Category: iWorld

  • Talkwalker and Twitter to focus on the #FinTwit community: Birdseye report 

    Talkwalker and Twitter to focus on the #FinTwit community: Birdseye report 

    Mumbai: Talkwalker, a consumer intelligence and deep listening company in partnership with Twitter, released its latest Birdseye report, focusing on the #FinTwit (financial Twitter) community.

    As an official partner of Twitter, Talkwalker was able to dive deep into the conversation on Twitter to provide consumer insights on this audience and the conversations they are having.

    As the financial crisis is felt across the world, it’s critical to understand what’s behind those monetary conversations, the audience driving them, and how brands can use these insights to enable their consumer connections.

    According to the report, while the majority of #FinTwit profiles are focused on cryptocurrency and NFTs, those most active in the conversation are still discussing investment opportunities (42 per cent).

    In India, tech-savvy millennials are helping grow the popularity of crypto, while Southeast Asia is seeing a vibrant web 3.0 scene.

    The growth of crypto and NFT-focused discussions is encouraging the expansion of the community, up by +102 per cent in Asia, +57.3 per cent in Europe, and +19.7 per cent in North America from August 2021 to August 2022.

    The community is broadly forward-thinking, moving away from traditional finance and looking more towards a decentralised finance model, the report added.

    As an industry-leading consumer intelligence platform, Talkwalker uses proprietary AI technology to derive insights from the community. Their ongoing investment in AI means Talkwalker clients can identify actionable insights faster and more accurately than ever before.

    The report helps brands understand this audience and quickly take action based on the insights provided, providing a vital resource given the fast-moving nature of the FinTwit community.

    “Twitter is a soundboard for the world,” said Talkwalker CMO David Low. “When it comes to finance, #FinTwit has its finger on the pulse, discussing the major changes of the day as they happen. If there’s a monetary issue bubbling, they will know about it first. By partnering with Twitter on this report, Talkwalker analysed the audience in-depth to uncover vital insights.”

  • With choreographer Raju, Asif emerges as the winner of aha’s ‘Dance Ikon’

    With choreographer Raju, Asif emerges as the winner of aha’s ‘Dance Ikon’

    Mumbai: After a successful 13-week run, the popular Telugu dance reality show Dance Ikon has finally come to an end. It has been one of the top-rated Telugu shows on the streaming platform Aha.

    Emerging as the winners of aha’s Dance Ikon after battling 12 other aspirants, Asif and Raju reached many unprecedented highs. While Asif walked away with the prize money of Rs 20 lakhs and the sought-after Dance Ikon trophy, as promised, Raju got a chance to choreograph for a top Tollywood actor. The winner announcement was held at the Dance Ikon sets, where Asif and Raju were presented the Dance Ikon trophy by the judges and producers.

    The gala evening witnessed some remarkable performances by contestants in the presence of Tollywood producers who are the owners of the contestants: Geetha Arts’ Allu Aravind, Mythri Movie Makers’ Ravi Shankar, SVCC’s Bapineedu & Hanshitha, and Sithara Entertainments’ Naga Vamsi. The producers raised the finalists’ energy levels as the participants reached the finish line.

    While speaking on winning the competition, choreographer Raju said, “Words can’t begin to describe what Dance Ikonmeans to me. Dance is my passion, my one true love, and today it has brought me to a new destination and labelled me as the winner of Dance Ikon! I would like to thank my contestant Asif for standing by me throughout my journey, my fellow choreographers for challenging me at every point, and the judges for inspiring me week after week to give Dance Ikon my very best. Thank you, viewers, and aha, for making my aspiration a reality.”

    Dance Ikon has been very entertaining. We managed to rope in an eclectic mix of contestants, bring in varied dance forms, and put together some extraordinary acts. This show was about many firsts. I would like to congratulate not only Raju and Asif but all the other contestants and choreographers who contributed to making Dance Ikon a memorable one,” commented aha CEO Ajit Thakur.

