ITV

Category: Over The Top Services

  • TTT and Maybelline launch gen z microdrama ‘Pookie’ capturing college romance

    TTT and Maybelline launch gen z microdrama ‘Pookie’ capturing college romance

    MUMBAI: Collective Artists Network’s Terribly Tiny Tales (TTT), India’s leading storytelling platform, has released Pookie, a four-episode microdrama that captures the messy, funny, and tender moments of college life.

    Backed by Maybelline New York’s super-stay matte ink collection, the series follows the journey of Raima, played by content creator Tarini Shah, a lively, coffee-loving student full of hobbies and Arko, a quieter soul who finds joy in nature and simplicity.

    Pookie reflects on first friendships, first love, and the small yet unforgettable experiences that shape college years. With its unfiltered, relatable tone, the series resonates with gen z audiences, spotlighting how beauty and self-expression go hand-in-hand in today’s world.

    Speaking about the collaboration, Maybelline New York India, general manager, Jessica Rode said, “Confidence and self-expression are at the heart of today’s generation. Pookie with TTT gave us the perfect opportunity to be part of a story that felt authentic and relevant to our consumers. The emerging format of micro-dramas really helped us engage young audiences beyond traditional campaigns and build a real connection between the brand and viewers.”

    Featuring popular content creator Tarini Shah, whose presence in the fashion and lifestyle space amplifies the authenticity of the story, the series deepens its relatability for gen z audiences.

    Terribly Tiny Tales, founder & CEO, Anuj Gosalia added, “Pookie was fun, heartfelt, and rooted in everyday experiences. It’s always special when brands support us in experimenting with formats like micro-dramas. TTT is on an exciting growth curve, and with partners like Maybelline, we’re even more motivated to deliver fresh, diverse storytelling.”

    Pookie premiered on TTT’s Youtube channel on 27th September, with the finale streaming on 30th September 2025.

  • Bhagwat puts truth on trial as Arshad and Jitendra clash in Zee5 thriller

    Bhagwat puts truth on trial as Arshad and Jitendra clash in Zee5 thriller

    MUMBAI: When truth plays hide and seek with lies, the chase makes for dangerous cinema. Zee5, India’s largest homegrown video streaming platform, has lifted the curtain on its next original film, Bhagwat, a taut crime thriller inspired by true events. Produced by Jio Studios in association with Baweja Studios and Dog ‘n’ Bone Pictures, the film promises an edge-of-the-seat battle between morality and deception.

    At the centre of Bhagwat is Inspector Vishwas Bhagwat, played by Arshad Warsi, whose seemingly routine case of a missing woman mutates into a sinister labyrinth of secrets, suspected trafficking, and unrelenting deceit. In parallel, a fragile romance brews between Meera and Sameer, portrayed by Jitendra Kumar, a professor whose vulnerability offers a stark counterpoint to the dark suspense unfolding in Robertsganj, Uttar Pradesh.

    Directed by Akshay Shere, the film marks a fresh pairing of two powerhouse performers. Warsi, best known for his wry comic timing, plunges into gritty intensity, while Jitendra Kumar, beloved for his affable roles in Panchayat and Kota Factory, pivots into uncharted territory. Their face-off anchors a thriller where emotion and tension collide.

    “Bhagwat is a powerful reflection of our vision: a gripping thriller that’s as emotionally layered as it is suspenseful,” said Kaveri Das, Business Head – Hindi, Zee5. “Arshad Warsi brings remarkable nuance, while Jitendra Kumar’s compelling avatar is sure to surprise.”

    For Jio Studios COO & CFO Priyanka Chaudhary the film underlines a mission to deliver stories rooted in India yet resonant globally. “Bhagwat embodies that mission, a taut, heartland thriller that is as thought-provoking as it is entertaining. Building on the success of Mrs., this marks another exciting collaboration with Zee5,” she noted.

    Producer Harman Baweja echoed the sentiment, calling the film “a journey into the shadows of human nature, where love, deception, and justice collide.” For Baweja Studios, Bhagwat is another stride in backing stories that are bold, relevant, and emotionally compelling.

    Zee5, which has been steadily building a slate of original dramas that go beyond formula, sees Bhagwat as one of its standout offerings of the year. With its mix of crime, suspense, and romance, the film seeks not only to entertain but to leave viewers reflecting long after the credits roll.

