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  • 69th Hyundai Filmfare Awards 2024 promises two epic nights in Gujarat

    69th Hyundai Filmfare Awards 2024 promises two epic nights in Gujarat

    Mumbai: Save the date for an unforgettable two-night spectacle! The 69th Hyundai Filmfare Awards 2024, with Gujarat Tourism, promises to captivate audiences with an unprecedented scale and dazzling extravaganza.

    On 28 January, a spectacular blockbuster awaits audiences at GIFT City in Gandhinagar, Gujarat. A night where the best in Indian cinema will be honoured and celebrated promises to be a star-studded affair. The dynamic trio of Karan Johar, Ayushmann Khurrana, and Maniesh Paul play host as captivating performances by Ranbir Kapoor, Varun Dhawan, Kareena Kapoor Khan, Janhvi Kapoor, Sara Ali Khan and Kartik Aaryan mesmerise the audience. The festivities commence one day earlier, on 27 January at the Mahatma Mandir Convention & Exhibition Centre with a Curtain Raiser to the 69th Hyundai Filmfare Awards 2024 with Gujarat Tourism, in which technical award winners will be honoured with the Black Lady. An evening hosted by Karishma Tanna and Aparshakti Khurana will also have an enchanting fashion show, showcasing Shantanu & Nikhil’s sustainable collection, concluding with a mesmerizing music concert by the renowned Parthiv Gohil.

    Building excitement for this momentous cinematic celebration, key details such as performer and host names were unveiled at the Mumbai press conference attended by distinguished guests, including Hareet Shukla (IAS, principal secretary, tourism, devasthanam management, civil aviation & pilgrimage, government of Gujarat), Rohit Gopakumar (director, Times Entertainment division, Worldwide Media, entertainment TV & digital network), and Jitesh Pillaai (editor, Filmfare). The event also saw the presence of eminent figures from the Indian film industry, such as Karan Johar, Varun Dhawan, and Janhvi Kapoor, marking a noteworthy kick-off.

    Commenting on the occasion, Gujarat chief minister Bhupendrabhai Patel said, “As Gujarat prepares to welcome filmmakers to Gujarat for the prestigious 69th edition of Filmfare Awards, we look forward to a surge in tourism, and a positive impact on our local economy. This grand event will provide a unique platform for our talented artists and filmmakers to engage with the Indian Film Industry, fostering an exchange of ideas, technology, and trends. We also look forward to showcasing Gujarat’s natural beauty, rich cultural heritage, robust infrastructure along with our proactive governance and policies like Cinematic Tourism Policy and Gujarat Tourism Policy. These policies have been created with a mindset to make an effective and efficient ecosystem for filmmakers. Our aim is to be a premier film destination, attracting future projects and investments.”

    Sharing his thoughts on the association, government of Gujarat Minister for tourism, cultural activities, forest & environment and climate change Mulubhai Bera said, “Gujarat is proud to host the 69th edition of Filmfare Awards, the event will showcase the state’s commitment to nurturing creativity, fostering collaboration, and becoming a preferred destination for cinematic tourism. Gujarat’s diverse offerings in locations ranging from landscapes, beaches to the majestic forests among others provide an ideal backdrop for film shoots or tourism. With a vast variety of locations Gujarat has to offer, it is poised to become a major hub for filmmakers seeking diverse and captivating settings”

    Sharing his enthusiasm, Times Entertainment division, Worldwide Media, entertainment TV & digital network director Rohit Gopakumar expressed, “2023 undoubtedly has been a blockbuster year for Hindi Cinema and what better way of taking the 69th edition of Filmfare Awards to an amazing destination like Gujarat. This year we are hosting not one, but two back-to-back nights filled with power-packed performances and well-deserved recognitions. It’s our way to match the immense love and energy we consistently receive from our passionate fans.” He further added, “Partnerships provide an opportunity to use each other’s strengths and achieve a greater outcome. We take pride in having Hyundai Motor India as our Title Partner and Gujarat Tourism as our Destination Partner.”

    Hyundai Motor India COO Tarun Garg shared his thoughts on partnership with Filmfare Awards, “Hyundai Motor India is proud to be the title partner of the prestigious Filmfare Awards for second year in a row. At Hyundai, we truly believe in the power of cinema & entertainment that unites our great nation together. The 69th edition of Filmfare Awards will recognise the finest gems of Indian cinema promoting excellence and talent of the exceptional films released in 2023 which will lead to Progress of Art & Culture and in turn leading to ‘Progress for Humanity’ which is Hyundai’s global vision. At Hyundai, we take pride in being the key enabler of cutting-edge technology and safer mobility solutions for the masses. We are continuously evolving and innovating to stay ahead of the curve and achieve new milestones in the industry. We are thrilled to continue our association with the Filmfare awards and strongly believe that our partnership will yield great potential for us to engage with the people of India across geographies and cultures. We eagerly await to witness a night filled with glamour, entertainment, and lot of celebrations.”

    Adding to the thrill, Filmfare editor Jitesh Pillaai stated, “The year 2023 stands as an indelible chapter marked by blockbuster bonanzas and critically acclaimed masterpieces. Filmfare Awards are not just about recognizing films; it’s about celebrating a year filled with cinematic marvels and groundbreaking moments. The 69th edition of Filmfare Awards, promises to be an unparalleled spectacle. We are geared up to showcase two back-to-back nights of cinema’s celebration and breathtaking performances, which we believe are sure to match the pulsating energy of the lively audience in Gujarat.”

    Sharing his thoughts at the press conference, Karan Johar said, “It is truly an honour to be here. I extend my heartfelt gratitude to Gujarat for being a pillar of support to Bollywood and the esteemed Filmfare brand. The excitement is palpable as I take on the role of hosting this edition. Celebrating amidst the rich tapestry of Gujarat’s culture, tradition, economic and technological growth makes it an unparalleled location for this event. Personally, my journey into hosting began because of Filmfare, and my emotional connection with it runs deep. Winning a Filmfare award is akin to creating history, a dream that most creative artists aspire to achieve. The emotional significance attached to it is felt by all artists. It’s the collective participation and the sense of community that bind us together in this journey. Once again, I express my gratitude to everyone for paving the way. We are eagerly looking forward to the festivities on the 27th and 28th of January.”

    Adding to it Varun Dhawan said, “Filmfare Awards are like the heartbeat of Indian cinema, pushing many artists to new heights. When I look back at my first performance, I can see things have changed, the movie scene is different, and people now see films in a more open-minded way. Thinking about the big event coming up, I can picture a full house in Gujarat, showing how much people love this cinematic celebration.”