  • Kevin Pietersen Picks His Favourite T20 World Cup Players

    Kevin Pietersen Picks His Favourite T20 World Cup Players

    Kevin Pietersen selects three of his nation’s top players for his own T20 World Cup team following England’s thrilling victory over Pakistan in the championship game.

    Jos Buttler and Alex Hales were chosen by Pietersen. Together, both openers contributed the crucial runs to England’s scoreboard and helped the team win crucial matches against India, Sri Lanka, and New Zealand. Here’s his playing XI team.

    J.S. Buttler (England)

    225 runs

    Buttler was presented with a significant hurdle after Eoin Morgan announced his retirement from international cricket, but he has been able to prove his leadership skills through his captaincy.

    He was England’s top scorer and did a great job of leading his squad throughout the world cup.

    Virat Kohli (India)

    296 runs

    One of the competition’s highlights for Pietersen was when King Kohli maintained his level of performance throughout the World Cup and finished as the player with the most runs in the world cup.

    Despite the harsh criticism he had endured over the past few years, Kevin had never lost hope that he’d rise to the top again.

    Suryakumar Yadav (India)

    239 runs

    He currently ranks among the best batters in the world for white-ball cricket because he has got some extraordinary batting skills.

    He first dominated the Indian Premier League for a few years before doing the same on the international stage.

    Hales, Alex (England)

    212 runs

    Hales was satisfied with my prediction that he would be England’s game-winner before the competition started.

    He delivered three significant knocks during the match’s most crucial periods against New Zealand, Sri Lanka, and India.

    Phillips, Glenn (New Zealand)

    201 runs

    Phillips was New Zealand’s most impressive batter, while the Black Caps competed in yet another successful tournament.

    His century versus Sri Lanka was one of the tournament’s most outstanding innings.

    Mr. Sikandar Raza (Zimbabwe)

    Ten wickets were taken, and 219 runs were scored.

    It’s been fantastic to see the associate nations perform so well in the Twenty20 format, and Raza’s all-around skills for Zimbabwe are part of what initially caught my eye.

    To score 219 runs and take ten wickets while competing against some of the best players in the world is an impressive feat.

    Sam Curran (England)

    13.0 wickets

    Curran has come a long way since we first saw him.

    He played for England on a part-time basis to start his career before going on to win Player of the Tournament honors at a World Cup. As they strive to defend their white-ball championships, he will be a crucial element of this team.

    Shadab Khan (Pakistan)

    Pakistan could not have reached the final without Shadab.

    His performance against South Africa helped them move to the final round, and throughout the competition, he showed exceptional consistency with the ball.

    Wanindu Hasaranga (Sri Lanka)

    15 wickets

    Leading the wicket charts at both T20 World Cups he participated in is a tremendous feat.

    Angus Nortje (South Africa)

    11% of the field with 11 wickets

    In every game format, Nortje has established himself as one of the top bowlers in the world.

    He showed off his ability to take wickets amazingly, and his lightning-quick speed is a powerful weapon.

    Shaheen Shah Afridi (Pakistan)

    11 wickets

    Shaheen’s injury forced him to leave the game early in the final match, although Pakistan still had the hope to win the game with his remaining overs.

    He already leads a pace assault that ranks among the finest in the world at the young age of 22.

  • GUEST ARTICLE: Five short format content marketing strategies that OTT platforms use to promote their properties

    GUEST ARTICLE: Five short format content marketing strategies that OTT platforms use to promote their properties

    Mumbai: It’s almost the end of 2022, and the sentence I have said almost every day this year is that short-form video content is the key to marketing. At By The Gram (BTG), we work with numerous OTT platforms and are responsible for marketing all of the many great movies/shows. Here are five short-form content marketing strategies we live by:

    1.  Keep it short: We say this to everyone. Gone are the days where viewers had the time, patience, and energy to sit through really long pieces of content. While the viewership is increasing, the attention span is decreasing. We have reels and Tik-Tok to thank for that. Keep in mind that the average user decides whether to continue watching or scroll to the next video within the first five to 10 seconds. So you should ensure your video is engaging and short. You have to squeeze as much information and brand awareness into the shortest amount of time as possible. This past year, we analysed the different pieces of content that we produced, ranging from six minutes right down to 30/15 seconds, and found out that length really does matter for videos/content. The very fact that your video is long may explain why it’s not doing so well.

