Category: iWorld

  • Batman Day 2024 celebrates DC’s Dark Knight with global fan activations

    Batman Day 2024 celebrates DC’s Dark Knight with global fan activations

    Mumbai: On 21 September 2024, fans worldwide will unite to celebrate Batman Day 2024, honouring one of the most iconic superheroes in history. Batman’s story of grit, determination, and intelligence, first introduced in Detective Comics #27 in 1939, continues to captivate generations. Warner Bros. Discovery and DC have organised an exciting lineup of activities, content, and exclusive products to make this year’s Batman Day unforgettable.

    Warner Bros. Discovery Networks

    Cartoon Network will broadcast special Batman-themed episodes of “Teen Titans Go!” on Batman Day to inspire a new generation of young fans across India.

    Batman Day Experiences

    Warner Bros. Discovery will light up the Bat Signal in cities worldwide, including Mumbai at WeWork Enam Sambhav, BKC as part of the Batman Day tradition. Fans in Rio de Janeiro, Guangzhou, London, São Paulo, Tokyo, and Milan will also witness this striking tribute to DC’s Dark Knight. Fans in India can join the celebrations online, with Discovery India, Animal Planet India, Cartoon Network India, and TLC India leading the charge across social media platforms.

    Batman Comic Books

    At participating comic book stores, fans can grab exclusive Batman titles, including *Joker: The World, an 184-page anthology featuring creative teams from 13 countries. Additionally, DC will release a special Batman Day Deluxe Edition of Batman: The Long Halloween and debut Batman: The Last Halloween, a tribute to artist Tim Sale.

    Batman Day Products

    Fans at home can preorder the Batman 85 Anniversary Collection, a 4K UHD set of 10 animated films, available from September 10. Spin Master will also release new Batman action figures and a replica Batmobile Tumbler RC. Additionally, Crocs will launch a limited-edition Batman-themed collection on September 16, complete with exclusive Batmobile Classic Clogs and Jibbitz™ charms.

    For more details on upcoming Batman Day 2024 activities, visit the official Batman hub at [dc.com/batman](https://www.dc.com/batman).

  • Sector 36’s electrifying album drops ahead of its release

    Sector 36’s electrifying album drops ahead of its release

    Mumbai: As the release of the crime thriller Sector 36, starring Vikrant Massey and Deepak Dobriyal, approaches, excitement builds with the launch of its album. Featuring a mix of devotion, emotion, and contemporary sound, each track reflects the film’s intense narrative. Directed by Aditya Nimbalkar and produced by Jio Studios and Maddock Films, the film has already generated buzz with its track ‘Dumroo.’ The four-track album features a range of musicians who capture the film’s energy and essence, immersing listeners in a world of crime and suspense.

    The first track, Dumroo, sung by Mohit Chauhan and Anupam Amod and composed by Dhunkey, released earlier this week and received a strong response for its thunderous beats and devotional chants. Following it, Saaya, composed, produced, and sung by Kanishk Seth with lyrics by Yashwardhan Goswami, captures the film’s tension. Maan Kafira, sung by Amit Mishra, composed by Gourav Dasgupta with lyrics by Farhan Memon, reflects inner conflict with a blend of rebellious and soulful tones. The final track, Ruan, sung by Kamakshi Khanna with additional vocals by Savera, composed by OAFF and Savera with lyrics by Sameer Rahat, explores themes of despair, fear, and inner turmoil.

    “Creating ‘Saaya’ was a deeply fulfilling experience. This song speaks to that part of us we often ignore – the shadows we carry within. Composing this song gave me the space to explore a sound that feels meditative yet modern, reflecting the inner search for meaning. This song is close to my heart as it reflects intense feelings, suspense and passion that I hope resonates with every listener,” added Kanishk Seth while talking about ‘Saaya’.

    Delving into the depth of their track ‘Ruan’, OAFF and Savera expressed, “With ‘Ruan’, we wanted to capture the quiet strength that comes with vulnerability. Kamakshi’s voice brought that to life in a way that was both tender and powerful. Sameer Rahat’s evocative lyrics really brought out the atmosphere of the film and we hope the track speaks to the heart.”

