Category: iWorld

  • “Dhruv is a guy who is very carefree and he knows that he is the center of attraction”, says Priyank Sharma

    “Dhruv is a guy who is very carefree and he knows that he is the center of attraction”, says Priyank Sharma

    Mumbai: Amazon miniTV, Amazon’s free video streaming service, recently released the romantic comedy series ‘Dillogical’. The series beautifully captures the nuances of modern-day relationships and how love is filled with a rollercoaster of emotions. The series gives us a glimpse into the life of a successful young boy- Saransh Desai. After receiving a placement in Google, he returns to India to rekindle his relationship with Jinal, the Vadodara girl who is fearless, ambitious, and eager to make something of herself on her own. Jinal is naturally gifted and defies expectations by becoming a dance influencer with a respectable Instagram following. However, since becoming independent, her long-standing fears have become more entrenched, forcing her to reevaluate the predetermined life her family has built for her with Saransh since she can remember.  

    Talking about his first Job, Priyank Sharma who played the role of Dhruv, shared “When I was 19 years old, I was offered my first job as a choreographer and dance instructor at Shiamak Davar International. It is one of India’s most reputable platforms for dance. Dhruv is also a dancer and choreographer. He is a carefree man who understands that he is the center of attraction; he receives that attention from people, so he is used to it, and he receives that attention in the show as well, so it is really normal for Dhruv to live this way.”

    Get ready to indulge in romance, comedy, and drama, along with a dose of entertainment, with Dillogical for free on Amazon miniTV, available on Amazon’s shopping app, on Fire TV, and on Play Store.

  • Can new age social media platforms reinvent democracy in the 21st century in India

    Can new age social media platforms reinvent democracy in the 21st century in India

    Mumbai: India is proud to be known as the mother of democracy. India as a nation has always tried to evolve its pro-people democratic structures to suit the changing times. Be it the ancient democratic structure mentioned in Rig Veda or the one based on the current constitution, the essence of Indian democracy has always been to keep citizens at the centre. Even after a long colonial period when India got freedom in 1947, the first thing she did was that she ensured democratic freedom for all and sundry.

    Since 1947, the world has changed a lot. India now has a population of over 140 Cr with almost 100 Cr eligible voters. Technology, especially the Internet, has drastically changed the way society used to function. Along with the mode of communication and societal interactions, citizens’ requirements and aspirations have also changed. Today’s citizens are more connected, are more informed and are more sensitive toward their rights. Citizens not only want to express themselves and be heard, they want to be active participants in the process of democratic governance. And this phenomenon is not restricted to India; it has become a global phenomenon.

    There has developed a crack between what people of the 21st century want and what democratic structures of the 20th century offer. People are not satisfied just by casting votes every five years and then remaining mute spectators for the rest of the time. People want to be active stakeholders of the system that dictates their lives. This demands a transformation, an evolution, of the existing democratic processes. This transformation should be seen as an opportunity to take society to the next level. And, India has a chance to lead the way for the whole by reinventing democracy for these changed times. As with everything, transforming democracy for the 21st century will need a new approach and new tools.

    The first and foremost problem statement is ‘how can we develop an agile system that can continuously listen to citizens making them active participants?’

    Currently, citizens try to express their views and opinions on various digital platforms such as X (formerly Twitter), Facebook etc. These social media platforms could have become the tools required by democracy in the 21st century. Unfortunately, these platforms prioritise noise over healthy communication. Moreover, discussions on these platforms rarely play any significant role in influencing the public policy discourse. Many times these platforms end up doing more harm than good. Unheard people turn angry, echo chambers further fragment the society, and distrust grows. These are dangerous signs for any society. This poses a unique challenge to democracies across the globe – the erosion of trust.

    The technology and tools offered by the social media platforms can become an essential part of our democratic discourse if certain things can be repositioned:

    From likes to aspirations: Imagine a platform that transcends the “like-chasing” culture, a major trust-eroder identified in a 2020 Pew Research Center survey, which reveals that only 27 per cent of Indians trust social media. What if, instead, it captures the aspirations of its users? For example, a 2021 LocalCircles survey revealed 74 per cent of Indian citizens prioritise better healthcare and education. Aggregating and analysing such aspirations, using AI for sentiment analysis, could create a data-driven roadmap for policymakers, reflecting the true will of the people.

