Category: iWorld

  • MCA and Meta collaborate to introduce WhatsApp Helpline

    MCA and Meta collaborate to introduce WhatsApp Helpline

    Mumbai: The Misinformation Combat Alliance (MCA) and Meta are working on launching a dedicated fact-checking helpline on WhatsApp in an effort to combat media generated using artificial intelligence which may deceive people on matters of public importance, commonly known as deepfakes, and help people connect with verified and credible information. The helpline will be available for the public to use in March 2024.

    The industry-leading initiative will allow MCA and its associated network of independent fact-checkers and research organisations to address viral misinformation – particularly deepfakes. People will be able to flag deepfakes by sending it to the WhatsApp chatbot which will offer multilingual support in English and three regional languages (Hindi, Tamil, Telugu).

    The MCA will set up a central ‘deepfake analysis unit’ to manage all inbound messages they receive on the WhatsApp helpline. They will work closely with member fact-checking organizations as well as industry partners and digital labs to assess and verify the content and respond to the messages accordingly, debunking false claims and misinformation.

    The focus of the program is to implement a four-pillar approach – detection, prevention, reporting and driving awareness around the escalating spread of deepfakes along with building a critical instrument that allows citizens to access reliable information to fight the spread of such misinformation. With millions of Indians using WhatsApp, the collaboration between Meta and MCA represents a continued effort to empower users with tools to verify information on its service.  

    Commenting on the partnership, Meta director, public policy India Shivnath Thukral, “We recognize the concerns around AI-generated misinformation and believe combatting this requires concrete and cooperative measures across the industry. Our collaboration with MCA to launch a WhatsApp helpline dedicated to debunking deepfakes that can materially deceive people is consistent with our pledge under the Tech Accord to Combat Deceptive Use of AI in 2024 Elections. As a company that has been at the cutting edge of AI development for more than a decade, we remain committed to work with industry stakeholders to introduce common technical standards for AI detection, transparency solutions and policies, along with empowering people on our platforms with resources and tools that make it simpler for them to identify content that has been generated using AI tools and curb the spread of misinformation.”

    “The Deepfakes Analysis Unit (DAU) will serve as a critical and timely intervention to arrest the spread of AI-enabled disinformation among social media and internet users in India. Its formation highlights the collaboration and whole-of-society approach to foster a healthy information ecosystem that the MCA was set up for. The initiative will see IFCN signatory fact-checkers, journalists, civic tech professionals, research labs and forensic experts come together, with Meta’s support. We hope the DAU will become a trusted resource for the public to discern between real and AI generated media and we invite more stakeholders to be a part of the initiative.” said Misinformation Combat Alliance president Bharat Gupta.

    Meta’s robust fact-checking program in India includes partnerships with 11 independent fact-checking organizations that help users to identify, review, verify information and help prevent the spread of misinformation on its platforms. On WhatsApp, we encourage users to double-check information that sounds suspicious or inaccurate by sending it to WhatsApp tiplines. People can also follow dedicated fact-checking organizations on WhatsApp Channels to receive verified, accurate and timely updates. In addition to the fact-checking program, WhatsApp addresses misinformation by limiting forwards and actively constraining virality on the platform.

    Our approach to addressing deceptive synthetic media at Meta has several components, including working to investigate deceptive behaviors like fake accounts and misleading manipulated media; our third-party fact-checking program, in which fact checkers rate misinformation, including content that has been edited or synthesized in a way that could mislead people; and engaging with academia, government and industry. We have recently announced an AI labeling policy. In the coming months, we will label images that users post to Facebook, Instagram and Threads when we can detect industry-standard indicators that they are AI-generated.

    We have also pledged to help prevent deceptive AI content from interfering with this year’s global elections. The “Tech Accord to Combat Deceptive Use of AI in 2024 Elections” is a set of commitments to deploy technology countering harmful AI-generated content meant to deceive voters. Signatories, including Meta, pledge to work collaboratively on tools to detect and address online distribution of such AI content, drive educational campaigns, and provide transparency, among other concrete steps.

    MCA is a cross-industry alliance bringing companies, organizations, institutions, industry associations, and entities together to collectively fight misinformation and its impact. Currently, MCA has 16 members including fact-checking organizations, media outlets, and civic tech and are inviting strategic partners to collaborate in this industry-wide initiative to combat misinformation and create an enlightened and informed society. 

