Category: iWorld

  • Catch the 75th Emmy Awards live on 16 January 2024, exclusively on Lionsgate Play

    Catch the 75th Emmy Awards live on 16 January 2024, exclusively on Lionsgate Play

    Mumbai: The Television Academy and FOX jointly announced on 10 August 2023 that the telecast of the 75 Emmy Awards will air on Monday, 15 January 2024 (8:00-11:00 PM EST/5:00-8:00 PM PST) on FOX. The awards will be live streamed exclusively on Lionsgate Play in India SAARC (Bangladesh, Bhutan, Maldives, Nepal, Sri Lanka, Pakistan) on Tuesday, 16 January 2024 from 5:30 AM IST. Viewers will also be able to watch the glamor-filled night exclusively on Lionsgate Play in Malaysia (8 AM MYT), the Philippines (8 AM PHT) and Indonesia (7 AM WIB).

    As the Emmy Awards celebrates its 75th anniversary, the show will broadcast live coast-to-coast from the Peacock Theater at LA Live and will honor the talented performers, writers, directors and craftspeople whose work has entertained, inspired and connected viewers across the globe throughout the past year. The Emmy Awards will be executive-produced by Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay of Jesse Collins Entertainment.

    Tune into Lionsgate Play on 16 January 2024 to watch television’s most glamorous night unfold at the 75th Emmy Awards.

  • ZEE5 launches national campaign ‘Azaadi Ka Jashn, ZEE5 Ke Sang’

    ZEE5 launches national campaign ‘Azaadi Ka Jashn, ZEE5 Ke Sang’

    Mumbai: To celebrate India’s 76th glorious year of Independence, ZEE5, India and Bharat’s largest home-grown video streaming platform and multilingual storyteller for millions of entertainment seekers, today unveiled its latest campaign ‘Azadi Ka Jashn, ZEE5 Ke Sang’. As part of the campaign, the platform is offering 76 premium SVOD titles streaming across languages, at zero cost. The five-day campaign will begin from 11th August 2023 during which consumers can avail a discount of Rs 100 on ZEE5’s annual subscription. The initiative is in line with brand’s vision to empower audiences, offering quality choices, while democratizing entertainment for all.

    The line-up includes successful titles in Tamil, Telugu, Bengali, Punjabi, Kannada, Marathi, Malayalam alongside Hindi representing India’s cultural and linguistic diversity. It features names like URI: The Surgical Strike, The Kashmir Files, Commando 2, Gadar, Forensic, Parmanu, Chup: Revenge of the Artist, Pariksha, Hotel Mumbai in Hindi; Republic, Naa Peru Surya Na Illu India in Telugu; Valimai, Oh My Kadavule, Yaanai, Veetla Vishesham in Tamil; Natasaarvabhowma, Hero in Kannada; Operation Java, Ellam Sheriyakum in Malayalam; Zombivli, Mulshi Pattern, Ventilator in Marathi; Aparajito, Parineeta, Joi Baba Felunath, Satyanweshi Byomkesh, in Bengali; and Main Viyah Nahi Karona Tere Naal, Jinne Jamme Saare Nikamme in Punjabi.

    Launching the campaign, ZEE5 India chief business officer Manish Kalra said, “At ZEE5, we believe in democratizing quality entertainment, and enabling access to good content. We have witnessed a strong H1 with successful projects across languages with Bandaa, Tarla, Ayali, Shabaash Feluda, and Vyavastha to name a few. This campaign kickstarts the festive season with power packed releases amplifying our value proposition to viewers further. The ‘Azadi Ka Jashn, ZEE5 Ke Sang’ campaign echoes our commitment to fostering a dynamic, inclusive entertainment landscape where every consumer on the platform can experience the joy of cinematic brilliance.”

    ZEE5 head – AVOD marketing Abhirup Datta said, “We’ve seen an exponential growth in the number of AVOD viewers and with that, the demand for premium content has also seen a significant rise. ZEE5 is committed to delivering quality entertainment to our valued users. Through this campaign, we are ensuring even greater access for our AVOD audiences to our vast content library, with 76 premium titles available for free in Hindi and regional languages. Our dedication to offering diverse, engaging stories to our viewers remains unwavering, and this campaign is a celebration of that promise.”

