Category: Over The Top Services

  • Prime Video & Sony Pictures Television launch Sony Pictures – Stream

    Prime Video & Sony Pictures Television launch Sony Pictures – Stream

    Mumbai: Prime Video has entered a distribution agreement with Sony Pictures Television (SPT), a division of Sony Pictures Entertainment (SPE), to launch Sony Pictures – Stream on Prime Video Channels. Curated for Indian customers, Sony Pictures – Stream offers a vast and exciting repertoire of entertainment including SPE’s outstanding international selection of iconic, blockbuster movies, timeless classics and highly popular TV shows available on Prime Video Channels. Prime members can purchase an annual add-on subscription to Sony Pictures – Stream at a special introductory price of ₹399 per year.

    With an add-on subscription to Sony Pictures – Stream on Prime Video Channels, Prime members can enjoy an extensive slate of multi-genre content offerings including action-packed blockbusters, heart-warming dramas, rib-tickling comedies, suspenseful thrillers, evergreen classics, and much more. Some of the movies include Charlie’s Angels, Men in Black, Peter Rabbit, Ghostbusters, Jerry Maguire, My Best Friend’s Wedding, Taxi Driver, A Few Good Men, Legends of the Fall, Spotlight, The Bridge on the River Kwai, Terminator, Groundhog Day, I Know What You Did Last Summer, Step Mom, Book of Eli, Seven Pounds, Legend of Zorro, Anaconda and Evil Dead, among others. TV aficionados will find timeless classics such as I Dream of Jeannie, Bewitched, Mad About You, and Diff’rent Strokes and recent hit shows including A Very English Scandal and Loudermilk.  

    “We are delighted to launch Sony Pictures – Stream, a new Prime Video Channel curated specifically for our customers in India. The collaboration allows Sony Pictures Entertainment to make their vast and beloved library available in India at a single destination, reaching customers across the length and breadth of the country via Prime Video Channels,” said Prime Video Channels, India head Vivek Srivastava. “Within a short span of time, Prime Video Channels has offered the perfect launchpad for several international streaming services and studios, helping them reach an incredibly wide audience across India. In sync with our philosophy of super-serving our customers with choice, access and convenience, we have worked towards offering a wide variety of content, making it all available at a single destination – Prime Video. We are sure that with its vast and diverse library Sony Pictures – Stream will offer something for everyone, delighting Prime members with their favourite movies and series.”

    “We’re thrilled to work with Prime Video to super-serve Indian audiences with content from SPE’s extensive library of award-winning films and critically acclaimed television series while simultaneously offering a bespoke experience that is easily accessible to viewers across the region. Additionally, in celebration of the 100th Anniversary of Columbia Pictures, a part of Sony Pictures Entertainment, Sony Pictures – Stream spotlights the studio’s history and incredible film legacy by offering customers an incredible array of films from the studio’s beloved vault spanning the decades.” said Sony Pictures Television VP – South Asia Sonika Bhasin.

    Prime members in India can subscribe to Sony Pictures – Stream through Prime Video Channels at an introductory price of ₹399 per year.

    Prime Video Channels benefits for Prime members include:

    ●    No hassle login & billing: Customers do not have to juggle between multiple usernames, passwords and billing due dates. With Prime Video Channels, all premium content subscriptions are managed within a single destination – Prime Video apps and website.

    ●    More time watching, less time deciding: Customers don’t have to spend time toggling between their favourite services to discover what’s new and popular. With Prime Video Channels they can browse in one place, search across all their premium subscription and get personalized recommendations. All of this without ever having to leave the Prime Video app or website.

    ●    Enjoy your favourite features, no matter which service: Customers can enjoy IMDb’s X-Ray feature and a single consolidated watch list and download library for offline viewing. Subscribers can also manage data consumption and much more across all their premium channel subscriptions.

    ●    More choice: With Prime Video Channels, Prime members can access thousands of additional titles across 22 OTT channels, including Sony Pictures – Stream.

  • VBS 2024: OTT aggregation and beyond

    VBS 2024: OTT aggregation and beyond

    Mumbai: India is in the grips of seismic changes as far as video and broadband consumption is concerned. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it is seeking to convert most pay TV customers to free streaming of video content by offering access to consumers at no cost. The consumer continues to demand bandwidths higher than ever imagined even as prices are dropping. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    Clearly, the video and broadband distribution landscape has not been as vibrant as it is now… How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com held its 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The fireside chat on the topic: ‘OTT Aggregation And Beyond’ had HT Media Ltd chief revenue officer (HT Labs) Anil Dua in conversation with Indian Television.com group founder, chairman & editor-in-chief Anil NM Wanvari.

