst the Top 3 as per ‘State of  Video Streaming Apps in India’ report compiled by App Annie Intelligence — the ranking is a combination of iOS App Store and Google Play Store for H1 2017 period.

    The report focuses on the state of video streaming apps in Asia-Pacific region including emerging markets such as India, China and Thailand, among other. Since its launch in April, ALTBalaji has had more than 10 million mobile downloads with more than 1M+ web viewers. The ad-free, subscription-based platform is available in over 80+ countries, catering to the need of Indians and Indian diaspora spread across the globe. It is offering content in various Indian regional languages — Bengali, Tamil, Punjabi and Gujarati, etc.

    About the traction ALTBalaji gets, CMO Manav Sethi opened up with his geographical analysis: “Our Tamil show ‘Maya Thirrai’ not only garnered the southern audience but also has gathered traction from countries such as Singapore and the middle east because of the largest Tamil-speaking diaspora there.”

    He added: “Within 24 hours of announcement and trailer upload of our Bengali show ‘Dhimander Dinkaal,’ we observed spike from Dhaka (Bangladesh). From the regional standpoint, we are glued to the areas where internet bandwidth is available and the language-speaking diaspora has the acceptability of new-age content. This also helps in picking particular language and genre.”

    The video streaming app currently offers 10 active shows of various genres such as romance, mystery, drama, and comedy. ALTBalaji will soon launch more shows on the app.

    Sethi said, “In the last six months, we had 10 original shows which nobody including Amazon and Netflix had been able to launch in India. We are working on 50+ concept which are at various stages in our release pipeline. And, when a show goes live, it never goes on TV. By the exit of March 2018, we are committed to have 200-250 hours of original show content.”

    Sethi said, “Our content clarity and customer acquisition strategy worked for us to grow in such short time. We have never made content for the small universe, we have always endeavoured to create it for bigger universe. The shows that ALTBalaji put on the app are mainly in Hindi and other Indian languages. If we look at the top-rated GECs, news channels and circulated trends, English is a very miniscule component of consumption.” He further added with an example of YouTube that “YouTube claims to have 200 million unique monthly users consumption, wherein the part of English consumption is just 12 per cent.”

    One of the major reasons behind the growth of ALTBalaji is Ekta Kapoor, said Sethi, adding, “Ekta’s strength in identifying the stories and the narratives which have never been told in the past, and TV as a medium can’t handle it, holds a big part of our growth strategy. We did ‘Romil and Jugal’ where two boys fall in love with each other, ‘Dev DD’ where we have showcased a female as Devdas then ‘The Test Case’ with Nimrat Kaur which was about women in combat role, are some examples of stories never heard and told.”

    An interesting subject to know is whether ALTBalaji would now redesign their content strategy structure. Commenting on the strategy, Sethi said, “Our content strategy will remain the same. We will be creating more content in Hindi and in Indian languages. We have launched the Tamil and Bengali shows, and currently we are doing an epic show ‘Bose: Dead or Alive’ starring Rajkumar Rao which is releasing soon.

    Sethi added: “We are working on a new show ‘Mangalyaan’ which will revolve around three women, and will talk about various aspects of the Mars Orbiter Mission at ISRO. We have announced a Gujarati and Punjabi show each as well. We have already released an original comedy series ‘Pammi Aunty’ with Ssumier S Pasricha. From today (4 October), people will see stand-up comedy in four languages including Marathi and Tamil.”

    According to Sethi, the consumer was always on a move and did not consume long-form content on mobiles. “So, from a marketing standpoint, we have created snackable content which is easily downloadable across thin bandwidth,” he said. He further describes that their every show was split into 10-12 episodes which ranges between 20-30 minutes each.

    About the growth, Sethi said, “We were cautious in our advertising and marketing spends. Ninety per cent of our spends is focused on digital. Also, when we launched ALT as an OTT platform in April 2017, we did four weeks’ campaign on TV, which resulted in creating the awareness and launching it as a brand. But, since then, we are largely focusing on digital.”