    Currently the highest-growing OTT platform in India as per latest industry reports, ZEE5 is known for its diversified content across 100+ taste clusters and its focus on real, relevant, and resonant storytelling. Today, ZEE5 is home to over 5 lakhs+ hours of on-demand content and 160+ live TV channels. With a rich library of over 3500 films, 1750 TV shows, 700 originals, ZEE5 offers content in 12 Indian languages: English, Hindi, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati, and Punjabi. The platform has an exciting line-up for 2023 that will add to its extensive library of content, offering a wider array of catalogue to entertainment seekers. 

  • WATCHO exclusives present Aarambh

    WATCHO exclusives present Aarambh

    Mumbai: WATCHO – one of India’s fastest-growing OTT platforms, is set to captivate audiences with the release of its latest original series, ‘Aarambh: A Riveting Tale of Family, Love, Loss, and Tradition.’ The series explores the depths of familial ties, sustaining traditions, and a perilous struggle against a fraudulent system. ‘Aarambh’ is directed by Shaurya Singh and is produced by Silver Rain Pictures & MAG Entertainment.

    ‘Aarambh’ narrates the compelling story of Shrikant Sharma, who resides in the United States with his wife Smita, eagerly awaiting the arrival of their first child. Meanwhile, Shrikant’s father, Uday Shankar Sharma, leads a peaceful life in Lal Nagar, a serene suburban area near Ranchi, with his younger son’s family. However, fate takes a cruel turn when Uday Shankar Sharma tragically passes away due to a sudden heart attack. Srikant rushes back to India to perform the last rites of his beloved father. Upon reaching India, Shrikant discovers a startling truth – his father’s body has been seemingly donated to the hospital for medical studies while tricking his family into giving consent, but the truth was far more disturbing.

     He discovers that a ward boy resorted to unscrupulous means and sold dead bodies to organ trafficking rings. Will Shrikant be able to get justice and complete the last rituals of his father or will he invite trouble for himself by getting involved with extremely dangerous people?  

    The star-spangled ensemble of the web series brings the twisted characters to life featuring actors like Amit Gaur, Karan Thakur, Dipali Sharma, and Manish Khanna among others. Witness an enthralling spectacle as their top-notch and extraordinary performance adds depth and authenticity to the characters and their struggles.  

    DishTV & WATCHO, Dish TV India Ltd corporate head – marketing Sukhpreet Singh. said, “We are thrilled to present ‘Aarambh’ to our discerning audience. This poignant narrative touches upon the sensitivities of our family ties, culture, and indifference to the system, which is sure to strike a chord with viewers across the country. The series sheds light on the stealthy crimes that pervade this country. Watcho is committed to offering fresh, meaningful content, and ‘Aarambh’ is a testimony to our dedication to providing diverse and compelling storytelling.”

    Join WATCHO on a gripping cinematic journey as “Aarambh” tugs at heartstrings, leaving viewers pondering over the importance of upholding cherished values and the strength to defy the prevailing system. The story is masterfully crafted as a narrative of the triumph of human virtues amidst adversity and will surely leave a lasting impact on the hearts of its audience.

    Launched in 2019, WATCHO Exclusives offer many original shows, including web series like GillHarry, Joint Account, Manghadant, Avaidh, Explosive, Aarop, Wajah, The Morning Show, Bauchaar-E-Ishq, Gupta Niwas, Jaunpur among others. That’s not all, Watcho also offers Korean Drama and various other international shows.   Last year WATCHO forayed into the OTT aggregation business with its signature Rs. 253 per month plan. Featuring 17 popular OTT apps, it is fast becoming the go-to destination for an all-in-one OTT subscription. Watcho also features a unique platform for user-generated content called Swag where people can create their own content and discover their potential. Watcho can be accessed on a variety of devices (including Fire TV Stick, Dish SMRT, Android, and iOS cellphones, and D2H Magic devices) or online.