    Beginning the conversation, Wanvari asked, “How is OTTplay overcoming the challenge faced by consumers who seek ease of use?”

    Dua replied, “Now you don’t need to go to different apps. we have possibly the largest OTT aggregator platform in India called OTTplay, which covers more than 35 apps containing live TV channels. Gone are the days when you have to worry about the hassle of going from one platform to another to check what exactly you want to watch. So we have solved the problem of what to watch, through our recommendation engine, and also the proper way to stream it because in one app, you will get all the apps together. So that’s OTTplay. Maybe this is a good time for us to show you what our platform looks like.”

    After an AV of OTTplay was played on the screen, Wanvari asked, “You’re aggregating and you’re serving to telcos, you’re servicing to ISPs, cable. So what’s the percentage distribution between them?”

    To which, Dua replied saying, “So we have a very good mix of the internet service providers with whom we do the bundling with the broadband plans. We also have cable operators, through whom we reach out to our customers. We also have a direct-to-customer channel through our digital landscape, which helps us reach out to our clients.”

    He added, “If you look at our content, we have a very good balance across regions. That’s one of the big USPs that we bring to the table. Let’s start with the South. If you go to Coimbatore, their number one OTT Sun NXT is with us. If you come to AP or Telangana, their number one and two OTT and TV, aha are with us. When you go to a Hindi heartland, we have Bhojpuri, for Ludiana we have Punjabi, We have, of course, the large Hindi OTTs, i.e., ZEE, Sony, Lionsgate, etc. We have most of these OTTs. So we are relevant across a spectrum of customers. I believe we are relevant to everyone”

    Wanvari interjected, “I’m not talking about relevance. I’m talking about penetration so far. My understanding is, that you’ll have been pushed so aggressively in the west. You’ll have been more aggressive up north, and possibly down south, rather than the west and the east.”

    Dua answered, “You’re right! So far, south is obviously the leading market for us, followed by the north, west, and then the east.”

    Wanvari then asked, “What’s the kind of watch time that people are spending across your apps?”

    Dua replied, “By DNA, we are a tech company. We have customers at the middle of everything that we do. We track watch hours, average time per user, and average time that each user spends. I won’t be able to share the exact numbers, but it’s pretty good. We have seen that in tier two and three cities, our average time per user goes up significantly. So that’s one of the insights that we have got with focus on the regional content that we have done.”

    Wanvari said, “What is that? Are those areas TV dark?”

    Dua answered, “Things are changing in this pandemic industry. I believe that so far the OTT penetration has largely happened in the larger towns, and there’s a lot of scope in tier two and tier three for both OTT platforms as well as aggregators like us.”

    Moving on to the next question, Wanvari asked, “Are the other lower tier of society picking up your app because of your long package with all 35 plus all the 400-500 TV channels? That’s pretty affordable at Rs 3000/year. But people can pick up regional packs at 100 rupees, etc. So what is finding the most takers and where is it finding, in tier two, and tier three? Is it the upscaled customers or is it the lower ones? Is it mobile or is it Smart TV?

    Dua answered, “So first of all, by design, we are a TV-first app. We want more and more customers to be watching us on television., When I say, TV, it is TV and mobile by default. That’s the first thing. The second thing as you talked about the packs. We have packs ranging from, as high but like you rightly said you said, as affordable as 250 rupees a month for 32 OTTs and 350 plus five TV channels a month. If you come to the regional packs like the Hindi heartland pack or a north pack or an east pack, that starts from as low as Rs 100 a month. So they’re very affordable. The high-income strata in tier two are the most takers. The metros are more around the larger packs.”

    Wanvari further asked, “Do you have specials coming up from time to time, special promotions? Secondly, do you also have special price promotions for the content that has been put out there by your partners?”

    Dua said, “We belong to the HT Media group. We are a media company ourselves. We have our reach through our newspapers, through our digital landscape that we have. One is that we use our own media to reach out to the customers. And we have the content nudges that go to the customers who subscribe to us.”