    Streaming soon and exclusively on Zee5, Bhagwat promises to keep audiences guessing right until the final reveal.

  • Sony Liv’s 13th cracks open India’s exam-prep grind with MT Sir’s story

    Sony Liv’s 13th cracks open India’s exam-prep grind with MT Sir’s story

    MUMBAI: The toughest test isn’t always on paper, sometimes it’s the year between. Sony Liv is set to premiere its long-awaited original series 13th on 1st October 2025, pulling viewers into the high-pressure universe of India’s competitive exam-prep culture.

    The title itself is a nod to the “drop year” after Class 12, when thousands of students dedicate an extra 12 months solely to cracking the IIT-JEE entrance exam. For many, that 13th year becomes a make-or-break moment filled with sleepless nights, financial strain, and the constant balancing act between ambition and anxiety.

    At the heart of the story stands mentor Mohit Tyagi (MT Sir), a real-life educator whose teaching revolution has reached over 20 lakh students across India. With his Youtube channel followed by more than 2.2 million learners, Tyagi has built an open-access classroom that rivals the mega coaching hubs of Kota but without the lakhs in fees. Over two decades, his consistency and discipline-driven methods have produced Top-100 ranks year after year, proving that resilience and rigour trump hype.

    What makes Tyagi’s story remarkable is his rejection of crore-level salary offers in favour of free, quality education. His vision has reshaped the meaning of mentorship in India, cutting across economic and social divides. Instead of becoming a coaching magnate, he created a movement where students are treated as individuals with dreams, not just roll numbers on a register.

    13th stars Gagan Dev Riar as the mentor, portraying a role steeped in both realism and inspiration. The series doesn’t sugarcoat the grind, it delves into the loneliness of hostel rooms, the sacrifices families make, and the crushing weight of repeated attempts. It also shines a light on the resilience of students who fight through failure, financial strain, and fear, armed with little more than hope and persistence.

    Speaking about the premiere, Tyagi himself reflected on the deeper message: “Teaching has always been about much more than solving equations. It’s about resilience, discipline, and reminding students that they are more than their marks. 13th tells the untold story of lakhs of youth carrying gigantic pressure but also gigantic dreams.”

    For Sony LIV, the series is more than just a drama, it’s a mirror to India’s youth, their aspirations, and the cracks in a system where education can feel like war. By weaving Tyagi’s mission into a scripted narrative, the platform hopes to start conversations in living rooms across the country between parents, students, and society at large.

    With hashtags #My13thStory and #13thOnSonyLiv, the show is already sparking anticipation online. Come October, 13th promises to be more than binge-worthy content; it’s set to become a cultural talking point on what success really means when the journey is tougher than the exam.

  • Bite-sized and booming: how FareFlow’s microdramas are conquering the world

    Bite-sized and booming: how FareFlow’s microdramas are conquering the world

    MUMBAI: Three weeks. That’s all it took for FlareFlow to vault from newcomer to number one on America’s free entertainment app charts, on both iOS and Android. The microdrama platform—brief, serialised stories designed for mobile screens—has cracked a formula that’s reshaping how millions consume entertainment. And it’s not stopping at American shores.

    Col group’s international platform hit a new single-day revenue record just three weeks after breaking into America’s top five on Google Play. The surge signals something bigger than a viral moment: audiences worldwide are abandoning hourlong episodes for stories that fit between tube stops.

    According to Sensor Tower data from 22 August to 20 September 2025, FlareFlow now ranks third in Germany, fourth in Australia and fifth in Canada among short-drama and entertainment apps. The momentum reflects a fundamental shift in viewing patterns. Where audiences once defaulted to traditional series or films, they’re increasingly choosing bite-sized narratives that slot seamlessly into daily routines.

    China offers a glimpse of what’s coming. Microdrama revenues there have already overtaken the traditional box office, according to Media Partners Asia, with Col’s intellectual property portfolio driving much of that growth. FlareFlow is now exporting this model globally, adapting genres to local tastes: revenge plots, flash marriages and family conflict dominate in Southeast Asia, whilst young adult fiction, werewolves and CEO-driven dramas resonate in Western markets.

