Category: Over The Top Services

  • Golden Globe nominee ‘The Curse’ starring Emma Stone makes its digital premiere in India exclusively on Lionsgate Play

    Golden Globe nominee ‘The Curse’ starring Emma Stone makes its digital premiere in India exclusively on Lionsgate Play

    Mumbai: In the satirical black comedy thriller television series The Curse, Nathan Fielder and Emma Stone star as Asher and Whitney, a newlywed couple trying to bring their eco-conscious housing vision to Española, New Mexico. However, their plans are complicated by a supposed curse and Dougie (Benny Safdie), a flawed reality TV producer who sees potential in their story. As the series progresses, the couple becomes entangled in a complex web of ethical dilemmas while also navigating the challenges of maintaining their relationship and trying to start a family.

    The show has blown critics away, with Entertainment Weekly dubbing it “the weirdest, most unforgettable show of 2023”, and The Guardian describing it as “exquisitely cringe-worthy”. With an immersive storyline and sterling performances, this unique blend of comedy and thriller promises an unforgettable viewing experience for Lionsgate Play subscribers, who can start streaming the first 8 episodes of the series from 29th December.

    In an interview with W Magazine, Emma Stone gushed about her experience working with comedian Nathan Fielder, “He is such a good actor—he really blew my mind. I remember watching a scene a couple days in that I wasn’t in. I was texting him up a storm, saying: ‘You’re one of the best actors I’ve ever seen.’ He’s so great and such a natural on Nathan for You and in The Rehearsal—but he’s playing himself. And still, he’s acting… At any given time, you do start to wonder if maybe there’s a prank happening. Like, someone’s filming you from a distance. That’s the only unsettling part of spending time with him.”

    In an interview with Indiewire Nathan Fielder delves into the intriguing concept of uncertainty surrounding the reality of the curse, “It’s the core of the show in a lot of ways. [Asher and Whitney are] projecting things that may or may not exist onto everyone around them, and everyone is sort of doing that to each other. That idea of what’s actually real or what matters in a situation is a lot of what the show is exploring and reveling in. Because it’s easy to sort of go, ‘Oh, well this person’s good or bad,’ or ‘This is real or fake.’ But in a lot of these situations, it’s so much more complicated than that.”

    ‘The Curse’ exclusively streams Episode 1 to 8 on Lionsgate Play starting 29 December.

  • Remembering the showman: A tribute to Raj Kapoor’s timeless legacy on Tata Play Classic Cinema

    Remembering the showman: A tribute to Raj Kapoor’s timeless legacy on Tata Play Classic Cinema

    Mumbai: Legendary actor Raj Kapoor didn’t just make movies; he orchestrated grand symphonies of emotion and entertainment, which made these stories immemorial. From timeless classics to unforgettable melodies, Raj Kapoor’s contributions to Indian cinema are nothing short of a magnum opus. As we raise the curtain to celebrate the legendary showman on his birth anniversary on 14th December, Tata Play Classic Cinema invites you to join us in an extravaganza of nostalgia, charisma, and unmatched storytelling. Here’s a look at his biggest career hits of the Bollywood legend; catch them all on Tata Play Classic Cinema!

    Barsaat (1949) – 11:00AM

    Kick off the celebration with Barsaat, a classic tale of love, passion, and heartbreak and also the first bollywood film shot in Kashmir. Viewers can experience Raj Kapoor’s on-screen chemistry with Nargis that created magic, and Shankar-Jaikishan’s soul-stirring music which added a melodious touch to this cinematic gem.                                 

    Jis Desh Mein Ganga Behti Hai (1960) – 02:00PM

    The film portrays a poignant narrative exploring the dichotomy between old customs and evolving societal values. Raj Kapoor’s performance and the iconic song “Mera Naam Raju” make this a must-watch on Tata Play Classic Cinema. With captivating music composed by Shankar Jaikishan and other memorable performances, the movie remains a timeless classic in Indian cinema, portraying themes of redemption, social justice, and the triumph of good over evil.

    Anari (1959) – 02:00PM

    In Anari, Raj Kapoor delivers a memorable performance as the naive and innocent Anari. The film’s heartwarming narrative, coupled with memorable songs like “Sab Kuch Seekha Humne,” make it a delightful addition to your watchlist. The Bollywood legend also won the Best Actor for Anari at the Filmfare Awards.