    2.  Engage, engage, engage: Because your content is usually going to be short, you have to ensure your content is engaging. It has to grab the attention of your target audience, give them the information they need. Ensure you’re getting your ROI because creating content is an expensive task, so you need to get the most bang for your buck as a platform. Engaging content for platforms is a little more difficult due to the bulk of content already out there and the numerous titles they are marketing on a daily basis. So when we start conceptualising a campaign for an OTT platform, we ensure it’s different from the other titles they are actively marketing at the same time. Sometimes, as an agency, we are working on multiple titles for the platform. In that case, we ensure that we have different creative teams working on the titles to ensure each campaign is unique and engages the audience.

    3.  Authenticity is important: Let’s face it, there are so many OTT platforms out there today, all competing to be the best and most unique. All of them want their content to trend, and it’s so easy to go down this wormhole as a creative agency. So it’s imperative, while ideating and strategising, to be authentic to the brand you’re representing. You can’t reuse and recycle the same strategies, you can’t even do that for the way the content is shot/edited. In my opinion, everything you create has to be in tune with the brand identity; only then will it resonate with the audience.

    4.  Behind-the-scenes content: Social media platforms allow you to connect with your audience on a one-on-one basis. For mammoth OTT platforms, it’s almost impossible to avoid BTS content for their films and shows. We curate campaigns around the BTS we capture on set. It’s an all-access pass to your favourite shows and movies. You don’t want to miss the chance for the audience to connect with your characters and take a deep dive into the world that you have created. Give them a chance to be emotionally connected with your cast/crew before your movie even releases. It is also extremely cost-effective, saving you a lot of money on creating specific, costly marketing concepts after shooting your film or website.

    5.  User generated content: As a marketer, you may think your main goal is to create content that reaches users, but a true winning moment is when the user engages with your content to the point of using it as a basis to create their own content. You want to create a campaign that’s 360. Plan your content drops in such a way that user generated content can be the last leg of your campaign. I.e., you want those trending songs, you want those parody dialogue videos, and you want those memes to go viral. You want your film or television show to be the talk of the town. Whether you do this by hiring the correct influencers to kick off these trends or not, you want your key cast to promote, promote, promote. All of it has to align with the larger campaign and feel like a cohesive whole.

    I’ll leave you with one extra tip as the cherry on top of a great marketing strategy. Whether you’re a marketer or an OTT platform, you must invest in quality. The quality of your content matters, even when it is super short. Don’t rush, and don’t skimp on production quality. As an agency, we invest in high-quality equipment, experienced videographers and photographers, and editors who are well-versed in various software programs. As a platform, you need an agency/studio that understands you and has a vested interest in the success of your titles. That is not a place you want to cut costs. If this year has taught us anything, it is that content is more important than ever before.

    The author of this article is By The Gram (BTG) co-founder Eman Batliwalla.

  • StudioBackdrops.com registers 146% annual growth since its inception

    StudioBackdrops.com registers 146% annual growth since its inception

    Mumbai: Studiobackdrops.com (SBDC), an e-commerce platform for photography, videography, & audio solutions, announced on Monday that it has registered 146 per cent growth between 2016 and 2022. The total size of the company is expected to reach Rs 50+ crore by 2025.

    Started in 2016, StudioBackdrops.com aims to become the one-stop solution for content creators, influencers, bloggers, YouTubers, and the photography community.

    The e-commerce platform started with 150 SKUs and has significantly increased over the years as more and more products and brands have been added. Now there are almost 4,500 SKUs listed on the website from 15+ Brands. The average order value, or AOV, has also steadily increased over the years, with the number of orders growing by almost 90-100 per cent every year. The average order value has grown from Rs 2,245 in 2016 to Rs 11,000 in 2022.