    From echo chambers to diverse dialogues: Algorithms currently exacerbate biases, as seen in a 2020 Carnegie India study highlighting the dominance of pro-government narratives. There is a pressing need for a platform that could defy this trend by prioritising diverse perspectives. Imagine exposing users to viewpoints across the political spectrum, employing fact-checking mechanisms and facilitating moderated discussions on sensitive topics like the Citizenship Amendment Act, the Kashmir unrest or the farmers agitations.

    From filter bubbles to collaborative action: Social media while claiming to expand one’s existing network, it has ended up creating more silos.  India’s diverse population risks further isolation online. Consider a hyperlocal platform that connects citizens based on shared aspirations and their locality. Imagine linking aspiring farmers with agricultural policymakers, urban youth with local environmental groups, or health enthusiasts finding like minded people in their neighbourhood, and pet owners meeting other pet owners leading to exchange of best practices and celebrating the common threads. Additionally, this could foster collaboration on day to day civic issues such as waste management and water conservation, a concern shared by 54 per cent of Indians according to a 2022 Down To Earth survey. Imagine a new platform which can amplify grievances of an ordinary citizen who is finding it difficult to avail a government service.

    From Misinformation to Informed Engagement: The 2020 COVID-19 pandemic showcased the dangers of misinformation, with fake news fueling vaccine hesitancy, propelling distress migration. Imagine a platform partnering with fact-checking organisations to identify and label dubious content. Additionally, empowering users with critical thinking skills through interactive media literacy modules and challenges could equip them to discern fact from fiction.

    From outrage to actionable insights: Social media often amplifies negativity in India. A new platform could go beyond, analysing discussions to extract actionable insights and solutions. Imagine identifying recurring concerns about rising unemployment, safety, security, education etc. The platform could then analyse popular suggestions from diverse groups and generate reports for policymakers, highlighting areas for potential solutions.

    This vision demands collective action. We need platforms that prioritise genuine engagement, not just fleeting popularity. The future of Indian democracy rests on our ability to reimagine these platforms. Will we cultivate them, or watch them wither?

    By raising awareness and sparking discussions, we can pave the way for a new generation of social media platforms that truly serve the needs of Indian democracy. Remember, every voice matters in this conversation. Let’s work together to ensure a digital space that fosters true engagement, inclusion, and the collective good.

    The author of this article is PoGoSo Social chief growth officer Narayan Singh Rao.

  • ZEE5 celebrates sixth anniversary with 580+ million viewers globally

    ZEE5 celebrates sixth anniversary with 580+ million viewers globally

    Mumbai: ZEE5, India and Bharat’s largest home-grown video streaming platform, and the OTT arm of ZEE Entertainment Enterprises Ltd. (ZEEL), completes six glorious years of providing exceptional streaming experiences and quality watch time to billions of people across 190+ countries. Launched in 2018, ZEE5 has over the years become a household name, not just in India but also globally, with a robust digital-first consumer-centric strategy backed by a strong content funnel. Home to 200,000 hours of premium South Asian entertainment in 20 languages, ZEE5 possesses an unrivalled library, featuring more than 6000 titles and 230+ originals. Today, the platform boasts a significant presence in India and is the No. 1 South Asian streaming platform across international markets, as per App Annie data.

