Category: iWorld

  • ‘Where are the Elephants?’ – Prime Video creates intrigue around missing elephants

    ‘Where are the Elephants?’ – Prime Video creates intrigue around missing elephants

    Mumbai: Set amidst the lush forests of Kerala and the concrete jungle of Delhi, the Amazon Original series, Poacher is an eye-opening eco-thriller currently streaming on Prime Video. Masterfully crafted by Emmy Award-winning filmmaker Richie Mehta, the series is based on true events and unearths the investigation into India’s largest ivory-poaching syndicate in 2015, serving as a poignant reminder of the plight of our majestic elephants.

    Over the weekend, social media buzzed with concern over the sudden disappearance of elephants from the logos of noted brands like The Times of India and the Flying Elephant restaurant at the Park Hyatt, Chennai. What followed was over 30  brands chiming in and joining the conversation, urging consumers to speak up for elephants before they disappear.

    In a bold and unified effort to ignite conversation and raise awareness about poaching, several brands, including Asian Paints, Make My Trip, Dabur, The Bombay Store, Spice Jet, Shaadi.com, Rapido, BoAt and many others, joined forces with Prime Video. Together, they resoundingly amplified the urgent message of Poacher, presenting a united front against the critical threat to these majestic beings.

    While Make My Trip spoke about responsible travelling and how our jungles are sacred and incomplete without elephants, Asian Paints went one step further by sharing an ivory shade card, stating that inspiration can come home in ways other than poaching. Education brand, Unacademy chimed in, sharing that the world and childhood without ‘e for elephant’ are incomplete. Dental brand Toothsi joined the conversation by sharing that elephants’ smiles are worth protecting, just like ours! Dabur Hajmola added that poaching is something the brand could never digest. While Rapido also took a quirky route to condemn poaching, by adding a drop location where one could find Elephants. While BoAt reminded its followers that haathi is our saathi.

    Loved and appreciated by audiences and critics worldwide, Poacher has earned acclaim across the globe for its authenticity and powerful performances. This thrilling crime series, based on true events, delivers a heart-wrenching and captivating narrative with Nimisha Sajayan, Roshan Mathew, and Dibyendu Bhattacharya in pivotal roles. Produced by QC Entertainment in association with Alia Bhatt’s Eternal Sunshine Productions, Suitable Pictures, and Poor Man’s Productions, Poacher primarily unfolds in Malayalam, Hindi, and English. Poacher is streaming on Prime Video in 240 countries and territories in over 35 Indian and foreign languages.

    Elephants go missing from logos:

    The Times of India – Print edition

    The Park Hyatt, Chennai –

     

     

    The Bombay Store –

     

     

    A snapshot of the brands that joined in to support the cause:

    Video by Muthoot Finance-

     

     

    Make my trip –

     

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

    A post shared by MakeMyTrip (@makemytrip)

     

    Toothsi –

     

     

    Video by Abhibus –

     

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

    A post shared by AbhiBus (@abhibusindia)

     

    Aqualogica-

     

     
     
     
     
     
     
     
     
     
     
     
     
     
     
     

    A post shared by Aqualogica (@aqualogica.in)

     

    Zepto –

     

     

    Shaadi.com –

     

     

    AsianPaints –

     

     

    Unacademy –

     

     

    boAt –

     

     

    Spice Jet –

     

     

    Rapido –

     

     

    Dabur Hajmola –

     

    And many more brands participated

  • PPL & Novex: The music royalty collection question

    PPL & Novex: The music royalty collection question

    Mumbai: Are music royalty collecting agencies like Novex Communications and Phonographic Performance Ltd (PPL) entitled to collect performance royalties on behalf of their clients from organisations such as hotels and others? Well, the Bombay high court (court) has adjudicated (decision) that they are in a bunch of matters, namely Novex Communications vs Trade Wings Hotels Ltd, Comip suit No. 264 of 2022 and others (said matters), despite them not being registered as a copyright society. A single judge bench passed a detailed judgement on 24 January 2024 in favour of the two (plaintiffs).