    “This is not a passing trend in China or America—it’s a global shift in storytelling,” said Col group chief executive Ray Tong. “People have consumed vertical content since Instagram Stories and TikTok, but what’s evolving is the storytelling itself. FlareFlow is shaping that evolution for audiences everywhere.”

    To sustain this growth, Col is investing heavily in infrastructure and partnerships. The company has established more than 30 international production teams across Los Angeles, New York, Canada, London and southeast Asia, supported by dual post-production centres in Beijing and Los Angeles. By year-end 2025, it plans to open the industry’s first purpose-built microdrama production studio in Hengqin, Greater Bay Area—a 10,000-square-metre facility with 30 soundstages tailored specifically for short-form content.

    With a pipeline of 280 dramas, FlareFlow is scaling aggressively. Since launching in April 2025, the platform has surpassed 15 million downloads across 177 regions, with monthly user spending increasing more than 500 per cent.

    “What excites us most is that it isn’t just about FlareFlow’s growth—it’s about investing in an ecosystem,” added at Col group general manager for international press and southeast Asia Timothy Oh. “Our investments worldwide are helping the industry adapt and thrive as microdramas become part of everyday viewing.”
    The question now isn’t whether microdramas will succeed, but how quickly they’ll reshape the global entertainment landscape.

  • BSNL dials up pride with India’s first homegrown 4G telecom stack

    BSNL dials up pride with India’s first homegrown 4G telecom stack

    MUMBAI: India has just made a call that will echo worldwide and it’s a truly Swadeshi one. BSNL, in collaboration with Tata Consultancy Services (TCS), C-DOT, and Tejas Networks, has unveiled the Bharat Telecom Stack, a fully indigenous solution powering 4G and beyond, marking a historic stride towards a digitally self-reliant nation.

    With this rollout, India joins an elite club of just five countries globally to have built a homegrown telecom technology stack. What makes it remarkable is the scale and speed the entire project, spanning 100,000 sites, was completed in just two years, making it one of the fastest 4G deployments worldwide.

    Executed under a “mission mode” governance model, the project saw TCS establish data centres, integrate C-DOT’s EPC Core Application, and deploy Tejas Networks’ base stations and radio infrastructure, all stitched together with TCS CNOPS, a cognitive platform for 24/7 real-time network management. The rollout integrates seamlessly into BSNL’s existing 2G/3G systems, ensuring connectivity continuity while boosting capacity for the digital era.

    For BSNL CMD A Robert J Ravi, the launch was more than technology, it was symbolism: “The nationwide rollout of our indigenous 4G network, built with TCS, Tejas, and C-DOT, is a resounding declaration of an Atmanirbhar Bharat. This ‘Made in Bharat’ stack secures our digital future and bridges the divide like never before.”

    The technology isn’t just about speed or spectrum; it’s about sovereignty. By delivering ultra-secure, standards-compliant connectivity, the stack safeguards national security while democratising access enabling online education, telemedicine, e-governance, and citizen services for rural and urban India alike.

    BSNL’s director (Consumer Mobility) Sandeep Govil highlighted its transformative potential: “This Swadeshi 4G technology, the result of innovation by C-DOT, Tejas, TCS, and BSNL’s workforce, is engineered for scalability. It is a cornerstone for a digitally inclusive society, ready to evolve to 5G and beyond.”

    For TCS and Tejas Networks chairman N Ganapathy Subramaniam, the achievement reinforces India’s tech legacy: “We have put India on the map of only a handful of countries with a comprehensive, trusted, and software-upgradable telecom technology stack. The successful deployment at BSNL is historic, laying the foundation for India’s further contribution to global standards.”

    The launch also reflects TCS’s longstanding role in shaping India’s digital infrastructure from modernising stock exchanges and passport services to healthcare and pensions for defence personnel touching millions of lives across decades.

    With ultra-high bandwidth, energy efficiency (0.1 W/Gbit, 65 per cent lower than average), and intelligence boosting O&M efficiency by 40 per cent, the Bharat Telecom Stack is more than a national achievement. It is a signal loud and clear that India is ready to lead in telecom innovation, connecting every citizen while setting global benchmarks.

    In short: India just built its own dial tone for the future and it’s calling the world to listen.