  • Prime Video & Sony Pictures Television launch Sony Pictures – Stream

    Prime Video & Sony Pictures Television launch Sony Pictures – Stream

    Mumbai: Prime Video has entered a distribution agreement with Sony Pictures Television (SPT), a division of Sony Pictures Entertainment (SPE), to launch Sony Pictures – Stream on Prime Video Channels. Curated for Indian customers, Sony Pictures – Stream offers a vast and exciting repertoire of entertainment including SPE’s outstanding international selection of iconic, blockbuster movies, timeless classics and highly popular TV shows available on Prime Video Channels. Prime members can purchase an annual add-on subscription to Sony Pictures – Stream at a special introductory price of ₹399 per year.

    With an add-on subscription to Sony Pictures – Stream on Prime Video Channels, Prime members can enjoy an extensive slate of multi-genre content offerings including action-packed blockbusters, heart-warming dramas, rib-tickling comedies, suspenseful thrillers, evergreen classics, and much more. Some of the movies include Charlie’s Angels, Men in Black, Peter Rabbit, Ghostbusters, Jerry Maguire, My Best Friend’s Wedding, Taxi Driver, A Few Good Men, Legends of the Fall, Spotlight, The Bridge on the River Kwai, Terminator, Groundhog Day, I Know What You Did Last Summer, Step Mom, Book of Eli, Seven Pounds, Legend of Zorro, Anaconda and Evil Dead, among others. TV aficionados will find timeless classics such as I Dream of Jeannie, Bewitched, Mad About You, and Diff’rent Strokes and recent hit shows including A Very English Scandal and Loudermilk.  

    “We are delighted to launch Sony Pictures – Stream, a new Prime Video Channel curated specifically for our customers in India. The collaboration allows Sony Pictures Entertainment to make their vast and beloved library available in India at a single destination, reaching customers across the length and breadth of the country via Prime Video Channels,” said Prime Video Channels, India head Vivek Srivastava. “Within a short span of time, Prime Video Channels has offered the perfect launchpad for several international streaming services and studios, helping them reach an incredibly wide audience across India. In sync with our philosophy of super-serving our customers with choice, access and convenience, we have worked towards offering a wide variety of content, making it all available at a single destination – Prime Video. We are sure that with its vast and diverse library Sony Pictures – Stream will offer something for everyone, delighting Prime members with their favourite movies and series.”

    “We’re thrilled to work with Prime Video to super-serve Indian audiences with content from SPE’s extensive library of award-winning films and critically acclaimed television series while simultaneously offering a bespoke experience that is easily accessible to viewers across the region. Additionally, in celebration of the 100th Anniversary of Columbia Pictures, a part of Sony Pictures Entertainment, Sony Pictures – Stream spotlights the studio’s history and incredible film legacy by offering customers an incredible array of films from the studio’s beloved vault spanning the decades.” said Sony Pictures Television VP – South Asia Sonika Bhasin.

    Prime members in India can subscribe to Sony Pictures – Stream through Prime Video Channels at an introductory price of ₹399 per year.

    Prime Video Channels benefits for Prime members include:

    ●    No hassle login & billing: Customers do not have to juggle between multiple usernames, passwords and billing due dates. With Prime Video Channels, all premium content subscriptions are managed within a single destination – Prime Video apps and website.

    ●    More time watching, less time deciding: Customers don’t have to spend time toggling between their favourite services to discover what’s new and popular. With Prime Video Channels they can browse in one place, search across all their premium subscription and get personalized recommendations. All of this without ever having to leave the Prime Video app or website.

    ●    Enjoy your favourite features, no matter which service: Customers can enjoy IMDb’s X-Ray feature and a single consolidated watch list and download library for offline viewing. Subscribers can also manage data consumption and much more across all their premium channel subscriptions.

    ●    More choice: With Prime Video Channels, Prime members can access thousands of additional titles across 22 OTT channels, including Sony Pictures – Stream.

  • VALORANT Champions 2024 heads to seoul

    VALORANT Champions 2024 heads to seoul

    Mumbai: The 2024 VALORANT Champions tour season has begun! This season boasts 44 of the best teams in the VALORANT competitive ecosystem across four International Leagues – VCT Americas, VCT CN, VCT EMEA, and VCT Pacific. As the season progresses, we’ll follow the journey of these teams through the Kickoff Tournament, two International League Stages, and two Masters events – with all roads leading to Champions in Seoul, Korea.

    The Road to Champions

    Kickoff Tournament

    Dates: Feb 16 – March 3

    The Kickoff Tournament will be the first look into the teams within each International League. The results from the tournament will determine the top 8 teams who we’ll see at Masters Madrid. For more information on the Kickoff format, check out this article.

    Masters Madrid

    Dates: March 14 – 24

    Masters Madrid is the first global event of the 2024 VALORANT Champions Tour. In Madrid, we’ll see how the top 8 teams from the Kickoff Tournaments stack up against one another and determine front runners in the season. Masters will commence with a Swiss Stage, followed by a four-team double-elimination bracket.