     

  • Ormax Media upgrades its content testing tool Ormax Stream Test to include the growing documentaries category

    Ormax Media upgrades its content testing tool Ormax Stream Test to include the growing documentaries category

    Mumbai: Media insights firm Ormax Media has upgraded its content testing tool for the OTT/streaming category, Ormax Stream Track. The tool, which has been used to test 214 web-series, direct-to-OTT films, and OTT reality shows since 2016, will now have the capability of testing shows in documentary formats too.

    14 Indian documentaries have released on major streaming platforms in India since the start of 2022. Additionally, several international documentaries are beginning to find traction in India, suggesting that the documentary genre is acquiring higher interest in the Indian market.

    The upgrade identifies nine key drivers of content engagement for documentaries, among Indian audiences, namely knowledge, credibility, authentic treatment, theme relevance, theme uniqueness, suspenseful narrative, surprise & amazement, emotional heft, and inspiration. Like all content testing done by Ormax Media in streaming, theatrical and television domains, the company reports Ormax Power Rating (OPR), a number on the 0-100 scale, that is a strong predictor of the likely audience engagement when the property being tested is eventually released. Ormax Media’s testing tools Ormax Stream Test, Ormax Moviescope, Ormax First Draft & Ormax True Value use an analytics tool that assigns weightages to different drivers, and fuses primary research data collected from the audience with these weightages, to calculate the OPR.

    Speaking about the need for the upgrade, Ormax Media head – business development (streaming, TV & brands) Keerat Grewal said, “We are constantly looking at opportunities to upgrade our tools to align them to market needs. Given the growing interest in documentaries in India since the pandemic, we estimate more audience demand for this format in the coming years in the Indian market. Through our analysis and testing using the newly-identified drivers, we want to guide platforms in taking prudent content and marketing decisions in the documentary genre.”

    Speaking about Ormax Media’s content testing work, Ormax Media head – content & campaign testing Mitesh Thakkar said, “Over the last 15 years, we have tested 925 properties across streaming, theatrical and television, at script or video stages. The Indian audience are constantly evolving, especially in the post-pandemic world, as are their expectations from new content being released. Content testing is an audience-first approach, that enables platforms, studios, channels, and producers to incorporate audience inputs, in their pursuit to deliver an engaging and profitable piece of content. With this upgrade in the documentary genre, we now have the ability to test content in fiction series (limited & unlimited), films, non-fiction (reality shows), non-fiction (documentaries), and animations genres.”

  • Disney+Hotstar reports a sharp drop in paid subs base – in line

    Disney+Hotstar reports a sharp drop in paid subs base – in line

    Mumbai: Disney+ Hotstar has lost 12.5mn paid subscribers (24 per cent of the total paid subs) this quarter (Jun’23) and lost 33 per cent of subscribers over the last three quarters, since IPL digital media rights moved to Jio Cinema post-auction.

    The subs loss is in line with the platform’s estimates as the platform had estimated a paid subs base loss of 35-40 per cent of the total subscriber base. Multiple reasons like 1) IPL moving away from Hotstar, 2) Jio cinema offering a wide variety of content free, 3) Disney+ Hotstar offering the ICC cricket World Cup free, and 4) HBO content also moving away have been responsible for this decline. However, the platform believes the subs loss is now largely bottomed out and may see a stable subscriber base/marginal decline over the near term.

    In terms of revenue impact, the potential revenue loss will remain in the range of 50 per cent-60 per cent as IPL was a large revenue contributor on AVOD. Losses for Disney+ Hotstar are expected to be much lower YoY, as it would have expanded sharply had it acquired digital rights at that hefty premium (Rs 240bn).

    Pricing has remained stable y-o-y for Disney+ Hotstar and the platform doesn’t expect any respite in this too, as cricket (the key World Cup property) is available for free on Disney+ Hotstar, and the free content offering by Jio cinema will keep OTT industry ARPU’s under check with little potential for growth over the medium term (as mentioned in the platform’s report earlier).

    The platform maintains its view that the India OTT market will report lower growth rates due to the arrest in SVOD revenue, on the back of premium content being offered free, which, in turn, will also delay its plans for the path towards profitability.

    The credit for this article goes to Elara Capital Sr VP- research analyst (media, consumer discretionary & internet) Karan Taurani.