    He added, “The answer to both your question is yes! If you look at our digital reach across our basic platforms, hindustantimes.com or live mint or live Hindustan, we have 300 million plus, on a monthly basis and use. So we use that, to reach out to our prospective customers to start with and to the subscribers who are already with us. There are time-to-time content nudges that go to them, the new arrivals coming in and reaching out to them to not only continue to be with us but also watch and use us, so that we can offer value to our customers.”

    Wanvari immediately asked, “ Are you EBIDTA positive or are you bleeding?”

    Dua answered, “We are right now in the start-up mode. We are in our third year running. We are now very close to coming to a place where we can start generating revenue.”

    Wanveri further asked, “Is the capacity full or do you see more partners coming in? How do OTT players partner with you all?”

    Dua replied, “Today, we are 32 OTTs. Very soon, by June, we should roughly be at about 43 to 45 and we clearly see that in the short term. In the short to medium term we should be at 50 plus OTTs. So there is no limitation with respect to the capacity. Partnering is simple. If the content is relevant to our customers, we are willing to discuss and partner. There is obviously a different discussion with each of our content partners that we have.”

    Wanvari quickly asked, “So, how long does it take to come up with a partner, to conclude a partnership? Is the process quick or prolonged?”

    Dua answered “My experience has been that gently the closure of the commercial discussion in this kind of business takes about 30 days and then another about 30 to 45 days. In about two and a half months we are GTM ready.”

    Asking a question about their subscriber base, Wanvari asked, “Where do you all see yourselves two to three years down the line? Do you think the appetite will continue in the space when it gets competitive?”

    Dua replied saying, “If you look at the growth of broadband, today we have roughly 50 per cent plus penetration in rural India. The smartphone penetration itself is growing into tier two and tier three by more than 25 per cent every year. So growth is not going to be an issue. Talking about the large telcos, remember that still one-third of the market is with non-telco broadband providers. That market is not only there today but it is also growing. We clearly see that as the market for us. And with bundling with their proposition is how to we want to reach out to the customers. On top of that, we have our D2C channel, which caters to the first two-thirds part of the customer base. A lot of customers of large telcos who have not used the content that is provided by them. So they keep looking for the right platform, and the right value proposition. So that’s how we’re building this whole mix.”

    Wanvari then asked, “You said discoverability is very easy for your customer. How different are you all from Netflix, which is supposed to be the gold standard, in terms of recommendation, search, discovery, and all of that?”

    Dua answered, “We talk about the four pillars of our business. The first pillar of our business clearly is the user experience and the user interface that we bring in. We have single sign-on for most of the apps. If you have, for example, OTTplay with you, and you want to watch Scam 2003 on Sony LIV, because you don’t need to have a Sony LIV app. So it’s deep integration. You can just move from one platform to another within OTTplay without having those apps. That’s the first thing. The second thing that we bring to the table. You talked about Netflix recommendations. If you are a customer or a subscriber of OTTplay, you get AI-based recommendations from all 32 platforms and not just one. So if you’ve watched an action movie or content on one of the platform, the next time you come to OTTplay player you will get recommendations across. The third thing is we are extremely regional in the content that we bring in. Fourthly, of course, is the affordability. We want to reach out, we want to be affordable to the masses of India.”

  • Disney+ Hotstar’s ‘The Indian EdTech Story’ docu-series features Hero Vired’s journey

    Disney+ Hotstar’s ‘The Indian EdTech Story’ docu-series features Hero Vired’s journey

    Mumbai: Hero Vired, a leading learntech startup by the Hero Group, takes center stage in the latest documentary series, ‘The Indian EdTech Story’ which premiered nationwide on Disney+ Hotstar. This enlightening series, produced by Edstead, sheds light on the significant impact and outcomes achieved by Hero Vired in transforming the educational landscape for millions of students across India.

    The documentary provides a compelling narrative of Hero Vired’s commitment to making education more affordable and accessible, showcasing the organisation’s profound influence on the learning experiences of countless individuals across the nation. Through a focus on the positive contributions to the sector, the docuseries explores the highs and lows of the edtech journey, demonstrating how the sector continues to play a pivotal role in creating a lasting impact despite the roadblocks.

    Commenting on the release, Edstead founder Shekhar Bhattacharjee expressed, “The entire objective behind producing this series was to illuminate the transformation of education into an affordable and accessible realm for millions. The series not only captures the highs and lows of the edtech sector but also underscores its ongoing commitment to creating a positive impact.”

