Category: Over The Top Services

  • Vidaa partners with RunnTV to launch free streaming service in India

    Vidaa partners with RunnTV to launch free streaming service in India

    MUMBAI: Vidaa, the global smart television operating system powering millions of connected devices worldwide, has struck a strategic partnership with India’s RunnTV to launch TV Channels, its free ad-supported streaming television (Fast) service, across the subcontinent this September.

    The collaboration marks Vidaa’s most significant push into one of the world’s fastest-expanding streaming markets, where ad-supported platforms are experiencing meteoric growth as viewers increasingly abandon traditional pay-television models in favour of free, on-demand content.

    TV Channels will offer Indian audiences an extensive lineup of premium international content alongside carefully curated regional programming spanning entertainment, films, music, lifestyle, children’s shows and infotainment—all delivered at zero cost to viewers through Vidaa-powered smart televisions.

    RunnTV, the streaming technology platform founded by Manish Sinha, brings crucial local market intelligence to the venture. The company will leverage its deep understanding of India’s complex linguistic and cultural landscape to help Vidaa localise its offering, secure partnerships with top regional content creators and maximise advertising revenues through sophisticated programmatic integrations and precision-targeted campaigns.

    The partnership extends far beyond simple content aggregation. Both companies will collaborate extensively on technology integration, distribution strategies and advanced monetisation models designed to capture and retain audiences in a market where free, advertiser-supported content is rapidly displacing subscription-based services.

    Industry observers note that India’s Fast ecosystem has reached an inflection point, with viewership patterns shifting dramatically as consumers embrace connected television experiences. The entry of established global players like Vidaa signals growing confidence in the market’s potential, particularly as smartphone penetration and affordable broadband access continue expanding across tier-two and tier-three cities.

    For advertisers, the platform promises unprecedented reach and sophisticated targeting capabilities, enabling brands to connect with specific demographic segments through data-driven campaign optimisation. Content creators and channel partners, meanwhile, gain access to new revenue streams through Vidaa’s established global advertising network.

    Viewers can expect a premium experience featuring seamless channel switching, intuitive navigation and high-quality streaming performance—all integrated directly into their smart television interface without requiring additional subscriptions or hardware investments.

    The launch comes as traditional broadcasting models face increasing pressure from streaming alternatives, with Fast services emerging as a compelling middle ground between expensive subscription platforms and conventional linear television. Industry analysts predict the segment could capture a substantial share of India’s entertainment consumption within the next two years, driven by rising data affordability and changing viewer preferences.

    Vidaa’s decision to partner with a local technology specialist rather than launching independently reflects the complexity of India’s media landscape, where success often depends on nuanced understanding of regional content preferences, regulatory requirements and advertiser expectations across diverse markets.

    The collaboration positions both companies to capitalise on what many consider the next major wave in India’s digital entertainment evolution, as millions of households transition from traditional cable and satellite services toward internet-connected viewing experiences that offer greater choice, convenience and cost savings.

  • Love at first sight unseen in Zee5 rom-com Aankhon Ki Gustaakhiyan

    Love at first sight unseen in Zee5 rom-com Aankhon Ki Gustaakhiyan

    MUMBAI: Who says love needs eyes to see? Sometimes, it only takes a train ride, a song, and a spark to light up a story. That’s the heart of Aankhon Ki Gustaakhiyan, a tender rom-com inspired by Ruskin Bond’s The Eyes Have It, premiering on Zee5 on 5th September.

    Produced by Mini Films and directed by Santosh Singh, the film follows Jahaan (Vikrant Massey), a blind musician with a gift for melody, and Saba (Shanaya Kapoor, in her debut), an aspiring actress with fire in her heart. Their chance meeting on a train sets off a connection not bound by sight but built on shared dreams, witty banter, and moments that toe the line between humour and heartache. Adding depth to the journey is Zain Khan Durrani in a supporting role.

    The soundtrack, composed by Vishal Mishra and featuring vocals by Jubin Nautiyal, Asees Kaur, and Mishra himself, adds another emotional layer to this story of love beyond appearances. Zee5’s Kaveri Das calls it a “refreshingly unconventional rom-com that speaks to both heart and humour.”

    For Massey, playing Jahaan was “an enriching experience that revealed strength in vulnerability,” while Shanaya Kapoor describes her role as “the perfect story to begin my journey with.” Their chemistry promises both light-hearted fun and stirring emotion.