    Aah (1953) – 02:00PM

    Witness the iconic love story of Aah, where Raj Kapoor and Nargis once again share the screen in a tale of unrequited love and sacrifice. The film’s emotional depth and soulful music, notably highlighted by the timeless classic ‘Raja Ki Aayegi Baraat,’ will leave you mesmerised, making it the perfect choice for your Tata Play Classic Cinema marathon.”

    Awaara (1951) – 05:00PM

    No celebration of Raj Kapoor’s birthday would be complete without the iconic Awaara. He was nominated for the Grand Prize at the 1953 Cannes Film Festival for Awaara. With its unforgettable characters, soulful music, and powerful performances, this film has stood the test of time. Rediscover the magic of Awaara and immerse yourself in the brilliance of Raj Kapoor.

  • Prime Video drops trailer for Jitendra Kumar and Shriya Pilgaonkar’s ‘Dry Day’

    Prime Video drops trailer for Jitendra Kumar and Shriya Pilgaonkar’s ‘Dry Day’

    Mumbai: Prime Video, India’s most loved entertainment destination, unveiled the trailer of the Amazon Original movie Dry Day today.  It is a powerful and emotional story that delves into the complexities of addiction, love, and the extent of a man’s sacrifices for his family. Directed by Saurabh Shukla, and produced by Monisha Advani, Madhu Bhojwani, and  Nikkhil Advani,  under the banner of Emmay Entertainment, the comedy-drama features Jitendra Kumar, Shriya Pilgaonkar, and Annu Kapoor in pivotal roles.

    The film is set to premiere exclusively on Prime Video in India and across more than 240 countries and territories worldwide on 22 December. Dry Day is the latest addition to the Prime membership. Prime members in India enjoy savings, convenience, and entertainment, all in a single membership for just Rs 1499/ year. Dry Day is a story of an imperfect hero who challenges societal conventions, rebelling against norms out of love for his unborn child. The trailer of this comedy-drama intricately explores the societal impact of alcoholism, presenting a thought-provoking narrative rooted in social relevance.

     

     

    Speaking about the film, Director Saurabh Shukla said, “The movie is a social satire presented with a hilarious tragic-comedy of errors with lots of drama and emotions. Dry Day gives an important and relevant message about alcoholism and I consider myself fortunate to have had the opportunity to craft this film, aiming to entertain and enlighten the audiences. It brings me immense joy to partner with streaming service Prime Video, Emmay Entertainment, and a talented bunch of actors, collectively breathing life into a compelling and beautiful narrative.”

    “Dry Day is a captivating blend of comedy and drama, offering a rollercoaster of emotions,” shared actor Jitendra Kumar. “It was an exhilarating experience playing the character of Gannu in the movie. Getting into the skin of this intriguing character was like adding a new skill to my toolbox. The character’s struggle to defy all odds in pursuit of trust adds depth to the narrative of the film. I’m excited for audiences to witness this unique journey on screen. The film’s fusion of heartwarming moments and compelling storytelling is something I can’t wait for people to experience and appreciate.”

    Playing the role of Nirmala, actor Shriya Pilgaonkar shared, “The experience of working on Dry Day has been wonderful and enriching in so many ways. It’s a film that will entertain you and emotionally strike a chord as well. I enjoyed building that relationship between Nirmala and Gannu. The story of our film is all about the transformative power of love and it will also draw your attention to certain important societal issues. I’m so grateful to have got the opportunity to collaborate with Saurabh Sir and the wonderful team at Emmay Entertainment.  The writing is fantastic and I was most excited to film my first Holi song! “

  • “AI is better than humans at many things but feels no emotions”: Silk Road Communications’ Achille Forler

    “AI is better than humans at many things but feels no emotions”: Silk Road Communications’ Achille Forler

    Mumbai: On 5 December 2023, the International Music Creators Seminar was organised by the Indian Performing Rights Society (IPRS) in collaboration with CISAC and the Asia Pacific Music Creators Alliance (APMA). The seminar comprised informative panel discussions, each focused on delving into various aspects of the music industry. Particularly, the inaugural panel centered on the transformative impact of artificial intelligence on the music industry.

    On the sidelines of the event, Indiantelevision.com caught up with music industry veteran and Silk Road Communications founder Achille Forler, to gain valuable insights on the topic…

    Edited Excerpts:

    On the use of AI causing a potential threat to the music industry and artists’ creative processes, with the rising use of AI tools to make dubbed versions of a song in different artists or people’s voices

    Any technology, be it atoms or bioengineering, can be applied for good or bad. Deepfaking, impersonation, and plagiarism are the negative aspects of AI. They pose a greater risk to music creators than piracy ever did.