    Also Read:

    Rajeev & Surveen’s digital debut on ALTBalaji’s Haq Se

    ALT Balaji announces Dhimaner Dinkaal – its  first Bengali original

    ALTBalaji is essentially everything that Balaji on TV is not: Sameer Nair

    ALTBalaji welcomes Pammi Aunty & family

  • Tata Sky partner QYOU achieves 100-mn reach milestone

    Tata Sky partner QYOU achieves 100-mn reach milestone

    MUMBAI: Digital-first generations have grown up on an appetite of online video and flock to popular platforms such as Snapchat, YouTube, and Facebook. According to eMarketer, 54 per cent of 18-34-year-olds use YouTube every day, and this number is only expected to increase — phenomenally.

    There is also a growing appetite for short-form online video in developing markets, where viewers are often mobile-first.

    QYOU Media, a curator of ‘best-of-web’ video for multiscreen distribution, has announced that its programmes and linear channels reach an addressable audience of more than 100 million consumers across six continents. The company’s rapidly expanding reach demonstrates a growing appetite for millennial-programming globally.

    This year, QYOU launched the new TBD multicast network in the US with Sinclair Broadcast Group, which brings curated digital-first shows and series to TV audiences for the first time.

    The company has also signed the largest deployment of its QYOU channel to date with an expansion of its partnership with Tata Sky Sky in India, bringing QYOU’s programming to its mobile, TV, and on-demand services. The company continues its push into these larger markets with localised content partnerships adding value to the offering for consumers, distributors, and advertisers.

    As more mobile operators, broadcasters, and content owners seek to target the youth, QYOU’s 24/7 linear channel and creation of its bespoke shows have been in demand.

    In the first half of 2017, QYOU signed a total of eight distribution agreements extending the reach of its content in Europe, the Middle East, Africa, Asia, Australia, Latin America and the US, as well as launching its content into new regions such as Sub-Saharan Africa and the Caribbean. QYOU is distributed to cable and OTT services run by Tata Sky, Vodafone, T Mobile and Telenor, etc.

    QYOU Media CEO Curt Marvis says: “Q4 of 2017 will see us extend our reach even further across Asia and Europe. Our programming is now available to more than 100 million customers across six continents, from the most densely populated urban cities on earth to remote mining sites in outback Australia.”

  • Regional news’ online viewership is billion-plus every month: Vidooly

    Regional news’ online viewership is billion-plus every month: Vidooly

    MUMBAI: News genre is emerging in popularity across leading online video platforms in India and crossing a billion-plus online viewership every month.

    Vidooly Media Tech conducted a study across top Facebook pages from India and YouTube channels from India, two of the most popular video platforms to understand viewership habits of Indian internet users.

    Vidooly CEO Subrat Kar says: “Interestingly, we are seeing a rising trend of regional content dominating English or ‘Hinglish’ content. This points to the larger overall trend of increasing viewership and internet growth in non-urban areas. This presents an exciting opportunity for brands and content creators to create multilingual content to reach out to the millions of users to are accessing internet for the first time.”

    The study was conducted across a total of 16 categories of Indian video content in the genres of automobile, comedy, kids, education, entertainment, film and animation, science and technology, health, gaming, how-to and style, food, music, news and politics, people, pets and animals, sports and travel.

    With over 180 million users on YouTube and 241 million users on Facebook in India, they are the two of the most popular online video platforms in India. Both the platforms with its massive reach and ubiquity allow content creators, brands and anyone to reach millions of viewers who consume this content across desktop and mobile devices.

    YouTube findings (across top 10 channels)

    Music genre with 3.2 billion views and entertainment genre with 2.7 billion views attracted maximum Indian viewership. Video content targeted towards kids especially nursery rhymes were also extremely popular with 1.4 billion views.

    Regional news is extremely popular on YouTube with nine out of the top 10 news channels publishing news in regional languages. Collectively, the top 10 news channels pulled in 701 million views. Most other viewed videos were across the categories of comedy, film and animation and food.