  • Safed’s festive film cleans hearts with a mother’s touch of compassion

    Safed’s festive film cleans hearts with a mother’s touch of compassion

    MUMBAI: This festive season, Safed Detergent isn’t just scrubbing away stains, it’s polishing hearts. With its new campaign, the brand captures the magic of motherhood, the quiet strength, boundless care, and that nurturing instinct to spread joy where it’s needed most.

    Built around the thought “Kuch daag hatate hai, kuch bhed mitate hai. Is tyohar chalo milkar khushiyan phailate hai,” the campaign reminds us that while stains may fade, what truly lasts is compassion and inclusivity.

    At the centre of the film is a mother, not just defined by her bond with her own child but by her instinctive kindness towards everyone around her. Amid the festive buzz of Durga Puja, Navratri, Diwali, Bhai Dooj, and Chhath Puja, she notices the small details others might overlook. In one poignant moment, while shopping for her son, she spots a boy serving tea at the store. In a gesture both simple and profound, she gifts him a kurta ensuring that he, too, feels the joy of the season.

    This act of empathy becomes the film’s heartbeat, symbolising how a mother’s care transcends her home and embraces society at large. Festivals, after all, aren’t only about new clothes and bright lights, but about making sure no one is left out of the celebration.

    Explaining the brand’s vision, Shantinath Detergents Pvt. Ltd. director Ritum Jain said: “With this campaign, we want to honour the spirit of motherhood, the compassion, support, and generosity that defines it. Safed’s heart is motherhood, and this festive season, we are celebrating how a mother’s pure heart spreads joy not only within her home but also across society.”

    Conceptualised and executed by Hatchlings Co., the campaign stays true to Safed’s enduring promise: the brand’s essence is rooted in motherhood righteous, pure, compassionate and its role extends beyond spotless laundry to spotless acts of kindness.

    By tying the campaign to India’s most awaited festivals, Safed underscores that real celebration isn’t about what we wear, but how we care. After all, mothers don’t just remove stains, they erase boundaries, lift spirits, and remind us that happiness multiplies when it’s shared.

  • Bangla Zee5 makes Pujo sparkle with new campaign

    Bangla Zee5 makes Pujo sparkle with new campaign

    MUMBAI: Pujo on screen, Pujo on streets. Bangla Zee5 is making sure the festival is everywhere you are. The streaming giant has rolled out its festive campaign Amar bhasha amar golpo, a 360 degree celebration that brings together films, TV favourites, festive offers and even live pandal experiences. The initiative is designed to make Durga Pujo entertainment inclusive, accessible and rooted in Bengal’s cultural heartbeat.

    zee5

    At the centre is a brand film weaving together stories of Pujo: a girl sketching the goddess’ eyes, a female priest breaking barriers, an electrician juggling fatherhood and work, and even a festive meet-cute. Subscribers can also grab the special PUJO59 deal, slashing the monthly Bangla plan from RS 99 to Rs 59.

    Between 22 September and 2 October, a line-up of popular shows such as Chirodini Tumi Je Amar, Jowar Bhata and Kone Dekha Aalo will stream free, alongside live rituals from top pandals and 35–40 festive specials. Bangla Zee5 is also stepping outdoors with cab wraps, banners and quirky Pujo creatives across the city, while partnering with residential complexes to bring screenings and celebrations directly into communities.

    “Durga Pujo is the heartbeat of Bengal, a celebration that unites generations. With this campaign, we wanted to carry that spirit into every home,” said Bangla Zee5 business head Rusa Banerjee.

    From blockbuster premieres like Mrigaya – the hunt to nostalgia-laced specials, the platform promises a festive feast for every mood. This Pujo, whether you’re pandal-hopping or couch-surfing, Bangla Zee5 is serving stories, spirit and plenty of sparkle.

  • Oppo sparks festive glow with Reno14 Diwali Edition and Prime Video show

    Oppo sparks festive glow with Reno14 Diwali Edition and Prime Video show

    MUMBAI: This Diwali, your screen time may just outshine the diyas. Oppo India has teamed up with Prime Video to light up the festive season with a double treat, a sparkling new Reno14 5G Diwali edition smartphone and the much-anticipated unscripted talk show Two Much with Kajol and Twinkle, streaming exclusively on Prime Video from today.