    On the content front, in the last year, ZEE5 has been home to some of the most prominent titles like ‘RRR’, ‘Gadar 2’, ‘Kisi Ka Bhai Kisi Ki Jaan’ in Hindi; ‘Vidhuthalai – Part I’ in Tamil; Karthikeya 2’ in Telugu; ‘Vedha’ in Kannada; and Shabash Feluda’ in Bangla, amongst others. The platform also launched successful originals across languages like ‘‘Sirf Ek Bandaa Kaafi Hain’, ‘Taj: Divided by Blood’, ‘Mrs. Undercover” in Hindi; ‘Koose Munisamy Veerappan’, ‘Ayali’, ‘Sengalam’, ‘Oru Kodai Murder Mystery’ in Tamil; ‘Vyavastha’, ‘Puli Meka’, ‘Maya Bazaar For Sale’ in Telugu; and ‘Abar Proloy’, ‘Chhotolok’, ‘Swetkali’, ‘Shabash Feluda’, ‘Roktokorobi’ in Bangla, to name a few.

    While ‘Sirf Ek Bandaa Kaafi Hai’ stood out with the highest watch-time across ZEE5 movies, ‘Taj: Divided by Blood’ topped the watch-time list among all ZEE5 titles released in the last 6 years. Popular originals like ‘Abhay’, ‘Rangbaaz’, ‘Sunflower’, ‘State of Siege: 26/11’, and ‘Rangbaaz: Darr Ki Rajneeti’ also feature in the top 10 shows on the platform, while ‘Uri: The Surgical Strike’, ‘Radhe – Your Most Wanted Bhai’, ‘RRR’, ‘Antim: The Final Truth’, ‘Silence…Can You Hear It?’ and ‘The Kashmir Files’ feature in the top 10 movies list. Going forward, 2024 promises to be yet an exciting year for ZEE5 with multiple power-packed releases, like ‘Sam Bahadur’, ‘Kaatera’, ‘The Kerala Story’, ‘Sunflower S2’, ‘Broken News S2’, Guneet Monga’s ‘Gyarah Gyarah’, and the Telugu spy-thriller series ‘Mission Tashafi’, amongst others.

    Speaking on the occasion, ZEE Entertainment Enterprises Ltd president – Digital Businesses & Platforms Amit Goenka said, “Over the last six years, ZEE5 has played a pivotal role in delivering accessibility and affordability to its consumers across the globe. As we cross yet another milestone in our journey, our aim is to further fortify the synergies between content and technology to build a robust consumer experience across connected devices. While we remain committed to offering immersive entertainment experiences to our consumers across our digital platforms, the parallel growth trajectory of the linear and digital ecosystem will enable us to further strengthen our capabilities. As the digital landscape matures steadily, and improved infrastructure further proliferates the ability for transactions on digital platforms, the opportunities remain endless. As pioneers in the industry, we will continue to maintain a strong focus on growth and innovation, simultaneously enabling a conducive environment for the industry at large.”

    ZEE5 India CBO Manish Kalra, said, “At ZEE5, we envision to be the platform of choice for billions of viewers with real, relatable, and relevant stories in languages that resonate with them. Over the last few years, we have focused on improving user experience and launching multiple blockbuster movies and originals while using technological innovations to improve our platform experience significantly. 2023 has been eventful with many firsts and multiple successful projects strengthening our presence across markets with significant penetration in the tier III and IV cities. Tech adoptions across business touchpoints for increasing efficiency and enhancing in-app experience have been a priority. 2024 has already started on a strong note with the release of ‘Sam Bahadur’ and “The Kerala Story”. As the industry scales newer heights, ZEE5’s unwavering commitment will remain centered around delighting our users with more focus on delivering quality content seamlessly.”

    ZEE5 Global CBO Archana Anand said, “From the initial idea of taking our South Asian content global, to growing out the business to become the No.1 South Asian streaming platform internationally, it has been a remarkable journey. Today, ZEE5 Global stands as the premier destination for South Asian content, connecting the diaspora across the world with their language content. And as we continue to grow out our massive leadership in the US., our recent pivot to becoming an Aggregator of South Asian streaming platforms with the launch of ZEE5 Add-ons, only further cements our position in the market as the singular largest hub for South Asian content. South Asian stories are finally claiming their well-deserved spotlight on the global arena, and we look to be at the forefront of this conversation, setting the stage for even more disruptive growth.”

