Category: iWorld

  • TRAI reverses course on radio migration fees

    TRAI reverses course on radio migration fees

    DELHI: India’s telecoms regulator has U-turned on how private radio broadcasters should pay to shift to digital, ditching a convoluted averaging mechanism in favour of simpler reserve prices.

    The Telecom Regulatory Authority of India (TRA) issued a corrigendum on 27 October revising recommendations it sent to the ministry of information and broadcasting just three weeks earlier. The original policy, dated 3 October, had proposed that when cities failed to attract bids for new digital frequencies, migration fees for existing broadcasters should be calculated by averaging prices from similar-sized cities—but only if at least two cities in that category had received successful bids.

    The authority has now binned that approach. Upon review, regulators spotted that the averaging formula “could lead to certain aberrations in the migration amount vis-à-vis reserve price” in cities drawing no bids. Since reserve prices emerge from a formal valuation model and represent the minimum auction amount anyway, they make a more sensible baseline.

    The ministry had sought the regulator’s advice in April 2024 on framing a digital broadcast policy for private radio operators. Under the revised scheme, existing broadcasters wanting to simulcast in digital mode will pay an amount equal to the reserve price for new frequencies, minus the proportionate one-time entry fee already paid for their remaining licence period.

    The climbdown suggests India’s radio digitisation may prove trickier than expected—particularly if multiple cities fail to attract fresh bidders, leaving regulators scrambling for fair pricing formulas that don’t distort the market

  • Prime Video takes a shot with NBA League Pass debut in India

    Prime Video takes a shot with NBA League Pass debut in India

    MUMBAI: Prime Video is dribbling into new territory and it’s nothing but net for basketball fans in India. The streamer has announced the arrival of NBA League Pass as an add-on subscription, marking the first time ever that the NBA’s official live and on-demand service is available through Prime Video in India.

    For hoops lovers, this means game time just got a whole lot easier to access and binge. NBA League Pass offers subscribers access to 1,000 plus games per season, including every regular season clash, the NBA All-Star, Playoffs, Conference Finals, and the NBA Finals, along with replays, highlights, and NBA TV at no additional cost. Fans can stream the action live or catch up later no shot clock pressure.

    Three subscription options cater to every kind of fan. The standard League Pass, priced at Rs 219 per month, provides access to all games and NBA TV on one device. For superfans who like more flexibility, the League Pass Premium at Rs 329 per month includes NBA TV, offline viewing, streaming on up to three devices, and even an in-arena feed. Meanwhile, the Team Pass at Rs 199 per month is perfect for loyalists who want to follow their favourite team throughout the season.

    But the slam dunk doesn’t end there. Prime members will also get access to select marquee games from the NBA 2025–26 regular season as part of their standard Prime Video subscription marking the inaugural season of NBA on Prime.

    The season tips off on Saturday, 25 October, with an electrifying opening week doubleheader, the New York Knicks hosting the Boston Celtics at 5am IST, followed by the Minnesota Timberwolves facing off against the Los Angeles Lakers at 7:30am IST.

    To set the stage for this new era, Prime Video Sports also unveiled the NBA on Prime Studio, previewed at Amazon MGM Studios in Culver City, California. The launch event brought together top Amazon executives, NBA production talent, and an all-star lineup of basketball legends including Blake Griffin, Dirk Nowitzki, Steve Nash, Udonis Haslem, John Wall, Rudy Gay, Candace Parker, Dwyane Wade, Swin Cash, and Brent Barry, alongside host Taylor Rooks, announcer Ian Eagle, and analysts Stan Van Gundy, Cassidy Hubbarth, and Allie Clifton.

    With the NBA’s energy now streaming straight to living rooms, Prime Video is setting up for a fast break into India’s growing sports entertainment space, one where fans can skip the highlights and go straight for the full-court experience.

    Because this season, Prime Video isn’t just delivering shows, it’s delivering showtime.

     

  • Love goes Prime Time as Param Sundari streams across 200 nations

    Love goes Prime Time as Param Sundari streams across 200 nations

    MUMBAI: Move over long-distance love Param Sundari just went global! Prime Video has rolled out the red carpet for the exclusive worldwide streaming premiere of Param Sundari, a romantic comedy that promises equal parts laughter, love, and cultural chaos.

    Produced by Dinesh Vijan under the Maddock Films banner and directed by Tushar Jalota, the film stars Sidharth Malhotra and Janhvi Kapoor in a charming tale that’s as warm as it is whimsical. Now streaming in India and over 200 countries and territories, the film is the latest addition to Prime Video’s growing bouquet of homegrown blockbusters reaching global screens.