    With its playful warmth and soulful undercurrents, Aankhon Ki Gustaakhiyan invites audiences to “dil se dekho” see with the heart. On 5th September, when it streams exclusively on Zee5, viewers might just find themselves falling for a love story that proves sometimes the most powerful connections are the ones you don’t see coming.

  • TukTuki takes a vertical leap with micro-drama app for India

    TukTuki takes a vertical leap with micro-drama app for India

    MUMBAI: Move over reels, there’s a new drama queen in town and she goes by the name TukTuki. Officially launched today, TukTuki is one of India’s first vertical-only micro-drama apps, serving up tightly packed 1–3 minute episodes that together build into an hour-long film. Designed for mobile-first audiences, it’s storytelling reimagined for shrinking attention spans.

    With India’s short-form video boom showing no signs of slowing, TukTuki taps directly into the trend by blending bite-sized consumption with big-hearted tales. Each show is crafted for vertical viewing, making dramas as scrollable as memes but with the emotional punch of traditional storytelling. Founder Anshita Kulshrestha summed it up best: “TukTuki is a celebration of India’s cultural diversity and storytelling spirit.”

    At launch, the app debuts original dramas in Hindi, with rollouts planned in Bengali, Marathi, Gujarati and more languages. The focus is hyperlocal, family-friendly, and refreshingly clean, a deliberate counter to cluttered feeds. Future updates promise new genres from sports to mythology. Crucially, TukTuki lowers entry barriers for smaller towns by allowing streaming without mandatory logins, making drama accessible even for first-time app users.

    With micro-dramas stitched into snackable episodes, TukTuki might just turn the mundane metro ride or chai break into a cinematic binge. It’s a pocket-sized stage, but the ambition is all heart.

    Would you like me to also craft an alternate headline with a wordplay on “bite-sized drama”, to lean more on the snackable-entertainment angle?

  • Reliance AGM: Mukesh Ambani unveils JioHotstar’s new AI-led features

    Reliance AGM: Mukesh Ambani unveils JioHotstar’s new AI-led features

    MUMBAI: Reliance Industries chairman Mukesh Ambani  declared at the firm’s annual general meeting held today that JioStar has reshaped India’s media landscape within months of launch. The media and entertainment arm now boasts over 3.2 lakh hours of programming—six times more than its nearest rivals—with 30,000 hours added annually.

    The JioHotstar app has surged to 600m users in just three months, including 75m connected TVs. With 300m paying subscribers, Ambani claimed it has become the world’s second-largest streaming platform, achieved entirely in India. Reliance also commands a 34 per cent share of India’s TV market, equal to the next three networks combined.

    To cement its lead, Ambani unveiled a trio of AI-driven features. Riya, a voice-enabled assistant, promises effortless content discovery across shows, films and sports. Voice Print uses AI voice cloning and lip-sync to let stars “speak” in viewers’ own languages without losing authenticity. And JioLenZ offers multiple, personalised viewing options at the click of a button.

    “We have created an experience that combines the best of content, software and AI,” said Ambani. “JioStar will continue to expand across platforms and geographies as we serve a billion screens.”

  • Boss move! Bigg Boss 19 smashes OTT records with blockbuster JioHotstar debut

    Boss move! Bigg Boss 19 smashes OTT records with blockbuster JioHotstar debut

    MUMBAI: The house isn’t just full, it’s overflowing. Bigg Boss Season 19 stormed onto JioHotstar with India’s biggest-ever OTT launch, pulling in record-breaking Day 1 numbers that set the stage for a fiery season ahead. The opening episode clocked a 2.3x surge in reach and a 2.4x jump in watch-time compared to last year, while peak concurrency doubled over Bigg Boss 18’s launch. For a franchise that has ruled non-fiction TV for 18 years, this digital-first outing has levelled up the game.

    It wasn’t just the audience piling in brands rushed in too. With 11 marquee sponsors across FMCG, auto, lifestyle, and personal care ranging from Vaseline, Appy Fizz, Flipkart and Lakme Peach Milk to Citroën, Manforce and Lux Cozi, the season has lured a mix as diverse as the housemates themselves. For advertisers, Bigg Boss continues to be more than a show; it’s a cultural juggernaut with unmatched reach and recall.

    Keeping fans hooked round the clock, JioHotstar has added interactive features like live chats, polls, and a 24×7 live feed, ensuring audiences don’t just watch but actively play along. And of course, fronting it all is Salman Khan bringing charisma, banter, and that signature mix of star power and swagger that keeps audiences coming back.