  • MasterChef India auditions kickstart from 13 August

    MasterChef India auditions kickstart from 13 August

    Mumbai: Do you think you have what it takes to make it to the MasterChef kitchen? Then gear up and get your cooking aprons on as Sony LIV brings another season of India’s most loved cooking show, MasterChef India. The auditions of the show will kickstart from the city of joy – Kolkata followed by Delhi and Mumbai.

    If you have a passion for flavours and love to experiment with ingredients then head to the audition locations on 13 August, 16 August, and 19 August respectively.

    •   Kolkata auditions will take place on 13 August at the Institute of Hotel Management, P-16, Taratala Rd, CPT Colony, Alipore, Kolkata, West Bengal 700088.

    •   Delhi auditions will take place 16 August at Central Academy International School, Sector 10 Dwarka, opposite Metro Line, New Delhi, Delhi 110075

    •   Mumbai auditions to kick-start on 19 August at the Ryan International School (ICSE), Vastu Park, Off, Linking Rd, Malad, Evershine Nagar, Malad West, Mumbai 400064

    Following the multi-city audition, the show will witness a fiery showdown between the home cooks from across the country. So, the stage is set, and judges are calling out all the energetic and talented culinary experts to participate in the race of MasterChef India.

  • Batjuban Nongbet elevated as SVP & head growth and innovation – partnerships & revenue strategy at Viacom18 Media

    Batjuban Nongbet elevated as SVP & head growth and innovation – partnerships & revenue strategy at Viacom18 Media

    Mumbai: As per his LinkedIn post, Batjuban Nongbet has been elevated as senior vice president & head growth and innovation – partnerships & revenue strategy at Viacom18 Media. He has been in this new role since April this year. Prior to this, he was vice president & head growth & innovation – partnerships & revenue strategy for Voot – he joined in April 2022.

    This is Nongbet’s second tryst with Viacom18 Media. Prior to this, he had been associated with the media conglomerate for a little more than 13 years. He had begun his stint as associate director in 2008, and moved up the rungs.

    He also had a short stint at Amazon Prime Video, before he took off for his second stretch at Viacom18 last year.

  • Airtel’s Wynk Music and Dolby bring Dolby Atmos to music lovers

    Airtel’s Wynk Music and Dolby bring Dolby Atmos to music lovers

    Mumbai: Wynk Music, India’s leading music streaming app, and Dolby Laboratories, a leader in immersive entertainment experiences, announced the launch of Dolby Atmos to its users at no extra cost.

    Wynk’s Dolby Atmos music catalogue and playlists will include songs across eight languages from renowned music labels such as Yash Raj Films (YRF), Saregama, Phonographic Digital Ltd (PDL) and many more. Wynk will continuously add to this catalogue, which will be accessible to all its users at no extra cost.

    Airtel Digital head – content and partnerships Edwin Charles Albert said, “Delighting customers by giving them the best continues to be our core proposition. Our partnership with Dolby combines Wynk’s core strengths of an extensive library and superior music delivery with a never-before audio experience in Dolby Atmos will certainly enhance user experience immeasurably. We will continue to add partners with cutting-edge technologies with the aim to consistently deliver the best music experience.”

    IMEA Dolby Laboratories senior director – commercial partnerships Karan Grover said, “We are thrilled to collaborate with Wynk Music and bring this revolutionary music experience to more music fans, taking their music experience to the next level. Whether listening at home or on the go, nothing takes listeners right inside the song like Dolby Atmos.”

    Phonographic Digital Ltd (PDL) CEO Prashant Dogra added, “We represent more than 900 labels from across the country and are thrilled to now have the Dolby Atmos Music experience available on Wynk Music. This partnership will bring music lovers much closer to the true sound of music that the artists have created for their fans.”

    Music fanatics tuning into Wynk Music can now discover surprising new details with music in Dolby Atmos. Songs can now be heard and felt all around them, unlocking new levels of emotion and drawing listeners closer to the artists they love. To enjoy Dolby Atmos on Wynk Music, a compatible iOS or Android Dolby Atmos-enabled mobile device is required.