    The show kicks off with a reunion fans never thought they’d see Aamir Khan and Salman Khan sharing the couch, swapping stories, laughs, and surprises. The line-up that follows reads like a Bollywood blockbuster: Akshay Kumar, Alia Bhatt, Karan Johar, Kriti Sanon, Varun Dhawan, Vicky Kaushal, Govinda, Chunky Panday, and Janhvi Kapoor are all set to appear, promising spontaneous conversations and plenty of star-studded chaos.

    While Kajol and Twinkle keep the cameras rolling, Oppo brings the sparkle with its limited Reno14 5G Diwali Edition, a device that is as much art as it is tech. Priced at Rs 39,999 (special festive price Rs 36,999), the smartphone draws from Indian tradition, with a mandala base symbolising harmony, a peacock representing prosperity, and flame motifs echoing the light of countless diyas.

    The black-and-gold palette captures Diwali’s essence black as the new moon, symbolising obstacles, and gold as the glow of lamps, signifying triumph and prosperity.

    In a first for India, the device features heat-sensitive Glowshift technology, transforming from deep black to radiant gold at body temperature. The shift, achieved through nine layers of lamination and six intricate processes, can be triggered over 10,000 cycles meaning the magic won’t fade with the season.

    The Reno14 Diwali Edition packs a 50MP Hypertone triple camera with a 3.5x telephoto lens, 4K HDR video at 60fps across all lenses, and even an Underwater Photography Mode. On the inside, it’s powered by MediaTek Dimensity 8350, paired with a 6000mAh battery backed by 80w Supervooc fast charging. At just 7.42mm thin and 187g, it’s built with an aerospace-grade aluminium frame, Gorilla Glass 7i, and IP66/68/69 protection.

    Running ColorOS 15 with GenAI integration, it also doubles as your AI assistant, offering tools like Translate, Mind Space, AI Summary, Circle to Search, and AI Toolbox 2.0.

    For Oppo, the festive edition isn’t just a smartphone, it’s a storytelling device. As Oppo India, head of PR and communications Goldee Patnaik put it: “This special edition smartphone is a festive keepsake inspired by India’s rich cultural heritage… Our collaboration with Prime Video for Two Much with Kajol and Twinkle echoes the same sentiment celebrating real, unscripted connections and the joy of being in the moment.”

    With a smartphone that changes colour with your touch and a talk show that promises raw, unscripted conversations, Oppo has blended tech and tradition into a festive narrative. This Diwali, your upgrade might just come with both a new device and a binge-worthy watchlist.

  • Indian talent shines as International Emmys span record 26 countries

    Indian talent shines as International Emmys span record 26 countries

    MUMBAI: Indian performers have secured three coveted nominations for the 2025 International Emmy Awards, with Punjabi singer-actor Diljit Dosanjh earning recognition for his performance in Amar Singh Chamkila and the film itself competing in the TV Movie/Mini-Series category. The third nominees is in the kids animation category where Vaibhav Studios’ Lamput has been nominated. 

    The nominations, announced yesterday by the International Academy of Television Arts & Sciences, span a record 26 countries with 64 nominees across 16 categories. India joins an eclectic mix including traditional powerhouses Britain, Germany and France alongside emerging markets such as Kenya, Qatar and the United Arab Emirates.

    Dosanjh’s portrayal of the legendary Punjabi folk singer in Netflix’s biographical drama has earned him a spot in the best performance by an actor category. He faces competition from Britain’s David Mitchell for Ludwig, Spain’s Oriol Pla for Yo, adicto and Colombia’s Diego Vasquez for One Hundred Years of Solitude.

    The Amar Singh Chamkila film, produced by Window Seat Films for Netflix, will compete against Germany’s Herrhausen: The Banker and the Bomb, Britain’s Lost Boys & Fairies and Chile’s Vencer o Morir in the TV movie category.

    “As the International Emmys continue to recognise the very best in television, the creativity and calibre of this year’s nominees, from a record 26 countries, reflect the global strength of our industry,” said the academy’s president & chief executive Bruce Paisner.

    The nominations showcase television’s increasingly global nature, with South Korea’s Chicken Nugget competing in comedy, Australia’s beloved Bluey nominated for children’s animation, and Qatar’s Al Jazeera earning recognition for its Gaza coverage.