    As Alok Jain of JioStar put it, “The overwhelming response reflects not just the property’s scale but the deep bond audiences share with Bigg Boss.” With the launch already rewriting records, Season 19 is shaping up to be more than entertainment, it’s a 24×7 obsession.

  • Fast channels surge 14 per cent this year as news and horror fuel boom

    Fast channels surge 14 per cent this year as news and horror fuel boom

    MUMBAI: Free ad-supported television (Fast) is enjoying a blistering run. The number of Fast channels worldwide has climbed nearly 14 per cent since the start of 2025 and 76 per cent since 2023, according to fresh analysis from Gracenote, the content data arm of Nielsen.

    The firm has expanded its Data Hub to track nearly 1,850 active Fast channels, enabling direct comparisons with subscription video-on-demand (SVOD) catalogues from the likes of Amazon Prime Video, Apple TV+, Disney+, Netflix and Paramount+. The enhanced tool now covers more than 645,000 TV shows, films and sports programmes across SVOD and a further 197,000 across Fast.

    Fast is skewing younger than its subscription rivals. Almost half of its content has been produced in the past five years, compared with only a third for SVOD. Stretching the timeframe to 15 years, Fast jumps to nearly 80 per cent of programming, versus 68.5 per cent for SVOD.

    Television dominates both formats, but especially Fast: 93.1 per cent of its content comprises TV programming by episode count, compared with 88.8 per cent on SVOD platforms.

    Genre trends are diverging. Documentaries make up the largest Fast slice at 16.1 per cent, followed by drama (10.6 per cent) and news (9.9 per cent). Yet it is news and horror that are powering growth, up 37 per cent and 30 per cent respectively. On SVOD, sports led the charge in the past quarter with a 13.2 per cent bump, ahead of films (10 per cent) and TV (9.2 per cent). Sports on Fast dipped 3.7 per cent in the last three months but remain up 14 per cent year to date.

    Among the big streamers, Amazon bulked up most aggressively, expanding its catalogue by 12.6 per cent quarter on quarter. Paramount+ followed with a 6.4 per cent increase. Overall, SVOD offerings grew 9.8 per cent in the same period.

    Gracenote, which covers video content in more than 70 languages and 80 countries, is pitching its Data Hub as a strategic compass for distributors, producers and advertisers eager to map where audiences are headed.

  • Netflix wins Japan rights for 2026 World Baseball Classic

    Netflix wins Japan rights for 2026 World Baseball Classic

    TOKYO: Netflix will be the exclusive home of the 2026 World Baseball Classic in Japan, under a rights deal with World Baseball Classic Inc (WBCI), the body jointly run by Major League Baseball and the MLB Players Association. The streamer will carry all 47 games live and on-demand for Japanese subscribers.

    The sixth edition of the tournament will feature 20 national teams across four pools in Tokyo, San Juan, Houston and Miami from 5 March 2026. Defending champions Japan will again be in the spotlight.

    MLB deputy commissioner for business and media Noah Garden said the deal reflected “the growing popularity of the tournament” and WBCI’s ambition to expand through digital platforms. Netflix Japan vice president of content Kaata Sakamoto called the tie-up a chance to “deliver a new kind of viewing experience that brings fans even closer to the action.”

    MLB Players Inc  president Evan Kaplan added that the partnership would give Japanese fans front-row access to “one of the sport’s most unique stages, where the world’s top players compete for national pride”.

    For Netflix, the deal is the latest step in its tilt towards live sport, positioning it at the heart of one of baseball’s biggest international events.

    Could we see it snap up some premium cricket media rights in India? That’s a delivery  media observers have been waiting for Netflix to bowl for quite a while now.

  • Netflix sets guardrails for AI in film and TV productions

    Netflix sets guardrails for AI in film and TV productions

    MUMBAI: Netflix has moved to head off potential controversy over the creeping use of artificial intelligence in film and television, issuing sweeping new guidance for filmmakers, vendors and production partners. The rules, circulated globally this week, make clear that while generative AI (GenAI) can be deployed as a creative aide, it must not slip quietly into final cuts without disclosure, scrutiny and, in some cases, written approval.

    The streamer has stressed that AI is welcome for ideation — moodboards, concept sketches, mock posters — but warns of red lines when it comes to intellectual property, talent likeness and story-critical material. In other words, it’s one thing to ask an algorithm to imagine a dystopian cityscape for a pitch deck; quite another to use it to conjure a new character, rewrite an actor’s performance, or mimic a celebrity’s voice.