    The album is a collection of songs that will take you on an emotional and spiritual journey, pulsating with energy, devotion, and human depth. Prepare to be captivated by the rhythms and emotions of Sector 36, where every beat tells a story and every note heightens the suspense. The film is available exclusively on Netflix starting 13 September 2024.

  • Big FM’s purpose-driven initiative Big Green Ganesha marks 17 years of sustainable festivities!

    Big FM’s purpose-driven initiative Big Green Ganesha marks 17 years of sustainable festivities!

    Mumbai: As the entire nation celebrates the auspicious occasion of Ganesh Chaturthi, BIG FM, one of India’s leading radio networks, marks the 17th edition of its highly acclaimed initiative – BIG Green Ganesha. Launched in 2008, this purpose-driven campaign has been continuously evolving, promoting environmental awareness and encouraging communities to celebrate Ganesh Chaturthi responsibly. This year, BIG FM, in association with the Maharashtra Pollution Control Board (MPCB) and powered by Re Sustainability and Recycling Private Limited, is making eco-friendly and plastic-free celebrations even more accessible, further solidifying its role in driving sustainable festivities for a cleaner, greener tomorrow.

    The radio network will be unveiling a special BIG Green Ganesha song performed by the renowned singer Akriti Kakar, adding a festive and musical touch that inspires listeners to embrace sustainable practices. Celebrities like Rajkummar Rao, Patralekha, Sunny Leone, Esha Deol and Palak Muchhal amongst others are supporting the cause, promoting sustainable and eco-friendly celebrations nationwide.

    A key highlight of this year’s campaign has been the recognition of ‘Green Heroes,’ individuals who are taking significant steps to adopt and promote eco-friendly practices during Ganesh Chaturthi. Over 10 days, BIG FM’s RJ Rani has been spotlighting these champions by visiting them at their homes, presenting each with an eco-friendly Ganesha idol and a green certificate to honour their commitment to sustainability. These Green Heroes have also been sharing their inspiring stories on air, motivating others to follow in their footsteps.

    BIG FM COO Sunil Kumaran shared, “Even though awareness about environmental conservation has been growing, many people still overlook eco-friendly practices when selecting idols and decorations for Ganesh Chaturthi. With BIG Green Ganesha, we have consistently aimed to create sustainable changes in how this beloved festival is celebrated. Each year, we introduce new ways for listeners to engage in eco-friendly practice and we believe that by making sustainability more accessible and encouraging community participation, we can create a lasting, positive impact. This campaign is about fostering a culture of responsibility and care, ensuring that our celebrations respect both tradition and the environment.”

    In addition to Mumbai, the BIG Green Ganesha initiative is being celebrated across Hyderabad, Gujarat, Bangalore, Pune, the Rest of Maharashtra and Goa. In these markets, the campaign is highlighting and promoting sustainable Ganesha celebrations through various on-ground activities. BIG FM’s on-air promotions, RJ advocacy and digital contests are instrumental in spreading the message. Listeners are tuning in to exclusive RJ interviews with celebrities and Eco Bhakts, who are sharing their personal stories and inspiring others to join the eco-friendly movement.

  • Goti Soda Season 5’ premieres on ShemarooMe

    Goti Soda Season 5’ premieres on ShemarooMe

    Mumbai: “Goti Soda” is returning for its fifth season. After the massive success of the previous seasons, fans are in for even more laughs and entertaining experience with its new theme, ‘Nava Rajwadi Flavour Ma.’ The latest season of the popular Gujarati web series is set to premiere on 12 September 2024, exclusively on ShemarooMe.