    In the documentary, Hero Vired founder & CEO Akshay Munjal shared his vision behind Hero Vired’s inception, rooted in the realization of the challenges deserving graduates face in securing employment opportunities across the nation. The genesis of Hero Vired stems from the recognition of the gap in accessibility to education in India and the evolving demands of the job market. At its core, Hero Vired is driven by the mission to onboard the best professionals across industries to impart skills to their learners that will remain relevant in the upcoming decade. Mr. Munjal, in the documentary, further highlights the importance of emerging technologies in shaping the future job landscape and Hero Vired’s notable role in preparing learners for this transition.

    “India is an ocean of talent, and its demographic dividend, with the world’s youngest population, should be utilized to the optimum level. At Hero Vired, we believe in empowering individuals to embrace change and become architects of their own success. Indeed, the timing of this series is impeccably opportune, aligning seamlessly with the burgeoning momentum of the Indian Edtech sector, poised to ascend as a global powerhouse. It serves as a compelling testament to the relentless endeavors underway, meticulously crafting the landscape of education technology in India. With unwavering conviction, I assert that India harbors the latent potential to emerge as the unrivaled capital of Edtech worldwide. ” remarked Hero Vired founder & CEO Akshay Munjal underscoring the importance of empowering the youth with relevant skills and opportunities.

    Additionally, the documentary features stories of two Hero Vired alumni- Shivanshu Pandey and Jenny, who have testified to the transformative impact of the platform’s courses on their careers. Shivanshu credits Hero Vired’s full stack development course for equipping him with both the essential soft and hard skills to become a successful developer. Jenny recounts how Hero Vired’s Certificate Program in Gaming and Esports helped her turn her passion into a successful career as the world’s first apex legend predator player.

    Through its prominent feature in ‘The Indian EdTech Story’ series, Hero Vired’s journey serves as a beacon of inspiration, showcasing the organization’s dedication to quality education and its enduring impact on India’s growing EdTech landscape.

  • VBS 2024: The OTT Aggregation game

    VBS 2024: The OTT Aggregation game

    Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops. 

    Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.

    The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.

    The session chair for this panel was media consultant Anuj Gandhi along with the panelists: Arha Media & Broadcasting CEO Ravikant Sabnavis, GTPL Hathway Ltd senior VP Yatin Gupta, Dangal Play head Akshat Singhal, Playbox TV founder & CEO Aamir Mulani and OTT-Chana Jor, VHunt Digital Media COO Archita Jasani

    To light up the atmosphere, Gandhi asked the audience how many hours on average people spend on their mobile phones. He also dropped another question while spending time looking at phones, how much time is spent on watching SVOD OTT? The response was quite positive as an overwhelming number of people in the audience watched content on their mobile phones for a longer duration.

    As there was a considerable amount of audience who watched other lots of content besides OTT, Gandhi asked a broader question to all the panelists, “There is a belief and everybody says that aggregation is what went above consecutive recession, people said people subscribed to two and a half entities, but individual OTS there is a belief that beyond the point from D to C perspective or direct to consumer, you cannot cross the customer acquisition costs. There is another cost that is there.

    Sabnavis said, “If I look at it from the consumer perspective, Most perspective, there’s a lot of entertainment. Right? Be it a YouTube video, or simply chatting with somebody on the phone. I’m probably oversimplifying to make the point. There are limits to my time when whether it be five hours or three hours and in that time, I’m trying to watch OTTs as well, besides doing whatever I am for entertainment. So therefore you’re possibly right that there comes a time when growth when you look at it from our perspective around the consumer’s approach slows down. They’re gonna find it increasingly difficult to a) reach out to consumers and b) convince them to subscribe to a platform.”

    Jasani said, “There is a stagnation which is happening especially in metro cities. When we see that people, there is a capacity on how many hours can be on the mobile phones. Beyond that, I feel a lot of growth that can happen in tier-two and tier-three cities. Because these are the consumers who are town-tasting in the OTT  and entertainment segments. So here we see that there is a glass ceiling, probably happening towards the metros, but there is a use of potentiality in tier two and tier three cities. So hence the aggregation makes sense in a way that there is a d2c and b2c as well, which helps us to get the hang of the consumers.

    Amir Mulani commented that 90% of the time, consumers know what they want to watch, they will come to search, click the movie, and just start watching it. So I think my responsibility as a platform or as an aggregator, is beyond me to give him something that he wants to, and trying to keep it so easy, that it’s not confusing for them to decide.”