    Studiobackdrops.com is planning to launch one of the best-equipped studios in South Delhi in 2023, along with a brilliant content creator incubation programme to train the next generation of creators and influencers. The e-commerce platform is also working on developing an online knowledge base academy to educate its existing and potential customers about the products and how to best use them. Product reviews and tutorials about different topics and equipment will also be made available on the portal.

    The idea of launching StudioBackdrops.com was to create a unique platform to offer an entire range of production equipment, backdrops, and audio-visual products for content creators, amateurs, and professionals in the industry. The e-commerce platform distributes seamless paper backdrops, muslin and canvas backdrops across the country, including major metropolitan cities, but has also seen an increase in orders from tier five & tier six towns, as well as remote locations in the North East and Union Territories like the Lakshadweep Islands and the Andaman & Nicobar Islands.

    Talking about the exceptional growth, StudioBackdrops.com founder Archisman Misra said, “StudioBackdrops.com was founded to make the best products from all over the world accessible to filmmakers, photographers, content creators, and influencers from the comfort of their homes. The amount of content consumed has grown at a tremendous rate over the years, be it on Instagram Reels, YouTube, or OTT platforms, and we wanted to equip the talented individuals responsible with the best of the best. The growth registered by StudioBackdrops.com is a sign of validation and acceptance from the community we are serving, and this has been the best experience of all.”

    Influencer marketing is thriving in India, showcasing a growth rate of over 25 per cent. The sector is expected to touch Rs 2,200 crore by 2025, according to an INCA India Influencer report. Seeing the rising number of influencers on Instagram and YouTube and the expanding size of digital marketing, StudioBackdrops.com moved strategically and started partnering with international brands to cater for its stakeholders.

    StudioBackdrops.com is the primary importer and distributor of Savage Universal and Superior Seamless studio background papers in India. The online platform also distributes products of known brands such as RiMELITE, TruLite, and PXB and is actively involved in working in tandem with the biggest brands around the world and bringing them to India.

    Recently, StudioBackdrops.com partnered with SYNCO, a leading audio brand, and launched an innovative microphone collection and audio accessories for the content creator community. The tie-up aimed to help the YouTubers, videographers, photographers, and influencer community have easy access to state-of-the-art audio products to elevate the quality of their content. Under this partnership, StudioBackdrops.com is now offering a variety of audio products, such as lav mics, shotgun mics, professional boom mics, and audio mixers manufactured by Synco. These professional pieces of equipment are manufactured for environmental noise reduction technology, sound optimization processing, and audio drive reverberation.

  • Brazilian Footballer Ronaldinho joins Koo

    Brazilian Footballer Ronaldinho joins Koo

    Mumbai: Former soccer player Ronaldinho has joined Koo. His Koo handle is @ronaldinho. Ronaldinho joined the platform, and posted in Portuguese, English, and multiple Indian languages. Such behaviour as posting in multiple languages is unique to Koo.

    Ronaldinho is only seen on global social platforms. Koo has joined the ranks of global social platforms such as Instagram, Facebook, and Twitter in housing world-renowned personalities. He has millions of followers on other social platforms and happens to be one of the most talented football players of all time.

    Launched in Brazil on 18 November, Koo claims to have since become the number one app in the Android and Apple stores. It introduced Portuguese as a language on 20 November. Since the launch of the Portuguese language, 500 eminent personalities from Brazil have joined the world’s second-largest microblogging platform. Every few minutes, eminent personalities continue to join the platform, including famous celebrities like Claudia Leitte, actor Babu Santana, author Rosana Hermann, and Choquei, a news portal, to name a few. Felipe Neto, a celebrity, surpassed 650K followers in just five days after joining the platform.

    Since its launch in Brazil, Koo has registered 20 million likes, 40 million followers, four million Koos, three million votes on polls, and more than two million comments.