    International Leagues Stage 1

    Dates: April 3 – May 12

    Following Masters Madrid, we’ll return to International League competition with Stage 1. These competitions will run from April to early May, determining the top 3 teams from each league to qualify for the next global event, Masters Shanghai.

    Masters Shanghai

    Dates: May 23 – June 9

    Twelve teams who have qualified from the Stage 1 competition will face off in Shanghai for the second Masters event of the season. Teams will compete through an intense two weeks, with one team establishing themselves as the current number one in the world.

    International Leagues Stage 2

    Dates: June 15 – July 21

    Stage 2 will begin immediately after Masters Shanghai and serve as the last stretch until Champions! Stage 2 competition will qualify the top 3 teams from each IL to VALORANT Champions. Additionally, each IL will qualify a 4th team based on Championship points accumulated throughout the year.

    Champions Seoul

    Dates: Aug 1 – 25

    All roads lead to Champions. After multiple events throughout the year, we’ll see the best 16 teams come together in Seoul for the final event of the 2024 VCT season. Champions will take place over three weeks, pitting the best teams from around the world against each other to determine the 2024 VCT World Champion!

    With an expanded roster of teams and competitive talent around the world, this season is shaping up to be one of the most exciting in VCT history.

    For the latest updates and comprehensive coverage of the VALORANT 2024 season, stay connected with us at VALORANTEsports.com and follow us @VALORANTEsports.

  • TTT collabs Hershey India for ‘Butterflies’ season five

    TTT collabs Hershey India for ‘Butterflies’ season five

    Mumbai: Chocolates have been the language of love for ages. Amidst the rush of Valentine’s week, Terribly Tiny Tales (TTT), India’s most loved content company, launched Season five of its flagship web series, ‘Butterflies’, in collaboration with Hershey’s India. Released under TTT’s premier short films banner, Terribly Tiny Talkies, this latest instalment ran from 8 – 13  February, to usher in Valentine’s Day. The series captivates audiences with its exploration of love in various forms.

    With this season’s theme #YourForevers, the YouTube series delves into untold narratives of love and connection, leaving viewers with a lingering sense of warmth towards the end. Through its portrayal of diverse facets of relationships, Season 5 captures the depth of each bond, of those who add love and warmth to our lives – friends, family, and partners. With moments of connection enabled by Hershey’s range of chocolates, each tale not only tugs at the heartstrings but also leaves one wanting more at the end of every episode. Retaining the original core of the IP, Sharanya Rajgopal (Studio Head of TTT) has created every episode as a heartfelt dedication from one character to another, beautifully aligning with the season’s theme and encapsulating the enduring joy of love.

    Butterflies season 5 tells the stories of seven people over three endearing episodes. In Episode one, titled “To Maya, From Rohan,” Rohan (Ritwik Bhowmik) and Maya (Reem Sheikh) are out on a secret romantic getaway just days before their big fat Indian wedding, seeking moments of privacy and solitude amidst mounting pressures. The storyline explores the tension of their escape and the possible consequences if their families were to discover their truth, culminating in a sweet proposal beneath the starlit sky. Episode two, starring Namita Dubey as Suhani and Asha Negi as Disha, dives into adult friendships. It beautifully illustrates how these connections evolve, navigating life’s changes – taking the viewers on a delightful journey. Episode three, featuring Ashnoor Kaur as Mini, Harsh Gandhi as Ishaan, and Arjun Deswal as Rishi, celebrates the everlasting friendships forged in college amid moments of laughter and vulnerability. It uncovers Rishi’s journey back to his ‘Forevers’ after an absence, and their warm welcome back into the gang.

    TTT studio head Sharanya Rajgopal said, “After four successful seasons, we’re thrilled to announce the return of Season 5 of ‘Butterflies’, once again in partnership with Hershey India. Butterflies Season 5 is full of feels. That was the only thing we kept in our mind while working on this season. In each of three episodes we have created characters that will leave the audiences with a warm smile on their faces.”

    Hershey India marketing director Ankit Desai said, “Valentine’s Day is a special occasion for our consumers, and with our indulgent range of chocolates, we want to enable them to express love across relationships be it their family, friends or partners. We’re delighted to collaborate with TTT yet again to bring forth heartfelt stories of enduring love through their highly acclaimed web show, Butterflies. In the webisodes, we have captured the diverse spectrum of relationships, much like the wide variety of chocolates in our portfolio, including HERSHEY’S KISSES, HERSHEY’S EXOTIC DARK and HERSHEY’S BARS. For Season 5, we have amped up the game, and in our distinctive style have wrapped all the emotions with captivating storytelling, presented in a delectable package. The stories have come out beautifully and I’m sure our audience will enjoy them.”