  • Actress Rashmika Mandanna to grace 2024 Crunchyroll Anime Awards

    Actress Rashmika Mandanna to grace 2024 Crunchyroll Anime Awards

    Mumbai- Crunchyroll is excited to announce that the renowned Indian actress and passionate anime enthusiast, Rashmika Mandanna, will be a special guest at the 2024 Crunchyroll Anime Awards. This prestigious event, dedicated to celebrating the exceptional craft and artistry of Japanese animation, is scheduled to take place on  2 March 2024, in Tokyo, Japan.

    Rashmika Mandanna, known for her outstanding performances in the Indian film industry, will be presenting one of the awards throughout the night to celebrate the anime series, film, and voice actors that have captivated fans over the last year.

    In a statement, Rashmika Mandanna expressed her excitement, saying, “I am absolutely thrilled and honoured to be a part of the eighth annual Crunchyroll Anime Awards in Tokyo. As an anime enthusiast, this is a dream come true for me. Japanese animation has had a profound impact on my life, and I can’t wait to celebrate and recognize the incredible talent behind these remarkable creations. See you all on March 2nd, 2024, for what promises to be an unforgettable evening!”

    The Crunchyroll Anime Awards have become a highly anticipated annual event, showcasing the best in anime from the previous year. This year’s awards ceremony will feature various categories, including Best Animation, Best Director, Best Character Design, and many more. It serves as a platform to honour the creativity, dedication, and innovation that define the anime industry.

    Fans of both Rashmika Mandanna and anime can look forward to an unforgettable night of celebration, surprises, and the recognition of outstanding talent at the eighth annual Crunchyroll Anime Awards.

    For more information about the Crunchyroll Anime Awards and updates on the event, please visit the Anime Awards website.

  • Explurger secures $ 4.5 million in series-A funding led by Affle

    Explurger secures $ 4.5 million in series-A funding led by Affle

    Mumbai: Social media platform Explurger has announced that it has raised an investment of  $ 4.5 million (Rs 37.3 Cr) in a series-A funding led by Affle (India) Limited (“Affle”) at a pre-money  valuation of about $ 40 million (Rs 338 Cr). With this investment, Affle (India) Limited will hold a 9.03 per cent  stake (on a fully diluted basis) of Explurger, which has already shown a robust potential and interest from  global investors.

    Launched in 2021 in India, Explurger has already garnered more than 8.5 million users across 75+  countries. Pioneering the field as the only “Gamified” AI-powered vertical consumer-tech social media  platform for travelers, Explurger is listed by Google as one of ‘10 Most Innovative Apps Making Mark in  India and Beyond’. With an AI-centered social media format, the app differentiates itself with features such  as Automatic Travelogue, Rewards and Bucket List to cater to the distinctive needs of travelers and  explorers. The company expects to target the growing social media users in India and the world, amidst a  renewed interest in the travel segment in the post-pandemic world.  

    The travel and tourism industry continues to be on the rise, with a projected contribution of about 8.4% to  the Global GDP in 2023 (WTTC) and projected contribution of about 5.4% to India’s GDP in 2023 (WTTC)  with an estimated 124% increase for the following decade, it is clear that the niche premise of the app  signals brighter horizons.  

    Speaking about the investment, Explurger founder & CEO Jitin Bhatia, said, “We’re thrilled to  welcome Affle on our cap table as part of Series-A funding round. Affle is already a leading name known  for their tech innovations and R&D, and with them as an investor, it validates our vision to build a social  media platform of the future that goes beyond likes and shares, and truly builds a global connected  community using the advancements of AI. We look forward to the next phase of our growth story and are  grateful for the confidence shown in us by the team at Affle.” 

  • Eloelo app collaborates with Munawar Faruqui to launch new ‘Status’ feature

    Eloelo app collaborates with Munawar Faruqui to launch new ‘Status’ feature

    Mumbai: Homegrown live social media platform Eloelo app has introduced a new ‘Status’ feature on its platform in collaboration with Bigg Boss 17 winner Munawar Faruqui. The status feature helps user on the app to express their mood, feelings and state of mind through celebrated quotes and shayari with their name and photo. Munawar, known for his shayari, has been a hit with users on Eloelo app. The app has also reached over 50Mn users on its platform, reaching top rank on Google Playstore in the entertainment category.