    In 2022, the duo had filed a bunch of suits against various third parties (defendants) seeking injunctions against them from using the sound recordings, wherein the former own copyright by way of assignments from the respective producers (said songs), without obtaining licences from the plaintiffs.

    The defendants raised a preliminary issue that the PPL and Novex cannot carry on the business of licensing without being registered as a copyright society under section (s.) 33 of the Copyright Act, 1957 (“Act”).

    Rival contentions:

    Plaintiffs inter alia contended the following:

    (i) As per s.18(2), Plaintiffs being the assignees are the owners of copyright in the said songs. Further, as per  s.30, the Plaintiffs, being the owners / duly authorised agents of the owners, are entitled to grant licenses;

    (ii) Relying on compulsory license and statutory license provisions under s. 31A to D, Plaintiffs contended that these provisions do not mention copyright societies which implies that copyright licensing business need not be done only through a registered copyright society;

    (iii) Chapter VII relating to copyright societies which was introduced by 1994 amendment to the Act did not affect the rights of a copyright owner to issue licenses for its work. This is corroborated by s.34 of the Act which allows a copyright owner to withdraw itself from the copyright society. Thus, the copyright society provides an additional option to the owners to grant licenses through a copyright society in addition to (and not in exclusion to) issuing licenses on their own;

    (iv) S.33(1) of the Act which provides that no ‘person’ shall carry on the business of licensing without being registered as a copyright society does not include the ‘owner’ of a work. If ‘owner’ is deemed to be included within the term ‘person’, then s.30 which empowers an owner to issue license will be rendered negatory;

    (v) Two conflicting provisions (s.30 which entitles an owner to grant license and s.33 which entitles only a registered copyright society to grant license) should be reconciled by restricting each to its own object. Relying on the headings of s. 30, 33 and 34, Plaintiffs contended that all that is required is if a copyright society wants to do business of issuing licenses, then it must be registered as a copyright society as per s.33 and this does not curtail the owner’s right to license under s.30;

    (vi) The term ‘business’ in s.33 of the Act should be given a contextual meaning to read as ‘business of issuing licenses in respect of works which are not owned by such person’. If the term ‘business’ is given a wider meaning, then 99 per cent of the ownership rights will be taken away and the copyright owners would only be able to license their rights for philanthropy;

    (vii) Considering there is an apparent conflict between s.30 and 33 of the Act, s.30 is the leading provision and s.33 is a subordinate provision which must give way to s.30;

    (viii) The second proviso was needed since the Parliament was clear that s.33(1) did not prevent all owners including authors from licensing their copyrights for profit and since parliament wanted to draw distinction between the authors and the owners the second proviso became necessary. Hence it is specifically mentioned that licensing by the authors of the underlying works will only be done by the copyright society; ‘Parliament is deemed to know the law and therefore the fact that the Parliament has amended s.33(1) in 2012 by adding the second proviso shows that Parliament itself did not think s.33(1) barred every owner of a copyright from carrying on the business of licensing his works’.

    (ix) As per second  proviso to s.33(1), in case of underlying works forming part of sound recordings, the rights of owners to grant licenses have been taken away. Such a prohibition is not there for sound recordings. This means that rights of owners of sound recordings to grant licenses have not been curtained. With respect to Madras High Court order in Novex v DXC Technology (“DXC case”), the Madras High Court wrongly applied the second  proviso to sound recordings;

    (x) Defendants are rank infringers and they have no plausible defense;

    In response, the defendants inter alia contended the following:

    (i) The term ‘person’ in s.33(1) of the Act includes ‘owner’. Thus, without registration as a copyright society, no one can carry on the business of licensing;

    (ii) There is no conflict between s.30 and 33 of the Act. s.30 provides a right to an owner to grant license. Once the owner carries on business of licensing, then it has to first seek registration as a copyright society. Assuming there is any conflict, s.33 being a special provision must prevail over s.30 which is a general provision;

    (iii) S.33 does not take away the right of an owner to grant license as contended by the Plaintiffs. It merely regulates the same by way of providing an obligation to register as a copyright society;

