Category: Over The Top Services

  • Shemaroo loads 1000+ movies & TV shows on HOOQ

    Shemaroo loads 1000+ movies & TV shows on HOOQ

    MUMBAI: Shemaroo Entertainment and video-on-demand service HOOQ have inked a partnership, which will see the addition of more than 1000 movie titles across multiple genres and languages on the OTT platform. 

     

    With a content library of over 30,000 hours, HOOQ will now distribute Shemaroo’s library that includes a mix of classics to super hit films, TV serials and fitness videos. The content catalogue includes titles like Hunterrr, The Dirty Picture, Ishqiya, Don, Kaalia, Khuda Gawah, Mughal-E-Azam, Nukkad, Shilpa’s Yoga and Bipasha’s Fit & Fabulous amongst others.

     

    Shemaroo Entertainment director Jai Maroo said, “We are excited to partner with HOOQ for Indian content. With increasing number of devices and its users, the consumption of content on these platforms will certainly see an upward swing. We believe that services like this will catalyze consumers’ shift towards premium paid services and thus will ultimately benefit content owners like us. The deal affirms our focus to deliver quality content to our consumers on a variety of media and a network of their choice.”

     

    HOOQ chief executive officer Peter Bithos added, “Partnering with Shemaroo Entertainment, one of the largest content houses in the country will no doubt strengthen our ever-growing catelogue. We aim to satisfy the entertainment needs of the Indian consumers by ensuring that they continue to enjoy the largest and best catalogue of Hollywood and Indian content for only Rs 199 per month.”

     

    “We have put the Indian customers at the heart of our design to ensure that HOOQ serves their needs given the various challenges of India and other developing countries. This is evident in the world’s first download feature for Hollywood content, where customers can download up to five of their favourite movies to watch at a later time even when they are not connected to the internet,” he added.

     

    Singtel, Sony Pictures Television and Warner Bros launched HOOQ in India earlier this year and has also inked deals with the likes of Yash Raj Films amongst others. 

  • Eros Now forges advertising partnership with ‘Quantico’

    Eros Now forges advertising partnership with ‘Quantico’

    MUMBAI: Eros International and International Media Distribution (IMD) have inked an advertising partnership for Priyanka Chopra’s upcoming US television series Quantico. Chopra will make her American television debut as Alex Parrish on the series, which will begin airing in the US on ABC from 27 September.

     

    The OTT platform Eros Now will showcase an entire line-up of Chopra’s films in celebration of Quantico’s premiere. Through a special advertising agreement, ABC will feature Quantico promotional spots before each of Chopra’s films on Eros Now On Demand from 4 September to 29 October to drive tune-in for the new FBI series.  

     

    “We are excited to bring Priyanka Chopra’s collection of Eros films to television viewers around the world in celebration of her historical crossover from Bollywood to Hollywood. We, along with the thousands of proud South Asian families in the US, are anxious to support an Indian actor in a lead role on a television show airing on a mainstream US network. This is truly momentous and we are delighted to curate a collection of Eros titles to honor the occasion,” said Eros International president Ken Naz.

     

    Sneak peeks and behind-the-scenes footage from Quantico will be available to watch in addition to Bollywood films featuring the star. 

     

    The movies starring Chopra that will be showcased on Eros Now On Demand are God Tussi Great Ho, Teri Meri Kahaani, Agneepath, Mary Kom, Shootout at Wadala, Anjaana Anjaani, Krrish, Krrish 3, Salaam-E-Ishq and Ra.One.

     

    All titles on Eros Now On Demand are in Hindi and subtitled in English.

     

    To access the special collection of Priyanka Chopra Bollywood films on Comcast, customers can go to On Demand > Premium Channels > Eros Now > Priyanka Showcase. For other operators, customers can consult the On Demand menu.

  • Turner Broadcasting acquires majority stake in iStreamPlanet

    Turner Broadcasting acquires majority stake in iStreamPlanet

    MUMBAI: Turner Broadcasting System, Inc. has acquired a majority stake in iStreamPlanet, a company that operates in large-scale, live event streaming, TV Everywhere Network simulcasts and OTT multiplatform solutions.