    Singhal said, “Earlier, people used to go to OTT platforms and search for content because the OTT platforms were very messy. Now, with so many OTT platforms, we need to go to the users, and see what they have. So that’s why like it’s important.”

    Gupta opined, “ We already have a cable product, which is an aggregation of channels. We have broadband as a service to augment this along with OTT. Looking at the consumer and saying that from this household. He’s already got cable, he’s already got broadband, and we may be able to give him OTT services as an aggregation.

    Whether it makes economic sense or not, of course, is a big question mark, because the OTT players are expecting a certain amount of guarantees, which may or may not. So we’ve been looking at all of that while deciding whether to go ahead with it and what to do.”

  • Anurekha Bhagat shares her learning from State v/s Ahuja co-star Ashmit Patel

    Anurekha Bhagat shares her learning from State v/s Ahuja co-star Ashmit Patel

    Mumbai: Actress Anurekha Bhagat, recognised for her roles in Khuda Haafiz: Chapter 2 – Agni Pariksha, Upnyaas, and the Shahid Kapoor starrer Farzi, portrayed her first central role in the recently released Watcho Exclusives series ‘State v/s Ahuja’ alongside Ashmit Patel. In the series, Anurekha takes on the character of Deepa Sawant, a maid who accuses Bollywood actor Ansh Ahuja (played by Ashmit Patel) of rape. Anurekha has shared insights into her working experience with Ashmit Patel, what she gleaned from him, and one of her most cherished memories from the series.

    Describing Ashmit Patel as sweet, happy-go-lucky, grounded, and a thorough gentleman, Anurekha highlighted her key take away from him, and shared, “From Ashmit Sir, I learned the importance of giving space to your co-actor to perform. As actors, we often tend to seek all the attention, but during our scenes, Ashmit Sir generously allowed me the space to showcase my talents. He fully embraced his character, Ansh Ahuja, without any airs of stardom. This gave me the power and freedom to shine in scenes where Deepa needed to be seen.

    Opening up about one of her most memorable scenes from the Watcho Exclusives series, “Firstly, getting the character was something truly memorable for me. As an artist, you always have the hunger to perform and to showcase your versatility. One unforgettable moment on the set that will be etched in my heart is my close scene with Ashmit sir. After the scene, Ashmit sir and I were still in the zone, and the set went silent. Suddenly, Tarun sir approached me with a hug and said, ‘Amazing. I’m speechless. It was a perfect shot, this was exactly how Deepa would have reacted,’ and that was truly priceless. The entire set started applauding, and Ashmit sir put his hand on my shoulder and said, ‘We got this.’ So, it was a very special moment for me.”

    State v/s Ahuja explores the life of Ansh Ahuja (portrayed by Ashmit Patel), a Bollywood superstar whose world is shattered by scandal when his maid accuses him of rape. As the story unfolds, viewers are drawn into a gripping world of suspense, investigation, and courtroom drama, where unexpected twists keep them on the edge of their seats. The series raises a compelling question: Did Ansh truly commit the alleged crime, or is there a darker conspiracy at play? Produced by Suresh Thomas under the banners of Crescendo Films and Amicable Crew, the show features an ensemble cast, including Jaswinder Gardner, Sarika Singh, Swapnil Ralkar, Apeksha Verma, Drishti Patil, Manish Jaitley, Arjun Krishna, Vicky Baidyanath, and Harsh Gautam.

  • JioCinema and advertisers bring the power of digital back into focus for TATA IPL 2024

    JioCinema and advertisers bring the power of digital back into focus for TATA IPL 2024

    Mumbai: As excitement for another riveting season of the TATA IPL approaches, JioCinema neared the conclusion of its series of roadshows across the country, designed to bring the full spectrum of advertisers under one roof. The multi-event series, which will cover nine Indian cities by the end of February, has been showcasing the vast expanse of offerings from JioCinema for TATA IPL 2024 and rekindling conversations on the power and potential of digital on the back of impressive results that advertisers witnessed last year.

    The caravan, which has travelled to the cities of Bengaluru, Kolkata, Patna, Chennai, Ahmedabad, and Hyderabad so far, has featured a number of prominent advertisers who spoke about their experience with TATA IPL on JioCinema last year. Conversations also threw light on what new advertisers coming on board can expect from this season, particularly in relation to regional reach, Connected TV expansion, and cohort targeting, thus making a case for why digital is the right medium for this spectacle and the sort of scope and scale it offers.