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    Facebook findings (across top 10 pages)

    Unlike YouTube, news pips other genres to emerge the most popular category with Indian viewers with the top 10 pages pulling in collectively 1.4 billion in viewership. Here, the top spots are taken by Hindi and Marathi news channels. Followed closely are entertainment videos with 919 million views across the top 10 Facebook pages. In entertainment category, regional content again takes the top spot with content in Tamil, Kannada, Telugu and Hindi being extremely popular with viewers.

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    Regional trends

    Across Facebook and YouTube, regional news across the languages of Telugu, Hindi, Tamil, Kannada and Marathi are extremely popular with Indian viewers collectively amassing 2.1 billion views in August across YouTube and Facebook.

    Overall rankings

    Across the top 100 channels in India on YouTube, content around music entertainment, news and kids’ genres took the top spots.

    Across the top 100 Facebook pages, the top seven spots are dominated by news channels, followed by cooking and entertainment genres.

  • Epic TV launches OTT, sets million subs target

    Epic TV launches OTT, sets million subs target

    MUMBAI: Aditya Pitte modestly says he does not have much experience in mainstream television. But, the lead distributor of Patanjali’s products loves to listen and learn, and play catch-up quickly. Over the years, he has been doing a lot of listening. And, learning and doing well at the TV business.

    So much so that he took over Sanskar TV, ran it for around five years, turned it around, before handing it over to Swami Ramdev in 2015. Encouraged, he launched another spiritual channel Shubh TV a couple of years ago. And then, the big plunge into the mainstream came in September 2016 when Anand Mahindra told him to head Epic Television, which he and Mukesh Ambani had floated with former Disney India CEO Mahesh Samat. Ambani was exiting, and Mahindra told him to take charge as managing director.

    He hired fresh talent, rejigged the programming and relaunched Epic as an infotainment channel with newer edgier programming. The tactic seems to be working, as the new Epic Channel has been striking a chord with audiences, and has seen its share among its demographic rising. However, what’s keeping him occupied is the launch of the channel’s app on 14 August. Launched with both, iOS and Android versions, it is available on both the iTunes and Google Play stores and has been getting traction with more than 100,000 downloads till date.

    Epic On is available as a free and paid version. In its free version, it offers selective shows, the first episode of all shows, and an exclusive seven day catch up window of series such as Devlok with Devdutt Pattanaik, Raja Rasoi Aur Andaaz, Umeed India and Indipedia. Subscription fees have been pegged at Rs 60 for a month and Rs 500 for a year. The international sticker prices have been kept at $1.99 a month and $19.99 a year.

    “We believe that consumers today value quality content and are willing to subscribe to platforms which consistently deliver premium original content that is different in its offerings from the normal fare being dished out en-masse,” says Epic Channel programming head Akul Tripathi. “This trend in consumer behaviour is only going to strengthen; creating a robust foundation for platforms committed towards consistent quality programming.”

    Epic On has close to 500 hours of content on launch which is constantly being expanded daily. Tripathi says a lot of thought has gone into the user interface (UI) to allow for intuitive specific cross searches between genres and content types. Also, content has been bunched into addictive and suggestive groups to provide users with the kind of content they prefer to view. The app also has a download feature for fans who can download their favourite shows and watch these on the go.

    The core of the Epic On OTT solution was created by Bangalore-based Saranyu Technologies while a digital team is being put together inhouse for updates.

    Pittie is looking at a million-strong subscriber base in the next 12 months across the globe with a focus on India, Australia, Singapore, followed by Canada, the US and the UK.

    The target audience: the new digital millennials. Explains Tripathi: “The early adopter for the app would be the Epic fans who have long appreciated our content and are eager to access it on demand for catching up on missed episodes and to earmark their favourite ones for repeated watching. Moving forward, we believe that anyone who wishes to know and experience India in an engrossing and interactive manner will definitely engage with the app.”

    And, one of the routes the 30-something Pittie is taking to help get to that million-mark is signing up with telcos everywhere to make Epic On easily accessible to their subscribers. “We have some way to go,” he says. “But I am reasonably happy with the results which can only get better from here. Step by step.”

    It’s this optimistic outlook which could well end up taking Epic On into the fast lane.