    Janhvi Kapoor said, “I’m truly grateful to be part of this celebration, marking a milestone year for Indian cinema. Gujarat, an incredible state, has enriched us culturally and significantly contributed to cinema. Reflecting on my earliest memories with Filmfare, watching the awards with my mom was a special experience. My first stage performance was also on the Filmfare stage, and I’m excited to create more cherished memories.”

    Be a part of a glamorous extravaganza of the 69th Hyundai Filmfare Awards 2024 with Gujarat Tourism on 27 and 28 January, in the vibrant state of Gujarat.

    Here is the complete nomination list for the 69th Hyundai Filmfare Awards 2024 with Gujarat Tourism –

    Certainly! Here’s the corrected version with proper case:

    Popular Best Film

    – 12th Fail
    – Animal
    – Jawan
    – OMG 2
    – Pathaan
    – Rocky aur Rani Kii Prem Kahani

    Best Director

    – Amit Rai (OMG 2)
    – Atlee (Jawwan)
    – Karan Johar (Rocky Aur Rani Kii Prem Kahani)
    – Sandeep Reddy Vanga (Animal)
    – Siddharth Anand (Pathaan)
    – Vidhu Vinod Chopra (12th Fail)

    Best Film Critics

    – 12th Fail (Vidhu Vinod Chopra)
    – Bheed (Anubhav Sinha)
    – Faraaz (Hansal Mehta)
    – Joram (Devashish Makhija)
    – Sam Bahadur (Meghna Gulzar)
    – Three of Us (Avinash Arun Dhaware)
    – Zwigato (Nandita Das)

    Best Actor in Leading Role (Male)

    – Ranbir Kapoor (Animal)
    – Ranveer Singh (Rocky Aur Rani Kii Prem Kahani)
    – Shah Rukh Khan (Dunki)
    – Shah Rukh Khan (Jawwan)
    – Sunny Deol (Gadar 2)
    – Vicky Kaushal (Sam Bahadur)

    Best Actor Critics

    – Abhishek Bachchan (Ghoomer)
    – Jaideep Ahlawat (Three of Us)
    – Manoj Bajpayee (Joram)
    – Pankaj Tripathi (OMG 2)
    – Rajkummar Rao (Bheed)
    – Vicky Kaushal (Sam Bahadur)
    – Vikrant Massey (12th Fail)

    Best Actor in Leading Role (Female)

    – Alia Bhatt (Rocky Aur Rani Kii Prem Kahani)
    – Bhumi Pednekar (Thank You for Coming)
    – Deepika Padukone (Pathaan)
    – Kiara Advani (Satyaprem Ki Katha)
    – Rani Mukerji (Mrs. Chatterjee v/s Norway)
    – Taapsee Pannu (Dunki)

    Best Actress Critics

    – Deepti Naval (Goldfish)
    – Fatima Sana Shaikh (Dhak Dhak)
    – Rani Mukerji (Mrs. Chatterjee v/s Norway)
    – Saiyami Kher (Ghoomer)
    – Shahana Goswami (Zwigato)
    – Shefali Shah (Three of Us)

    Best Actor in Supporting Role (Male)

    – Aditya Rawal (Faraaz)
    – Anil Kapoor (Animal)
    – Bobby Deol (Animal)
    – Emraan Hashmi (Tiger 3)
    – Tota Roy Chowdhury (Rocky Aur Rani Kii Prem Kahani)
    – Vicky Kaushal (Dunki)

    Best Actor in Supporting Role (Female)

    – Jaya Bachchan (Rocky Aur Rani Kii Prem Kahani)
    – Ratna Pathak Shah (Dhak Dhak)
    – Shabana Azmi (Ghoomer)
    – Shabana Azmi (Rocky Aur Rani Kii Prem Kahani)
    – Triptii Dimri (Animal)
    – Yami Gautam (OMG 2)

    Best Lyrics

    – Amitabh Bhattacharya (Tere Vaaste – Zara Hatke Zara Bachke)
    – Amitabh Bhattacharya (Tum Kya Mile – Rocky Aur Rani Kii Prem Kahani)
    – Gulzar (Itni Si Baat – Sam Bahadur)
    – Javed Akhtar (Nikle The Kabhi Hum Ghar Se – Dunki)
    – Kumaar (Chaleya – Jawan)
    – Siddharth-Garima (Satranga – Animal)
    – Swanand Kirkire and IP Singh (Lutt Putt Gaya – Dunki)

    Best Music Album

    – Animal (Pritam, Vishal Mishra, Manan Bhardwaj, Shreyas Puranik, Jaani, Bhupinder Babbal, Ashim Kemson, Harshwardhan Rameshwar, Gurinder Seagal)
    – Dunki (Pritam)
    – Jawan (Anirudh Ravichander)
    – Pathaan (Vishal and Shekhar)
    – Rocky Aur Rani Kii Prem Kahani (Pritam)
    – Tu Jhoothi Main Makkaar (Pritam)
    – Zara Hatke Zara Bachke (Sachin-Jigar)

    Best Playback Singer (Male)

    – Arijit Singh (Lutt Putt Gaya – Dunki)
    – Arijit Singh (Satranga – Animal)
    – Bhupinder Babbal (Arjan Vailly – Animal)
    – Shahid Mallya (Kudmayi – Rocky Aur Rani Kii Prem Kahani)
    – Sonu Nigam (Nikle The Kabhi Hum Ghar Se – Dunki)
    – Varun Jain, Sachin-Jigar, Shadab Faridi, Altamash Faridi (Tere Vaaste Falak – Zara Hatke Zara Bachke)

    Best Playback Singer (Female)

    – Deepthi Suresh (Aararaari Raaro – Jawan)
    – Jonita Gandhi (Hey Fikar – 8 A.M. Metro)
    – Shilpa Rao (Besharam Rang – Pathaan)
    – Shilpa Rao (Chaleya – Jawan)
    – Shreya Ghoshal (Tum Kya Mile – Rocky Aur Rani Kii Prem Kahani)
    – Shreya Ghoshal (Ve Kamleya – Rocky Aur Rani Kii Prem Kahani)

    Technical Best Story

    – Amit Rai (OMG 2)
    – Anubhav Sinha (Bheed)
    – Atlee (Jawwan)
    – Devashish Makhija (Joram)
    – Ishita Moitra, Shashank Khaitan, and Sumit Roy (Rocky Aur Rani Kii Prem Kahani)
    – Karan Shrikant Sharma (Satyaprem Ki Katha)
    – Parijat Joshi & Tarun Dudeja (Dhak Dhak)
    – Siddharth Anand (Pathaan)