    With a track record of collaborating with over 200 global brands, TTT remains at the forefront of delivering original and premium content in India, and with each new release continues to redefine contemporary storytelling. This season marks TTT’s venture into the AI territory with a one-of-a-kind song dedication portal, perfectly timed for Valentine’s week. One can visit the portal at yourforevers.hersheyland.in to craft personalized ‘snap songs’ for their loved ones by simply providing a few prompts – adding a layer of sentiment to their expressions of love and affection.

  • VBS 2024: OTT aggregation and beyond

    VBS 2024: OTT aggregation and beyond

    Mumbai: India is in the grips of seismic changes as far as video and broadband consumption is concerned. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it is seeking to convert most pay TV customers to free streaming of video content by offering access to consumers at no cost. The consumer continues to demand bandwidths higher than ever imagined even as prices are dropping. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    Clearly, the video and broadband distribution landscape has not been as vibrant as it is now… How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com held its 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The fireside chat on the topic: ‘OTT Aggregation And Beyond’ had HT Media Ltd chief revenue officer (HT Labs) Anil Dua in conversation with Indian Television.com group founder, chairman & editor-in-chief Anil NM Wanvari.

    Beginning the conversation, Wanvari asked, “How is OTTplay overcoming the challenge faced by consumers who seek ease of use?”

    Dua replied, “Now you don’t need to go to different apps. we have possibly the largest OTT aggregator platform in India called OTTplay, which covers more than 35 apps containing live TV channels. Gone are the days when you have to worry about the hassle of going from one platform to another to check what exactly you want to watch. So we have solved the problem of what to watch, through our recommendation engine, and also the proper way to stream it because in one app, you will get all the apps together. So that’s OTTplay. Maybe this is a good time for us to show you what our platform looks like.”

    After an AV of OTTplay was played on the screen, Wanvari asked, “You’re aggregating and you’re serving to telcos, you’re servicing to ISPs, cable. So what’s the percentage distribution between them?”

    To which, Dua replied saying, “So we have a very good mix of the internet service providers with whom we do the bundling with the broadband plans. We also have cable operators, through whom we reach out to our customers. We also have a direct-to-customer channel through our digital landscape, which helps us reach out to our clients.”

    He added, “If you look at our content, we have a very good balance across regions. That’s one of the big USPs that we bring to the table. Let’s start with the South. If you go to Coimbatore, their number one OTT Sun NXT is with us. If you come to AP or Telangana, their number one and two OTT and TV, aha are with us. When you go to a Hindi heartland, we have Bhojpuri, for Ludiana we have Punjabi, We have, of course, the large Hindi OTTs, i.e., ZEE, Sony, Lionsgate, etc. We have most of these OTTs. So we are relevant across a spectrum of customers. I believe we are relevant to everyone”

    Wanvari interjected, “I’m not talking about relevance. I’m talking about penetration so far. My understanding is, that you’ll have been pushed so aggressively in the west. You’ll have been more aggressive up north, and possibly down south, rather than the west and the east.”

    Dua answered, “You’re right! So far, south is obviously the leading market for us, followed by the north, west, and then the east.”

    Wanvari then asked, “What’s the kind of watch time that people are spending across your apps?”

    Dua replied, “By DNA, we are a tech company. We have customers at the middle of everything that we do. We track watch hours, average time per user, and average time that each user spends. I won’t be able to share the exact numbers, but it’s pretty good. We have seen that in tier two and three cities, our average time per user goes up significantly. So that’s one of the insights that we have got with focus on the regional content that we have done.”

    Wanvari said, “What is that? Are those areas TV dark?”

    Dua answered, “Things are changing in this pandemic industry. I believe that so far the OTT penetration has largely happened in the larger towns, and there’s a lot of scope in tier two and tier three for both OTT platforms as well as aggregators like us.”

    Moving on to the next question, Wanvari asked, “Are the other lower tier of society picking up your app because of your long package with all 35 plus all the 400-500 TV channels? That’s pretty affordable at Rs 3000/year. But people can pick up regional packs at 100 rupees, etc. So what is finding the most takers and where is it finding, in tier two, and tier three? Is it the upscaled customers or is it the lower ones? Is it mobile or is it Smart TV?