    We are at the very beginning of the revolution, but now is the time to ensure its developments occur within the boundaries of the common good. Copyright protects an original expression of a self. AI-generated works can never qualify for copyright protection. It is a good time to ask ourselves, what is a human being? How can technology prove that a creation has a human, and not AI, origin? We must create tools that will fingerprint human creations and filter out AI productions. A working group has been set up on this topic by IPRS and some sister societies.

    On the steps that regulatory bodies like IPRS should take to shape the guidelines for the ethical and legal use of AI in music composition and production

    The good news is that creators have taken up the issue. The International Confederation of Authors and Composers Societies (CISAC), representing five million creators worldwide, and of which IPRS is a member, is very clear on AI and its potential to work for or against creativity. It has proposed guidelines to be followed. https://bit.ly/4a2VCsp WIPO also has a comprehensive page on AI and intellectual property in general: https://bit.ly/484ZXtf

    A significant portion of the Conference on Asia-Pacific Collective Management Organizations, which IPRS organised in Jaipur, was focused on this subject.

    On the positives of AI that you see

    Music is born of deep emotions. AI is better than humans at many things but feels no emotions. It can write poems about love but never pined for the beloved, felt the fire of love tingle through its bones, or suffered a heartbreak. On the other hand, we can already see how AI can help Copyright Societies increase compliance by users, improve their collection capacity through smarter licensing, collect royalties that are impossible to collect today, and speed up the distribution of these monies to music creators.

    I already use AI tools on my music licensing platform, SyncMama, to help clients find the right tracks for their videos within minutes simply by uploading a reference track or pasting a YouTube link. We released version two of this audio similarity search tool, Maya. The next version will enable search by prompts like.

    We experiment with the use of prompts, but they have a learning curve because they require more precision—and more attempts—before you find what you’re looking for.

    Our top priority today is video preview. You upload your video on SyncMama and add a track of your choice. Maya analyses the video and matches the audio track to the video by giving you up to three edit options. If the selected audio section is one or two seconds longer or shorter than the video, Maya will time-stretch the audio to fit exactly your video. Click download, and your video will be ready for broadcast.

    We believe that AI tools like these will greatly facilitate the work of promo producers, advertising agencies, and anyone who needs music for their videos.

    On the music industry better supporting and nurturing the growth of amateur talents who are just beginning their journey, ensuring they have opportunities to shine and develop their unique voices

    Budding talent needs a helping hand. The report on music publishing released last week by E&Y shows that the economic value of music to corporate users is at least 12,000 crores. What value would radio, television, films, or games have without music? If corporate users of music were to carry out their legal duty to pay the IPRS, that money would go a long way to nurture and support new talent.

    On ensuring that artists remain at the forefront of decision-making processes to safeguard their interests and maintain the spirit of artistic expression, in a world increasingly influenced by AI

    The answer is in this video:

    SyncMama Valentine

  • Prime Video debuts its first dedicated anime channel – Anime Times

    Prime Video debuts its first dedicated anime channel – Anime Times

    Mumbai: Prime Video, India’s most loved entertainment destination, today announced the launch of its first dedicated anime Channel, Anime Times on Prime Video Channels. Anime Times will premiere exclusively on Prime Video Channels in India. A premier streaming service focused on Japanese animation, Anime Times has been available on Prime Video Channels in Japan, and is now debuting into India with its wide array of the latest anime movies and TV shows, along with much-loved classics, on Prime Video Channels. Prime members can purchase an add-on subscription to Anime Times at an annual fee of Rs 899.

    With a subscription to Anime Times on Prime Video Channels, Prime members in India can enjoy highly popular titles such as SPY×FAMILY, HUNTER x HUNTER, Fairy Tale Movie Houou No Miko, Tokyo Revengers, Zom 100: Bucket List of the Dead, Mob Psycho 100, That Time I Got Reincarnated as a Slime, Goblin Slayer, Zombieland Saga, and more.

    “At Prime Video, we are steadfast in our efforts to bring diverse, engaging and distinctive content across languages, genres, and formats, for our customers underscoring our content philosophy to offer something for everyone,” said Prime Video, India  head – Prime Video Channels Vivek Srivastava. “Over the past few years, anime content has gained significant fandom in India. With the launch of Anime Times on Prime Video Channels, we are expanding our anime programming with over hundreds of hours of programming and bringing highly engaging movies and TV shows for Prime Members. Anime Times will be available for the first time in India only on Prime Video Channels. With this launch Prime Video Channels will become the ‘one-stop entertainment destination’ for all Anime fans in the country. Anime Times has been a premier destination for some of the best Anime content, as a Channel on Prime Video in Japan, and we are thrilled to be the launchpad for them in India, and offer them wide reach to customers across the country.”