    Best Screenplay

    – Amit Rai (OMG 2)
    – Ishita Moitra, Shashank Khaitan, and Sumit Roy (Rocky Aur Rani Kii Prem Kahani)
    – Omkar Achyut Barve, Arpita Chatterjee, and Avinash Arun Dhaware (Three of Us)
    – Sandeep Reddy Vanga, Pranay Reddy Vanga, and Suresh Bandaru (Animal)
    – Shridhar Raghavan (Pathaan)
    – Vidhu Vinod Chopra (12th Fail)

    Best Dialogue

    – Abbas Tyrewala (Pathaan)
    – Amit Rai (OMG 2)
    – Ishita Moitra (Rocky Aur Rani Kii Prem Kahani)
    – Sumit Arora (Jawwan)
    – Varun Grover & Shoaib Zulfi Nazeer (Three of Us)
    – Vidhu Vinod Chopra (12th Fail)

    Best Background Score

    – Alok Ananda Dasgupta (Three of Us)
    – Harshavardhan Rameshwar (Animal)
    – Karel Antonin (Afwaah)
    – Ketan Sodha (Sam Bahadur)
    – Sanchit Balhara, Ankit Balhara (Pathaan)
    – Shantanu Moitra (12th Fail)
    – Tapas Relia (Goldfish)

    Best Cinematography

    – Amit Roy (Animal)
    – Avinash Arun Dhaware ISC (Three of Us)
    – G.K. Vishnu (Jawwan)
    – Manush Nandan ISC (Rocky Aur Rani Kii Prem Kahani)
    – Pratham Mehta (Faraaz)
    – Rangarajan Ramabadran (12th Fail)
    – Satchith Paulose (Pathaan)

    Best Production Design

    – Amrita Mahal Nakai (Rocky Aur Rani Kii Prem Kahani)
    – Nikhil Kovale (OMG 2)
    – Prashant Bidkar (12th Fail)
    – Rita Ghosh (Zwigato)
    – Subrata Chakraborty and Amit Ray (Sam Bahadur)
    – Suresh Selvarajan (Animal)
    – T Muthuraj (Jawwan)

    Best Costume Design

    – Malvika Bajaj (12th Fail)
    – Manish Malhotra, Eka Lakhani (Rocky Aur Rani Kii Prem Kahani)
    – Sachin Lovelekar, Divvya Gambhir, and Nidhhi Gambhir (Sam Bahadur)
    – Shaleena Nathani, Kavitha J, Anirudh Singh, and Dipika Lal (Jawwan)
    – Shaleena Nathani, Mamta Anand, Niharika Jolly (Pathaan)
    – Sheetal Sharma (Animal)

    Best Sound Design

    – Anita Khushwaha (Bheed)
    – Kunal Sharma (MPSE) (Sam Bahadur)
    – Manas Choudhury, Ganesh Gangadharan (Pathaan)
    – Manav Shrotriya (12th Fail)
    – Mandar Kulkarni (Faraaz)
    – Sync Cinema (Animal)
    – Vinit D’Souza (Three of Us)

    Best Design

    – Aarif Sheikh (Pathaan)
    – Atanu Mukherjee (Afwaah)
    – Jaskunwar Kohil-Vidhu Vinod Chopra (12th Fail)
    – Ruben (Jawwan)
    – Sandeep Reddy Vanga (Animal)
    – Suvir Nath (OMG 2)

    Best Action

    – Casey O’Neill, Craig MacRae, Sunil Rodrigues [Rod] (Pathaan)
    – Franz Spilhaus, Oh Sea Young, Sunil Rodrigues [Rod] (Tiger 3)
    – Parvez Shaikh (Sam Bahadur)
    – Ravi Varma, Shaam Kaushal, Abbas Ali Moghul, and Tinu Verma (Gadar 2)
    – Spiro Razatos, Anl Arasu, Craig MacRae, Yannick Ben, Kecha Khamphakdee, and Sunil Rodrigues (Jawwan)
    – Supreme Sundar (Animal)
    – Tim Man and Vikram Dahiya (Ganpath)

    Best VFX

    – Do It Creative Ltd, NY VFXwaala, Visual Birds, Red Chillies VFX, Famous Studios (Animal)
    – Prisca, Pixel Studios (Gadar 2)
    – Red Chillies VFX (Jawwan)
    – YFX (Pathaan)

    Best Choregraphy

    – Bosco-Caesar (Jhoome Jo Pathaan – Pathaan)
    – Ganesh Acharya (Lutt Putt Gaya – Dunki)
    – Ganesh Acharya (Tere Vaaste Falak – Zara Hatke Zara Bachke)
    – Ganesh Acharya (What Jhumka? – Rocky Aur Rani Kii Prem Kahani)
    – Shobi Paulraj (Zinda Banda – Jawwan)
    – Vaibhavi Merchant (Dhindhora Baje – Rocky Aur Rani Kii Prem Kahani)

  • GRB Media Ranch announces license deals at NATPE Global

    GRB Media Ranch announces license deals at NATPE Global

    Mumbai: GRB Media Ranch president, Sophie Ferron announced that Discovery Spain had renewed the license of five seasons of Untold Stories of the E.R.,  the company’s flagship medical reality series, and purchased an additional license for the most recent season (13) of that program. GRB Studios’ Gary R. Benz created the iconic series, exec-producing 13 seasons in 15 years. Untold Stories of the E.R. has been broadcast in 214 territories. The company has also received renewed interest in formatting the show around the world.

    Untold Stories of the E.R. is a dramatic medical docu-series re-enacting intense real-life stories of the emergency room, demonstrating the true nature of medicine practiced under pressure, where every moment can be a turning point. Audiences witness how a doctor’s personal blend of expertise, coolness under fire, and decision-making ability are challenged by unpredictable circumstances – and how character makes the ultimate difference.

    Death Walker, another GRB Media Ranch program with four seasons produced, has been purchased by both Discovery UK and France’s Canal Plus. The paranormal investigative series is hosted by series creator, Nick Groff, who theorises and investigates the origin of some of the most notorious hauntings in America, redefining our understanding of the paranormal.

    Ferron said: “GRB Media Ranch is thrilled start the year with deals for the iconic Untold Stories of the E.R. which is ripe for a Format version which we are diligently exploring. We are also pleased to bring our intriguing paranormal series, Death Walker to the UK and France.”