    Koo co-founder & CEO Aprameya Radhakrishna said, “It’s the opportune time to have Ronaldinho on our platform. Our mission is to unite the world in spite of the language barriers. With FIFA being watched globally, Ronaldinho’s followers, who are spread across the world, will now be able to engage with him in the language of their choice using our unique features. Koo as a platform enables eminent personalities to communicate with their followers in their mother tongue using our unique features, including multilingual Kooing.”

    Koo co-founder Mayank Bidawatka said, “We are all huge Ronaldinho fans. It’s exciting to see one of the biggest soccer legends join Koo. It will be even more exciting to meet him when we visit Brazil. We recently launched in Brazil, and Koo has become a cult brand there overnight. The warmth and love with which Brazil has received us is humbling. Within hours of its launch, Koo attracted hundreds of celebrities and millions of users. Connecting people in their native language is a very powerful thing, and we are excited to march ahead to achieve our mission of uniting the world in spite of all language barriers.”

    Koo is available in 11 languages, including Portuguese, and has users from across the globe. Since the launch, Koo has granted 8,000+ yellow ticks of eminence and lakhs of green self-verification ticks to increase transparency and credibility on the platform. It is working to add more global languages and enable digital freedom in many more countries in the near future.

  • GUEST ARTICLE: Is investing in start-ups viable in the post-covid era?

    GUEST ARTICLE: Is investing in start-ups viable in the post-covid era?

    Mumbai: The internet has boosted the startup scene all over the world, including India. Many homegrown startups have not only attracted a good customer base but are seeing investors of all sizes plug their money at different stages of the startups’ expansion in their respective markets.

    Here’s why the startup space is a priority asset class for most domestic investors in the modern era.

    Investing capital for increased returns is critical in everyone’s life, especially after the covid-19 pandemic loomed uncertainty by rocking the global financial markets. As the investment sphere is heavily sentiment-driven, the massive job losses, slashed incomes, and irregular business cash flows led to the crash of indices on the back of arrested investments and demand for liquid funds.

    The investment sphere is slowly regaining traction on the green side as we steadily put behind the adverse effects of the pandemic. In these times, the hot topic for most has been investment in the startup space. As India builds its way toward increased adoption of digitisation, most startups in the digital sphere have thrived as their investors and customer base are all here on the internet, irrespective of their physical presence.

    So, why are so many startups in India succeeding in attracting investors of all types at various stages of their funding requirements?

    High Reward Potential – With a small capital fund investment, the returns can be subsequently 2x-10x basis of the scale at which the startup is attracting customers. Though they are high-risk assets, an investment in a startup can be highly rewarding. Take for instance Google which was a startup once and led its path to go public and raise $500 million for early-stage investors. A whopping return on investment is what startups are known for among investors.

    Change-maker – Most startups have principles that state how the firm strives to bring about an adaptable change in society, leading to the betterment of the environment and promoting sustainability. See, for instance, how most startups have been operating digitally instead of with brick-and-mortar stores, which subsequently reduces their carbon footprint. They regularly measure and report about their emissions and the means to bring them down through their learning.

    Side hustle – As the invested capital keeps giving good returns, most investors invest in this space to use the generated profits to meet their operational costs. As a result, for many investors, investing in startups is a side hustle.

    Gain market recognition – Being a part of the start-ups’ journey, as an investor, you get the chance to meet several industry veterans who are likewise investors, board members of the company, or just meet several industry experts at many forums where all of them come together. As an investor, you stand a chance for increased recognition in the market.

    Early investing – Saving from shelling out more capital for a larger share of the startup, early-stage investing often helps the investor reap better and higher returns when the start-up starts to thrive. One must be mindful of the amount of investment in any startup, while also being mindful that the model is subject to failure.