    ‘Goti Soda’ has captivated audiences with its unique blend of humor and emotion, and Season 5 takes the beloved series to new heights. This season is set to bring twice the laughter with two uproarious storylines. First, Ayush’s life hilariously unravels when his sister drops the bombshell that he’s adopted, setting off a chain of comedic adventures. Meanwhile, Pappu cancels a family resort trip to join a donation drive and stage ‘Mughal-e-Azam.’ He gets a director for free, but the director’s escalating demands drive up production costs. As tensions rise, Pappu’s clever plan to outsmart the director leads to unforgettable funny moments. Featuring the beloved cast—Sanjay Goradia, Prarthi Dholakia, and Pratham Bhatt—and helmed by Divyes Pathak, this season is packed with fresh humor and inventive twists.

    Goradia shared his excitement: “We’re beyond thrilled to bring Goti Soda back for Season 5! The love and response we received for the previous Seasons were incredible, and we knew we had to make this season even better. The new season is sure to provide an exhilarating and humorous experience that both longtime fans and new audiences will enjoy. With our amazing cast, we’re ready to bring the humor and chemistry our fans adore. Under the direction of Divyes Pathak, we’ve packed this season with its signature wit, engaging characters and relatable scenarios. We can’t wait for everyone to dive into the fun.”

     

  • Hyundai Motor India Ltd to organise 2024 edition of ‘Hyundai Spotlight Concerts’

    Hyundai Motor India Ltd to organise 2024 edition of ‘Hyundai Spotlight Concerts’

    Mumbai: Hyundai Motor India Ltd (HMIL), India’s smart mobility solutions provider, announced the 2024 Edition of ‘Hyundai Spotlight Concerts’, a unique engagement initiative, exclusively for Hyundai customers in India. In its second edition this year, these live concerts will be organized across six cities including Chennai, Mumbai, Guwahati, Chandigarh, Bangalore and Ahmedabad, featuring some of India’s most renowned performing artists and musicians.

    Commenting on this unique customer-centric initiative, Hyundai Motor India Ltd’s full-time director and chief operating officer Tarun Garg said, “At Hyundai Motor India Limited, we believe in going beyond transactional terms and fostering long-term and meaningful relationships with customers. As a lifetime mobility partner, the Spotlight Concerts are Hyundai Motor India’s way of celebrating the trust and strong bond that the brand Hyundai shares with its customers and stands as a testament to its ‘Customer First’ approach. With tremendous response to the first edition, I am confident the second edition this year will be a much bigger success and raise the bar.”

    In its second edition, HMIL is taking ‘Hyundai Spotlight Concerts’ to the next level with a formidable line-up of renowned artists, trendsetting live performances, and specially curated customer experience zones across multiple cities. Hyundai customers can register themselves with up to four members to be a part of this captivating experience.

    ‘Hyundai Spotlight Concerts’ were first introduced in 2023 with concerts across four cities. The concerts were a huge success with more than 8,500 customers attending these live performances with their loved ones. In 2024, HMIL has already organized four such concerts in New Delhi, Kolkata, Lucknow and Kochi.

    City

    Date

    Artist

    Venue

    Chennai

    September 14, 2024

    Andrea Jeremiah 
    and Stephen Devassy

    Chennai Trade Centre, Nandambakkam

    Mumbai

    September 28, 2024 

    Shankar Ehsaan Loy 
    and Shalmali Kholgade

    NSCI Dome, 
    Worli

    Guwahati

    October 5, 2024

    Papon 
    and Shankuraj Konwar

    Indira Gandhi Athletic Stadium, Nalapara

    Chandigarh

    October 19, 2024

    Neha Kakkar 
    and Sukhe

    Shalimar Ground, Sector 5, Panchkula

    Bangalore

    October 26, 2024

    Shankar Ehsaan Loy 
    and Vijay Prakash

    Karnataka Trade Promoters Organization (KTPO), Whitefield

    Ahmedabad

    November 24, 2024

    Sonu Nigam 
    and Akasa

    Vivenza by Gopi Farm, 
    Ognaj

  • Airtel Business and Sparkle sign Blue-Raman capacity agreement

    Airtel Business and Sparkle sign Blue-Raman capacity agreement

    Mumbai: Bharti Airtel’s B2B arm Airtel Business has signed an agreement with Sparkle, the first international service provider in Italy and a top global operator, for additional capacity on a diversified low latency route between Asia and Europe.