    Benz added, “the continued demonstrated interest in the series, with the ordering of new seasons as well as extending the license of prior seasons, speaks well to the program’s broad-based and long-lasting appeal.”

  • “National Startup Day 2024 signifies a game-changer for India’s digital journey”: Dot Media Base

    “National Startup Day 2024 signifies a game-changer for India’s digital journey”: Dot Media Base

    Mumbai: Dot Media Base is a one-of-a-kind content-first talent marketing agency in India. Originating as a humble startup during the lockdown in Kanpur, it has blossomed into a thriving ecosystem boasting over 200 creators, 250+ distinctive clients including music labels, OTT platforms, FMCG, Beauty, and Fintech brands., 1000+ digital campaigns, a roster of 30 celebrities, and a dedicated team of 90+ professionals. With  offices in Mumbai and Kanpur, the enterprise has also established an expansive modern production studio spanning 1,800 sq. ft

    Shubham Singhal, Vaibhav Pathak, and Om Singh have nurtured successful IPs like TGB Troop, Dot Talents, Dot Studios, Dot Public Relations, and FinTroop. Their approach includes digital tools, artistic prowess, and innovative ideas to make engaging content and captivating visuals. They’re working towards making a dynamic digital realm that’s not just exhilarating but also addresses creators’ challenges.

    Additionally, India celebrates National Startup Day today. This annual event serves as a testament to the nation’s commitment to creating a thriving ecosystem for startups, providing them with the necessary resources and encouragement to flourish.

    Indiantelevision.com caught up with the founders Singhal, Pathak and Singh where they gave detailed explanations regarding their agency, also what preparations they are planning  this day and how they are looking forward to curb challenges and many more…

    Edited excerpts

    On the journey since the inception of the agency

    Since the inception of our agency, the journey has been nothing short of a remarkable adventure. Our story began during the challenging times of the lockdown, just before the onset of the COVID-19 pandemic. In the face of the global challenge, we found  an incredible opportunity in the digital space, setting ourselves apart in a crowded industry. Relocating from Kanpur to Mumbai marked the start of our hustle.

    Starting with a team of only 8 members, we have grown rapidly and now boast a team of over 70 dedicated individuals. Throughout our expansion, we have not only created a successful agency, but we have also cultivated a culture that values the well-being and growth of our team. Our commitment goes beyond just professional partnerships – we care for our team members, influencers and collaborators not just professionally but also personally. As we look back at our journey, we realise that it’s not just about reaching milestones and hitting targets, but more importantly, it’s about growing into a community that thrives on mutual support, resilience, and a shared passion for what we do.

    On specific preparations that Dot Media Base is making for Startup Day

    As we gear up for Startup Day on January 16th, Dot Media Base is not just preparing for a single day but sparking a year-long transformation. Our recent preparations involve a shift in how we work. We’re focusing on our team’s passions, letting them choose roles that excite them rather than sticking to predefined positions.

    Our emphasis is on making this year not just about hitting goals but about team unity, collaboration, and continuous learning. Startup Day is not just a celebration but a platform for our team to come together, share success stories, and dive into the startup culture.

    We’ve been restructuring, encouraging active participation, and fostering an environment where every team member plays a vital role. Dot Media Base is not just a company; it’s a joint effort. Startup Day is our way of creating a space for collaboration, connection, and content creation that reflects our dedication to excellence. We are ready for a year of innovation, growth, and shared success!

    On the agency’s active  engage with the startup ecosystem, and benefits derived from such involvement

    We’re deeply plugged into the buzzing startup landscape, actively diving into events that spark knowledge and connections. Our team is out there, attending everything from conferences to meet-ups, soaking in insights and building relationships. These events aren’t just about business; they’re about learning and sharing with industry folks.

    Networking is our game. We’re not just talking about partnerships; we’re talking about creating a community that fosters innovation. We learn from the best. Our commitment extends to mentorship programs, ensuring our team grows alongside industry leaders.

    Every event is a goldmine of insights, not just from our peers but from everyone in the game. We, as founders, make sure our team is always hungry for learning, active in the networking game. It’s not just about growing in our bubble; it’s about making friends and allies in every corner. We’re always ready, always excited, seeking new connections and opportunities for collective success.

    On any collaborations with other startups that you find particularly impactful

    At Dot Media, collaboration isn’t just about transactions; it’s about shared values and mutual growth. Our partnership with WeDo Marketing, initiated when both our ventures were budding a few years ago, is a testament to this philosophy. We value collaborations that transcend the business realm and foster genuine friendships.

    WeDo Marketing, specialising in impactful brand work, especially in fashion, lifestyle, and FMCG, has played a pivotal role in our journey. They’ve pushed us to excel in influencer management and campaign ideas, sparking innovation.

    For us, collaboration is not merely about achieving success individually; it’s about lifting each other to new heights. Rooted in mutual respect, our partnership extends beyond professional deals to create an environment where collective growth thrives. This belief defines our approach to collaborations—a commitment to journeys that are not bound by limits but driven by shared aspirations and limitless possibilities.

    On challenges that India need to overcome in the startup ecosystem

    National Startup Day 2024 signifies a game-changer for India’s digital journey. Amidst the startup boom, a critical challenge revolves around job creation. While startups are vital for innovation, connecting them with individuals lacking educational access poses a hurdle. To truly thrive as the world’s largest startup ecosystem, we must address this literacy gap, ensuring everyone has a fair shot.

    It’s not just about the numbers; it’s about empowering our workforce. As we pioneer the global startup scenario, the focus is on inclusivity and skill-building. We’re not just growing startups; we’re nurturing talents ready for the dynamic global stage. Our vision is a transformed India, where every aspiring mind, irrespective of background, contributes uniquely. In this digital evolution, let’s not just make history; let’s make opportunities, crafting a nation known not only for startup success but for offering meaningful work to every dreamer ready to shape their collective future. Our commitment is unwavering – driving a transformation that leaves no one behind.

    On the long-term vision and mission of Dot Media Base, and its evolution since the company’s founding

    At Dot Media Base, our big picture is about being the all-in-one destination for everything in the market. We’re dreaming of a place where we handle it all – from talent management to  brand collaborations to creating blockbuster content and bringing to the bigger screen. Picture this: a hub where brands and creators find all their solutions under one roof, whether it’s casting stars or executing killer marketing strategies. We want to cover all the bases, working with creators and brands across the spectrum.