  • SonyLIV brings English non-fiction content on unique homes

    SonyLIV brings English non-fiction content on unique homes

    MUMBAI: SonyLIV and Jossbox have co-produced a web-series called ‘House Proud.’ The story will showcase beautiful makeovers of personal spaces.

    The title of six-story series is sponsored by Asian Paints, co-powered by Whirlpool and Curo Carte. The series carries a spatial transformation that helps the owners to realize the beauty of their own homes.

    SonyLIV EVP and digital business head Uday Sodhi said, “House Proud aims to bring out the intricate relationship that people have with their favourite spaces at home and give budding designers a platform to metamorphose these spaces into beautiful, aesthetic, functional and comfortable corners. The concept integrates well with SonyLIV’s goal to be the primary provider of innovative, never-seen-before content in India.”

    “Being the first English non-fiction content to be featured on SonyLIV, we are extremely confident of the series’ success and its ability to strike a chord with audiences who desire to witness a transformative journey that begins with a vision and ends with its realization,” he added.

    The show will feature homeowners from six different cities in India, each with their unique stories and vision which they want to be reflected in their personal spaces they provide. In this task, they will be assisted by a talented designer and an interior decorator to help them pick and choose the right mix of furniture and fittings.

    Jossbox co-founder Omer Basith said, “Everybody has certain dreams regarding how they want the living spaces of their homes to look and feel like. With House Proud, we are giving six participants the chance to live through this process of transformation and the audiences an opportunity to watch this beautiful journey. We are thrilled to partner with SonyLIV, which has never before featured an English non-fiction content, as our first collaboration with an OTT platform, making this journey of firsts a special one.”

    This six-episodic series of time duration 8-12 minute will feature young talented designers who will reveal a certain method to the madness with their unique aesthetic sense and chaotic work styles to transform the spaces of six homes for the first time.

    From a bachelor transforming his duplex to an old couple trying to settle into a retired life by redoing their study, House Proud, is about the different circumstances of its participants and the process of rediscovery that they go through by reimagining their familiar spaces.

  • Govt’s animated video message on child abuse to be shown in theatres, online plaints encouraged

    Govt’s animated video message on child abuse to be shown in theatres, online plaints encouraged

    NEW DELHI: Over a decade after a government report declared that every fifth child is subject to child abuse in his or her own home, an anti-child abuse documentary is planned to be made mandatory for all movie theatres across the country to spread the message of “Acting against child abuse.”

    Urging viewers to ‘Say no to child sexual abuse’, the idea of the film came after an assessment of anti-tobacco films screened in movie theatres and television. The short 30-second animation video will be screened not only at the start of the film, but also during intervals so that viewers do not miss the message.

    The short has been made by the National Commission for Protection of Child Rights (NCPCR), which is an official body under the ministry for women and child development. It is aimed at encouraging people to report such incidents.

    The NCPCR claims that no fee will be charged by the theatres for screening the video, which is in Hindi and English, and features the minister for women and child development Maneka Gandhi.

    Initially, this short will be screened in 11 theatres in the capital but will later be extended in all theatres in the country.

    A victim or someone known to the victim can report the matter by just writing ‘Please help’. It is mandatory to provide a mobile number so that the complainant can be contacted. It is not necessary to narrate the incident on the digital platform.

    According to National Crime Record Bureau, 94,172 cases were reported in 2016 across the country.

    Apart from conveying the message, the POCSO e-box facility will be promoted to encourage people to register online complaints. This is an online complaint management system for easy and direct reporting of sexual offences against children and timely action against offenders under the POCSO Act, 2012.

    While launching the e-box in 2016, Gandhi had said the idea came out of a police initiative in which complaint boxes were placed in schools. ‘A large number of abuse incidents are against close relatives and so they get pushed under the carpet,’ she had said.

    According to a study, sources in NCPCR said, about 53 per cent of children surveyed reported having faced some form of sexual abuse. In most cases, the offender is a family member/ near relative or an acquaintance.