    Here’s what a few advertisers had to say across the events so far-

    “Innovative Ad formats and new offerings from JioCinema for IPL ’24 look exciting and that could help unlock an incremental audience for brands like ours. The possibility of shaper targeting on the back of innovative Ad solution even with a smaller investment/budget is a great thing that we are looking forward to this year,” Raksha Pipes lead – brand management, Ravi Kumar

    “Regional feeds during IPL is a powerful tool to reach audiences is specific geographies rather than having a spill over (on other platform) this will help us plan region specific campaigns to reach audiences in the likes of Haryana, Punjab, UP and more with regional feeds on JioCinema this IPL,” said Bounce Electric AVP Rajeev Gupta

    “For a brand like ours where we are very specific when it comes to who we want to reach out to & JioCinema gives us the exact type of cohorts based on languages, 4K or CTV devices to reach that affluent audience, and ensures that our budgets are allocated in the best way to maximize the campaign,” told DaMensch brand head Saumya Gupta

    “Paragon is mass brand, for us the common man and the mass audience matters a lot, we are looking forward to reaching this audience via regional language feeds and unlock an incremental audience via Jio 4G feature phones cohort, other offerings from JioCinema also look promising and we are excited to partner with JioCinema to make the most out of this IPL,” said Paragon Footwear CMO Shawn Chandy

    “With the advent of Connected TV the barriers of expensive advertising, and spillage during the campaigns (which happens on Linear TV) are being eliminated by JioCinema, Also JioCinema’s planner tools to look at reach frequency and other key metrics for our clients is an amazing thing which is not possible on traditional mediums,” said The Media Ant CBO Abhishek Mukherjee.

    JioCinema offered the last season of IPL in 12 languages and 17 feeds for free and received a record-smashing 449 million viewership throughout the tournament, including 70 minutes of average watch time per match. This year, the IPL is- all set to attract over 650 million eyeballs on digital, which will make it another record of its own.

  • “Dhruv is a guy who is very carefree and he knows that he is the center of attraction”, says Priyank Sharma

    “Dhruv is a guy who is very carefree and he knows that he is the center of attraction”, says Priyank Sharma

    Mumbai: Amazon miniTV, Amazon’s free video streaming service, recently released the romantic comedy series ‘Dillogical’. The series beautifully captures the nuances of modern-day relationships and how love is filled with a rollercoaster of emotions. The series gives us a glimpse into the life of a successful young boy- Saransh Desai. After receiving a placement in Google, he returns to India to rekindle his relationship with Jinal, the Vadodara girl who is fearless, ambitious, and eager to make something of herself on her own. Jinal is naturally gifted and defies expectations by becoming a dance influencer with a respectable Instagram following. However, since becoming independent, her long-standing fears have become more entrenched, forcing her to reevaluate the predetermined life her family has built for her with Saransh since she can remember.  

    Talking about his first Job, Priyank Sharma who played the role of Dhruv, shared “When I was 19 years old, I was offered my first job as a choreographer and dance instructor at Shiamak Davar International. It is one of India’s most reputable platforms for dance. Dhruv is also a dancer and choreographer. He is a carefree man who understands that he is the center of attraction; he receives that attention from people, so he is used to it, and he receives that attention in the show as well, so it is really normal for Dhruv to live this way.”

    Get ready to indulge in romance, comedy, and drama, along with a dose of entertainment, with Dillogical for free on Amazon miniTV, available on Amazon’s shopping app, on Fire TV, and on Play Store.

  • ZEE5 celebrates sixth anniversary with 580+ million viewers globally

    ZEE5 celebrates sixth anniversary with 580+ million viewers globally

    Mumbai: ZEE5, India and Bharat’s largest home-grown video streaming platform, and the OTT arm of ZEE Entertainment Enterprises Ltd. (ZEEL), completes six glorious years of providing exceptional streaming experiences and quality watch time to billions of people across 190+ countries. Launched in 2018, ZEE5 has over the years become a household name, not just in India but also globally, with a robust digital-first consumer-centric strategy backed by a strong content funnel. Home to 200,000 hours of premium South Asian entertainment in 20 languages, ZEE5 possesses an unrivalled library, featuring more than 6000 titles and 230+ originals. Today, the platform boasts a significant presence in India and is the No. 1 South Asian streaming platform across international markets, as per App Annie data.