    Since day one, our journey has been a ride of change and growth. It’s not just about running a company; it’s about growing as a tight-knit team. Our mission? To create that one campaign that shakes up how people see marketing, breaking the norm. We’re on a mission to build a creative space where ideas flow, campaigns connect, and success knows no limits. Together, we’re not just evolving; we’re setting new standards, making waves, and turning our vision into a reality. That’s the Dot Media Base journey – where every step is a leap toward something bigger and bolder.

  • Neha Dhupia to make a comeback with the sixth season of “No Filter Neha” on JioTV

    Neha Dhupia to make a comeback with the sixth season of “No Filter Neha” on JioTV

    Mumbai: Neha Dhupia, acclaimed actress and trailblazing entrepreneur, is set to captivate audiences once again as she unveils the highly-anticipated 6 season of her widely popular podcast, “No Filter Neha” in video format. As the creative force behind the show, Neha has not only been its creator but also the driving force as a producer behind its immense success.

    “No Filter Neha” has been a pioneering force in the podcasting landscape, predating the widespread popularity of podcasts in India. Neha Dhupia’s unique approach to unfiltered conversations with celebrities has struck a chord with listeners, making the show a staple in the digital entertainment realm. What makes the proposition of the new season even more exciting is that this season will have a video first approach and release on JioTV ensuring a much wider reach for each episode.

    Neha Dhupia expressed, “I’m excited to reintroduce the 6 season of ‘No Filter Neha’ in a novel video format with JioTV. Witnessing the podcast’s evolution into a space for genuine and spontaneous discussions has been remarkable. This season, with 8 episodes featuring prominent figures in Indian cinema, is set to be even more thrilling. Brace yourself for candid and unfiltered conversations offering a glimpse into the glamorous realm of the film industry,”

    The new season with a video first approach will be available for the viewers on JioTV, a LIVE TV streaming platform, owned by Jio Platforms Limited, a subsidiary of Reliance Industries Limited with more than 1000 channels in 15 languages and 12 genres. With the JioTV app, which is also available to all Jio subscribers through MyJio app, JioBharat phones and connected TVs through the Jio set top box, the brand new season of No Filter Neha is going to reach the length and breadth of the country.

    The upcoming season will showcase Neha in conversation with renowned personalities from the film industry, offering listeners an exclusive peek into the lives of these celebrated individuals. With a total of eight episodes lined up, each episode is set to be a treasure trove of anecdotes, revelations, and unfiltered moments.

  • America Ferrera makes speech for SeeHer award victory at the 29 Critics Choice Awards

    America Ferrera makes speech for SeeHer award victory at the 29 Critics Choice Awards

    Mumbai: The 29 Critics’ Choice Awards revealed itself to be a cinematic masterpiece of its own! Celebrating the year’s most exceptional performances, and finest stars, the night showcased everything from electrifying wins to tears of joy as legends were honoured and rising stars received recognition. Amongst the names that made headlines was America Ferrera who won the SeeHer Award, which honours the silver screen’s leading ladies who advocate for gender equality and portray authentic, boundary-pushing characters. America won the award for her role in Barbie, the female-led film that was a box-office phenomenon, grossing over 1.4 Billion Dollars globally. The 29 Critics’ Choice Awards streamed LIVE on Lionsgate Play on 15 January 2024. In case you missed tuning in live, rewatch the event exclusively on Lionsgate Play.

    In her acceptance speech, America Ferrera said, “I yearned to see people like myself on screen as full humans. When I started working over 20 years ago, that seemed impossible, I know. It seemed impossible that anyone could make a career of portraying fully dimensional Latina characters. But because of writers, directors, producers and executives who are daring enough to rewrite outdated stories and to challenge deeply entrenched biases, I, and some of my beloved Latina colleagues, have been supremely blessed to bring to life some fierce and fantastic women. Because of that, we have had the chance to bring through some deeply layered Latina characters and characters that I could not have seen growing up.’

    She further went on to say, “But now I can see her and I see her expanding in the next generation of talent like my beloved Ariana Greenblatt, who plays my daughter in Barbie, and in Jenna Ortega, and in Selena Gomez, and in so many more out there. To me, this is the best and highest use of storytelling to affirm one another’s full humanity, to uphold the truth that we are all worthy of being seen – Black, brown, indigenous Asian, Trans, disabled, any body type, any gender. We are all worthy of having our lives richly and authentically reflective.”

    Watch the 29 Critics’ Choice Awards exclusively on Lionsgate Play.

  • Emma Stone wins Best Actor Female on the 29 Critics Choice Awards

    Emma Stone wins Best Actor Female on the 29 Critics Choice Awards

    Mumbai: The 29 Critics Choice Awards was a dazzling array as stars graced the event all in style and true Hollywood glamor, as it witnessed the exceptional contributions of raw-talent. The awards recognised the brilliance of creative cinema in the past year. After sweeping the Golden Globe Awards for her portrayal of Bella in Poor Things, Emma Stone has bagged yet another win at the Critics’ Choice Awards. Taking home the trophy for Best Actor Female, The Curse actress’ speech was heartfelt, hilarious and totally on brand.

    The 29 Critics Choice Awards was streamed live on Lionsgate Play on 15 January 2024. If you missed it or want to watch it again, make sure to tune into the platform!

    Showing her fellow nominees a whole lotta love, Stone said, “I’m going to be honest, I’m in like full blown shock. I didn’t have anything that I was going to say because this is completely crazy. This category is ridiculous – Lily (Gladstone), I mean come on. Margot (Robbie) – what in the. Carrie (Mulligan) – okay. Greta and Sandra Hüller. This doesn’t make any sense. Thank you so much for this, it means so much to me. I was being serious. I don’t know what to say.”

    Further thanking her cast and crew, the La La Land actor added, “This table – here is the Poor Things table. This crew, this cast – Mark, Willam Ramy, Chris, Jerrod, Katherine, Hunter, Hanah, Shula – there’s so many unbelievable people that I was lucky enough to work with. Ed Guy and Andrew Low, Tony McNamer and Yorgos, who I call Yoro because that’s how we’re supposed to say it to a Greek man if we’re speaking to them. I love you, thank you for everything this is uh really wild. Playing Bella was one of the greatest joys of my life. I got to unlearn a lot of things in playing her. Unlearn parts of shame and societal stuff that gets put on us, and I’m still working on it.”

    Ending with a joke in true Emma fashion, she said, “This is the Critics’ Choice Awards and it is about outside opinion but I’m very grateful to the critics for this. But I’m just learning not to care what you think.”

    Marvel at Emma Stone’s genius in The Curse exclusively on Lionsgate Play.