    “Victims in such cases do not generally report the offences. Sexual abuse scars the psyche of the affected child for life. A child who is sexually abused has to face serious consequences such as cognitive impairment, violent and risky behaviour, including depression and anxiety,” the study notes.

    “Feeling shameful and guilty with poor interpersonal relationship and self-esteem are other consequences of sexually abused children,” the study observes.

  • Arré, FB to stream Ilaiyaraaja film, former to launch Tamil originals

    Arré, FB to stream Ilaiyaraaja film, former to launch Tamil originals

    MUMBAI: Ilaiyaraaja, Isaignani, the reclusive master, known for his unique skill is all set to disrupt, choosing to tell via Facebook his story to the new digital generation.

    This ‘digital-first’ film will play out first on Facebook, Instagram and Arré. Arré recently launched its music vertical, Arré Earworm, and has also entered the Tamil market and will soon be launching originals in Tamil.

    The regional-global story will straddle millions of Ilaiyaraaja fans and music communities across a swathe of geographies and interests

    Joining this initiative is Mindshare, whose specialised content solutions arm Content+ is working with Arré to tell this important story using their understanding of consumers across the globe.

    True to the nature of the medium and the genius of the artiste, Arré is in the process of collaborating with domestic and international creative talent to create what will be a path-defining moment for music and media.

    Ilaiyaraaja, said “I come from a small village and have had no formal training in music. Music has made me Ilaiyaraaja. I am looking forward to sharing my musical journey with all my fans and music lovers on Arré and Facebook.”

    English: https://www.facebook.com/1647011945555015/videos/1967237223532484/

    Tamil : https://www.facebook.com/1647011945555015/videos/1967233830199490/

    Arré B. Saikumar said: “Arré believes that digital is no longer the mainstay of just the millennial; it is increasingly the medium of choice across age-groups and community-led affinities and interests. We are happy to have Mindshare as a strategic partner to provide the required amplification and partners this project deserves.”

    Facebook India head – media partnerships Saurabh Doshi said: “Millions of people who are on Facebook will now be able to have the opportunity to get a glimpse of Ilaiyaraaja’s musical journey and his work through this video series on our platform.”

    Mindshare South Asia CEO Prasanth Kumar said, “The digital medium is giving us the opportunity to tell this story creatively, with the man re-living his musical journey again via video, text and imagery.”

  • Vimeo buys Livestream, enters live video market, may integrate with OTT tech

    Vimeo buys Livestream, enters live video market, may integrate with OTT tech

    MUMBAI: Vimeo, an ad-free open video platform which has an office in India, signed an agreement to acquire Livestream.

    The latter is a leading live video solution that powers over 10 million events a year. Vimeo also rolled out its own Vimeo Live product, offering professional live streaming capabilities directly through its platform for the first time.

    Following completion of the acquisition, Livestream’s offering will be integrated with Vimeo to empower creators to capture, edit, stream, and archive live events, as well as host, distribute and monetize videos, all in one seamless workflow. The move into live streaming positions Vimeo as the most complete video solution in the market for businesses, organizations and professional creators.

    Vimeo CEO Anjali Sud says: “Live streaming is the #1 request from our creator community this year, and we’re focused on bringing a new level of quality, convenience and craft to this evolving medium.”

    “With the launch of Vimeo Live and the addition of Livestream’s impressive team and innovative product suite, we can empower a diverse range of creators to produce beautiful live experiences with professionalism and ease,” she added.

    Livestream provides businesses and organisations with a solution for connecting with their audiences in real-time. Nearly 50 million viewers tune in to hundreds of thousands of live events powered by Livestream each month from customers including Dow Jones, Philadelphia Eagles, Tough Mudder and Spotify.

    Livestream co-founder and CEO Mark Kornfilt adds, “At Vimeo, we can accelerate the adoption of professional-quality live video by combining our tools and capabilities with Vimeo’s video expertise and global scale.”

    Complete video solution: The integration of Vimeo’s video technology with Livestream’s proprietary hardware and software products, production services and enterprise-level features will provide a end-to-end video solution for a wide range of professionals, businesses and organisations.