  • “Artists’ success is our success!”: Damroo’s Ram Mishra

    “Artists’ success is our success!”: Damroo’s Ram Mishra

    Mumbai: Music is a universal form of expression that holds cultural significance across the world. Every region and culture has its own distinct musical traditions, instruments, rhythms, and melodies that reflect the local identity and history. These forms of regional music are deeply rooted in the cultural fabric and are often passed down through generations.

    In recent years, there has been a noticeable rise in the popularity and recognition of indie artists. Independent musicians, often referred to as “indie artists,” are those who create and release music outside of major record labels. This movement has gained momentum due to the increasing accessibility of technology and platforms that allow artists to produce and distribute their music without the need for extensive financial backing. Indie artists often experiment with different genres, sounds, and styles, which has led to a diverse and vibrant music landscape.

    In this context, platforms like Damroo have emerged to cater specifically to regional and indie artists. These platforms provide a space for artists to showcase their talent and connect with audiences on a global scale.

    The entry of platforms like Damroo has also played a pivotal role in boosting the visibility of regional music. These platforms have provided a platform for artists who may have previously struggled to gain recognition beyond their local communities. As a result, the music scene has become more diverse and inclusive, with listeners having the opportunity to explore and appreciate a wide range of musical genres from various parts of the world.

    Delving deeper into it, Indiantelevision.com in conversation with Damroo founder and MD Ram Mishra discussed further on the streaming platform’s progress, fair compensation for artists and much more.

    Ram Mishra set foot in the Indian music industry more than two decades ago, around a time when the world was celebrating the dawn of a new millennium. Having started as an executive, he swiftly went up the ladder to not just produce and manage grand-scale TV reality shows, live events & top artists, but also spearhead leading music labels & media production companies across India and middle east, before introducing Damroo, India’s first and only regional & independent music-oriented ecosystem that caters to the poorly-served richest Bharat.

    Edited Excerpts:

    On Damroo’s creation and its progress since its inception

    I have been a part of the Indian music and entertainment industry for more than 25 years, gathering experience across diverse streams and verticals. During my professional journey, I have closely seen the various challenges faced by regional/independent artists, consumers as well as brands. I also discovered that it was indeed quite ironical, for it wasn’t due to lack of any resources. In fact, the realisation was that the Richest Bharat was poorly served, and it was a zeal to fill this gap that led to the inception of Damroo. My experience gave me enough courage to build a platform that can support/empower regional artists live off their art, earn to make quality music and connect with fans, so that the local listeners’ community get served in a much better way. With this mission, Damroo took its first step in Feb 2021.

    Damroo has since its inception created a 360 degree ecosystem where we are now able to connect the artists to audience, distributors and also regional brands. Damroo has equipped the listeners with music from different genres like classical, devotional, folk and contemporary in more than 20 Indian languages. Currently streaming more than 2.5 lakh licensed regional tracks, Damroo has emerged as Bharat’s first B2B2C audio platform to offer one-stop and affordable solution to artists, listeners as well as brands. Today, Damroo stands tall as a funded homegrown music-oriented ecosystem that is redefining what music streaming entails traditionally.

    On ensuring the fair compensation of artists for their work and safeguarding their copyrights

    Most regional artists understand that YouTube is possibly the only way to make money and take their art to a wider audience and listener base. Damroo is the platform for regional and independent artists to distribute their music. We handhold them and educate them about using streaming as a way to earn revenue. By enabling them to make money through multiple avenues like -sync license, publishing, distribution and live events, Damroo is also educating artists to come under one umbrella and monetise their talent. Essentially, we are ensuring that they get fair compensation by bridging the gap between music creation and business.

    As for copyright protection, we ensure that the creative work of the artist is registered across various global copyright societies. This is the very step taken when we onboard an artist. We also ensure that there is no copyright infringement, where even cover versions of their work by other artists are taken into account, and the artists receive the royalty benefit.

    On the importance of having a foundation in Indian classical music before pursuing a career in other music genres and the subsequent advantages it offers to aspiring musicians in India

    Indian music’s foundation is classical music, and its impact can be seen immensely on our regional songs and artists. A talented and aspiring musician is always encouraged to go back to the grassroots and learn classical music. This training hones their art, making every note of theirs error free and literally music to the ears. When our artists have this edge and can sing any song with ease, thanks to their training, they are truly ready to take on the world.