    The collaboration comes after a banter on social media between Munawar and Eloelo app, with the brand revealing it as a way of announcing the new feature through a personality like Munawar. The announcement buzz was created with the Bigg Boss winner expressing his disapproval on Eloelo using his fame and shayari to gain traction. It was soon followed by the Eloelo Founder and CEO Saurabh Pandey issuing a formal apology on the same & inviting Munawar to come live.

    Eloelo will be organising a live session for its users with Munawar himself on 15 February at 7 PM.

    Eloelo App CEO & co-founder Saurabh Pandey said, “Eloelo stands as a brand dedicated to providing individuals with a virtual space for belongingness & expression, hence, we are thrilled to collaborate with Munawar to launch or new ‘Status’ feature. As the winner of Bigg Boss, Munawar embodies the spirit of authentic self-expression, aligning seamlessly with our brand values. We believe his strong persona and commitment to individuality makes him the perfect choice for the launch of this exciting new feature.”

     

     

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    The new Status feature will include a variety of shayaris and quotes which will feature content across genres like love, breakup and motivation and more. The app will also allow ‘status share’ options for its users to further share quotes and shayaris on other platforms along with free personalizations like adding name, photo, etc. The app is currently hosting a contest for users to share these quotes and  shayaris as their status.Additionally, Top 10 winners of the contest will interact with Munawar in a live video session on 15 February at 7 PM.

  • Radio City Celebrates ‘100 Saal Radiopanti Ke’ on World Radio Day

    Radio City Celebrates ‘100 Saal Radiopanti Ke’ on World Radio Day

    Mumbai: On World Radio Day, 13 Feb, Radio City, India’s pioneering private radio station, commemorates ‘100 saal radiopanti ke!’ with its radigitalisation approach. The radio station leverages digital platforms to expand its reach beyond the 39 cities where it currently operates in and has taken a well-balanced approach to build the brand’s character by offering unique and pathbreaking content for all its audience across multiple genres.

    Since Radio City’s inception 23 years ago, the radio station has constantly evolved recognizing the significance of innovating relevant strategies to stay ahead of the game. “Rag Rag Mein Daude City” is its core philosophy and its jingle, #CitykiNayiVibe has a groovy and irresistible vibe to it.

    Approximately 88 per cent of millennials and Gen Xers listen to the radio because of its local flavor, making it an engaging and trustworthy medium. Approximately 61% of radio listeners report that radio can improve their mood and give them a sense of companionship. To resonate with its listeners while staying relevant and informative, Radio City offers a vast array of well-designed programs that cater to differ age groups, multiple moods, and various aspects of an individual’s daily needs.

    Apart from being a go-to source for good music, the network also provides content on humour through Babber Sher & Joke Studio and has a very popular show Love Guru who is a friend you always needed and also a personal therapist.  It also takes its listeners on a tantalizing culinary journey with the Taste Series & Food Cast and the spiritual shows provide solace to its audience. With its AI-driven RJ Sia, Radio City has pioneered innovation to stay relevant amount its GenX listeners. The feature – Blockbuster Sunday entertains and engages its listeners with movie reviews and celebrity interviews. The discussions on tech and automobiles are most sought-after properties of Radio City for receiving timely updates on what’s trending in these sectors. It also features informative podcast such as Kadak Currency to educate its listeners regarding the finances, markets, and economy. Listeners can also indulge in and discover soulful music from budding artists on Indie.

    Radio City CEO Ashit Kukian emphasises, “As we commemorate ‘100 saal radiopanti ke!’ on World Radio Day, our station stands proud, embodying the enduring spirit of radio. Our journey reflects not only our unshakeable dedication to the essence of radio as a medium—ever-evolving yet deeply rooted in tradition—but also our profound sense of responsibility as a brand. Our radigitalization approach signifies how we are evolving with the digital age, but our core values remain unchanged. We strive to adapt to changing audience preferences through interactive segments, pertinent discussions, and engaging hosts across on-air, digital, and on-ground platforms, reaching 93 million. Our commitment lies in balancing entertainment with a sense of responsibility as a brand.”