    Under the agreement, Airtel will take capacity from Sparkle on the Blue-Raman Submarine Cable Systems, which will connect India to Italy. With this additional capacity, Airtel will further diversify its global network across multiple international submarine cable systems to serve the growing demand for data services in India and neighbouring countries.

    The two companies will also work together on the development of new business opportunities and projects in the Indian sub-continent, leveraging their respective cable infrastructures.

    Airtel Business CEO – global business, Vani Venkatesh said, “We are happy to partner with Sparkle as we further consolidate our leadership in global connectivity. This partnership will further diversify our network with large integrated capacities to meet the ever-growing connectivity needs and data demand of our customers.”

    Sparkle CEO Enrico Bagnasco added, “We are very pleased with this agreement, based on the new solution provided by Blue & Raman, that supports the digital growth of the region and strengthens our historical partnership with Bharti Airtel.”

    Airtel Business is a provider of ICT services, with submarine cables, satellite networks, and global networks spanning over 400,000 Rkms across 50 countries and five continents. The company has over 1,200 global carrier partnerships, allowing it to connect customers worldwide, including in remote areas. In India, Airtel Business provides a range of solutions, including secure connectivity, cloud and data center services, cyber security, IoT, and cloud-based communications to enterprises, governments, carriers, and small and medium businesses.

  • Social media vs traditional advertising:   How online content is shaping the future of menstrual products

    Social media vs traditional advertising: How online content is shaping the future of menstrual products

    Mumbai: In recent years, the way consumers engage with brands has transformed dramatically, with social media emerging as a powerful tool for reaching and influencing audiences. For brands specializing in menstrual products, such as period panties and period pads, this shift has created a fascinating dynamic between traditional advertising methods and the more contemporary, interactive approaches offered by social media. This article delves into how social media marketing for period panties is reshaping the industry compared to traditional advertising for period pads, highlighting the evolving consumer behavior and preferences.

    The Rise of Social Media Marketing

    Social media platforms like Instagram, Youtube and Facebook have become central to modern marketing strategies. They offer an unparalleled level of engagement and personalization, allowing brands to connect with their audience in a more intimate and dynamic manner. For period panties—a relatively newer and innovative product in the menstrual product market—social media provides an ideal platform to build brand awareness and educate consumers.

    One of the main advantages of social media marketing is its ability to foster community and conversation. Brands can leverage user-generated content, influencer partnerships, and interactive campaigns to create a sense of belonging among their target audience. For instance, a period panties brand might collaborate with influencers who share their personal experiences, thereby creating authentic connections with potential customers. Additionally, social media allows for real-time feedback and interactions, enabling brands to quickly address concerns and adapt their strategies.

    Traditional Advertising: The Legacy Approach

    In contrast, traditional advertising methods—such as TV commercials, print ads, and billboards—have been the cornerstone of marketing for period pads. These methods have long been used to establish brand recognition and trust. Traditional advertising is highly effective in reaching a broad audience and reinforcing brand messages through repeated exposure. However, it often lacks the interactive and personalized aspects that social media offers.

    For period pads, traditional advertising has relied on conventional messaging that emphasizes product functionality and reliability. While these ads have been successful in conveying basic information and maintaining a steady market presence, they typically do not engage consumers on a personal level. The one-way communication model of traditional advertising does not allow for the same degree of interaction or community-building as social media.

    Shifting Consumer Behavior

    The shift in consumer behavior is a key factor driving the effectiveness of social media marketing for period panties compared to traditional advertising for period pads. Today’s consumers, especially younger generations, value authenticity, transparency, and relatability in the brands they support. They are increasingly turning to social media not just for product recommendations but for community and content that resonates with their personal values and experiences.

    Period panties brands have capitalized on this shift by using social media to address topics that have traditionally been considered taboo or sensitive. They often engage in open conversations about menstrual health, body positivity, and sustainability, topics that resonate strongly with today’s socially conscious consumers. This approach helps demystify the product and builds a loyal customer base that feels seen and heard.