    (iv) 1st proviso to s.33 which exempt owners in their ‘individual capacity’ from registration as a copyright society does not apply to Plaintiffs who are not acting in their individual capacity;

    (v) The assignment deeds in favour of the Plaintiffs are executed to circumvent the requirement of registration as a copyright society;

    (vi) Plaintiffs’ acts are in contravention of s.33(1), and therefore, they are not entitled to any reliefs from this Hon’ble Court;

    (vii) PPL was earlier registered as a copyright society and it is still trying to obtain registration. This shows that PPL is aware that it is required to be registered as a copyright society;

    (viii) If Plaintiffs’ contention is accepted, then s.33(1) would be rendered redundant;

    (ix) The law intends that there must be a single copyright society for one class of work to ensure a single window for end-users;

    (x) The law clearly seeks to address a mischief, i.e., of a person carrying on the business of licensing without regulation. Accordingly, Heydon’s Rule or Mischief Rule must be applied to suppress the mischief that was intended to be remedied, especially when Parliament has consciously made an amendment to the law;

    (xi) The Supreme Court’s decision in “ENIL v Super Cassette Industries Ltd”, the Parliamentary Debates and extracts from Copinger make it amply clear that the object of copyright societies is not just to promote rights of owners but to balance it with public interest by protecting the interests of users.

    Decision:

    After considering the rival contentions and provisions of the Act, the Court observed as follows:

       S.30 empowers an owner / duly authorised agent of an owner to grant license;

       The idea of a copyright society is to assist the owner and not take away rights from an owner.

       As per s.34(1)(b), an owner can either issue license through a registered copyright society or withdraw its authorisation to copyright society and grants license on its own;

       Chapter VII relating to copyright society does not take away the rights of owners to grant license. It only gives a choice to the owner to either exploit its copyright on its own or through a copyright society;

       The word ‘person’ in s.33(1) does not include the ‘owner’, otherwise s.33(1) would take aware the right of owner under s.30;

       S.33(1) applies to those entities which carry on the business of licensing of work which is owned by ‘others’;

       S.30 is the leading provision and s.33(1) is the subordinate provision which must give way to s.30;

       DXC case overlooked s.30 and wrongly applied second proviso of s.33(1) which relates to underlying works;

    In view of the above, the court held that the plaintiffs are entitled to carry on the business of copyright licensing without being registered as copyright societies. The court further clarified that the decision will also apply to ‘exclusive licensee’ as under s.54, the ‘owner of copyright’ also includes an ‘exclusive licensee’.

    Comments:

    The court has analysed the provisions of the act in detail and passed the decision on a long pending question. However, the decision is diametrically opposite to the detailed judgment in DXC case against which appeals are pending before the division bench of the Madras High Court. It remains to be seen if the decision is carried in appeal. Considering the differing stands taken by the courts, it would be in the interest of all that the question is tested and answered once and for all, by the Hon’ble Supreme court.

    Written by Anushree Rauta – equity partner- head of media and entertainment practice, Shwetank Tripathi – associate partner, Shrija Verma- associate, and Savan Dhameliya – associate.

    This is an article sourced from the Indiantelevision.com group legal representative firm, ANM Global, and the group need not subscribe to the views contained in it.

  • The influence of social media on crowdfunding: Amplifying causes in the digital era

    The influence of social media on crowdfunding: Amplifying causes in the digital era

    Mumbai: The social media landscape has become an undeniable force in shaping our lives, transforming how we connect, share, and pursue our goals. This digital revolution has extended its influence to the realm of fundraising, creating a powerful new avenue for individuals and organizations to bring their ideas to life: crowdfunding. These initiatives can range from entrepreneurial startups and innovative products to charitable causes, artistic projects, and more.

    Crowdfunding themes that garner more visibility on social media platforms often revolve around social impact, personal journeys, innovative projects, humanitarian causes, tech innovations, community initiatives, and personal development. These themes evoke emotions, offer unique experiences, and address societal needs, making them highly shareable and relatable. Successful campaigns typically feature authentic storytelling and a clear call-to-action, captivating a diverse online audience and fostering widespread support.