    Anime Times Company CEO Hideo Katsumata said, “Anime Times and Prime Video have enjoyed a strong collaboration in Japan, and we are now excited to bring Anime Times for the very first time to audiences in India. Japanese anime culture is now a significant global phenomenon, and has led to an increasing interest in Japanese culture and entertainment. We are certain that with Anime Times, fans and enthusiasts all across the country will be able to delve into the huge pool of anime shows and movies, both recent and classic, that we offer via Prime Video Channels.”  

    Prime members can purchase an add-on subscription to Anime Times at Rs 899 annually.

    Prime Video Channels benefits for Prime members include:

    •  No hassle login & billing: Customers do not have to juggle between multiple usernames, passwords and billing due dates. With Prime Video Channels, all premium content subscriptions are managed within a single destination – Prime Video apps and website.
    •  More time watching, less time deciding: Customers don’t have to spend time toggling between their favourite services to discover what’s new and popular. With Prime Video Channels they can browse in one place, search across all their premium subscription and get personalized recommendations. All of this without ever having to leave the Prime Video app or website.
    • Enjoy your favourite features, no matter which service: Customers can enjoy IMDb’s X-Ray feature and a single consolidated watch list and download library for offline viewing. Subscribers can also manage data consumption and much more across all their premium channel subscriptions.
    • More Choice: With Prime Video Channels, Prime members can access thousands of additional titles across 23 OTT services, including Anime Times, FanCode, BBC Player, BBC Kids, Animax + GEM, Lionsgate Play, discovery+, Eros Now, DocuBay, ManoramaMAX, hoichoi, MUBI, AMC+, ShortsTV, VROTT, Acorn TV, NammaFlix, Stingray All Good Vibes, iwonder, Curiosity Stream, Chaupal, MyZen TV, and Museum TV.
       
  • Audio is the new Lifestyle, reveals Pocket FM Survey

    Audio is the new Lifestyle, reveals Pocket FM Survey

    Mumbai: Audio Series platform Pocket FM unveils the findings of the second leg of its entertainment consumption survey ‘Digital Entertainment Insights: Audio Takes The Centrestage’. The survey conducted every quarter across India aims to understand the digital pulse of the nation and delves into the preferences, behaviours, and attitudes of internet users towards various forms of digital entertainment.

    Audio Takes The Centrestage: Key Metrics

    The findings suggest a resounding shift towards audio formats, with 81 per cent of people engaging with audio entertainment daily. Storytelling emerged as the primary catalyst for its irresistible pull, with one in three users expressing a distinct preference for this engaging and immersive format. The other triggers are convenience, influencing every 4th user, and content diversity, affecting every 6th user to adopt audio as a preferred content medium.

    Regarding devices, 71 per cent of users consume audio content on their smartphones, highlighting the convenience and accessibility that mobile devices provide. However, 29 per cent of users prefer to consume audio through tablets, smart TVs, desktops, and other devices, showcasing the rise of audio consumption at the workplace and home.

    Genre-wise, drama emerged as the leading genre capturing the attention of 22 per cent of users, closely followed by suspense and thriller at 21 per cent, romance at 17 per cent, sci-fi at 12 per cent, and comedy at 11 per cent.

    Users seek concise, episodic content— want audio storytelling to be evolved into video

    Approximately 40 per cent of users lean towards shorter episodes lasting between 5-15 minutes, while 35 per cent prefer slightly longer episodes in the 15-30 minutes range. Only about 25 per cent of users prefer longer content, opting for episodes spanning approximately 45-60 minutes.

    The rising popularity of audio entertainment is evident, with a notable shift in how people envision audio content. A staggering 93 per cent desire to adapt audio content into visual formats such as video OTT, TV series, and movies. As audiences seek multi-sensory engagement, the call for transforming audio storytelling into visual mediums underscores the evolving nature of content consumption in today’s digital age.

    Audio Emerges as Mental Wellness Specialist

    Audio extends beyond entertainment, proving itself as a valuable productivity tool. 44 per cent of users find audio for stress relief and believe it to be a soothing escape amidst daily pressures. Moreover, 30 per cent leverage audio to enhance focus, creating an immersive environment for improved concentration during work or other cognitive activities.