     

    Turner will leverage iStreamPlanet’s technology to deliver its OTT programming, shift its core technology infrastructure to the cloud and develop new products and services for existing and new businesses. Turner’s diverse technology requirements, ranging from live news, simulcast networks, video on demand and multiplatform specific content will also enhance iStreamPlanet’s commercial offering. This transaction is an important piece of Turner’s ongoing technology transformation with the potential to advance technological capabilities across all of Time Warner Inc.

     

    Turner chairman and CEO John Martin said, “We’ve worked with iStreamPlanet in the past during the PGA Championship and they have also delivered world-class events such as the Super Bowl and Olympics to millions of viewers. There is no one better in the business. This partnership will expand our capabilities to offer live events within and outside of the traditional ecosystem and, by bringing iStreamPlanet’s innovative technology in-house, allow us to cultivate future business opportunities on digital platforms.”

     

    “Turner is a media powerhouse with tremendous reach via their entertainment and live sports programming, and strong relationships with advertisers. They have been a recognized innovator in the media industry, breaking ground first in cable and then in TV Everywhere. We couldn’t ask for a better partner to accelerate our growth and expand our portfolio of multiplatform OTT solutions to meet the changing needs of content owners and consumers,” added iStreamPlanet CEO and founder Mio Babic.

     

    Aside from Turner, iStreamPlanet works with a roster of media and technology companies. Under the terms of this deal, iStreamPlanet will remain a standalone entity and continue to conduct business and broker independent deals with existing and new third-party clients while working closely with Turner to explore new business opportunities.

  • “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    “If OTT players offer a unique proposition, all of them can co-exist:” Debashish Ghosh

    ditto TV – India’s first OTT venture owned by media mogul Subhash Chandra – is all set to thrust forward in the space with a strong focus on innovation and fresh content. The OTT player has launched its international operations and will soon have content from across the globe. 

     

    In conversation with Indiantelevision.com’s Anirban Roy Choudhury, ditto TV CEO Debashish Ghosh shares his vision and thoughts on the emerging OTT market in India. Prepared to take on international players entering the market, he says that Zee Entertainment Enterprises does not believe in loss making business propositions. Every business under the conglomerate is financially independent. The emerging market not only has the potential to grow rapidly but also offers ample scope for innovation.

     

    Excerpts:

     

     

    Is India ready for OTT platforms? How is the market shaping up?

     

    The Indian market is surely getting ready for OTT. The only challenge that Indian OTT players face is that of bandwidth. The cost of data be it mobile or cable is high. For an average Indian to shell out Rs 2000 individually to have internet on their mobile is still a challenge. Yes, things are improving and it’s but natural that penetration will increase. Statistically, we are going over the US when it comes to penetration of the Internet.

     

    We at ditto TV are cognizant of the bandwidth condition in the country from the very beginning. Hence, we are not a platform that only works on 3G or Wi-Fi. ditto TV also works on 2G, WAP as well as on feature phones. The OTT market in India is growing and has great growth opportunity. The infrastructure will get better and data will become cheaper as we go along. The growth of OTT will also be interconnected with the new set of consumers that are coming in. Anybody born post 1990s and is above 25 years old doesn’t really watch TV today. They watch all their content on the digital platform.

     

    Which revenue model will sustain in the long run for OTT players in India and which model will ditto TV follow?

     

    I don’t believe any one model will work. It has to be a hybrid scenario. Advertising revenue for at least next three – five years is not the proposition that will be sufficient to offset the cost, so if the business strategy is to incur huge losses then going with the advertising platform is okay. We don’t believe in such loss making propositions. We believe in that whatever business we do, must pay for itself and that’s the reason why we follow the subscription model. I think we are one of the two players, who follow a subscription revenue model. World over the subscription based revenue model is something that’s proven to be sustainable and I don’t see that changing in India.

     

    What kind of advertising can OTT platforms offer? What is the advertiser’s overview on the platform?