    Social media has always been a boon to people’s lives. This digital revolution has also impacted fundraising, giving us crowdfunding. It’s a powerful way for people and groups to get support for their ideas. With the help of social media, creators can reach a large audience worldwide, gathering support and resources in a new and different way from the usual methods of fundraising. Social media platforms, which were initially designed for personal connections, have expanded their roles and become essential tools for businesses and organizations. Crowdfunding, in particular, has experienced a significant transformation due to this evolution. In the past, crowdfunding relied on reaching out to small communities with limited scope. However, with the widespread use of social media, crowdfunding campaigns can now tap into the extensive reach and focused engagement features of these platforms.

    Social media provides numerous benefits to crowdfunding campaigns, acting as a crucial tool for raising awareness, building communities, and securing financial support. To begin with, social media platforms provide a broad outreach, enabling advocates to engage with a worldwide audience and widely disseminate their initiatives. Through engaging content such as videos, images, and compelling stories, crowdfunding campaigns can capture the attention of potential backers. The interactive nature of social media fosters direct communication between creators and supporters, enabling real-time feedback, addressing queries, and building a sense of community around the project. Moreover, social media serves as an effective promotional tool, enabling the rapid dissemination of campaign updates, milestones, and behind-the-scenes content. The viral nature of platforms like Facebook, Twitter, and Instagram can result in campaigns gaining traction and going viral, reaching audiences far beyond the initial network.

    Crowdfunding platforms strategically leverage social media platforms to amplify their campaigns and foster community engagement. By building and nurturing communities around specific projects or campaign categories, these platforms create a sense of belonging and shared interest among potential backers. Social media also serves as a dynamic space for real-time interaction, enabling crowdfunding platforms to respond to user comments, share updates, and actively participate in conversations. Additionally, they harness the power of influencers and paid advertising to extend their reach and connect with a broader audience. By incorporating elements of social proof, educational content, and interactive challenges, crowdfunding platforms enhance the visibility and success of campaigns, ultimately creating a vibrant ecosystem that empowers creators and backers alike.

    The era of traditional fundraising methods, such as bake sales and car washes, has given way to a new landscape where an in-detail designed social media campaign has the power to transform a simple idea discussed at a kitchen table into a globally supported phenomenon. Social media platforms like Facebook, Twitter, and Instagram play a pivotal role as virtual megaphones, magnifying the voices of creators and bridging the gap between them and audiences that extend far beyond their local spheres. In this contemporary setting, the reach and influence of social media have reshaped the dynamics of fundraising.

    The once-constrained scope of fundraising efforts has expanded exponentially, allowing causes to resonate with diverse audiences globally, ultimately propelling grassroots initiatives into the realm of internationally recognized and funded endeavours.

    The following are majorly used tools in boosting crowdfunding platforms.

    1    Amplifying Your Voice: Social media empowers your network to become your advocates. Share your campaign with friends, family, and followers, sparking potential “viral” reach. If your story resonates, shares can propel your message to a vast and supportive audience.

    2    Building a Community of Care: Connect directly with your supporters! Share updates on your medical journey and express sincere gratitude for their contributions. This fosters a sense of shared purpose and encourages continued support, building a powerful community around your cause.

    3    Streamlining Donations: Social media platforms enable easy and secure online donations, making it convenient for anyone to contribute. This increases the potential for success by reaching a wider audience and accelerating fundraising efforts.

    Social media acts as a powerful catalyst for crowdfunding, providing a significant boost to campaigns in various ways. First and foremost, it serves as a promotional tool, enabling crowdfunding platforms to share captivating stories, multimedia content, and campaign updates, reaching a vast audience. The interactive nature of social media fosters community building, allowing creators to engage directly with potential backers, answer queries, and build a supportive network around their projects. Leveraging influencers and targeted advertising on platforms like Facebook and Instagram expands campaign visibility, attracting backers who align with specific interests or demographics. Social media platforms also facilitate the sharing of success stories and testimonials, building trust and credibility. Overall, the dynamic and viral nature of social media amplifies the reach and impact of crowdfunding campaigns, turning them into widely recognized and supported endeavours.