    On the content front, in the last year, ZEE5 has been home to some of the most prominent titles like ‘RRR’, ‘Gadar 2’, ‘Kisi Ka Bhai Kisi Ki Jaan’ in Hindi; ‘Vidhuthalai – Part I’ in Tamil; Karthikeya 2’ in Telugu; ‘Vedha’ in Kannada; and Shabash Feluda’ in Bangla, amongst others. The platform also launched successful originals across languages like ‘‘Sirf Ek Bandaa Kaafi Hain’, ‘Taj: Divided by Blood’, ‘Mrs. Undercover” in Hindi; ‘Koose Munisamy Veerappan’, ‘Ayali’, ‘Sengalam’, ‘Oru Kodai Murder Mystery’ in Tamil; ‘Vyavastha’, ‘Puli Meka’, ‘Maya Bazaar For Sale’ in Telugu; and ‘Abar Proloy’, ‘Chhotolok’, ‘Swetkali’, ‘Shabash Feluda’, ‘Roktokorobi’ in Bangla, to name a few.

    While ‘Sirf Ek Bandaa Kaafi Hai’ stood out with the highest watch-time across ZEE5 movies, ‘Taj: Divided by Blood’ topped the watch-time list among all ZEE5 titles released in the last 6 years. Popular originals like ‘Abhay’, ‘Rangbaaz’, ‘Sunflower’, ‘State of Siege: 26/11’, and ‘Rangbaaz: Darr Ki Rajneeti’ also feature in the top 10 shows on the platform, while ‘Uri: The Surgical Strike’, ‘Radhe – Your Most Wanted Bhai’, ‘RRR’, ‘Antim: The Final Truth’, ‘Silence…Can You Hear It?’ and ‘The Kashmir Files’ feature in the top 10 movies list. Going forward, 2024 promises to be yet an exciting year for ZEE5 with multiple power-packed releases, like ‘Sam Bahadur’, ‘Kaatera’, ‘The Kerala Story’, ‘Sunflower S2’, ‘Broken News S2’, Guneet Monga’s ‘Gyarah Gyarah’, and the Telugu spy-thriller series ‘Mission Tashafi’, amongst others.

    Speaking on the occasion, ZEE Entertainment Enterprises Ltd president – Digital Businesses & Platforms Amit Goenka said, “Over the last six years, ZEE5 has played a pivotal role in delivering accessibility and affordability to its consumers across the globe. As we cross yet another milestone in our journey, our aim is to further fortify the synergies between content and technology to build a robust consumer experience across connected devices. While we remain committed to offering immersive entertainment experiences to our consumers across our digital platforms, the parallel growth trajectory of the linear and digital ecosystem will enable us to further strengthen our capabilities. As the digital landscape matures steadily, and improved infrastructure further proliferates the ability for transactions on digital platforms, the opportunities remain endless. As pioneers in the industry, we will continue to maintain a strong focus on growth and innovation, simultaneously enabling a conducive environment for the industry at large.”

    ZEE5 India CBO Manish Kalra, said, “At ZEE5, we envision to be the platform of choice for billions of viewers with real, relatable, and relevant stories in languages that resonate with them. Over the last few years, we have focused on improving user experience and launching multiple blockbuster movies and originals while using technological innovations to improve our platform experience significantly. 2023 has been eventful with many firsts and multiple successful projects strengthening our presence across markets with significant penetration in the tier III and IV cities. Tech adoptions across business touchpoints for increasing efficiency and enhancing in-app experience have been a priority. 2024 has already started on a strong note with the release of ‘Sam Bahadur’ and “The Kerala Story”. As the industry scales newer heights, ZEE5’s unwavering commitment will remain centered around delighting our users with more focus on delivering quality content seamlessly.”

    ZEE5 Global CBO Archana Anand said, “From the initial idea of taking our South Asian content global, to growing out the business to become the No.1 South Asian streaming platform internationally, it has been a remarkable journey. Today, ZEE5 Global stands as the premier destination for South Asian content, connecting the diaspora across the world with their language content. And as we continue to grow out our massive leadership in the US., our recent pivot to becoming an Aggregator of South Asian streaming platforms with the launch of ZEE5 Add-ons, only further cements our position in the market as the singular largest hub for South Asian content. South Asian stories are finally claiming their well-deserved spotlight on the global arena, and we look to be at the forefront of this conversation, setting the stage for even more disruptive growth.”