    Celebrating ‘100 saal radiopanti ke!’, Radio City reaffirms its commitment in enriching the lives of its listeners in this digital age while honoring radio’s timeless legacy. The station remains a steadfast companion, providing comfort, connection, and critical information to listeners across generations.

  • Streaming surpasses traditional TV: Advertisers follow the trend

    Streaming surpasses traditional TV: Advertisers follow the trend

    Mumbai: As per an Ormax report, streaming has become India’s preferred choice for content consumption, boasting over 480 million OTT users. Its convenience and accessibility, allowing users to watch content anytime, anywhere, and on any device, have fueled this trend. The surge in smartphones, 4G feature phones, and widespread high-speed internet availability in urban and rural areas contribute to this shift, creating a new frontier for advertisers.

    Advertisers are capitalizing on streaming platforms’ interactive nature, crafting immersive and engaging ad experiences. Interactive ads seamlessly blend with content, enhancing the viewing experience and resonating better with audiences. Streaming also offers a wealth of data, enabling precise targeting and tailored campaigns, ensuring maximum impact and ROI. Brands are leveraging innovative placements and exclusive content to effectively engage audiences.

    According to a Magnite report, 80 per cent of Indian streaming audiences prefer ad-supported content over paying for an ad-free platform. This preference opens up opportunities for advertisers to drive brand awareness, engagement, and conversion. The report indicates that almost half of streaming users actively search for products featured in ads, and one in three makes a purchase based on these ads, underscoring the significant impact of streaming platform advertising on consumer behavior.

    Furthermore, 59 per cent of Indian streamers spend an average of 8 hours per week streaming content on the big screen at home. CTV advertising is gaining popularity among BFSI, e-commerce, automobile, and OTT categories, with an expected spending of $395 million by 2027, reflecting a remarkable 47 per cent CAGR growth.

    Despite the popularity of UGC platforms for on-the-go content consumption, CTV’s premium and engaging advertising environment sets it apart. Advertisers have more control over ad placement and brand association on CTV, making it a more effective advertising channel. A Kantar report highlights that 22 per cent of consumers are more likely to recall brands advertised on CTV than on a leading UGC platform.

    Over the past five years, there has been a 25 per cent decline in Pay TV subscribers, with over 200 million households unreachable by Pay TV, according to an EY-FICCI report. Advertisers are increasingly turning to digital routes, and the decline in Pay DTH subscribers further supports the preference for CTV. Linear TV has consistently declined, with a 6.2 per cent fall in subscription revenue in 2021 and the loss of 6 million Pay TV households.

    As streaming, especially CTV, continues to rise, advertisers are adapting strategies for enhanced ad experiences, focusing on creative storytelling and dynamic digital touchpoints. Technological advancements, evolving consumer preferences, and growing advertiser interest are propelling streaming’s strength. The first half of 2024 promises more immersive, powerful, and impactful ads, delighting both advertisers and consumers.

    The upcoming TATA IPL is expected to define the next phase of this evolution, with JioCinema unlocking cutting-edge ad innovations on CTV for an estimated 600-650 million viewers streaming the matches across devices for free. Advertisers have a golden opportunity to connect with their desired audiences among cricket fans in this ever-expanding streaming landscape.
     

  • Amazon Music set for Valentine’s Day with shades of love playlists

    Amazon Music set for Valentine’s Day with shades of love playlists

    Mumbai: It’s the season of love, and Amazon Music just knows exactly how to kickstart Valentine’s month. Being one of India’s leading music streaming services, Amazon Music is all set to share a few shades of love with its listeners. From old-school Bollywood to contemporary Hip-Hop, Amazon Music’s Valentine’s playlists cover all moods and genres that you could ask for with the following playlists.