    Set amid the lush backwaters of Kerala, Param Sundari follows the unlikely romance between Param, a cheerful Punjabi boy from Delhi, and Sundari, an independent Malayali woman. What begins as a classic culture clash soon turns into a heartfelt journey of discovery with a generous helping of humour, emotion, and musical magic.

    Director Tushar Jalota calls the film “a celebration of love in its most joyful and unpredictable form.” He adds, “We wanted to create a story that feels alive and heartfelt something that makes you laugh, smile, and believe in love again. With its digital premiere, audiences everywhere can now experience the same warmth that we felt while making it.”

    For Prime Video, Param Sundari is yet another step in its mission to deliver Indian stories with universal appeal. “Our focus has always been on bringing audiences stories high on entertainment, emotion, and heart,” said Prime Video India director and head of content licensing, Manish Menghani. “Param Sundari perfectly embodies these values, it’s fun, warm, and deeply engaging. We’re thrilled to bring it to Prime members around the world.”

    For the leads, the film felt like revisiting the golden era of romance with a modern twist. “Param Sundari takes you back to a time when love was honest, a little messy but full of heart,” said Sidharth Malhotra. “Playing Param reminded me why I fell in love with romantic stories, they make you smile, believe, and reflect on your own journey.”

    Co-star Janhvi Kapoor echoed the sentiment: “Shooting in Kerala was magical. The story celebrates emotion and culture in such a beautiful way that it felt more like an experience than just a film. I think audiences everywhere will connect with that authenticity.”

    With its scenic settings, soulful soundtrack, and feel-good storytelling, Param Sundari is poised to be more than just a weekend watch, it’s a reminder that love, in all its unpredictable glory, still finds a way.

    So whether you’re in Kochi, Kensington, or Kansas, Param Sundari is now streaming proving that when it comes to matters of the heart, distance is just another subplot.

     

  • AI takes centre stage as Naina Avtr stars in India’s first micro-drama series

    AI takes centre stage as Naina Avtr stars in India’s first micro-drama series

    MUMBAI: When pixels meet passion, Mumbai comes alive after dark. Avtr Meta Labs, a Concept Communication Group initiative and India’s first Digital Human & AI Content Company, has unveiled Truth & Lies, a groundbreaking AI-led micro-drama series starring Naina Avtr, India’s first AI Superstar. Presented by Nature4nature as title sponsor, the 12-episode series combines 3D technology, AI, and cinematic storytelling, marking the first time an AI character headlines a full drama series.

    Set over a single intense night in Mumbai, each episode of Truth & Lies runs just over a minute, tailored for Instagram Reels, making it a perfect fit for Gen Z’s fast-scrolling screens. Despite its micro format, the series packs the emotional punch of a full-length drama, exploring friendship, betrayal, and the blurred lines between truth and lies. Viewers are drawn into an immersive narrative where choices carry weight, and every interaction resonates with emotional depth.

    The production itself is a landmark feat: the entire series was shot by an all-female crew, underscoring inclusivity, empowerment, and the evolving face of digital storytelling.

    Avtr Meta Labs co-founder and CEO Abhishek Razdan explained, “Naina made waves as India’s first AI influencer, captivating audiences with her digital charm. Now, as an actor, she’s entering uncharted territory. Truth & Lies is not just a debut, it’s a creative revolution, showing how AI can mirror human emotion in unexpected ways.”

    Adding context, Concept Communication limited chairman and managing director Vivek Suchanti said, “With this series, we are redefining storytelling. AI, 3D, and traditional filmmaking come together not as competing elements but as collaborators, creating new emotional dimensions. It’s a glimpse into entertainment’s future, where technology amplifies creativity.”

    The show’s producers emphasise that Naina’s narrative is deeply human. Old School Films Production partner Shiven Surendranath said, “At its heart, Naina carries a message of friendship and empathy, showing how connection can overcome misunderstandings. AI, graphics, and traditional cinema blend to craft a story that feels alive, meaningful, and deeply human.”

    Speaking in her debut, Naina Avtr commented, “For years, I’ve lived in your screens. Now I get to live your emotions. Truth & Lies isn’t just my debut, it’s proof that AI can perform, feel, and provoke thought. I’m not here to replace humans; I’m here to reflect them, one emotion at a time.”