  • New content coming up on ZEE5 Global add-ons

    New content coming up on ZEE5 Global add-ons

    Mumbai: Kicking off 2024 with an electrifying lineup of new content for viewers in the US on ZEE5 Global Add-ons! From gripping mysteries to heartwarming tales, we have it all to get you hooked to your screens this January! Here’s what you should not miss watching.

    Video Cam Scam on Epic On

    A thriller that will keep you on the edge of your seat. Epic On web series Video Cam Scam, premieres from 12 January onwards on the platform. With an ensemble cast including Rajniesh Duggal, Amruta Khanvilkar, Farnaz Shetty, Kunj Anand, Aradhana Sharma, Rahul Singh, Pritam Singh, and Hansika Jangid Vaibhav Khisti, this Hindi series follows Sub Inspector Vinay Kumar as he unknowingly falls into the trap of a video calling app by Sonu, Titu & Sweety, leading to a thrilling and dramatic situation.

    Gaddi Jaandi Ae Chalaangaan Maardi on Chaupal

    Chaupal is bringing Gaddi Jaandi Ae Chalaangaan Maardi, a Punjabi movie filled with laughter and mischief. Streaming now on the platform, with a star-studded cast including Ammy Virk, Binnu Dhillon, Jaswinder Bhalla, and BN Sharma, this rollercoaster of hilarity takes you on a journey adorned with rib-tickling moments and uproarious escapades. The film centres on comical chaos as the protagonist attempts to marry his ladylove Pooja amidst his family’s long list of dowry demands, further complicated by a smashed car.

    Parinda Paar Geyaa on Chaupal

    Another Chaupal addition is Parinda Paar Geyaa a Punjabi drama that narrates the story of courage and determination. Streaming on the platform from 25 January the film witnesses individuals soaring beyond their limits, breaking free from societal constraints, and spreading their wings to reach new heights. Starring Gurnam Bhullar and Roopi Gill, the plot revolves around Jassi, a village boy with musical dreams and a torn heart, overcoming challenges in love and career to become a rockstar and win the girl of his dreams.

    Swathi Mutthina Male Haniye on Simply South

    Swathi Mutthina Male Haniye streaming now, brought to you by Simply South is a Kannada movie that revolves around Prerana, a hospice counselor, who finds new meaning in her life as she befriends Aniketh, a terminally ill patient. Their bond challenges conventional notions of love, life, and humanity, with a cast featuring Raj B. Shetty, Siri Ravikumar, Balaji Manohar, and Surya Vasishta.

    Users can download the ZEE5 Global app from Google Play store / iOS App store. It is available on Roku devices, Apple TVs, Android TVs, Amazon Fire TV and Samsung Smart TVs. Users can also access ZEE5 Global on www.ZEE5.com.

  • Beyond hashtags: The dynamic role of social media in shaping corporate social responsibility

    Beyond hashtags: The dynamic role of social media in shaping corporate social responsibility

    Mumbai: In the era of connectivity and digital communication, the synergy between social media and Corporate Social Responsibility (CSR) has proven to be transformative. No longer confined to traditional methods, CSR initiatives are now amplified and dynamically shaped by the power of social media. Beyond the simplicity of hashtags, these platforms are becoming dynamic agents of change, fostering meaningful connections, driving engagement, and shaping the very essence of corporate responsibility.

    The Evolution of CSR Narratives
    In the past, CSR initiatives were often limited to corporate reports and annual statements. However, the advent of social media has redefined how companies tell their CSR stories. Platforms like Twitter, with its concise yet impactful format, provide a stage for companies to share real-time updates, success stories, and the impact of their initiatives. Short, punchy tweets are turning CSR narratives into dynamic, ongoing conversations with a global audience.

    Engagement Beyond Clicks and Shares
    While the use of hashtags can help create awareness, the true power of social media lies in fostering deeper engagement. Platforms like Instagram and Facebook have become visual storytelling mediums, allowing companies to showcase the human side of their CSR efforts. Compelling images, immersive videos, and personal anecdotes create a connection that goes beyond a mere click or share. Audiences are invited to be a part of the journey, fostering a sense of shared responsibility.

    LinkedIn: A Hub for Professional Impact
    LinkedIn, often viewed as a platform for professional networking, has emerged as a powerful hub for CSR initiatives. Companies can share detailed articles, thought leadership pieces, and updates on sustainable practices, building credibility within professional circles. The platform serves as a space where businesses not only showcase their CSR achievements but also collaborate with like-minded organizations, creating a collective impact on a global scale.

    YouTube: Visual Narratives for Lasting Impact
    The impact of CSR initiatives is often best captured through storytelling, and YouTube has become the digital stage for such narratives. Companies now produce documentaries, interviews, and visual testimonials that provide a comprehensive view of their CSR journey. The visual appeal of YouTube content not only educates but also inspires, encouraging viewers to actively engage with and support the causes championed by the company.

    Snapchat Stories: Ephemeral Content, Lasting Impact
    The transient nature of Snapchat stories may seem counterintuitive for CSR, but companies are finding creative ways to utilize this platform for short-term campaigns. Quick, impactful snapshots and videos, often featuring behind-the-scenes looks at CSR projects, create a sense of urgency and excitement. Snapchat’s younger demographic ensures that CSR initiatives are communicated to a new generation with a unique and dynamic approach.

    Twitter Chats and Reddit Discussions: Community-Driven Impact
    Moving beyond mere broadcast, companies are now engaging in Twitter chats and Reddit discussions to foster community-driven CSR initiatives. These platforms provide spaces for real-time conversations, enabling businesses to gather valuable feedback, address concerns, and involve the audience directly in the decision-making process.

    In conclusion, the dynamic role of social media in shaping Corporate Social Responsibility extends far beyond the use of hashtags. It’s about creating a narrative that resonates with audiences on a personal level, fostering engagement that goes beyond a simple share or like. Social media has become the conduit for companies to showcase the humanity behind their CSR efforts, encouraging a collective commitment to positive change. As businesses continue to leverage the dynamic features of these platforms, the impact of CSR will only grow more profound, influencing not just the corporate landscape but also the societal mindset towards responsibility and sustainable practices.

    The following article is attributed to IYRC founder & director Suraj Kant.

  • FMCG distributors to boycott HUL products in Maharashtra

    FMCG distributors to boycott HUL products in Maharashtra

    Mumbai: FMCG distributors demanding restoration of old margin structures from the leading maker HUL on Thursday said they would boycott its products in Maharashtra, starting with Taj Mahal Tea.