    On the other hand, traditional advertising for period pads often focuses on its messaging and standardized communication style. While this approach continues to be effective for certain demographics, it may not capture the attention or loyalty of newer generations who seek more interactive and personalized brand experiences.

    Cost-Effectiveness and Reach

    Another significant factor is the cost-effectiveness of social media marketing compared to traditional advertising. Creating and managing social media content can be considerably less expensive than producing high-quality TV commercials or print ads. Additionally, social media allows for precise targeting and tracking of campaign performance, providing brands with valuable insights into their return on investment.

    Period panties brands can run targeted ads, engage in influencer partnerships, and create viral content at a fraction of the cost of traditional media campaigns. This not only makes social media an attractive option for emerging brands but also allows for more agile and responsive marketing strategies.

    Conclusion

    The comparison between social media marketing for period panties and traditional advertising for period pads highlights a broader shift in consumer behavior and marketing effectiveness. As consumers increasingly gravitate towards interactive, authentic, and personalized brand experiences, social media has emerged as a powerful tool for engaging with today’s audience. While traditional advertising continues to play a role in maintaining brand presence and credibility, the dynamic and community-driven nature of social media is shaping the future of menstrual products in unprecedented ways. For brands looking to stay relevant and connected with their audience, embracing social media marketing is not just an option—it’s becoming essential.

     

  • Mahindra I-Rock’s ‘Dirty 30’ sells Rs 30 tickets to mark its 30th edition

    Mahindra I-Rock’s ‘Dirty 30’ sells Rs 30 tickets to mark its 30th edition

    Mumbai: Since its inception, Mahindra Independence Rock has embraced an unapologetic spirit. Iron Maiden’s lead vocalist Bruce Dickinson once said, “Kids get bored easily. They have got to get out and get their hands dirty: make things, dismantle things, fix things.” In its 30th edition, the festival, titled ‘Dirty 30,’ will take place on 16 and 17 November 2024, continuing its tradition of embodying the rock genre’s anti-establishment ethos. To celebrate the milestone, Mahindra I-Rock offered ₹30 limited edition tickets, which sold out in 90 minutes after being announced via an Instagram post, without aggressive marketing.

    The Bayview Lawns in Mazagon will host the 30th edition, following last year’s performances, including a surprise act by Parikrama featuring Farhad Wadia. This year’s edition promises a diverse lineup of genres and languages. ‘Dirty 30’ will maintain its theme throughout the festival, while continuing to represent the spirit of a legacy that challenged India’s music norms. The event will feature guitar riffs, pounding drums, and frontmen delivering powerful performances.

    In 1971, a distinct music scene began to take root in Mumbai, then called Bombay. The Simla Beat Contest in Matunga served as the precursor to Independence Rock, marking a shift in the country’s musical landscape. Farhad Wadia, the driving force behind I-Rock, started the movement after being banned from performing at St. Xavier’s College. The first edition took place during India’s Independence Day celebrations, laying the foundation for a rock revolution in India.

    Independence Rock has shaped India’s festival scene, becoming a key event for rock and metal fans. The festival has featured artists like AR Rahman, Indus Creed, and Hanumankind of T.ill Apes, many of whom went on to achieve global success.

    In 2001, despite heavy rain, Farhad Wadia found the festival venue filled with eager attendees, reinforcing the resilience of rock music. Although the festival paused in 2013, it returned with new energy a decade later, partnering with Hyperlink Brand Solutions Pvt Ltd and Insider.in. Each year, the festival has aimed to surpass previous experiences, cementing its place as India’s oldest and most prominent rock event.