    With its innovative format, high production values, and emotionally charged storytelling, Truth & Lies signals a new frontier in digital entertainment. By combining cutting-edge AI, 3D visuals, and immersive narratives, the series sets a benchmark for what micro-dramas can achieve in today’s attention-driven social media ecosystem.

    Currently streaming on Instagram Reels, Truth & Lies invites audiences to experience the intersection of technology and human emotion, proving that even in a world dominated by AI, storytelling remains fundamentally about people, relationships, and the choices that define us.

    From digital screens to human hearts, Naina Avtr is not just an AI, it’s a revolution in the making, one gripping minute at a time.  
     

  • Small screen, big dreams as DramaWave and Ananta join storytelling forces

    Small screen, big dreams as DramaWave and Ananta join storytelling forces

    MUMBAI: When stories get shorter, emotions get sharper. In a move set to redefine the global consumption of Indian entertainment, DramaWave, the international platform known for pioneering short-form storytelling, has partnered with Ananta Productions, India’s micro-drama powerhouse, to co-create premium Hindi micro dramas for audiences around the world.

    The collaboration is designed to reshape how global Indian audiences experience stories delivering emotionally charged, high-impact narratives in snackable formats perfectly tailored for today’s fast-scrolling, content-hungry generation.

    Ananta Productions, already a record-setter with over 11,000 plus hours of micro dramas produced across multiple digital platforms, brings to the table its creative agility, production muscle, and deep understanding of human emotion in miniature form. DramaWave, in turn, extends the partnership’s global reach, offering a powerful distribution network and a platform that connects cultures through storytelling.

    “At Ananta, our mission has always been to tell powerful stories that touch hearts across languages and borders. Partnering with DramaWave allows us to take this vision global,” said Anish Surana, underscoring the ambition to push Indian creativity onto the international stage.

    Echoing this sentiment, a DramaWave spokesperson added, “DramaWave believes in connecting cultures through stories. With Ananta Productions, we’ll bring authentic Indian narratives to our global audience in a format that’s contemporary, fast, and emotionally rich.”

    The first slate of Hindi micro dramas is expected to go into production soon, promising a vibrant blend of romance, drama, and slice-of-life storytelling each rooted in Indian emotion yet crafted to strike a universal chord.

    This collaboration marks more than just another content deal; it represents a new era for Indian storytelling where the world’s attention spans may be shrinking, but its appetite for emotion remains boundless.

    With DramaWave’s global lens and Ananta’s storytelling prowess, micro dramas may just become the next big wave in entertainment proof that sometimes, the smallest stories make the biggest impact.

     

  • How Celebrity–Brand Collaborations Are Evolving in India: From Endorsements to Co-Business Ventures

    How Celebrity–Brand Collaborations Are Evolving in India: From Endorsements to Co-Business Ventures

    For years, Indian celebrities were mostly the faces of brands, smiling from billboards or TV ads. But that formula for how consumers are buying products these days is losing its spark. Today’s audiences want authenticity.

    They can spot when a celeb is selling something they don’t use. So, the partnership model itself is changing. Stars now co-own, co-create, and sometimes even help run the brands they front. So, in a way, this is somehow turning marketing into collaboration instead of a transaction. It’s also redefining how influence works in India.

    The Slow Fade of Traditional Endorsements

    Celebrity endorsements once drove massive ad spends, but numbers are changing. According to TAM AdEx data, celebrity-led ads made up roughly 29% of Indian TV ads in early 2025. That’s a drop from previous years. That slide shows two things: brands are growing cautious about overexposure, and audiences are becoming harder to convince. Oversaturation has dulled impact as well, especially when viewers know the partnership is just a paycheck.

    Social-first storytelling and joint ventures that feel personal are the ones that’ll likely gain more engagement.

    The New Collaboration Blueprint

    Instead of one-off ads, there are now brand partnerships that include shared ownership or product involvement. Take Sanya Malhotra’s Bree Matcha, a wellness drink she co-founded, instead of endorsing another label. It gives her creative control, a share in profits, and a stronger link with her audience.

    Actors and musicians are no longer satisfied with being “faces.” They want to build something with staying power. Honey Singh, for example, turned from brand ambassador to co-creator with Yo Yo Watches under Titan. It’s part of a broader trend where celebs seek long-term value over short-term fees.

    Even licensing and limited-edition drops are now tools to reach younger consumers. The Dream Theatre agency recently shared that Indian licensing deals are growing in fashion, sports, and content, letting celebrities expand into new markets through co-branded releases.