    About 26 per cent look at audio as a means to avoid distractions. This multi-role of audio highlights its versatility, serving as a source of entertainment and a crucial element for effective and mindful living.

    Trust is key; Audio is winning it.

    When it comes to content selection, trust plays a deterrent role. 42 per cent of users rely on content recommendations from the platform itself, while recommendations from friends and family (17 per cent) and social media (21 per cent) also wield significant influence. Surprisingly, only 6 per cent of users are swayed by influencers, indicating a higher level of disconnect with their recommendations among the audience.

    58 per cent of users are highly likely, and 28 per cent are likely to recommend their favourite audio platforms, showcasing a strong belief in the quality of auditory content. When it comes to spreading the word, good old-fashioned word of mouth leads the pack, with 42 per cent of users relying on recommendations from friends. Social media is just a little behind, influencing 36 per cent of users.

    Zooming into specific audio content, audio series steal the spotlight with 74 per cent giving 5-star recommendations. In comparison, 51 per cent give 5-star ratings to TV entertainment but get a rating of 3 or below from 33 per cent of users. Online music and video OTT also fare well, with 58 per cent and 53 per cent of users giving 5-star ratings, respectively, but rated 3 or below by 23 per cent and 31 per cent of users, highlighting a shift in the audience’s digital entertainment preferences.

    Audio Series is the winner but at the cost of …

    The survey unveils the increasing popularity of audio entertainment, prompting a seismic shift in user preferences. 31 per cent of users transitioned from online music to audio series, indicating a dynamic redefinition of audio entertainment consumption patterns. Similarly, 16 per cent felt that their entertainment consumption shifted from social media and short video consumption, while 20 per cent believed that audio series had replaced their video streaming habits. Even audio series have influenced other spoken-word content formats, such as audiobooks and podcasts, with approximately 17 per cent of users experiencing a shift from these formats. Only 16 per cent feel their entertainment time spent increased with audio series.

    Pay for Play – The time has come for Audio!

    As the landscape evolves, so do monetisation trends. While 23 per cent prefer subscription-based models, the survey indicates a growing appetite for flexible pricing with 37 per cent of users open to paying for individual episodes. Only 40 per cent of users still favour ad-supported and promotional models to drive consumption on audio platforms.

    Speaking on the findings of its second edition of Digital Entertainment Insights, Pocket FM CEO and co-founder Rohan Nayak said, “The outcome of the survey reflects a remarkable shift in consumer content consumption preferences, signaling the rise of audio as a dominant force in the entertainment landscape. Audio is not merely a trend, but it has become a lifestyle, driving engagement that exceeds any other entertainment medium. The findings strongly suggest that audio series is set to dominate audio entertainment, and we believe, it will emerge among the top 3 entertainment formats in the next couple of years.”

    “As we welcome this audio revolution as an opportunity, we are committed to leading the way into a future where audio takes centre stage in the hearts and minds of millions of audiences across the world,” added Nayak.

    Methodology

    The survey encompassed a diverse cross-section of the Indian population with a total sample size of 22,442 internet users, conducted between 28 October 2023 and 15 November 2023. Regarding gender distribution, the respondents comprised 69 per cent males and 30 per cent females. Delving deeper into age demographics, 58 per cent of the sample are Millenials, 35 per cent represented GenZ and 7 per cent belong to GenX. Geographically, the survey has a balanced representation, with 58 per cent of respondents hailing from tier 1 cities and metros and the remaining 42 per cent from tier 2 cities, reflecting an overview of digital entertainment preferences across diverse urban-rural landscapes in India.

  • Digital premiere of Sylester Stallone’s Expend4bles exclusively on Lionsgate Play

    Digital premiere of Sylester Stallone’s Expend4bles exclusively on Lionsgate Play

    Mumbai: “I Now Pronounce You Man And Knife.” With eye-catching explosions, iconic lines and more, the celebrated Expendables promise raw, unfiltered and violent action wherever they go. The action franchise returns with Expend4bles (Expendables 4) and a newly expanded cast of Curtis ‘50 Cent’ Jackson, Megan Fox, Tony Jaa, Iko Uwais, Jacob Scipio, Levy Tran, and Andy Garcia. With new faces come some old ones in Sylvester Stallone and Jason Statham as the group of mercenaries band together and fight for each other, and money (of course!). Bringing back the memorable action sequences, budding camaraderie and ‘never say die’ attitude, Expend4bles is all set to exclusively premiere on Lionsgate Play this 5 January.