    According to PTI, The distributor said that if the company does not pay attention to their demand, they will boycott the Kissan brand and leading detergent brand RIN along with Tata Mahal Tea brand going ahead.

    Recently HUL has reduced the margin of distributors by 60 basis points and increased the variable margin by up to 100 to 130 basis points of its distributors.

    HUL owns brands such as Lux, Surf Excel, RIN Pond’s and Dove has reduced the fixed margin by 60 basis points and increased the variable margins by up to 100 to 130 basis points for its distributors. The Distributor demands a minimum 5 per cent margin. The All India Consumers Products Distributors Federation (AICPDF) , an umbrella body for distributors, has raised concern over the new margin structure.

    AICPDF on Thursday shared a statement from the Maharashtra Consumer Distributors Federation (MSCPDF) in which they have started non-cooperation against HUL from January 11. MSCPDF plans to keep the Taj Mahal Tea brand as Inactive till January 25.

    An E-mail sent to HUL remained answered till press time. The Federation also said from March 1 a nationwide movement will be organised by 1000 distributors in front of HUL head office in Mumbai.
     

  • ‘Tryst with Ayodhya: Decolonisation of India’

    ‘Tryst with Ayodhya: Decolonisation of India’

    Mumbai: ‘Tryst with Ayodhya: Decolonisation of India’ by Balbir Punj is slated for release on 13 January 2024, at 2.30 pm onwards in Multipurpose Hall, Indoor Stadium, Delhi University, New Delhi. This book deals with how Bharat and Shri Rām are intertwined in several inalienable ways; the history of the occupation of the Shri Rām Janmabhoomi by invaders, the details of the struggles waged through the ages for its reclamation, the havoc caused by those in power with a colonized mindset and how the rise of Bharat in various fields is in consonance with its cultural resurgence and decolonization of Bharatiya minds.

    This book emphasises that the resistance to the construction of the temple was stirred by a colonial mindset that obviously survived the departure of Islamic and British invaders. The sole aim of the entire fight and frequent campaigns by several interested parties all along was to save the structure that had ceased to be a mosque long back and somehow prevent the construction of the temple at the Janmabhoomi site in Ayodhya. The stated position of the involved group of supposedly ‘eminent historians’ and their fellow travellers and so-called secular politicians and ‘rent-a-cause’ activists were declared false by the apex court in its judgement of 9 November 2019. They deliberately denied the Ayodhya evidence, twisted and hid facts and built a distorted narrative to egg the Muslims on to fight for a cause that had lost all relevance.

    This mischievous lot owes apologies to all Indians, especially devotees of Shri Rām, for their antics that cost the nation countless innocent lives and destruction of immensely valuable property. Above all, they damaged social and communal harmony besides causing loss of face for Bharat as a secular nation in the global arena. It’s noteworthy that the judgment delivered by the five-member Supreme Court bench was unanimous.

    With the inauguration of the Shri Ram Temple slated for 22 January 2024, a dream will come true for over a billion Hindus in India and around the world, many of whom never even imagined that the Shri Rām temple on Janmabhoomi in Ayodhya would become a reality in their lifetime. The grand temple, an architectural marvel made of chiseled pink stone ferried from neighbouring Rajasthan, is an amalgam of ancient Indian building techniques and modern technology. For countless believers the temple shall be a resurrection of Shri Rām’s divine abode.

    Needless to say, construction of the temple against overwhelming odds is an assertively vibrant statement about India’s convincing break from its hitherto colonial mindset. Several aspects of Ayodhya and the Shri Rām Janmabhoomi temple have been commented upon and debated over the past few decades, in particular post 1984. Many questions, some of them puerile, have been raised to confound the issue. Did Shri Rām really exist? What is the proof that He was born in Ayodhya? What is the evidence that the very spot of His birth is the Janmabhoomi? Is His story chronicled in the Rāmāyan merely a figment of imagination? Why does one need a temple when Shri Rām is omnipresent? Why not build a hospital or public toilets at that site since the country needs these more than another Shri Rām temple?

    Most of these questions are neither innocent nor genuine but reek of mischief. Shri Rām’s antiquity is proven by itihās, as history is termed in Indian wisdom. The Rāmāyan, along with the Mahābhārat and Purāns, is a part of itihās. The issues that Janmabhoomi is the birthplace of Shri Rām and that He is the seventh incarnation or avatar of Bhagwān Vishnu are matters of faith supported by tradition and numerous historical accounts going back several millennia. All religions in the world are invariably sustained by faith as are most of their special religious places which draw legitimacy from parables and fables their followers believe.

    The book claims that demolition of Babri structure on 6 December, 1992 was a Gandhian solution to the problem. Considered a moral compass of the world, Gandhiji was asked how to deal with a situation when a mosque is forcibly built on someone else’s land. He dealt with the vexed issue in ‘Young India’ on 5 February 1925. Here are excerpts,

    “…The question of mosques built on another’s land without his permission is incredibly simple. If A is in possession of his land and someone comes to build some things on it, be it even a mosque. A has the right at the first opportunity of pulling down the structure. Any building of the shape of a mosque is not a mosque. A building to be a mosque must be duly consecrated. A building put up on another’s land without his permission is a pure robbery. Robbery cannot be consecrated. If A has not the will or the capacity to destroy the building miscalled mosque, he has the right of going to a law court to have the building pulled down… So long as I own property, I must defend it whether by the force of law-courts or by the force of my own strong arms… “

    The author asserts that the Shri Ram Janmabhoomi would have been resolved immediately after the independence but for the colonial attitude of Pandit Jawahar Lal Nehru. The author accuses Nehru nursing of hate against Hindu religion and its traditions. According to author’s assessment, Nehru was highly influenced by Marxism; and his outlook towards India and Hindus was shaped by the alien education system introduced by TB Macaulay.

    The book alleges Nehru did a volte-face on the Somnath temple issue, and had an opportunistic streak. At Sardar Patel’s instance, a cabinet meeting in December 1947, presided by Nehru had decided not only to rebuild the Somnath Temple, but also finance its reconstruction. However, at Gandhiji’s instance, it was later decided that instead of Government funding Somnath construction, it should be rebuilt with donations from public. Accordingly, a Trust headed by Dr. K. M Munshi, a cabinet minister, was formed to oversee the temple construction.