    Independence Rock founder Farhad Wadia said, “My love affair with rock music began long back, and I-Rock became a channel to express that love and reverence for the genre. It has been a fulfilling journey to see an act of rebellion culminate into 30 editions of a universal, raw, and intimate sonic odyssey that has grown into a big platform, accommodating artists across the nation. We have levelled up and brought some interesting acts on board for the 30th edition, setting a new benchmark for experiential concerts. These thirty years have been nothing short of arduous efforts, sweat, and most importantly, love. To sum it up, I would like to quote a lyric from a Black Sabbath song, which goes, ‘Love is life and hating is living death.’ ”

    Wadia, along with Mahindra and Hyperlink Solutions, has laboured to take fans’ experience up another notch. Through the evolutionary years of rock in the world and India, it has always been reinvented, as the genre itself stands for challenging the conventional.

    Mahindra Group VP of cultural outreach Jay Shah said, “Mahindra Group has always strived to push the cultural envelope in the country and initiate an important dialogue around arts and culture. By joining forces with Farhad and Hyperlink Brand Solutions, we are instilling life again in a genre that has caused transformation across the globe, and Mahindra Group is more than happy to associate with the 30th edition milestone of I-Rock, working as a catalyst for reshaping the sonic experiences of Indians and scaling the volume of the festival as we enter a new decade of India’s loudest rock event.”

    Hyperlink Brand Solutions Pvt Ltd founder VG Jairam said, “Hyperlink Solutions’ vision lies in promulgating any medium that transforms the storytelling experience for its audience. All these years, since the inception of the festival, Farhad Wadia and I-Rock have contributed to creating a cultural wave that revolutionised rock in the country. It is a great pleasure to further promote the indigenous talent at Independence Rock that goes on to pave the way for others on the global stage. With this 30th Edition, Farhad and Hyperlink Solutions are all set to create a transcendental musical experience for the audience and a rite of passage for the performers and audience alike.”

    As the festival begins, attendees will experience powerful riffs that resonate with the crowd of rockers and metalheads. There will be pyrotechnics, and artists will engage directly with the audience. The blend of cultures and genres will take the crowd from Mazagon to the streets of New Orleans and the reggae rhythms of Jamaica.

    Ranging from raw rock to neo-soul, the music and food will connect the audience for an evening of timeless beats. I-Rock’s 30th edition marks its shift from a niche event to a nationally recognized rock festival, drawing multiple generations to celebrate the genre. Tickets are available on Insider.in.

  • IP rights aren’t just for big artists; they’re crucial for creators at every level: IPRS’s Rakesh Nigam

    IP rights aren’t just for big artists; they’re crucial for creators at every level: IPRS’s Rakesh Nigam

    Mumbai: India’s music industry, a vibrant blend of tradition and modernity, is evolving rapidly with over 20,000 original songs created annually by around 40,000 artists. As global digital platforms like YouTube and Spotify reshape how music is consumed, protecting the rights of these creators has become more crucial than ever.

    The Indian Performing Right Society (IPRS) is at the forefront of this transformation, navigating the challenges of digital distribution and global IP standards to ensure that Indian artists are fairly compensated and their work respected worldwide. As the industry adapts to these shifts, IPRS’s proactive measures highlight its commitment to safeguarding creators’ rights in a changing digital landscape.

    Indiantelevision.com’s Arth Chakraborty in conversation with IPRS CEO Rakesh Nigam delved deeper into how the organisation is tackling the evolving challenges of digital rights management and working to enhance protection for Indian music creators.

    Edited Excerpts:

    On the rise of global digital platforms impacting the protection of music creators’ rights in India

    The rise of global digital platforms has been both an opportunity and a challenge for music creators in India. On one hand, these platforms, including YouTube, Meta, Spotify, Apple etc, have provided unprecedented reach for our artists, allowing them to connect with global audiences. Our partnerships with these major digital service providers (DSPs) and OTT platforms have been transformative for IPRS and its members. They have not only increased royalty income but also provided significant global exposure to Indian music creators.

    However, the digital environment presents challenges, particularly regarding the value gap, the disparity between the value these platforms derive from music content and the revenue returned to the creators and publishers. A significant number of users access music for free on these platforms, resulting in substantial losses for creators and publishers who are not adequately compensated for their work.