    Talking about his character Gunner, actor Dolph Lundgren said, “With Gunner, I think he’s a bit of a comedic relief because he’s the only one or one of the few characters who doesn’t care, doesn’t try to be tough. He doesn’t really care much. He has these idiosyncrasies and he always has problems, a little bit of substance abuse, a little bit of concentration issues. In this film, he’s on the wagon. So, he’s been sober for six months. He’s doing the AA program and he’s dating some girl on the Internet that he’s in love with. It clouds his perception a little bit. Also, age has caught up with him, so he’s wearing glasses and he’s got a bifocal scope on his sniper rifle. But things don’t work out that well initially for him.”

    Further elaborating about his character, Lundgren said, “So, those things put together is kind of fun to play with as an actor and it gives me somewhere to go. Like in each scene I can always try to massage it so that it’s a bit entertaining for the audience and that they can follow the guy and follow the arc of the character and catch the payouts and all of these different weaknesses and obstacles that he has to accomplish his goal.”

  • Prime Video unveils the trailer of the original reality series Mission Start Ab

    Prime Video unveils the trailer of the original reality series Mission Start Ab

    Mumbai: Prime Video, India’s most loved entertainment destination, today unveiled the captivating trailer of its upcoming Original competitive reality series – Mission Start Ab.  The series has been conceptualized as part of Prime Video’s partnership with the Office of the Principal Scientific Adviser to the Government of India. Mission Start Ab is a first-of-its-kind series that celebrates innovative, grassroots ideas. The show meticulously evaluates 10 early-stage founders and entrepreneurs under the mentorship of three distinguished investors – investors Kunal Bahl (co-founder Snapdeal and Titan Capital), Anisha Singh (founder She Capital, founder and ex-CEO, MyDala), and Manish Chowdhary (co-founder WOW Skin Science). During the course of this competition, the competing founders also face challenges featuring prominent faces from the business and entertainment world such as Ritesh Agarwal (OYO), Rohit Shetty (Filmmaker), Riyaaz Amlani (Impresario Entertainment Hospitality), Zeenah Vilcassim (Zomato Live Entertainment), Nilesh Kothari (Trifecta Capital) and Saikiran Krishnamurthy (xto10x Technologies). Executive Produced by Indrajit Ray, directed by Srimanta Senguptta, this Endemol India production is written by Bhavesh Mehta, and hosted by Masaba Gupta and Cyrus Sahukar. The series is set to premiere exclusively on Prime Video in India and across more than 240 countries and territories worldwide on 19 December. Mission Start Ab is the latest addition to the Prime membership. Prime members in India enjoy savings, convenience, and entertainment, all in a single membership for just Rs 1499/ year.

    Enthralling, engaging and inspiring, the trailer of Mission Start Ab, introduces audiences to the three top investors along with ten extraordinary early-stage founders. Each founder confronts formidable challenges that test their entrepreneurial mettle. Promising a ‘deal of a lifetime’ for the winner, the trailer heighten anticipation for the series launch on December 19 enticing viewers to discover the last-standing founders and potentially witness the birth of India’s next Unicorn.

    “India is a land of billion-plus dreams, and these dreams encapsulate infinite possibilities. Mission Start Ab is a series that aims to fuel the dreams of an increasingly entrepreneurial India,” shared Prime Video head of Originals, India & Southeast Asia Aparna Purohit. “At Prime Video, we are committed to telling stories that are rooted, relatable, and designed to entertain, inspire and provoke. Mission Start Ab goes beyond storytelling; it embodies the very essence of dreams, aspirations, and brilliance scattered across the length and breadth of India. As storytellers, we believe there is nothing more compelling or inspiring than the stories of resilient individuals using their unwavering grit, determination, and tenacity to achieve success. The core philosophy of Mission Start Ab aligns with Prime Video’s overarching vision of serving as a catalyst, actively contributing to the economic growth and development of the nation. We are confident that audiences, not only within India, but across 240 countries and territories will be inspired and entertained by it.”

    Elaborating on the role that series like Mission Start Ab can play in furthering the growth of India’s startup ecosystem, Shri Ajay Kumar Sood, Principal Scientific Adviser, Government of India said, “I am extremely happy to see Prime Video has developed episodes on the storyline shared by Office of PSA for future startups to learn through OTT on skill sets required to lead as founders of startups. Scalable capacity building can be achieved through such breakthrough interventions.”