    What Celebs Are Actually Saying

    Actors like Kiara Advani have spoken openly about being selective with brand work. In an interview with Exchange4Media, she said, “I choose brands that match who I am and what I use every day. That’s the only way people believe you.” That authenticity principle is now the core of modern brand strategy.

    Cricketer Hardik Pandya echoed something similar during a panel last year, noting that brands tied to lifestyle or fitness resonate better because they reflect what he lives by. These choices show that the celebrity equation has shifted. The goal is now credibility, not visibility.

    The Role of Non-Core Brands

    Many companies that weren’t traditionally part of the entertainment scene are also experimenting with new forms of partnerships. The likes of 10CRIC India have explored digital collaborations and co-branded content with sports and lifestyle creators. But they also mix it with partnerships with big names in the industry. After all, they’ve worked with Chris Gayle and Harbhajan Singh to bring their name out there.

    That perfectly shows how brands that once relied exclusively on traditional ads are now finding new ways to stay visible without the usual marketing techniques.

    Examples That Show the Shift

    When Sanya Malhotra launched Bree Matcha, she wasn’t just endorsing wellness, as she also built a brand rooted in her image of balance and fitness. The launch leaned on her personal social media presence, where she shared product creation and testing details directly with followers.

    Then there’s Honey Singh’s Yo Yo Watches, which tapped into his image of luxury and energy. That aligns perfectly with Titan’s youth segment.

    Another case is actor Ayushmann Khurrana’s involvement in content-driven campaigns like “Cricket Ka Ticket” with Dream11. Instead of standalone ads, they made something that feels like short films.

    Challenges Behind the Scenes

    Building a brand with a celebrity attached sounds powerful, but it is rarely smooth. The biggest challenge is creative alignment. Both sides must share values; otherwise, audiences can sense the disconnect immediately.

    Operational work is another challenge. Celebrities who co-own labels must deal with logistics, product testing, and marketing timelines. A misstep can hurt their reputation more than a failed ad campaign. Legal complexities are growing, too. Equity and IP structures now also need careful design to avoid disputes later.

    Even the measurement of success has changed. ROI is no longer about media impressions but brand lift and engagement over time. Campaigns are now judged by their audience trust index, and not just reach.

    The Takeaway

    Celebrity–brand collaborations in India are entering a smarter phase. The old formula of face plus tagline now rarely works. Stars now want ownership, say in the product, and a measurable impact. Brands, in turn, are learning to share creative space.

    As these partnerships mature, they’ll shape not just advertising but entrepreneurship itself. The next big consumer brand in India might not come from a corporate boardroom, but from a celebrity’s own studio.

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  • Netflix CEOs play coy about Warner Bros Discovery acquisition

    Netflix CEOs play coy about Warner Bros Discovery acquisition

    LOS ANGELES: Netflix is keeping its cards close whilst the rest of Hollywood scrambles for Warner Bros Discovery’s assets. Asked during Tuesday’s third-quarter earnings call whether the streaming giant might join the bidding war, co-chief executives Ted Sarandos and Greg Peters delivered a masterclass in strategic ambiguity: they ruled nothing out, but ruled nothing in either.

    “It’s true that historically, we’ve been more builders than buyers, and we think we have plenty of runway for growth without fundamentally changing that playbook,” said Sarandos. “Nothing is a must-have for us.” 

    Yet he added that Netflix looks at “all” merger opportunities through the same lens—a nod that Warner Bros Discovery’s studio and streaming empire, including HBO, HBO Max and Warner Bros Television, might just pique its interest.

    What Netflix definitely won’t touch are Warner Bros Discovery’s linear networks. “We’ve been very clear in the past that we have no interest in owning legacy media networks, so there is no change there,” Sarandos said. That rules out a bid for the whole company, which Warner Bros Discovery is splitting in two: one entity (Warner Bros) housing the streaming and studio jewels, the other (Discovery Global) lumping together cable channels and Discovery+.

    The carve-up comes after Warner Bros Discovery announced it was reviewing “strategic options” following “unsolicited interest” from “multiple” parties. Paramount is reportedly leading the charge, having offered $20 per share for the lot, then upping its bid to $24—both rejected. CNBC reports that Netflix and Comcast are also circling.

    Peters downplayed the threat of rivals bulking up through deals, pointing to mega-mergers like Disney-Fox, Amazon-MGM and Discovery-WarnerMedia that failed to shake up the landscape. “None of those mergers represented a fundamental shift in the competitive landscape,” he said. “Watching some of our competitors potentially get bigger via M&A does not change our view.”