    IPRS has been proactive in adapting to these changes, ensuring that our licensing models and royalty collection methods are aligned with the evolving digital landscape. We anticipate deepening our partnerships, with more tailored licensing agreements that reflect this evolution. New opportunities include increased monetisation options, access to detailed consumption data, and potential collaborations with international artists and creators. Through these initiatives, we are continuously working to protect our creators’ rights and ensure they are fairly compensated in this new digital landscape, while also enforcing their rights on a global scale.

    On the role that IPRS plays in aligning India with global IP standards

    We actively participate in international forums, collaborate with global copyright societies, and ensure that our practices are in sync with international norms. By doing so, we help bridge the gap between India’s traditional IP framework and the evolving global standards. Our initiatives, like the ‘My Music, My Rights’ campaign, are designed to raise awareness among creators about their rights and how to protect them.

    Additionally, our collaboration with neighbouring countries, such as Bangladesh through the WIPO Mentorship Programme, underscores our commitment to fostering a robust IP framework across the region. Our efforts are focused on not only protecting the rights of Indian creators but also ensuring that their works are respected and rewarded globally.

    On some challenges unique to India in managing IP rights in the music industry

    One of the unique challenges in India is the vast diversity of our music landscape, which includes a rich array of regional music and a large number of independent artists. This diversity complicates the implementation of a one-size-fits-all approach to IP rights management. Additionally, there is a widespread lack of awareness about the importance of IP rights among many creators, particularly in rural areas, making it difficult for them to protect and monetise their work effectively.

    Another significant challenge is the value gap, the disparity between the value derived by digital platforms from music content and the revenue that actually reaches the creators and publishers. This issue is particularly pronounced in India, where a substantial number of users access music for free through these platforms. As a result, creators and publishers face considerable financial losses, as they are not adequately compensated for their contributions.

    Piracy also remains a persistent problem in India, further exacerbating the difficulties in ensuring that creators receive fair remuneration for their work. Despite the progress we’ve made, the unauthorised distribution of music continues to undermine the value of IP rights.

    On the steps that IPRS is taking to educate emerging artists and creators about the importance of IP rights

    IPRS is a not-for-profit society, owned by its members, working to ensure they are fairly remunerated whenever their songs/music are utilised. This is the bottom line. Established in 1969, IPRS was built on the solid values of solidarity, resilience, equality, and transparency. We have launched several initiatives, awareness drives, seminars, workshops, round-the-year training sessions, tutorials, grants, and aids, as well as programs like ‘Credit The Creator’ – to acknowledge the creators of music publicly; music licensing drive Licence Liya Kya for fair pay and fair play of music; HerMusic, an initiative to encourage greater representation of women in music; multi-city member workshops ‘Learn and Earn’; CreativeShala, a platform to learn and engage with leading music-makers from the industry, and more. ‘My Music, My Right’ a nationwide workshop to raise awareness on music copyrights and providing support to music creators across the nation.

    We have been very active in speaking to members and listening to them. IPRS has been their voice on various platforms and in multiple institutions. We also launched a ready-to-access and technologically advanced member portal where members can now easily spot discrepancies or conflicts and can be in complete control of their work. Several result-oriented training programs and tutorials to familiarise our members with the registration of their works have also been designed during the period. Timely and accurate registration of works ensures better claims and royalties.

    On the lessons that India’s music industry has learned from global shifts in IP management

    One of the key lessons we’ve learned is the importance of adaptability. The global music industry has undergone significant shifts with the advent of digital platforms, and IP management practices have had to evolve accordingly. We’ve learned that it’s essential to be proactive in adopting new technologies and practices to ensure that our creators’ rights are protected in a rapidly changing environment. We’ve also seen the importance of collaboration, both within the industry and across borders, to address the challenges of IP management effectively.