    Ultimate Love Songs Playlists

    For all the die-hard romantics and the hopelessly new-in-love, this playlist is a perfect mix of all things you loved in the past and now. From your favorite International Pop hits to regional duets, this playlist is being offered in a variety of languages including Hindi, Tamil, Telugu, Malayalam, Punjabi, Kannada, Marathi and Bengali.

    100 Greatest Love Songs

    Enjoy the finest love songs ever created with this perfectly crafted Valentine’s playlist featuring the top 100 romance tracks in Hindi, Tamil, Telugu, Kannada and Malayalam.

    Indie Love

    This one is for all the indie lovers. You  can now groove to your favorite love tunes from Independent artists you love, follow or discovered,   with this Valentine’s special edition of the Indie Love playlist, featuring some of the best romance music from Independent artists across regions .

    Senti Wala Pyaar

    The Senti Wala Pyaar playlist makes for the perfect pick for all the emotional ones there who like to feel those intense emotions through music.  Snuggle up with your partner or unwind with your headphones  and embark on this emotional journey of love.

    New in Love

    The New in Love playlist, available in Hindi, Tamil, and Telugu, features the newest love tunes that you can groove to, listen to on a date night or unwind with, this Valentine’s month.

    Here are 10 chart-topping romantic songs recommended by Amazon Music Experts that you can listen to with your loved one this Valentine’s Day.

    1.    Chaleya – Jawan
    2.    Heeriye – Arijit Singh/Jasleen Royal
    3.    O Maahi – Dunki
    4.    Tum Kya Mile – Rocky aur Rani ki Prem Kahani
    5.    Satranga – Animal
    6.    Lover (Remix) – Taylor Swift and Shawn Mendes
    7.    Standing Next to You – Jung Kook
    8.    Apa Fer Milaange – Savi Kalhon
    9.    Kinni Kinni – Diljit Dosanjh
    10.    Anbenum – Leo

    You can listen to these playlists with your bae/ loved one this valentine’s day here.

  • EndemolShine India’s Bigg Boss Kannada season-ten delivers record ratings

    EndemolShine India’s Bigg Boss Kannada season-ten delivers record ratings

    Mumbai: The tenth season of Bigg Boss Kannada, aired on Colors Kannada, streamed on Voot, and hosted by Superstar Sudeep Kiccha, has outperformed all expectations, marking a milestone decade for the franchise in Karnataka, with the finale episode breaking all records with an 11.5 ratings, the highest of all seasons. Produced by EndemolShine India, the innovative promotion and positioning of the season paid off, with reality weekly ratings soaring to 7 and 8, the highest for any season of Bigg Boss Kannada. The launch episode itself garnered a 7.1 rating, becoming the second-highest-rated episode in the history of the show. As the season progressed, Bigg Boss Kannada became the number 1 show in Karnataka, leading the 9:30 to 11:00 slot.

    Banijay Asia and EndemolShine India founder & group CEO Deepak Dhar expressed his excitement about the season’s performance, stating, “Bigg Boss Kannada Season 10 has been a remarkable journey, not just for us but for the entire Kannada-speaking audience. Celebrating a decade of Bigg Boss in Karnataka, we aimed to make this season extraordinary with ‘Happy Bigg Boss,’ and the response has been overwhelming. We are proud to lead the entertainment slot in Karnataka, and this success reinforces our commitment to delivering high-quality, engaging content, year after year.”

    This season was introduced as ‘Happy Bigg Boss’, transforming the show into a 100-day festival for Karnataka. The innovative launch strategy involved 100 dedicated Bigg Boss fans using live voting pads on stage, rating contestants, and thus, determining team divisions and immediate eliminations right from the start. This unique approach, along with engaging weekly tasks and creative content, kept the audiences truly engaged.

    Bigg Boss, an adaptation of Big Brother, continues to be a global entertainment phenomenon, airing in over 45 territories annually. In India, the franchise extends across multiple languages and geographies, including Hindi, Telugu, Tamil, Kannada, and Malayalam, showcasing the wide appeal and versatility of the format.