    Dua answered, “So first of all, by design, we are a TV-first app. We want more and more customers to be watching us on television., When I say, TV, it is TV and mobile by default. That’s the first thing. The second thing as you talked about the packs. We have packs ranging from, as high but like you rightly said you said, as affordable as 250 rupees a month for 32 OTTs and 350 plus five TV channels a month. If you come to the regional packs like the Hindi heartland pack or a north pack or an east pack, that starts from as low as Rs 100 a month. So they’re very affordable. The high-income strata in tier two are the most takers. The metros are more around the larger packs.”

    Wanvari further asked, “Do you have specials coming up from time to time, special promotions? Secondly, do you also have special price promotions for the content that has been put out there by your partners?”

    Dua said, “We belong to the HT Media group. We are a media company ourselves. We have our reach through our newspapers, through our digital landscape that we have. One is that we use our own media to reach out to the customers. And we have the content nudges that go to the customers who subscribe to us.”

    He added, “The answer to both your question is yes! If you look at our digital reach across our basic platforms, hindustantimes.com or live mint or live Hindustan, we have 300 million plus, on a monthly basis and use. So we use that, to reach out to our prospective customers to start with and to the subscribers who are already with us. There are time-to-time content nudges that go to them, the new arrivals coming in and reaching out to them to not only continue to be with us but also watch and use us, so that we can offer value to our customers.”

    Wanvari immediately asked, “ Are you EBIDTA positive or are you bleeding?”

    Dua answered, “We are right now in the start-up mode. We are in our third year running. We are now very close to coming to a place where we can start generating revenue.”

    Wanveri further asked, “Is the capacity full or do you see more partners coming in? How do OTT players partner with you all?”

    Dua replied, “Today, we are 32 OTTs. Very soon, by June, we should roughly be at about 43 to 45 and we clearly see that in the short term. In the short to medium term we should be at 50 plus OTTs. So there is no limitation with respect to the capacity. Partnering is simple. If the content is relevant to our customers, we are willing to discuss and partner. There is obviously a different discussion with each of our content partners that we have.”

    Wanvari quickly asked, “So, how long does it take to come up with a partner, to conclude a partnership? Is the process quick or prolonged?”

    Dua answered “My experience has been that gently the closure of the commercial discussion in this kind of business takes about 30 days and then another about 30 to 45 days. In about two and a half months we are GTM ready.”

    Asking a question about their subscriber base, Wanvari asked, “Where do you all see yourselves two to three years down the line? Do you think the appetite will continue in the space when it gets competitive?”

    Dua replied saying, “If you look at the growth of broadband, today we have roughly 50 per cent plus penetration in rural India. The smartphone penetration itself is growing into tier two and tier three by more than 25 per cent every year. So growth is not going to be an issue. Talking about the large telcos, remember that still one-third of the market is with non-telco broadband providers. That market is not only there today but it is also growing. We clearly see that as the market for us. And with bundling with their proposition is how to we want to reach out to the customers. On top of that, we have our D2C channel, which caters to the first two-thirds part of the customer base. A lot of customers of large telcos who have not used the content that is provided by them. So they keep looking for the right platform, and the right value proposition. So that’s how we’re building this whole mix.”

    Wanvari then asked, “You said discoverability is very easy for your customer. How different are you all from Netflix, which is supposed to be the gold standard, in terms of recommendation, search, discovery, and all of that?”

    Dua answered, “We talk about the four pillars of our business. The first pillar of our business clearly is the user experience and the user interface that we bring in. We have single sign-on for most of the apps. If you have, for example, OTTplay with you, and you want to watch Scam 2003 on Sony LIV, because you don’t need to have a Sony LIV app. So it’s deep integration. You can just move from one platform to another within OTTplay without having those apps. That’s the first thing. The second thing that we bring to the table. You talked about Netflix recommendations. If you are a customer or a subscriber of OTTplay, you get AI-based recommendations from all 32 platforms and not just one. So if you’ve watched an action movie or content on one of the platform, the next time you come to OTTplay player you will get recommendations across. The third thing is we are extremely regional in the content that we bring in. Fourthly, of course, is the affordability. We want to reach out, we want to be affordable to the masses of India.”

  • Disney+ Hotstar’s ‘The Indian EdTech Story’ docu-series features Hero Vired’s journey

    Disney+ Hotstar’s ‘The Indian EdTech Story’ docu-series features Hero Vired’s journey

    Mumbai: Hero Vired, a leading learntech startup by the Hero Group, takes center stage in the latest documentary series, ‘The Indian EdTech Story’ which premiered nationwide on Disney+ Hotstar. This enlightening series, produced by Edstead, sheds light on the significant impact and outcomes achieved by Hero Vired in transforming the educational landscape for millions of students across India.