    The dos and don’ts

    The 20-page guidance has outlined a hierarchy of acceptable uses. Low-risk experiments that are non-final, non-identifiable and non-copyrighted can usually proceed with a simple “socialise and share” approach. But any GenAI-generated material that:
    * incorporates Netflix’s proprietary assets (scripts, footage, unreleased stills),
    * alters talent performances beyond cosmetic fixes,
    * relies on copyrighted datasets (such as celebrity faces or artistic styles), or
    * appears as final on-screen deliverables,
    must be escalated to the company for legal review and explicit sign-off.

    Perhaps the sharpest line the guidelines draw is around talent. Synthetic replicas of performers — whether de-aged faces, digital bodies or AI-generated voices — require documented consent, in line with union rules. Even subtle digital alterations, such as tweaking lip-sync or emotional delivery, are flagged as reputationally sensitive. Netflix says it permits the use of AI for minor industry-standard post-production tweaks (noise reduction, continuity fixes, cosmetic adjustments), but not for material changes that could distort intent or replace union-covered work.

    The streamer, says it is acutely aware of the reputational stakes. It warns against AI-generated content that could mislead viewers into believing fabricated events are real — such as fake news clips or invented statements attributed to journalists. It has also cautioned against undermining union jobs, an especially hot-button issue after last year’s strikes in Hollywood over the threat posed by AI.

    Vendors and AI studios delivering to Netflix are being told to adhere to the same standards, even if they build custom workflows by stitching multiple tools together. Confidentiality remains non-negotiable: all inputs — from scripts to actor headshots — must be protected inside secure, enterprise-level tools that prevent reuse or resale of data. Production partners have been reminded that they are personally responsible for checking licences, terms and conditions of any third-party AI software.

    The guidance draws a hard distinction between temporary AI-assisted mock-ups and content that makes it into the final cut. A background prop generated by AI may appear harmless, but if a character reads it aloud, it becomes story-relevant and must undergo rights clearance. Netflix insists partners flag such cases early to avoid last-minute legal headaches.

    Why now?
    The move reflects the industry’s jittery embrace of GenAI. While many creatives are already experimenting with it in design, concept art and even scriptwriting, studios are scrambling to balance innovation with ethics, copyright law and union agreements. Netflix is positioning itself as neither a Luddite nor a cheerleader — encouraging experimentation, but within guardrails designed to protect talent, data and audience trust.
    The message from Los Gatos is blunt: AI may be the new toy in the toolbox, but when it comes to finished stories and performers’ rights, the humans are still in charge.

    You can find the detailed guidelines here.
     

  • Zee5’s ‘Tehran’ races to 100 million minutes in record-breaking debut

    Zee5’s ‘Tehran’ races to 100 million minutes in record-breaking debut

    MUMBAI: The John Abraham-starrer became the fastest Hindi film of 2025 to cross the 100 million streaming minutes mark on Zee5 and it did so in just 72 hours of its Independence Day weekend premiere. By the end of its launch week, the geo-political thriller had clocked up a staggering 200 million minutes, securing its place as the platform’s most-watched Hindi release of the year.

    The film didn’t just win over Indian audiences. Streaming across 190 plus countries, Tehran broke into Zee5’s global Top 5 for 2025, trending in the US, UK, MENA and APAC proof that its tense narrative struck a chord with the diaspora.

    A slick marketing blitz only added to the spectacle. From a visual projection on Mumbai’s Bandra-Worli Sea Link to hoardings across UP, MP and Mumbai, Tehran was unmissable. The promotions even included Zee5’s first-ever exclusive screening at the Sushma Swaraj Institute of Foreign Service in Delhi, capped with a candid Q&A session with John Abraham himself.

    Zee5 business head (Hindi), Kaveri Das, credited the success to the film’s “intelligent narrative” and said the response reflects the appetite for “stories that entertain while sparking conversations.”

    Meanwhile, Abraham called the audience’s love “truly overwhelming” and said the film reinforced his belief in pushing boundaries and said, “Geo-political thrillers are a genre I truly believe in, and this proves viewers want stories that go beyond entertainment, bold films that stay with you long after the credits roll.”

    Directed by Dinesh Vijan, the thriller stars John Abraham, Neeru Bajwa, Manushi Chhillar and Madhurima Tuli, and is set against the backdrop of the 2012 magnetic bomb blast near the Israeli Embassy in Delhi. With its blockbuster premiere, Tehran has firmly joined the ranks of Zee5’s most successful titles, reaffirming the streamer’s grip on premium homegrown content.