    The author of this article is Ketto India co-founder Varun Sheth.

  • Zomato Live brings Russell Peters’ ‘Act Your Age’ tour to India

    Zomato Live brings Russell Peters’ ‘Act Your Age’ tour to India

    Mumbai: Delhi, brace yourselves for an uproarious night of laughter! The legendary Russell Peters brings his world-famous “Act Your Age” Tour to your city on 28 February, courtesy of Zomato Live. Get ready to laugh your head off as his razor-sharp wit and laugh-out-loud humor take center stage. From Chicago to New York, Dubai to Canada, the tour has captivated audiences across 23 countries and left laughter echoing in every corner of the world.

    Now, it’s Delhi’s turn to experience the comedic genius of Russell Peters live! Don’t miss your chance to witness this side-splitting rollercoaster ride of relatable humor that will leave you yearning for more.

    Join us at this special, as Russell shares his unique take on parenting, marriage, cancel culture, ageing, Gen Z, anxiety, and much more. PS, if you didn’t already know, he too is a desi at heart! Watch out for the nuances that will definitely hit home! With the tickets selling like hotcakes, don’t let procrastination hold you back from THE comedy extravaganza of the season. So, hurry! Grab your tickets now and get ready to laugh till you drop with Russell Peters’ ‘Act Your Age’ Tour – Delhi edition! See you there!

    When: February 28, 2024; 5:30 PM onwards

    Where: Yashobhoomi (India International Convention & Expo Centre), Dwarka

    Cost: Rs 1,499 onwards

    Bookings via: Events tab on the Zomato app

  • Weekend Unwind with: Tech content creator Dhananjay Bhosale

    Weekend Unwind with: Tech content creator Dhananjay Bhosale

    Mumbai: With another weekend upon us, it is time to unwind with the latest Q&A edition of Indiantelevision.com’s Weekend Unwind—a series of informal chats that delve into the minds of digital content creators through a fun lens, aiming to understand the person behind the creative journey a little better.

    In this week’s session, we have popular tech-content creator Dhananjay Bhosale.

    Bhosale embarked on his digital journey during college, showcasing his phone reviews. Overcoming initial skepticism, he navigated the evolving digital landscape, switching from English to Hindi content. Dhananjay has achieved several significant milestones in his career. In 2016, he won the YouTube Next Up award, which involved training by YouTube and recognition for his outstanding work. Adapting to the times, he embraced Instagram reels, skyrocketing followers from 13k to five lakh plus in 18 months. Actively engaging on Twitter, Dhananjay personifies adaptability and quality content in the ever-changing digital realm.

    So without further ado, here it goes…

    Your mantra for life

    Innovate daily, learn constantly, and create purposefully

    A book you are currently reading or plan to read

    Currently, I’m not reading any specific book, but I’m always open to recommendations. What’s your current favorite?

    Your fitness mantra

    Play your favorite sport! Engaging in activities you love not only makes fitness enjoyable but also ensures consistency. For me, it’s cricket; the joy of the game keeps me active.

    Your comfort food

    Khichadi is my ultimate comfort food. Its simplicity and nourishing qualities make it a go-to meal for both comfort and sustenance.

    A quote or philosophy that keeps you going when the chips are down

    “Everything happens for a reason.” This belief is my anchor during challenging moments, reminding me that even setbacks hold valuable lessons and opportunities for growth.

    Your guilty pleasure

    A packet of Parle G gold with a steaming cup of tea is my guiltiest pleasure. The simplicity of this combo is my little escape from the complexities of the day.

    The last time you tried something new

    I recently got a new home theatre system, and it completely blew my mind. The immersive experience has taken my movie and music enjoyment to a whole new level.

    A life lesson you learned the hard way

    One hard-earned life lesson is that you can’t force people or friends to stay in your life. Relationships, like any living entity, evolve. It’s crucial to appreciate the time you have with someone but also to gracefully accept if paths diverge.

    What gets you excited about life

    Money? Haha. What truly excites me about life is the constant pursuit of knowledge, the joy of creating something meaningful, and the prospect of forming genuine connections with people

    What’s on top of your bucket list

    Winning the next cricket tournament in my complex is at the very top of my bucket list, and I’m gearing up to make it happen!