    The caginess came as Netflix reported third-quarter revenue up 17 per cent year-on-year to $11.5bn, in line with forecasts. Operating income rose 12 per cent to $3.2bn, though it fell short of expectations after a $619m hit from a dispute with Brazilian tax authorities. Shares tumbled 6.5 per cent in after-hours trading, though Netflix insisted the tax spat won’t dent future results.

    By region, revenue in the US and Canada grew 17 per cent to $5.01bn, Europe, Middle East and Africa climbed 18 per cent to $3.7bn, Latin America rose 10 per cent to $1.37bn and Asia Pacific surged 21 per cent to $1.37bn. Netflix now commands 8.6 per cent of US television viewing time, up from 7.5 per cent in late 2022, and 9.4 per cent in Britain, up from 7.7 per cent.

    Hits last quarter included Wednesday season two (114m views), The Thursday Murder Club (61m) and My Oxford Year (81m). The Canelo-Crawford boxing match drew 41m viewers, making it the most-watched men’s championship bout this century, Netflix claimed.

    For now, Sarandos and Peters are content to watch the feeding frenzy from the sidelines. But their refusal to slam the door suggests they might yet crash the party—provided the price is right and the baggage left behind.

  • Netflix’s KPop Demon Hunters set to conquer toy aisles as Mattel & Hasbro get on board licensing bandwagon

    Netflix’s KPop Demon Hunters set to conquer toy aisles as Mattel & Hasbro get on board licensing bandwagon

    LOS ANGELES: Netflix has pulled off something rare: getting Mattel and Hasbro—bitter rivals in the toy wars—to share the spoils of its cultural juggernaut, KPop Demon Hunters. Both companies will serve as global co-master toy licensees, carving up a merchandise empire to satisfy fans who have turned the film into the streaming giant’s most-watched movie ever.

    Released in June 2025, the film has obliterated records with 325m views in 91 days. Its soundtrack hit number one on Billboard’s 200 Albums chart and has been streamed 8.3bn times. The single Golden became the longest-running number one by a girl group on the Billboard Hot 100 this century. All five main characters dominated Halloween costume searches, proving the frenzy extends well beyond the screen.

    “KPop Demon Hunters unleashed a global fan frenzy—we’re talking dancing, singing, and more screaming than anyone was emotionally prepared for,” said  Netflix chief marketing officer Marian Lee. The partnership, she added, means fans can finally get their hands on merchandise “they’ve been not-so-subtly demanding on every social platform known to humanity.”

    Mattel will unleash dolls, action figures, playsets and collectibles starting in 2026, with a presale three-pack of Huntr/X dolls available on Mattel Creations from 12 November. Mattel, chief global brand officer Roberto Stanichi promises to harness the company’s “world-class design, creative and marketing expertise” to delight fans worldwide.

    Hasbro is taking a different tack, leveraging its arsenal of brands—Monopoly, Nerf, Furby and Wizards of the Coast—for collaborations. Its first salvo is Monopoly Deal: KPop Demon Hunters, available for pre-order from 21 October and shipping on 1 January 2026. The full lineup, including plush toys, youth electronics and role-play gear, arrives in spring 2026.

    Hasbro president of toy, licensing and entertainment Tim Kilpin called the film “a powerful pop culture phenomenon with global resonance” that fits seamlessly with the company’s commitment to innovation.

    The film follows K-pop superstars Huntr/X, who moonlight as demon hunters protecting fans from supernatural threats—until they face off against a rival boy band of demons. Directed by Maggie Kang and Chris Appelhans, it is produced in partnership with Sony Pictures Animation.

    Products from both toy titans will flood retail shelves from spring 2026 through the holiday season and beyond.

    For Netflix, Mattel and Hasbro, the bet is simple: why fight over market share when there is enough screaming fandom to go around

  • When Gods Meet the Grid JioStar’s AI Mahabharat Rewrites Epic History

    When Gods Meet the Grid JioStar’s AI Mahabharat Rewrites Epic History

    MUMBAI: When Arjuna draws his bow this time, even the algorithms hold their breath. JioStar’s Mahabharat: Ek Dharmayudh is here to prove that when ancient mythology meets artificial intelligence, the result can be divine disruption.

    In an era when filmmakers worldwide are wrestling with AI’s role in creativity, JioStar has galloped ahead of the chariot line. Its latest web series, Mahabharat: Ek Dharmayudh, uses AI not as a gimmick but as a guiding force to reimagine India’s most revered epic for a new generation. The show’s trailer already hints at a visual spectacle that fuses emotion with engineering where machine intelligence breathes new life into gods, warriors, and moral dilemmas that have shaped Indian thought for millennia.