    “Entrepreneurship is an intense, transformative journey, and I’ve witnessed this through the lens of being a founder, mentor, and investor,” said Bahl. “The startup sector in India buzzes with brilliant minds and innovative ideas that have immense potential to accelerate our nation’s economic growth. To catalyze their success, we need a robust ecosystem that provides them with the necessary resources, support, and guidance. This is where Mission Start Ab steps in, marking a significant leap towards building a stronger foundation of knowledge and support for our aspiring entrepreneurs and startups. Each of the 10 founding teams on the show represent the youthful energy and diverse talent of our nation, embodying not just skills but an insatiable hunger to succeed against all odds. I am elated to be a part of this journey, sharing my experiences and insights, and acting as a guide and mentor to these passionate individuals who are scripting their own stories of struggle and triumph across India.”

    “When people look at a founder’s life, especially a successful founder’s life, people assume it is an easy ride. But founder life is hard, and everyone needs to work crazy hard on each little thing. Having been a founder for most of my life, I deeply respect founders who can stick to their values and show grit.” said Anisha Singh, founder She Capital, founder and ex-CEO, MyDala “Mission Start Ab is unlike any other startup show – it is a boot camp that gives a bird’s eye view into the real ‘founder’s life’.

    The best part about it is that you get to see how Bharat’s start-up ecosystem and founders have evolved. They are building from Bharat for Bharat and from Bharat for the world. I am thrilled to be part of a series that shows just how cool these founders are, and how the pressure they deal with on the show makes them diamonds.”

    “Mission Start Ab is not just another reality series, it is a potential gamechanger for the Indian startup economy,” said Manish Chowdhary, co-founder WOW Skin Science. “It offers deep insights into the kind of challenges and opportunities our innovators face, and at the same time, what the investor community looks for, while evaluating investment in a startup. I am immensely proud to be a part of such a pathbreaking show and grateful to Prime Video for this unique opportunity. As investors, incubators, and mentors, we cannot reach out to every aspiring entrepreneur, but with this show, every budding entrepreneur will have a better insight into the right measures they need to take to grow in their space.”

  • Online Video remains the growth engine of content investment with local content still key to acquiring subscribers: AVIA OTT Summit

    Online Video remains the growth engine of content investment with local content still key to acquiring subscribers: AVIA OTT Summit

    Mumbai: The Asia Video Industry Association (AVIA), held its annual OTT Summit in Singapore on 5 December, where over 90 per cent of the speakers were senior female executives from across the video industry in Asia Pacific. This year’s summit was designed to try and redress the gender imbalance seen in many industry conferences.

    The Summit opened with Media Partners Asia head of content & platform insights, lead analyst Dhivya T, presenting an overview of the state of streaming in Asia, a market where competition was very much driven by a battle for share of time, with premium video on demand (VOD) fighting with social media and user-generated content (UGC).  

    Competition was also giving rise to new business models and strategies beyond the traditional AVOD and SVOD models, including mobile gaming, ecommerce and bundle subscriptions becoming more common. And with a higher focus in increasing ARPUs, price increases have also become prevalent.

    Ex-China, online video revenues in Asia Pacific were expected to hit US$46 billion in 2028, up from US$29 billion this year. While SVOD was expected to have a CAGR of 6.4 percent, premium AVOD will see a growth rate of almost 18 percent, led by Japan, India, and Korea. In Southeast Asia, Indonesia was emerging as the leading market for AVOD, with Thailand for SVOD.

    In terms of content trends and investment, although pay TV remained the largest vertical, online video was the growth engine of video content investment, with local and Asian content leading premium VOD viewership with the highest reach. Hence local content remained key to acquiring subscribers in the region, and constantly over-indexing with new users.

    In the world of streaming, Free Ad-Supported Streaming TV (FAST) was also much talked about at the Summit as the new kid on the block, as it mimicked the experience of linear TV, delivering scheduled content, with advertising included. Driving the growth of FAST in Asia was the penetration of Smart TVs in the region, with 80 per cent of OTT viewers in APAC using Connected TV (CTV), and with one-third of OTT viewing on CTV, shared Samsung Ads APAC head of product marketing Samantha Cooke. But FAST channels were not always about making money, as FAST was also used for marketing, outreach and brand building, added Brightcove senior product marketing manager Roberta Cambio.

    Senior marketeers from the major platforms too chimed in on the importance of brand building, as the mantra was no longer acquiring subscribers at all costs but focus on keeping the ones you have. For Shemaroo Entertainment CMO Anuja Trivedi, marketing was now more aligned to the business, as consumers who saw campaigns engaged better as well. And partnerships which built more value can only build more excitement for the product and engagement for the platform, said Trivedi. Akamai Technologies senior solutions engineer Sarah Lim, also added that people, platform and the technology were what will help drive your strategy forward for the future. “Marketing is greater than the sum of its parts,” said Lim.