    The documentary provides a compelling narrative of Hero Vired’s commitment to making education more affordable and accessible, showcasing the organisation’s profound influence on the learning experiences of countless individuals across the nation. Through a focus on the positive contributions to the sector, the docuseries explores the highs and lows of the edtech journey, demonstrating how the sector continues to play a pivotal role in creating a lasting impact despite the roadblocks.

    Commenting on the release, Edstead founder Shekhar Bhattacharjee expressed, “The entire objective behind producing this series was to illuminate the transformation of education into an affordable and accessible realm for millions. The series not only captures the highs and lows of the edtech sector but also underscores its ongoing commitment to creating a positive impact.”

    In the documentary, Hero Vired founder & CEO Akshay Munjal shared his vision behind Hero Vired’s inception, rooted in the realization of the challenges deserving graduates face in securing employment opportunities across the nation. The genesis of Hero Vired stems from the recognition of the gap in accessibility to education in India and the evolving demands of the job market. At its core, Hero Vired is driven by the mission to onboard the best professionals across industries to impart skills to their learners that will remain relevant in the upcoming decade. Mr. Munjal, in the documentary, further highlights the importance of emerging technologies in shaping the future job landscape and Hero Vired’s notable role in preparing learners for this transition.

    “India is an ocean of talent, and its demographic dividend, with the world’s youngest population, should be utilized to the optimum level. At Hero Vired, we believe in empowering individuals to embrace change and become architects of their own success. Indeed, the timing of this series is impeccably opportune, aligning seamlessly with the burgeoning momentum of the Indian Edtech sector, poised to ascend as a global powerhouse. It serves as a compelling testament to the relentless endeavors underway, meticulously crafting the landscape of education technology in India. With unwavering conviction, I assert that India harbors the latent potential to emerge as the unrivaled capital of Edtech worldwide. ” remarked Hero Vired founder & CEO Akshay Munjal underscoring the importance of empowering the youth with relevant skills and opportunities.

    Additionally, the documentary features stories of two Hero Vired alumni- Shivanshu Pandey and Jenny, who have testified to the transformative impact of the platform’s courses on their careers. Shivanshu credits Hero Vired’s full stack development course for equipping him with both the essential soft and hard skills to become a successful developer. Jenny recounts how Hero Vired’s Certificate Program in Gaming and Esports helped her turn her passion into a successful career as the world’s first apex legend predator player.

    Through its prominent feature in ‘The Indian EdTech Story’ series, Hero Vired’s journey serves as a beacon of inspiration, showcasing the organization’s dedication to quality education and its enduring impact on India’s growing EdTech landscape.

  • VBS 2024: Stopping the leakages in the pay TV ecosystem

    VBS 2024: Stopping the leakages in the pay TV ecosystem

    Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The session chair for this panel is Elara Capital senior VP Karan Taurani along with the panellists: NXT Digital COO Rouse Koshi, MetroCast Network India promoter Nagesh Chhabria, Sabot One Pvt. Ltd. chairman & managing director Atul Saraf, Epic On & Stream-Sense CEO Sourajya Mohanty and KCCL and KVBL CEO Padmakumar N.

    In this session, Taurani discussed the TV industry, issues of piracy, decrease in pay TV subscribers, shift from traditional TV to connected TV.

    He asked Koshi on the assessment of piracy and the kind of loss the industry is suffering to which he said, “ Piracy has come down. On the linear side of it, I don’t see piracy as much of a problem right now. After digitisation, piracy has come down. Also on the technological front, we have good regulations in place. There is a concern though in a lot of illegal streaming apps rather than in the pay TV side. “

    Taurani then turned around towards Chhabria where he asked him his perspective on any innovation or data tracking he might have done towards his subscribers to see if piracy is there to which he said piracy is there first through our net and secondly in cable TVs where privacy is there in rural areas. In those areas, whichever state you go, there are small MSOs who are running with 2000 and 1500 base. When a businessman sees that they question how do they survive with such a small base? It is through privacy.”

    After an elaborating response, Taurani asked Padmukar on the lack of digitisation and household penetration level in South markets to which he said, “In protecting the content, we have done all the steps so there’s no chance of privacy as we give correct reports to the broadcasters and there is no suppressing data. As far as Kerala Vision is concerned, we are doing a good business. I’m Kerala our total cable TV homes will be 70 lakhs and out of this around 35 lakhs is dominated by Kerala Vision. We have more than 50 per cent market share in Kerala TV and more than 50 per cent in broadband also.

    Saraf said on the issue, “Piracy has been happening for the last three decades. As an OTT aggregator, we are not allowing anybody to download our app if they are not able to put their telephone number. We are doing B2B and doing B2C. There is one thing sure from our OTT department that piracy won’t happen from our end.