    Winners will be announced at the 53rd International Emmy Awards gala in New York on November 24th, following the World Television Festival from November 21st-23rd. The ceremony’s partners include Dubai Studios, Brazil’s Globo and Turkey’s Ay Yapim, underlining the awards’ international reach.

    Britain leads with seven nominations across multiple categories, while streaming giants Netflix and Disney+ dominate the platform landscape. The breadth of nominated content—from Turkish telenovelas to Finnish children’s programmes—reflects television’s role as a universal storyteller transcending borders and languages.
    The nominees are as follows

    Arts Programming
    Art Matters with Melvyn Bragg
    Oxford Films / Sky Arts
    United Kingdom
     
    DJ Mehdi: Made In France
    Ultra Magnetic / 360 Creative / Unité / Arte France
    France
     
    Herchcovitch; Exposto [Herchcovitch; Exposed]
    Mood Hunter
    Brazil
     
    Ryuichi Sakamoto: Last Days
    NHK (Japan Broadcasting Corporation)
    Japan
     
    Best Performance by an Actor          
    Diljit Dosanjh in Amar Singh Chamkila
    Window Seat Films / Netflix
    India
     
    David Mitchell in Ludwig
    Big Talk Studios / That Mitchell & Webb Company
    United Kingdom
     
    Oriol Pla in Yo, adicto [I, Addict]
    Alea Media / Disney +
    Spain
     
    Diego Vasquez in One Hundred Years of Solitude
    Dynamo Producciones / Netflix
    Colombia
     
    Best Performance by an Actress
    Charlotte Hope in Catch Me A Killer
    Kowalski Films / LMP 51 / Showmax / Night Train Media
    South Africa
     
    Anna Maxwell Martin in Until I Kill You
    World Productions
    United Kingdom
     
    Carolina Miranda in Mujeres Asesinas – Season 2       
    Pletora Productions / ViX
    Mexico
     
    Maria Sid in Smärtpunkten [Pressure Point]
    Kärnfilm / Art & Bob
    Sweden
     
    Comedy
    Chicken Nugget
    Studio N / Plusmedia Entertainment / Netflix
    South Korea
     
    Iris
    Les films entre 2 et 4 / Canal+
    France
     
    Ludwig
    Big Talk Studios / That Mitchell & Webb Company
    United Kingdom
     
    Y Llegaron de Noche [They Came at Night]
    3Pas / Visceral / ViX
    Mexico
     
    Current Affairs
    Dispatch: Kill Zone: Inside Gaza
    Basement Films
    United Kingdom  
     
    Philippines: Diving for Gold
    Keyi Productions / Arte G.E.I.E
    France
     
    Repórter Record Investigação: Desaparecidos Forçados [Enforced Disappearances]
    Record TV / Playplus
    Brazil
     
    Walk the Line
    Mediacorp Pte Ltd
    Singapore
     
    Documentary
    Hell Jumper
    Expectation Entertainment for the BBC
    United Kingdom
     
    King of Kings: Chasing Edward Jones
    Abelart Productions
    France
     
    O Prazer é Meu [It’s My Pleasure]
    Amana Cine
    Brazil
     
    School Ties
    IdeaCandy
    South Africa
     
    Drama Series
    Las Azules [Women in Blue]
    Lemon Studios / Apple TV+
    Mexico
     
    Bad Boy
    Sipur Studios / North Road Company / Tedy Production / Hot
    Israel
     
    Koek [Cake]
    Wolflight
    South Africa
     
    Rivals
    Happy Prince part of ITV Studios / Disney+
    United Kingdom    
     
    Kids: Animation
    Bluey
    Ludo Studio
    Australia
     
    Lamput – Season 4  
    Warner Bros. Discovery / Vaibhav Studio / Robot Playground Media / Lil Critter Workshop /
    The Monk Studios / Tribe Audio / The Tuning Folk / Inspidea / Shapeshifter Studio
    Singapore
     
    Lupi e Baduki
    Flamma / Elo / Birdo
    Brazil
     
    Muumilaakso – Season 4 [Moominvalley]
    Gutsy Animations / YLE / SkyOne
    Finland
     
    Kids: Factual & Entertainment
    Auf Fritzis Spuren – Wie war das so in der DDR? [On Fritzi’s Traces – What was it like in the GDR?]
    Balance Film GmbH / Germany Mitteldeutscher Rundfunk (MDR) / Westdeutscher Rundfunk (WDR)
    Germany
     