    On the biggest misconceptions about IP rights in India’s music industry, and how is IPRS working to dispel them

    A common misconception is that IP rights are only relevant to big, established artists. In reality, IP rights are crucial for creators at every level. Many believe that copyright enforcement is weak or that it’s not worth the effort, which leads to complacency. IPRS is working hard to dispel these myths through our outreach and education programs. We’re showing creators that their rights are valuable and that they have the power to protect and profit from their work, regardless of their status in the industry.

    On IPRS supporting innovation while ensuring the protection of creators’ rights

    Innovation and protection go hand in hand at IPRS. We encourage creativity by ensuring that our licensing models are flexible and adaptable to new forms of music distribution and consumption. At the same time, we are vigilant in protecting the rights of our members. We invest in technology that allows us to track the usage of music across various platforms, ensuring that creators are fairly compensated for their work. By balancing innovation with protection, we create an environment where creativity can thrive.

    On the key areas where India’s IP framework still needs to evolve to match global standards

    While India has made significant strides in IP protection, there are still areas that need to evolve. We need support from relevant authorities and the government for proper enforcement of the law. There should be high penalties and strong repercussions for non-compliance to ensure that the law which has been made to protect is rights of the rightful owners has been adhered to.

    One key area is the enforcement of IP rights, where we need stronger legal frameworks and quicker resolution of disputes.

    Additionally, there needs to be greater awareness and understanding of IP rights at the grassroots level. Another area is the need for more robust data collection and reporting mechanisms to ensure transparency in royalty distributions. IPRS is committed to working with policymakers and industry stakeholders to address these gaps and bring India’s IP framework in line with global standards.

  • Chaitanya Verma releases soulful indie pop track ‘Meri Banke Rehna’

    Chaitanya Verma releases soulful indie pop track ‘Meri Banke Rehna’

    Mumbai: Emerging singer and songwriter Chaitanya Verma releases his latest single, ‘Meri Banke Rehna’, through Hoopr, India’s first music licensing platform. This Indie-Pop track expresses the universal desire to hold onto a loved one, with an infectious rhythm and emotionally resonant lyrics. The song serves as a heartfelt dedication for anyone wishing to express their deepest feelings.

    Alongside the track, a lyrical video is available on YouTube, adding depth to the soulful tune. ‘Meri Banke Rehna’ demonstrates Verma’s talent for translating raw emotions into music that resonates with listeners. The song touches on love, connection, and commitment, and is available for streaming on Hoopr (https://hoopr.ai/track/meri-banke-rehna) and YouTube.

    Chaitanya Verma, originally from Nainital, Uttarakhand, is a semi-classically trained singer based in Mumbai. He combines his heartfelt songwriting with sound engineering expertise, crafting a unique sound that blends soulfulness with contemporary flair.  

    Chaitanya Verma commented, “I’m incredibly thankful to Hoopr for providing a platform that not only supports independent artists like myself but also connects us with a wider audience. ‘Meri Banke Rehna’ is very special to me, and it’s exciting to see it reach new listeners through Hoopr. I’m looking forward to creating more music and continuing this journey with the amazing support from Hoopr.”

    Hoopr’s co-founder and ceo, Gaurav Dagaonkar added, “At Hoopr, we believe in empowering all kinds of music artists, whether they’re just starting out or are established in their careers. Chaitanya Verma’s ‘Meri Banke Rehna’ is a beautiful addition to our platform, and we’re proud to provide a space for artists like him to share their unique talents with the world. Our mission is to give musicians the tools and opportunities they need to grow, and we’re thrilled to see such incredible talent being showcased on Hoopr.”

    Hoopr’s general manager of music, Bhumika Shukla emphasised, “At Hoopr, our focus is on nurturing the indie music landscape by giving talented artists like Chaitanya Verma the platform to reach a wider audience. ‘Meri Banke Rehna’ exemplifies the rich, emotional depth that indie music brings to listeners. We are dedicated to fostering creative voices and ensuring that artists have the tools they need to thrive and connect with their fans.”

    Chaitanya’s artistic mission is to inspire love and contentment in his audience. ‘Meri Banke Rehna’ extends his vision, marking another step in his musical journey. He looks forward to continuing this path and seeing where his music takes him next.