    If you could give one piece of advice to your younger self, what would it be?

    Just do it; you are doing it right.

    One thing you would most like to change about the world

    One change I’d love to see in the world is a shift towards more solar energy. A greener, sustainable future is something we can all work towards, and the power of the sun holds incredible potential for positive change.

    An activity that keeps you motivated and charged during tough times

    Getting through tough times is easier when I tackle challenging tasks head-on. Turning obstacles into achievements keeps me motivated and strengthens my resolve.

    What lifts your spirits when life gets you down

    When life gets me down, nothing lifts my spirits like a fantastic music session with my wife. Great songs have a way of turning the mood around and creating moments of joy.

    Your go-to stress buster

    It might sound cliché, but for me, the ultimate stress buster is tackling and completing pending work. There’s a unique satisfaction in overcoming tasks that instantly alleviates stress and brings a sense of accomplishment.

  • Comscore data: Moneycontrol races ahead on key parameters

    Comscore data: Moneycontrol races ahead on key parameters

    Mumbai: As per the Comscore data released for January, Moneycontrol has remained the market leader with its total page views crossing 420 million and the time spent touching an all-time of 667 million minutes.

    Its nearest competitor, however, is struggling to catch up. It has managed to garner just 213 million page views in January. Whereas its time spent just remained at 223 million minutes.

    In terms of page views, the competitor is almost half the size of Moneycontrol and when it comes to Time spent, an important metric for content stickiness, it is just one-third the size of Moneycontrol. Both these parameters are paramount for media planners and advertisers who always choose platforms with better stickiness. It also showcases the reader’s trust, who’s consuming almost triple the amount of content of Moneycontrol as compared to the competitor.

    In terms of breaking important business stories too, Moneycontrol has been leading the race.  The business news platform has been the preferred choice of industry leaders from corporate India, the startup world and the stock markets.  

    MC Pro, the paid subscription-based service of Moneycontrol has touched almost seven lakh paying subscribers. Whereas ET Prime is lagging by a huge margin in this aspect too. 

  • Firstpost Defence Summit 2024: Ready to unveil the future roadmap of Indian aerospace and defence

    Firstpost Defence Summit 2024: Ready to unveil the future roadmap of Indian aerospace and defence

    Mumbai:  The Firstpost Defence Summit 2024 is set to convene on 24 February 2024, in the heart of New Delhi, bringing world leaders, industry stalwarts, policymakers, experts, and senior diplomats together to chart the course for the future of Indian Aerospace and Defence sector.

    At the summit, participants from countries like the United States, Israel, Vietnam, Maldives, Kyrgyzstan, Philippines, Ukraine and Japan, apart from India, will delve into the changing dynamics of the defence industry and explore strategies to propel India as a global leader in manufacturing, exports, and research and development (R&D) in this critical sector.

    In recent years, the Aerospace and Defence sector has witnessed significant transformations, driven by technological advancements, evolving geopolitical landscape, and changing security threats. Recognizing the need for proactive measures to adapt to these changes and seize emerging opportunities, Firstpost is hosting this first-of-its-kind summit that brings together stakeholders from across the globe to catalyse dialogue, foster partnerships, and shape policies that will shape the future of defence in India.

    The summit will also serve as a platform to showcase the best global business practices across various facets of the Aerospace and Defence sector, including Manufacturing, R&D, Academia, Startups, Technology, and Data Security. The event will feature discussions, presentations, and interactive sessions centred around three key sub-themes:

    1   Building ‘Capacities’ for Economically Strategic Aerospace and Defence

     Promoting Comprehensive R&D Ecosystem for the Defence sector

    3   Strengthening the DRDO-Industry-Academia and Startup Ecosystem

    Speaking about this initiative, Palki Sharma, Editor, Firstpost said “We, at Firstpost, are proud to present the first-of-its-kind Defence Summit, which will catalyze driving conversations on security, technology and strategic choices. We are delighted to take this first step in providing a platform for defence officials, policymakers & world leaders to discuss and share insights on the future of defence.”