    Bora, O Pódio é Nosso  
    Globo / Sentimental Filmes
    Brazil
     
    Kids Like Us
    Echo Velvet
    United Kingdom    
     
    Playroom Live
    Eclipse Television Productions
    South Africa
     
    Kids: Live-Action
    Fallen
    Globoplay / Night Train Media / Silver Reel / Hero Squared / Umedia
    United Kingdom   
     
    Luz
    Floresta (Sony)
    Brazil
     
    Prefects
    Peripheral Vision International
    Kenya
     
    Shut UP
    Alfredfilm / Feelgood SFT / Snowreel / Rabbit Films
    Norway
     
    News
    Fantástico: El Salvador: Safety’s Somber Side
    Globo
    Brazil
     
    The Gangs of Haiti
    Sky News
    United Kingdom
     
    Gaza, Search for Life
    Al Jazeera News Directorate  
    Qatar
     
    Syria – The Truth Coming Out
    TV4
    Sweden
     
    Non-Scripted Entertainment
    Big Brother: Canada – Season 12
    Insight Productions
    Canada  
                                     
    Love is Blind: Habibi
    Imagic / Netflix
    United Arab Emirates  
     
    ¿Quién es la Máscara? – Season 6 [The Masked Singer]
    TelevisaUnivisión / Endemol Shine Boomdog
    Mexico
     
    Shaolin Heroes
    Metronome Productions / Banijay / TV 2 Danmark
    Denmark
     
    Short-Form Series
    Beyond Dancing
    Radio Television Hong Kong
    Hong Kong SAR, China
     
    La médiatrice [The Mediator]
    KOTV
    Canada
     
    My Dead Mom
    LoCo Motion Pictures
    Canada
     
    Todo se Transforma – Season 4 [Change is Everything]
    Warner Bros. Discovery / Buffalo Producciones
    Argentina
     
    Sports Documentary
    Argentina ‘78
    Disney+ Original Productions / Pampa Films
    Argentina
     
    Chasing the Sun 2
    T+W
    South Africa
     
    It’s All Over: The Kiss That Changed the Spanish Football
    You First Originals
    Spain
     
    Sven
    Whisper / Up & Away Film Entertainment / Prime Video
    United Kingdom  
     
    Telenovela
    Deha [The Good & The Bad]   
    Ay Yapim
    Türkiye
     
    Mania de Voc? [Crazy About You]
    TV Globo
    Brazil
     
    Regreso a Las Sabinas [Return to Las Sabinas]
    Diagonal TV / Disney+
    Spain
     
    Valle Salvaje
    Studio Canal
    Spain
     
    TV Movie/Mini-Series
    Amar Singh Chamkila
    Window Seat Films / Netflix
    India
     
    Herrhausen: The Banker and the Bomb
    Sperl Film
    Germany
     
    Lost Boys & Fairies
    Duck Soup Films
    United Kingdom  
     
    Vencer o Morir [Victory or Death]
    Amazon MGM Studios / Parox S.A.
    Chile

  • NZ cricket live in India: Every ball on Prime Video this summer

    NZ cricket live in India: Every ball on Prime Video this summer

    MUMBAI: Prime Video is serving a non-stop season of boundaries and bouncers. The streamer has announced it will bring every ball of New Zealand’s 2025-26 home season live to India, giving fans front-row seats to a packed calendar of Tests, ODIs and T20Is.

    Starting 1st October with a fiery three-match T20I showdown against Australia, the Black Caps’ home summer promises wall-to-wall drama. England follows with six white-ball games through October, before the West Indies arrive for a full tour of five T20Is, three ODIs and three Tests across November and December. South Africa then rounds things off in March 2026 with a high-octane five-match T20I series, while the White Ferns take on Zimbabwe Women for the very first time, alongside fixtures with South Africa.

    Across nine iconic venues, the season will feature cricket’s biggest names, from Rachin Ravindra, Pat Cummins and Travis Head to Sophie Devine, Laura Wolvaardt and Sikandar Raza.

    For Indian fans, it means free access to a feast of cricketing rivalries and historic firsts, streamed directly on Prime Video. With the entire season running till March 2026, one thing is clear, New Zealand’s summer just became India’s too.