    Diversifying your portfolio – As many investors park their capital in stocks and share markets, in a bid not to fall prey to the market volatility risk with their investment every time, they can consider investing in a startup. While a startup is too subject to market risk due to demand-supply fluctuations, etc., they are not as sensitive and are affected daily by the shift in market dynamics. They are focused more on targeted sectors, so the risk of fluctuation in the investment is lesser. It thereby diversifies one’s investment portfolio. Invest in 10 different start-ups in 10 varied categories for a dynamic understanding and diversification of your portfolio.

    High potential for buy-outs – A startup, on the back of its high performance and high returns can be subject to be acquired by any of the investors eyeing to take control of the operations. Offering fair compensation for the acquisition, as an investor, one can potentially see the brighter side of capital gain with the buy-out of the startup/s that they have invested their money in.

    While it cannot be denied that startups are subject to failure and there’s a risk of your investment getting razed altogether, there’s risk in your investment in the stock and share markets, real estate assets, gold, and other bonds. Why not put your hands in and get a first-person experience of how investing in startups works?

    The author of this article is Om Dayal Group founder Sanjiv Agrawal.

  • MX Player wins bronze for LGBT+ inclusion at IWEI 2022

    MX Player wins bronze for LGBT+ inclusion at IWEI 2022

    Mumbai: MX Player has been recognised as a top employer at the India Workplace Equality Index (IWEI) 2022.
    MX Player has been honoured with the bronze badge, which recognises the development of inclusive policies and the initiation of activities that promote LGBT+ inclusion at work.

    MX Player has worked consciously to create a work environment in which all people are truly welcomed, valued, and respected—for all of who they are.

    Considering diversity and inclusion to be critical pillars for an organisation’s success, MX Player launched #PressPlayForAll in June 2022 for its 100K+ LinkedIn family.

    With gender-neutral medical and leave policies, attracting LGBTQ+ candidates through its LinkedIn page, and using social media platforms to lead conversations on LGBTQ+ equality, the brand has also actively engaged with the LGBTQ+ community at the grassroots level.

    Speaking on being awarded the bronze badge at IWEI 2022, MX Player CEO Karan Bedi said, “We are humbled to receive this recognition and acknowledge the contribution of every stakeholder in this journey. At MX Player, we have always invested in pioneering initiatives and introduced policies that accept and cherish all employees, thus helping to build a progressive work environment. The IWEI 2022 recognition is a testament to the people-first culture that MX Player has built over the years.”

    Commenting on making the workplace diverse and inclusive, MX Player Global HR Head Anjani B. Kuumar said, “As an organisation that is deeply invested in the well-being of its employees, our leadership team is committed to building a healthy and safe workplace culture, and inclusion is one of our top priorities. For a young organisation like ours, this recognition by IWEI will further propel us to strengthen our inclusion policies and initiatives.”

    IWEI is India’s first comprehensive benchmarking tool for employers to track their progress toward lesbian, gay, bi, and trans (LGBT+) workplace inclusion. The index assesses nine areas: policies and benefits, employee lifecycle, employee network group, allies and role models, senior leadership, monitoring, procurement, community engagement, and other work.

    MX Player also participated in Pride Circle’s Ally Challenge 2022, pledging to be active allies and inviting all employees to participate by sharing their pledges, in order to encourage and lead the workforce toward being allies.

  • IAMAI highlights willful misinterpretation & ill-conceived recommendations on draft telecom bill 

    IAMAI highlights willful misinterpretation & ill-conceived recommendations on draft telecom bill 

    Mumbai: In a statement issued on Friday, the Internet and Mobile Association of India (IAMAI) expressed outrage at the regression and denigration of the debate over regulating the digital economy. Far from the government’s stated goal of creating a trillion-dollar digital economy, the telecom infrastructure industry has attempted to reignite debates that threaten to undo the progress made by the Indian tech industry thus far.

    According to data released by the union ministry of electronics and information technology (MeitY), India’s digital economy has grown dramatically over the last decade, generating more than $200 billion in economic value each year.

    Part of this expansion has been the compartmentalisation of legislation governing carriage and content. India has enabled the growth of both OTT and traditional telecommunications service providers by regulating carriage and content separately.