    Network18 chief executive officer (Digital) & president of corporate strategy Puneet Singhvi, highlighted how the summit will play a crucial role in the nation’s pursuit of becoming a key defence exporter. He said, “As the global geopolitical stage evolves, India marches forward in its transformation. In this unwavering drive towards defence modernization, Network18 takes great pride in initiating the first-ever platform that drives conversations on the future of defence. The Firstpost Defence Summit 2024 is the beacon illuminating crucial arenas such as aerospace, AI, UAVs, cyber warfare & naval security. The summit is poised to redefine India’s role as a leading defence exporter on the global stage. By amplifying voices and ideas, we feel proud to pave the way for a future where India’s prowess in defence technologies and capabilities shines brightly, fostering prosperity & security for all.”

    The summit will feature keynote addresses and sessions by stalwarts like Shri Rajnath Singh, the Minister of Defence of India; General Manoj Pande, the Chief of Army Staff in India; Ehud Olmert, the Former PM of Israel; Djoomart Otorbaev, the Former Chairman of the Cabinet of Ministers of Kyrgyzstan; Dr. Samir V Kamat, the Chairperson of DRDO; Mariya Ahmed Didi, the Former Defence Minister of Maldives; Dr Nidhi Bansal, the Director of Technology Development Fund at the Ministry of Defence and Vivek Lall, the Chief Executive of General Atomics Global Corporation, among others.

    The Firstpost Defence Summit 2024 promises to be a landmark event, setting the stage for collaborative efforts towards building a robust and resilient Aerospace and Defence ecosystem in India. 

  • Budweiser at VH1 Supersonic: A festival highlight

    Budweiser at VH1 Supersonic: A festival highlight

    Mumbai: Budweiser amped up the beats at Vh1 Supersonic’24 with a celebration of music, art and culture – elevating the music scene in India. The brand curated high-octane acts from electrifying performances at the BUDX Spectrum Stage to immersive experiences at the Brew District, complemented by lip-smacking gourmet burgers.

    This edition of India’s biggest homegrown festival witnessed some of the best artists from around the world owning the BUDX Spectrum stage, including Adam Beyer, Yotto, Ben Sims, Denis Horvat, Patrice Baumel, Victor Ruiz, Undercatt, Kohra, Arjun Vagale, Ankytrixx, and Browncoat.

    The BUDX Spectrum stage also played host to three exceptional BUDX Uncovered Acts – building on Budweiser’s aim to spotlight and provide a platform to breakout artists from across the country. The stage featured the distinctive sounds of Bangalore-based music producer and DJ Weird Sounding Dude, the mastery of New-Delhi-based producer Zequenx, and captivating beats from Bangalore-based DJ and producer Tasnneem – crafting unforgettable moments that lingered in the air long after the music faded.

    BUDX Uncovered Acts

    Beyond music, the brand also curated immersive experiences for festival attendees to re-energize them in between sets. Budweiser’s ‘Brew District’ treated festivalgoers to a playground of fun activities with its tattoo and hairstyling stations. Indelible spaces were especially curated for festival goers to savour exceptional brews and immerse themselves in the pulsating beats of the festival – showcased across four signature bars – Beats Bar, Magnum Cocktail Bar, Magnum Beer Bar and Spectrum Stage Bar. The Magnum Cocktail Bar emerged as the standout favourite, courtesy its ingenious crossover cocktails. The bar’s experimental concoctions including Mermalade by Bhavya Ramesh, Tribemama’s Vintage Goddess and kickstarter by Vijay Singh infused an extra layer of taste. Budweiser Magnum Double Barrel Whiskey took center stage, captivating audiences with an exclusive VIP lounge that offered a peerless view of the BUDX Spectrum Stage.

    Pairing beer with its perfect companion, Budweiser’s marquee property ‘Bud and Burgers’ emerged as a culinary showdown. Budweiser rolled out the ultimate snacking station in collaboration with esteemed chefs – culinary instructor Chef Delzad and Goa’s favorite Chef Geoff. The chefs battled it out to curate a selection of burger/s to perfectly complement the smoothness of Budweiser beer. Indulging in the ultimate ‘Burger Wars’, attendees cast their votes and declared chef Geoff’s burgers as the ‘King of Burgers’.