  • Actress Rashmika Mandanna to grace 2024 Crunchyroll Anime Awards

    Actress Rashmika Mandanna to grace 2024 Crunchyroll Anime Awards

    Mumbai- Crunchyroll is excited to announce that the renowned Indian actress and passionate anime enthusiast, Rashmika Mandanna, will be a special guest at the 2024 Crunchyroll Anime Awards. This prestigious event, dedicated to celebrating the exceptional craft and artistry of Japanese animation, is scheduled to take place on  2 March 2024, in Tokyo, Japan.

    Rashmika Mandanna, known for her outstanding performances in the Indian film industry, will be presenting one of the awards throughout the night to celebrate the anime series, film, and voice actors that have captivated fans over the last year.

    In a statement, Rashmika Mandanna expressed her excitement, saying, “I am absolutely thrilled and honoured to be a part of the eighth annual Crunchyroll Anime Awards in Tokyo. As an anime enthusiast, this is a dream come true for me. Japanese animation has had a profound impact on my life, and I can’t wait to celebrate and recognize the incredible talent behind these remarkable creations. See you all on March 2nd, 2024, for what promises to be an unforgettable evening!”

    The Crunchyroll Anime Awards have become a highly anticipated annual event, showcasing the best in anime from the previous year. This year’s awards ceremony will feature various categories, including Best Animation, Best Director, Best Character Design, and many more. It serves as a platform to honour the creativity, dedication, and innovation that define the anime industry.

    Fans of both Rashmika Mandanna and anime can look forward to an unforgettable night of celebration, surprises, and the recognition of outstanding talent at the eighth annual Crunchyroll Anime Awards.

    For more information about the Crunchyroll Anime Awards and updates on the event, please visit the Anime Awards website.

  • Amazon Music set for Valentine’s Day with shades of love playlists

    Amazon Music set for Valentine’s Day with shades of love playlists

    Mumbai: It’s the season of love, and Amazon Music just knows exactly how to kickstart Valentine’s month. Being one of India’s leading music streaming services, Amazon Music is all set to share a few shades of love with its listeners. From old-school Bollywood to contemporary Hip-Hop, Amazon Music’s Valentine’s playlists cover all moods and genres that you could ask for with the following playlists.

    Ultimate Love Songs Playlists

    For all the die-hard romantics and the hopelessly new-in-love, this playlist is a perfect mix of all things you loved in the past and now. From your favorite International Pop hits to regional duets, this playlist is being offered in a variety of languages including Hindi, Tamil, Telugu, Malayalam, Punjabi, Kannada, Marathi and Bengali.

    100 Greatest Love Songs

    Enjoy the finest love songs ever created with this perfectly crafted Valentine’s playlist featuring the top 100 romance tracks in Hindi, Tamil, Telugu, Kannada and Malayalam.

    Indie Love

    This one is for all the indie lovers. You  can now groove to your favorite love tunes from Independent artists you love, follow or discovered,   with this Valentine’s special edition of the Indie Love playlist, featuring some of the best romance music from Independent artists across regions .

    Senti Wala Pyaar

    The Senti Wala Pyaar playlist makes for the perfect pick for all the emotional ones there who like to feel those intense emotions through music.  Snuggle up with your partner or unwind with your headphones  and embark on this emotional journey of love.

    New in Love

    The New in Love playlist, available in Hindi, Tamil, and Telugu, features the newest love tunes that you can groove to, listen to on a date night or unwind with, this Valentine’s month.

    Here are 10 chart-topping romantic songs recommended by Amazon Music Experts that you can listen to with your loved one this Valentine’s Day.

    1.    Chaleya – Jawan
    2.    Heeriye – Arijit Singh/Jasleen Royal
    3.    O Maahi – Dunki
    4.    Tum Kya Mile – Rocky aur Rani ki Prem Kahani
    5.    Satranga – Animal
    6.    Lover (Remix) – Taylor Swift and Shawn Mendes
    7.    Standing Next to You – Jung Kook
    8.    Apa Fer Milaange – Savi Kalhon
    9.    Kinni Kinni – Diljit Dosanjh
    10.    Anbenum – Leo

    You can listen to these playlists with your bae/ loved one this valentine’s day here.