    Launching on JioHotstar on 25 October and premiering on Star Plus on 26 October, the first instalment spans 100 episodes, inviting viewers to relive the dynastic war between the Pandavas and the Kauravas now rendered with astonishing realism and cinematic scale. The AI-assisted production doesn’t just recreate battles and palaces; it reconstructs the soul of the Mahabharata itself, translating its philosophical weight into a modern, immersive visual language.

    For many of us, the Mahabharat is more than just a story; it’s the tales we grew up hearing from our parents and grandparents,” said Collective Artists Network founder and group CEO Vijay Subramaniam. “With AI Mahabharat, we get to experience those same timeless stories in a completely new way, brought to life through the power of modern AI technology. The trailer is just a glimpse of what’s ahead emotional, grand, and immersive.

    The collaboration between creative storytellers and machine intelligence lies at the heart of JioStar’s latest leap. JioStar CEO of entertainment Kevin Vaz called it “a fusion of a timeless epic and machine intelligence that mirrors the spirit of a new India.” He added, “Through this series, we’re building a bridge between tradition and the future, proving that our oldest and most revered stories can still be our most futuristic yet.

    The show stands as a technological and cultural statement that India’s storytelling tradition can evolve without losing its soul. For a generation raised on screens and scrolls, Mahabharat: Ek Dharmayudh offers not just nostalgia, but a rebirth of mythology in pixels and code.

    From Krishna’s counsel to Karna’s tragedy, every scene is rendered with AI precision yet retains the heart of human conflict and emotion. If JioStar’s gamble pays off, Mahabharat: Ek Dharmayudh may just mark the beginning of a new genre, one where myth meets machine, and creativity becomes truly infinite.

    Because when the Gita meets the grid, destiny isn’t just written, it’s rendered.

  • FAU-G Bharat League 2.0 Levels Up with Rs 1 Crore Prize and UK Upskilling Perks

    FAU-G Bharat League 2.0 Levels Up with Rs 1 Crore Prize and UK Upskilling Perks

     MUMBAI: Game on, India’s homegrown FAU-G esports universe just got a turbocharged upgrade. Today marks the launch of FAU-G Bharat League 2.0 (FBL 2.0), the highly anticipated skill-based competition, in partnership with NCore Games, Leverage, and Nodwin Gaming. The first phase kicks off with qualifiers leading to a grand offline LAN finale, spanning the next three months.

    Responding to soaring fan enthusiasm from the FAU-G: Domination community, the total prize pool has doubled from Rs 50 lakh to a staggering Rs 1 crore. And the rewards don’t stop at cash top players now have a chance to win an all-expenses-paid trip to the UK for game development upskilling, courtesy of Leverage, turning high scores into high skills.

    FBL 2.0 culminates in a grand offline LAN showdown where India’s finest FAU-G: Domination players will battle it out for supremacy and the Rs 1 crore bounty. Details of the LAN finale will be revealed closer to the event, but anticipation is already peaking across the country.

    Coinciding with FBL 2.0, today’s game update brings a major revamp to gunplay, sound design, and overall gameplay immersion:

    Gunplay Upgrades include enhanced gun feel, muzzle effects, bullet trails, reworked recoil logic, improved sniper mechanics, organic camera shakes, and refined grenade gameplay with smoother crosshair animations.

    Sound Enhancements feature immersive shooting and ambient audio, new action cues, spatially accurate footsteps and gunfire, plus realistic bullet ricochets to deepen the battlefield experience.

    Other Improvements cover upgraded bullet impact particles, realistic bullet travel visuals, and smoother movement blending, all designed to make every match feel cinematic.

    Notably, FBL 2.0 is India’s first esports and upskilling platform to launch following the Promotion and Regulation of Online Gaming Act, 2025 (PROGA). Fully compliant and free to enter, the competition prioritises skill over purchases, ensuring that players compete on merit rather than wallets.

    Players can dive in as soon as the update goes live today. For ongoing updates, announcements, and community engagement, participants can follow FAU-G: Domination on its official platforms:

       . X: x.com/faugdomination

       . Instagram: instagram.com/faugdomination

       . Discord: https://bit.ly/faugdomination

    With upgraded gameplay, a Rs 1 crore prize pool, and exclusive international learning opportunities, FBL 2.0 is setting a new benchmark for skill-driven esports in India proving that in the world of competitive gaming, it pays to play smart.