    On Damroo’s primary distinguishing factor compared to other music streaming platforms and its potential contribution to the platform’s growth, success, and the advancement of regional artists in the future

    Unlike other streaming platforms that cater to popular music and artists, Damroo focuses on serving its listeners local content in their own dialect and language, under well-curated playlists by popular artists, genres, mood, festivals and cultural celebrations. We have a very simple programming process which ensures that an artist gets equal opportunity to get discovered by special features on our home page. And this simple unbiased approach serves our purpose of offering fresh melodies daily to our listeners. In addition to streaming service, our other business verticals like Damroo Distribution Service, Damroo Live and Damroo for Brands have been created to ensure that an artist once onboarded on Damroo, reaches the success he/she deserves. Equipped with all required tools and resources, these verticals work together as a one-stop solution to build commercial viability of artists. And their success is our success!

    On data and analytics offered by Damroo to artists and its aid in growing their audience as well as understanding their fans

    We provide a dedicated dashboard on our app once an artist has been onboarded. Here they receive all statistics and analysis on the performance of each of their creative work. This helps the artists to understand the trends, rate their own performance on the platform and thus produce more work that has a possibility of becoming more popular. This way the artist can focus on quality as they get better insight into audience preferences, and do more work on those lines.

    On the music streaming sector’s evolution in India in the upcoming years, and the potential trends that could significantly impact and globalise the Indian music industry

    Technology is front & center in everything that’s happening and the next few years seem super promising for Indian digital music business. While India has now seen the rise in music consumption via legit platforms, a rise in paid user base to around four million shows that India is ready to pay for quality music and this is expected to reach around eight million by 2025. Overall, music segment is expected to reach Rs 33 billion by 2025 at a CAGR of 15 per cent.

    With this data giving insight into what to expect in the coming years, it is also important to understand the key growth factors. The growing adaption of music streaming platforms by the audience is definitely the catapult for this change in consumer behavior. Penetration of smartphones and internet data in smaller cities has also led to an increase in interest in the regional market.

    On Damroo’s y-o-y growth rate, revenue model and sustaining the company’s growth in the highly competitive Indian music streaming industry

    Damroo is still in its nascent stage and growing steadily, we are taking huge strides to grow and put Indian regional music on the world map. Our recent partnership with Horus Music, an award-winning music distribution company headquartered in UK, is a stepping stone in this direction. While it widens our content offering, we have been able to add more languages and content as well. Introduction of podcasts on our platform is also in the pipeline, which will increase the international fan base of the artists and increase the listenership in an organic manner. It will not just enable Damroo and the artists to stay ahead of the competition but also bring us closer to the vision of reaching the global stage that we started with.

    On the key metrics that Damroo tracks to measure the success of its platform and its future plans

    Daily active users (DAU), Monthly active users (MAU), play count, skip rate, customer acquisition cost, conversion rate, customer retention rate, number of contents licensed, number of artists onboarded are some of the metrics that help us at this stage. As for the future plans, plan is afoot to introduce more tools and resources to amplify discovery and reach of artists.

  • Shailja Samant begins new innings at ShemarooMe

    Shailja Samant begins new innings at ShemarooMe

    Mumbai: Shailja Samant has joined ShemarooMe as the head of strategic partnerships and distribution as per her LinkedIn update. She has 12 years of an impressive career spanning major media & entertainment brands with stints at JioCinema, MX Player & Aha.

    Samant brings a wealth of experience under her belt having led teams to successes with industry first partnerships & innovations across AVOD & SVOD. With her expertise in leading ecosystem & non-ecosystem partnerships in SVOD along with AVOD distribution deals, she is expected to chart new highs for the B2B vertical at ShemarooMe.  

    During her latest stint at JioCinema, Samant played an instrumental role in forging strategic alliances across diverse platforms for the seamless distribution of IPL 2023 through the JioCinema app. At MX, she spearheaded transformative alliances for their SVOD business, driving business growth & nurturing talented teams. In her tenure at Aha as the lead-revenue & partnerships, Samant drove the vision and execution for Aha to drive revenue growth through strategic subscriptions and brand partnerships.