    Gandhiji was assassinated on 30 January 1948 and on 15 December 1950 Sardar Patel breathed his last. After the demise of two stalwarts— Gandhiji and Sardar Patel, the Book alleges that Nehru’s attitude towards the Somnath temple project changed completely. After a Cabinet meeting in early 1951, Pandit Nehru called Dr. Munshi, and told him, “I do not like you trying to restore Somnath. It is Hindu revivalism.” After the Somnath temple was completed, Dr Rajinder Prasad, the then President of India, was requested to inaugurate it. When, President Prasad agreed to inaugurate the temple, Nehru asked him not to do so.  The irony is, the President was merely respecting a decision that the Nehru cabinet had taken earlier. In a parliamentary democracy, the president is expected to go by the Cabinet decision. And the President was following that convention. The Prime Minister and the President had a stand-off on the issue because Nehru had conveniently changed his mind on the issue.

    The book asserts, Pandit Nehru’s antipathy was not limited to Somnath or the Shri Rām temple in Ayodhya; it extended to all Hindu temples as such. Delivering his inaugural address at a seminar on architecture in Delhi in 1959, Nehru said:

    “Some of the temples of the South, however, repel me in spite of their beauty. I just can’t stand them. Why? I do not know. I cannot explain that, but they are oppressive, they suppress my spirit. They do not allow me to rise, they keep me down…

    …The dark corridors — I like the sun and air and not dark corridors”.

    In contrast, he found Taj Mahal ‘astoundingly beautiful’, saying,

    “The Taj Mahal is, of course, one of the most beautiful things anywhere and it is a delight to the eye and to the spirit to see it. It represented, as all architecture represents to a large extent, the age in which it grew. You cannot isolate architecture from the age, from the social conditions, from the thinking, from the objectives and ideals of that particular age…”

    This book claims that Nehru was essentially a choice of the British who saw in him a successor who could effortlessly step into their shoes and carry on with the colonial system established by their empire. Based on sources, Author reveals that on 2 September 1946, Nehru took the following oath affirming his allegiance to the British Empire,

    FORM OF AFFIRMATION OF ALLEGIANCE

    I, Jawaharlal Nehru, do solemnly affirm that I will be faithful and bear true allegiance to His Majesty, KING GEORGE THE SIXTH, Emperor of India, His Heirs, and Successors, according to law.

    FORM OF AFFIRMATION OF OFFICE

    I, Jawaharlal Nehru, do solemnly affirm that I will well and truly serve our Sovereign, KING GEORGE THE SIXTH, Emperor of India, in the Office of Member of the Governor General’s Executive Council, and that I will do right to all manner of people after the laws and usages of India without fear or favour, affection or ill-will.”

    The book which runs into 436 pages with over 1.28 lakh words, 12 annexures and about 500 references, claims that Shri Ram Janmabhoomi had ceased to be Hindu-Muslim issue post-Independence. Quoting relevant sources, the author asserts that there was near unanimity in Ayodhya over the issue of building a temple at the Ram Janmabhoomi site, following the mysterious appearance of idols in the intervening night of December 22 and 23, 1949. All kinds of differences, be they social, political, class and caste were subsumed by the shared adoration and love for Rām Lallā and strong faith that this very piece of land was undoubtedly His Janmabhoomi. Everyone in the temple town and in Lucknow seemed at peace with the new emerging reality.

    For the believers the emergence of Rām Lallā was a divine phenomenon. A surprise statement by Abdul Barkat, a Muslim police constable on duty at the Police outpost at Rām Janmabhoomi on the night between 22 and 23 December 1949, made before a magistrate later further strengthened the devotees’ belief of the divinity of the episode that midnight. More than 12 Muslims of Ayodhya gave affidavits supporting the Hindu claim about the Ram Janmabhoomi. Baba Abhiram Das, the prime accused in the case relating to the installation of Rām Lallā in the shrine, was subsequently in 1960 gifted an ancestral house and land in Kanhipur village in neighbouring Barabanki district of Uttar Pradesh by Qayum Kidwai, a munificent Muslim. Abhiram Das built a Hanumān temple on the gifted land.

    The Hindu-Muslim dimension to the controversy was given by those who had their own ideological axe to grind. They looked at the vexed issue from a colonial perspective in which the indigenous culture and traditions held an inferior position. Basically, the colonialists were fighting to retain the status quo. The local Muslims, barring some remnants of the feudal Islamic rule, were not interested in the Babri structure because as per law and Islamic tradition it had ceased to be a mosque long back.

    This book also claims that for the Hindus, the Babri structure at Janmabhoomi was never a mosque. To them it remained a symbol of humiliation that a ruthless victor forced on the hapless vanquished to establish his supremacy.

    Why build a temple, and not university or a hospital instead? A place of worship such as temple, gurdwara, mosque, church or synagogue is a prerequisite for sustaining any faith. These religious institutions help the believers organize themselves as communities and provide the necessary ambience and facilities to help them further their spiritual and ritualistic pursuits. Apart from such regular places of worship every religion has some sites that are particularly sacred or of special interest to the followers of that particular faith because of multiple reasons; be they mythological, historical or emotional.

    For instance, Mount Sinai is a sacred site for Jews and Christians because it is there that Moses is believed to have received the Ten Commandments from God. Although there is no archeological or historical evidence to back this article of faith, except perhaps that the Commandments are mentioned in the Bible (Exodus 19-24), for the believers it is above all else a matter of faith. Other venerated places include the Dome of the Rock and the Al-Aqsa Mosque in Jerusalem, both of which are highly revered sites. The Al-Aqsa Mosque is believed to have been built over the Prophet Mohammad’s footprint in the rock. It again points to the importance and legitimacy of matters of faith and belief that no one questions. It may then be asked why were questions about the necessity for a Shri Rām temple in Ayodhya raised? Because of double standards prevalent in the Indian public life.

    The book asserts that the Ayodhya dispute was avoidable and the Ram Temple would have come up at the Janmabhoomi site without any problem after independence but for the colonial attitude of Pandit Nehru and his fellow travellers who were deeply entrenched in the system.

    Rahul Gandhi’s harping on his Brahmin lineage, wearing a janeyu over a kurta and doing selective pre-poll temple hopping are comical attempts to paper over his own and his party’s disconnect with the country. Stopping the construction of the Shri Rām temple at the Janmabhoomi was made into a litmus test for ‘secularism’ and the ‘safety’ of Muslims in the country. The unanimous verdict delivered by the Supreme Court’s constitutional bench, paving the way for the construction of the Shri Rām temple has proved beyond doubt that it was a completely false construct. Today, the magnificent Rām Lallā temple standing in Ayodhya surely sends a powerful message; the end of colonisation in Bhārat has started and almost reached a terminal stage; and with this end of the last vestiges of colonisation none can stop Bhārat’s march forward.