    The combination of Vimeo and Livestream will offer: Innovative Production Hardware and Software – Livestream provides production tools and services for capturing, broadcasting and editing live events, from its live event Mevo camera to its live production switcher Studio.

    Future integrations with Vimeo will provide creators with direct access to stream live events through Vimeo and leverage the platform’s robust video tools.

    High Quality Streaming: With Vimeo Live, creators can now broadcast live events in full 1080p with built-in cloud transcoding and adaptive streaming, so viewers can watch in stunning high quality, perfectly fit for their device and bandwidth. Auto-archived live videos on Vimeo can be replaced with files to support 4K viewing.

    Distribution and marketing tools: Creators using Vimeo Live have the flexibility to embed the fully customizable Vimeo player wherever they choose, see who’s attending their event by enabling email capture in the player, turn on live chat, and view live and archived stats to track performance. The addition of Livestream’s syndication tools will enable live distribution across social platforms in the future, including Facebook, YouTube, Twitch and Twitter.

    Singular home for video workflow: Vimeo now provides one home to help creators with all aspects of their video hosting and live streaming workflow – from broadcasting and auto-archiving to storage, management and collaboration to distribution, marketing and analytics. Post-event videos can also be monetised directly to audiences worldwide as a rental, purchase or subscription. Moving forward, Vimeo will also integrate live with its over-the-top (OTT) technology, enabling live content in branded apps across iOS, Android, Roku, Amazon, Samsung, and more.

  • Twitter experiments, doubles its tweet character limit

    Twitter experiments, doubles its tweet character limit

    MUMBAI: Twitter has announced that it is expanding the tweet limit from 140 characters to 280 characters – double the existing limit.

    Twitter chief executive Jack Dorsey said that it was is a small change yet a significant move for the company. Twitter product manager Aliza Rosen and software engineer Ikuhiro Ihara said it was a pain trying to cram one’s thoughts into a tweet – a longer limit would be tried out in the languages impacted by cramming.

    The new limits are only available to a “small group” of users, to check out how it works for the initial users before Twitter decides to roll out the changes widely.

    Twitter has planned to leave the old 140-character limit in place for tweets in Japanese, Korean and Chinese because the internal data showed written characters in those languages packed plenty into the allotted space.

    A Twitter blog post observed that only 0.4 per cent of tweets sent in Japanese use the complete 140-character limit, compared to nine per cent of English tweets.

    Twitter, in the last quarter, reported its base of monthly active users (MAUs) was at 328 million. Its growth has not kept pace with the leader Facebook, which has around two billion users, and its sister company Instagram, with 800 million.

  • Jio and Roy Kapur Films sign multi-year original content deal

    Jio and Roy Kapur Films sign multi-year original content deal

    MUMBAI: Unique collaborations between content companies and OTT and MVOD platforms are marking a milestone in the confluence of rapidly-evolving entertainment, technology and telecom sectors in India.

    Reliance Jio Infocomm (Jio) and Roy Kapur Films (RKF) have entered into a content partnership.

    RKF, a leading film and media production company founded by Siddharth Roy Kapur, will curate, develop, commission and creatively produce original digital video content for Jio.

    This will include finite and continuing series, long form and short form content across genres, and over time, ‘First on Jio’ feature films.

    RKF will tap into the vibrant content production ecosystem in India and together with Jio’s cutting-edge technologies, power the Jio platform with a robust content pipeline of Jio Originals. This exclusive content will be available to more than 128 million Jio subscribers across India.

    Jio’s Jyotindra Thacker said, “Jio carries over 55 million hours of video daily on its network, already making it one of the largest mobile video networks globally. This association with Roy Kapur Films will help us to power forward towards our goal of delivering the highest quality video entertainment content to our mobile subscribers.”

    Kapur said, “Content that can be watched all over India, across all demographics and best of all completely at one’s convenience, across all screens mobile, tablet, laptop and TV. Never before has so much entertainment been so accessible to so many. Our goal is to provide Jio subscribers with a wide variety of content that caters to their diverse tastes and sensibilities.”