  • Former Times Group chairman Ashok Jain among 17 honoured as ‘Heroes of Mumbai’ by Maharashtra govt

    Former Times Group chairman Ashok Jain among 17 honoured as ‘Heroes of Mumbai’ by Maharashtra govt

    Mumbai: Seventeen distinguished figures instrumental in Mumbai’s advancement were celebrated as their busts were revealed at Kilachand Garden in Girgaon, with BJP national president J P Nadda and Maharashtra deputy chief minister Devendra Fadnavis in attendance.

    The late Bennett, Coleman and Company Ltd former chairman Ashok Kumar Jain (The Times Group), was among the esteemed honorees. Times Group Managing Director Vineet Jain lauded the initiative aimed at celebrating icons who have shaped the financial and cultural capital of India. “It gives me immense pride to be standing here in the presence of such luminaries to acknowledge the recognition to my late father, Shri Ashok Jain. As Chairman of The Times of India Group, he had a great affinity and affection for Mumbai,” said Vineet Jain.

    The 17 ‘heroes of Mumbai’ include Dr Babasaheb Ambedkar, Lata Mangeshkar, Dadasaheb Phalke, Homi Bhabha, JRD Tata, Dhirubhai Ambani, Sachin Tendulkar, and VD Savarkar among others.

    Recalling the rise and rise of The Times Group with its roots in Mumbai, Vineet Jain said: “The Times Group was not only headquartered here, but also initiated all its expansions—launching new newspapers and magazines—from here itself during his lifetime. And thus, Mumbai was at the heart of so much of what he did and worked towards, while establishing one of Asia’s largest media companies.”

    The idea was conceived by state cabinet minister Mangal Prabhat Lodha. “This initiative aims to honour influential figures by unveiling their busts and acknowledging their contributions to Mumbai’s progress in various facets, such as economic prosperity, safety, and cultural enrichment. The programme seeks to serve as an enduring source of inspiration for Mumbaikars,” said Lodha explaining the inspiration behind ‘heroes of Mumbai’ project.

    “On behalf of our entire family and the larger Times Group, I would like to thank the efforts of Mr. Lodha and the entire Maharashtra government for this singular honour to our late father,” said MD of The Times Group.

  • Radio City gets U.P. groovin’, hitting the Agra Metro tracks

    Radio City gets U.P. groovin’, hitting the Agra Metro tracks

    Mumbai: Radio City, India’s leading radio network, proudly announces its latest collaboration with Agra Metro Rail, solidifying its position as a key player in enhancing the urban commute experience. The official Memorandum of Understanding (MOU) signing ceremony is imminent, marking the beginning of an exciting chapter in Agra’s metro travel. Radio City’s commitment to delivering unparalleled entertainment will ensure a vibrant and engaging atmosphere for commuters throughout their journeys.

    With this expansion, Radio City aims to strengthen its promise of delivering top-notch entertainment to Agra Metro commuters as well. The exclusive content feed, set to go live in March, will encompass a diverse range of programs, music, and engaging segments tailored to cater to the unique preferences of Agra’s vivacious audience. Radio City’s footprint in metro hubs now expands to Lucknow, Kanpur, Agra, and Noida Metro, showcasing its commitment to enhancing the daily commute experience for millions of commuters across the country.

    With this initiative, Radio City anticipates broadening its mission to bringing joy and entertainment to every corner of the nation. Radio City CEO Ashit Kukian also commented, “Since our inception, Radio City has been the go-to Indian music destination, building deep connections with millions of our listeners through premier partnerships and providing unique content. We’re excited again to disclose our collaboration with the Agra Metro, extending the joy of entertainment to more commuters. Recognizing the metro as a prime avenue to connect, we see this as a strategic branding move to captivate a broader audience and stand strong in the market. Envisioning exceptional experiences for Agra Metro passengers, this alliance seeks to maintain Radio City’s strong market position by creatively delivering content.”