    Last but not the least, Mohanty replied, “First of all we will acknowledge the fact that piracy has been a menace not only in India but globally also. We have a three fold approach that we have adopted. First is to take initiatives around DRM. Secondly, we have taken our initiatives with the video URLs which are very minimal yet very effective. Third is we have taken initiatives in deploying agencies.

    Taurani ended the session by saying bundling is the way ahead and consolidation which will be beneficial to the platforms and distributors. 

  • VBS 2024: The OTT Aggregation game

    VBS 2024: The OTT Aggregation game

    Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. 

    Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The session chair for this panel was media consultant Anuj Gandhi along with the panelists: Arha Media & Broadcasting CEO Ravikant Sabnavis, GTPL Hathway Ltd senior VP Yatin Gupta, Dangal Play head Akshat Singhal, Playbox TV founder & CEO Aamir Mulani and OTT-Chana Jor, VHunt Digital Media COO Archita Jasani

    To light up the atmosphere, Gandhi asked the audience how many hours on average people spend on their mobile phones. He also dropped another question while spending time looking at phones, how much time is spent on watching SVOD OTT? The response was quite positive as an overwhelming number of people in the audience watched content on their mobile phones for a longer duration.

    As there was a considerable amount of audience who watched other lots of content besides OTT, Gandhi asked a broader question to all the panelists, “There is a belief and everybody says that aggregation is what went above consecutive recession, people said people subscribed to two and a half entities, but individual OTS there is a belief that beyond the point from D to C perspective or direct to consumer, you cannot cross the customer acquisition costs. There is another cost that is there.

    Sabnavis said, “If I look at it from the consumer perspective, Most perspective, there’s a lot of entertainment. Right? Be it a YouTube video, or simply chatting with somebody on the phone. I’m probably oversimplifying to make the point. There are limits to my time when whether it be five hours or three hours and in that time, I’m trying to watch OTTs as well, besides doing whatever I am for entertainment. So therefore you’re possibly right that there comes a time when growth when you look at it from our perspective around the consumer’s approach slows down. They’re gonna find it increasingly difficult to a) reach out to consumers and b) convince them to subscribe to a platform.”

    Jasani said, “There is a stagnation which is happening especially in metro cities. When we see that people, there is a capacity on how many hours can be on the mobile phones. Beyond that, I feel a lot of growth that can happen in tier-two and tier-three cities. Because these are the consumers who are town-tasting in the OTT  and entertainment segments. So here we see that there is a glass ceiling, probably happening towards the metros, but there is a use of potentiality in tier two and tier three cities. So hence the aggregation makes sense in a way that there is a d2c and b2c as well, which helps us to get the hang of the consumers.

    Amir Mulani commented that 90% of the time, consumers know what they want to watch, they will come to search, click the movie, and just start watching it. So I think my responsibility as a platform or as an aggregator, is beyond me to give him something that he wants to, and trying to keep it so easy, that it’s not confusing for them to decide.”

    Singhal said, “Earlier, people used to go to OTT platforms and search for content because the OTT platforms were very messy. Now, with so many OTT platforms, we need to go to the users, and see what they have. So that’s why like it’s important.”

    Gupta opined, “ We already have a cable product, which is an aggregation of channels. We have broadband as a service to augment this along with OTT. Looking at the consumer and saying that from this household. He’s already got cable, he’s already got broadband, and we may be able to give him OTT services as an aggregation.

    Whether it makes economic sense or not, of course, is a big question mark, because the OTT players are expecting a certain amount of guarantees, which may or may not. So we’ve been looking at all of that while deciding whether to go ahead with it and what to do.”

  • Anurekha Bhagat shares her learning from State v/s Ahuja co-star Ashmit Patel

    Anurekha Bhagat shares her learning from State v/s Ahuja co-star Ashmit Patel

    Mumbai: Actress Anurekha Bhagat, recognised for her roles in Khuda Haafiz: Chapter 2 – Agni Pariksha, Upnyaas, and the Shahid Kapoor starrer Farzi, portrayed her first central role in the recently released Watcho Exclusives series ‘State v/s Ahuja’ alongside Ashmit Patel. In the series, Anurekha takes on the character of Deepa Sawant, a maid who accuses Bollywood actor Ansh Ahuja (played by Ashmit Patel) of rape. Anurekha has shared insights into her working experience with Ashmit Patel, what she gleaned from him, and one of her most cherished memories from the series.

    Describing Ashmit Patel as sweet, happy-go-lucky, grounded, and a thorough gentleman, Anurekha highlighted her key take away from him, and shared, “From Ashmit Sir, I learned the importance of giving space to your co-actor to perform. As actors, we often tend to seek all the attention, but during our scenes, Ashmit Sir generously allowed me the space to showcase my talents. He fully embraced his character, Ansh Ahuja, without any airs of stardom. This gave me the power and freedom to shine in scenes where Deepa needed to be seen.