    The rapid creation of India’s 100+ unicorns exemplifies this phenomenon. Despite this meteoric rise that has propelled India to the forefront of the global start-up scene, the recently concluded consultation on the draft telecom bill reveals either a deliberate misinterpretation or a fundamental lack of understanding of how the digital economy operates.

    An industry body representing the telecom infrastructure sector has championed the creation of revenue-sharing mechanisms for ‘over-the-top’ (OTT) layers within the ambit of the draft telecom bill.

    The association claims that this decision would have far-reaching effects in addition to being disastrous. We pose an existential threat to India’s startup environment by erecting impassable barriers to entry and allowing licensing rules to apply to over-the-top service providers. Foreign investors who are bullish on Indian start-ups may face a chilling effect as a result of the extreme policy uncertainty, which would mean that not only would aspirant Indian start-ups who are still developing and evolving their business and monetisation models face massive compliance costs in their early stages.

    “Despite this, certain policy experts continue to propagate fantasies about equitable contributions from stakeholders within the OTT layer, which would only seem to strengthen the gatekeeping abilities of the owners of the infrastructural layer on which OTT services operate. These changes would only establish additional sources of revenues for well-established sectors while leaving the start-up ecosystem vulnerable to compliance costs even when they may be pre revenue,” IAMAI said.

    IAMAI, in its letter to the department of telecommunications, expressed grave concern about the impact of these changes on India’s start-up ecosystem and the digital economy. IAMAI also sought to illustrate the success of the extant regulatory framework, which facilitated the creation of 100+ unicorns and 200+ billion dollars of growth, achievements that have enabled India to dream of a one-trillion-dollar digital economy.

    Considering this, IAMAI has recommended that the scope of telecommunications services be reviewed and limited to only those who distribute spectrum in a usable form. The time-tested distinction between telecom spectrum-controlling entities and spectrum-using companies should be maintained, as it has been the basis that has allowed innovation and deeper penetration of the internet in India.

  • Varun Mitra & Kanika Mann’s Rakshak: India’s braves spread patriotism in capital

    Varun Mitra & Kanika Mann’s Rakshak: India’s braves spread patriotism in capital

    Mumbai: Amazon miniTV – Amazon’s free -video streaming service, sets its foot in the patriotic genre with Rakshak: India’s Braves as the nation commemorates 77 years of Independence. The patriotic drama narrates the supreme sacrifice made by Lt. Triveni Singh on 2 January at Jammu station when he saved over 300 civilians while surrendering his own life without hesitation. The film has piqued the curiosity of audiences from all corners of the nation owing to its inspiring and gripping narrative, top-notch action and battle scenes, and on-point dialogue delivery. 

    While Rakshak: India’s Braves is available for viewers to witness Lt. Triveni’s sacrifice for the nation only on Amazon miniTV, the lead star cast, Varun Mitra and Kanika Mann, recently jetted off to New Delhi to celebrate the success of the hard-hitting film in the national capital. The lead actors visited India Gate to take a step closer to make the viewers acquainted with the bravery and sacrifices made to keep our country secure, as seen through the eyes of a key soldier. Making pit stops and sharing insights with multiple media in Delhi, Varun Mitra and Kanika Mann visited India Gate, as they paid homage to our security forces while passing by numerous places of historical significance garnering the adoration of fans in the city. 

    Rakshak- India’s Braves weaves a narrative of passion, heroism, and ultimate sacrifice to tell a story of bravery, Lieutenant Triveni Singh and his formidable squad heroically thwarted a terrorist attack at Jammu Tawi Railway Station, thereby saving the lives of innocent people. The film features an all-star cast led by Varun Mitra, Kanika Mann, Mrinal Naval, Mrinal Kulkarni, and Mohit Chauhan, and it was directed by Akshay Chaubey and produced by Juggernaut.

    Unfold the courageous and heroic story of Lt. Triveni Singh in Rakshak- India’s Braves, streaming live on Amazon miniTV, for free within the Amazon shopping app and on Fire TV.