    With 71 per cent of viewers in APAC watching advertising supported streaming on top of linear TV viewing, OMG Singapore chair for media & measurement, AAMS & CEO Chloe Neo, was also seeing growth from regional clients with a greater inclination to look at branding, with the reallocation of budgets into OTT tending to be from the big brands, due to their expectations on quality content. While investment was coming from the linear TV side, more clients were now embracing CTV and addressability for strategic benefit, and not just for incremental reach, added GroupM CIO Southeast & North Asia, Chair, APAC Investment Committee Anita Munro.

    A strong focus on content closed off the Summit, with panellists agreeing that Asian content could not be lumped together. There was huge variety within what is labelled Chinese or Indian content. ZEE5 CCO Hindi Originals Nimisha Pandey emphasised that storytelling trumped investment. “Audiences don’t care how much money has gone into content, if it connects, it connects,” she said.

    Viu content acquisition and development chief Marianne Lee  noted, “Each local market has their own strategy which complements the regional strategy. While it is important for the content to travel outside, the content must also do well locally,” said Lee. In agreement, Agnes content director Agnes Rozario added, “There will always be certain types of content that travel better than others. But it has to work in the home market first.”

    One market which saw things a little differently was Thailand where True Corporation deputy director, planning & business development, strategic content group Kirana Cheewachuen, saw huge potential in the overseas growth and popularity of Thai content, and international success was her primary goal.

    Sharing her strategy for the Pacific Rim in the closing session, Paramount ANZ EVP, chief content officer & head Beverley McGarvey said that Australia was a mature market at a pivotal point now as audiences were adjusting between more traditional legacy media and streaming. Hence accelerating growth in streaming while maintaining linear businesses and making content that can work across platforms was what was needed in order to remain viable.

  • Amazon miniTV’s ‘Dehati Ladke’ nostalgically revisits college life

    Amazon miniTV’s ‘Dehati Ladke’ nostalgically revisits college life

    Mumbai: Amazon miniTV, Amazon’s free video streaming service, is all set to bring a smile to its viewers, with this coming-of-age story Dehati Ladke. Based on a best-selling Hindi novel, Dehati Ladke explores the universal themes of friendship, first love, and the hardships of life, all shown through the lens of Rajat starring Shine Pandey, Raghav Sharma, Tanish Neeraj, Saamya Jainn, Aasif Khan, and Kusha Kapila in pivotal roles, the series is slated to stream exclusively from 15 December on Amazon miniTV for free.

    The engrossing trailer launched today takes us through Rajat’s story of self-discovery as he moves from a village to a big city to pursue his dream of clearing the UPSC exams. It chronicles Rajat’s journey of exploring his freedom and following his heart as he makes new friends, experiences first love, and wants to live his life to the fullest, while navigating pressure from his family and staying true to his goal. With the many challenges that life throws at him, Dehati Ladke will showcase how Rajat’s modest life shapes up amidst the glare of city lights.

    Amogh Dusad content head at Amazon miniTV Amogh Dusad said, “College friendships are always special and very near to every individual’s heart. Dehati Ladke series talks about the unique yet universal journey one takes when one starts college life away from home in a new city among new people.”  

    Talking about the series Kusha Kapila shared, “A journey from home to hostel always brings thousands of stories and memories. Dehati Ladke is one such special story that will surely resonate with the viewers. The first year of college life is full of many emotions, from curiosity and budding love to the stress of exams and a fun night with friends. Rajat’s journey is also the same experiencing new and undiscovered emotions while focusing on his goal. My character, Chaya, is a modern and liberal woman who brings out the undiscovered side of Rajat.”

    Sharing his excitement about being part of the show, Shine Pandey said, “Dehati Ladke is dedicated to everyone who comes from a small town in the pursuit to find their identity in a new city. Rajat is a simple and innocent boy who is sharp-minded but lacks the many experiences of a big-city life.His friends, who are his strength and also his confidantes, help him navigate through life in Lucknow and transform him into a confident young boy. I am hoping that the audience will enjoy the show and I am sure it will take them back to all the fun they had in their college days”

    Dehati Ladke will be available for streaming exclusively for free on Amazon miniTV from 15 December. You can watch it on the Amazon shopping app, Fire TV or download the Amazon miniTV app on Playstore.