    Opening up about one of her most memorable scenes from the Watcho Exclusives series, “Firstly, getting the character was something truly memorable for me. As an artist, you always have the hunger to perform and to showcase your versatility. One unforgettable moment on the set that will be etched in my heart is my close scene with Ashmit sir. After the scene, Ashmit sir and I were still in the zone, and the set went silent. Suddenly, Tarun sir approached me with a hug and said, ‘Amazing. I’m speechless. It was a perfect shot, this was exactly how Deepa would have reacted,’ and that was truly priceless. The entire set started applauding, and Ashmit sir put his hand on my shoulder and said, ‘We got this.’ So, it was a very special moment for me.”

    State v/s Ahuja explores the life of Ansh Ahuja (portrayed by Ashmit Patel), a Bollywood superstar whose world is shattered by scandal when his maid accuses him of rape. As the story unfolds, viewers are drawn into a gripping world of suspense, investigation, and courtroom drama, where unexpected twists keep them on the edge of their seats. The series raises a compelling question: Did Ansh truly commit the alleged crime, or is there a darker conspiracy at play? Produced by Suresh Thomas under the banners of Crescendo Films and Amicable Crew, the show features an ensemble cast, including Jaswinder Gardner, Sarika Singh, Swapnil Ralkar, Apeksha Verma, Drishti Patil, Manish Jaitley, Arjun Krishna, Vicky Baidyanath, and Harsh Gautam.

  • JioCinema and advertisers bring the power of digital back into focus for TATA IPL 2024

    JioCinema and advertisers bring the power of digital back into focus for TATA IPL 2024

    Mumbai: As excitement for another riveting season of the TATA IPL approaches, JioCinema neared the conclusion of its series of roadshows across the country, designed to bring the full spectrum of advertisers under one roof. The multi-event series, which will cover nine Indian cities by the end of February, has been showcasing the vast expanse of offerings from JioCinema for TATA IPL 2024 and rekindling conversations on the power and potential of digital on the back of impressive results that advertisers witnessed last year.

    The caravan, which has travelled to the cities of Bengaluru, Kolkata, Patna, Chennai, Ahmedabad, and Hyderabad so far, has featured a number of prominent advertisers who spoke about their experience with TATA IPL on JioCinema last year. Conversations also threw light on what new advertisers coming on board can expect from this season, particularly in relation to regional reach, Connected TV expansion, and cohort targeting, thus making a case for why digital is the right medium for this spectacle and the sort of scope and scale it offers.

    Here’s what a few advertisers had to say across the events so far-

    “Innovative Ad formats and new offerings from JioCinema for IPL ’24 look exciting and that could help unlock an incremental audience for brands like ours. The possibility of shaper targeting on the back of innovative Ad solution even with a smaller investment/budget is a great thing that we are looking forward to this year,” Raksha Pipes lead – brand management, Ravi Kumar

    “Regional feeds during IPL is a powerful tool to reach audiences is specific geographies rather than having a spill over (on other platform) this will help us plan region specific campaigns to reach audiences in the likes of Haryana, Punjab, UP and more with regional feeds on JioCinema this IPL,” said Bounce Electric AVP Rajeev Gupta

    “For a brand like ours where we are very specific when it comes to who we want to reach out to & JioCinema gives us the exact type of cohorts based on languages, 4K or CTV devices to reach that affluent audience, and ensures that our budgets are allocated in the best way to maximize the campaign,” told DaMensch brand head Saumya Gupta

    “Paragon is mass brand, for us the common man and the mass audience matters a lot, we are looking forward to reaching this audience via regional language feeds and unlock an incremental audience via Jio 4G feature phones cohort, other offerings from JioCinema also look promising and we are excited to partner with JioCinema to make the most out of this IPL,” said Paragon Footwear CMO Shawn Chandy

    “With the advent of Connected TV the barriers of expensive advertising, and spillage during the campaigns (which happens on Linear TV) are being eliminated by JioCinema, Also JioCinema’s planner tools to look at reach frequency and other key metrics for our clients is an amazing thing which is not possible on traditional mediums,” said The Media Ant CBO Abhishek Mukherjee.

    JioCinema offered the last season of IPL in 12 languages and 17 feeds for free and received a record-smashing 449 million viewership throughout the tournament, including 70 minutes of average watch time per match. This year, the IPL is- all set to attract over 650 million eyeballs on digital, which will make it another record of its own.