     

    If today India is paying for TV that means they are paying for content. The way digital platforms have progressed in this country, creates a challenge. So far the advertising model was working but we all know that it’s stagnating now. Display advertising by its own nature isn’t attractive anymore on digital for brands. As digital is a measurable medium, people over the platform want to target a specific audience and hence the funda of mass roll-out does not work here. That’s why a proposition like native advertising is coming in and innovations like brand solutions, integrated marketing and most importantly proposition like highly targeted advertising will work. Now when a brand wants to advertise, they won’t say “I want ‘X’ GRP” or “‘X’ circulation of a medium,” but will instead say “I want to target 1 million Male, who are aged between 24-32 and are interested in sports.”

     

    BARC is scheduled to release data for all screens which will also include screens that OTT caters to. Do you feel we have enough data to provide brands with a platform for targeted advertising?

     

    Even if BARC provides data for all screens, it will still remain a sample based proposition.

     

    On the other hand, publishers today have the capacity to roll out empirical data. We can give empirical data of the number of people watching our content, how they are watching it, how much time they are spending and how many of them are coming back. Based on this data, we can target specifically. That infrastructure is a function of technology and technology exists today. There are many data management companies like Lotame and Bluberry, which are in play today. So it is possible to fulfil advertisers’ demand and those who can fulfil this will remain in play or get premium CPM for their inventory. The growth will come from targeted advertising. But I believe that India is a market where if the content is original, attractive and effective, people will pay for it.

     

    What’s your take on the current content on OTT platforms? What will be ditto TV’s content strategy and what kind of content is likely to work?

     

    Largely, OTT players today are going for pre-produced TV content, which is easily available. At the same time, brands, freelancers and MCNs are also creating a lot of original content. ditto TV has also invested in creating original content. We launched a music show, which is exclusively for digital and then we are also moving towards producing a whole lot of original shows in different genres like humor, horror, short series and short movies etc. This is sharable content that resonates with consumers, which is not necessarily long. 

     

    I believe that the debate between long and short show is a wrong one. Content is what is important. If the content has quality, short will also work. We can take example from Sujoy Ghosh’s Ahalya, which got more than two million views in three days. So if the content has quality, it will fly. We make so many long movies but how many do we actually remember at the end of the day?

     

    Do you think an ‘only original’ content strategy is monetarily sustainable at this stage?

     

    Creating content cannot be the only strategy. Producing content is also a strategy. One must have all sorts of content including original content. You cannot drive something only on the basis of original content. Let’s face the reality, TV content is still attractive and liked by the mass so there is no point in saying that we will only create original content and dump TV.

     

    Also if you create content, you have to find different ways of monetizing it and that’s where syndication comes in. If you are stuck to a particular model, it’s highly unlikely that you will recover money. Also, the more the content is watched, the more relevant it becomes. House of Cards, Game of Thrones and Orange Is The New Black are examples that we already seen.

     

    Do you feel post the 4G launch, there will be more mobile consumption?

     

    I am keenly waiting for 4G to roll out. But I believe that content will be consumed on both mobile as well as broadband devices. Expecting someone to watch content full day standing on one leg is a little too much as entertainment is not only about content quality but also experience. So group viewing will continue but at the same time when someone is travelling, instead of missing the content because they are in transit, they will watch it on mobile devices, which they wouldn’t be able to do if OTT wasn’t present. In my opinionm consumption is never a ‘or’ but is always an ‘and’ proposition.

     

    Do you feel that the launch of global OTT players Netflix and HOOQ can pose a threat to existing Indian OOT platforms?

     

    India is a very big market and there is scope for everybody to play, provided you are unique. Whether you are ditto TV, HOOQ, Netflix or Hotstar, your USP should be clear to the consumers. The consumer is fickle, so if these players bring in a unique proposition in terms of content and entertainment, all of them will reside simultaneously.

     

    However, in the long run, there will be players who will survive and those who will perish. The platform offering the best holistic experience will survive and hence OTT players will have to keep innovating and setting benchmarks.

     

    Was ditto TV’s new TVC with the tagline ‘Who watches TV alone?’ launched with the aim of taking a dig at Hotstar’s ‘Go Solo’ campaign?

     

    If you don’t go only by the last line, with this campaign what we are actually trying to convey is that television viewing is a collective experience. Initially when TV came to India, it used to be a community viewing. We all used to go to the neighbour’s place and watch Mahabharat. I believe that has not changed significantly because it’s entertainment at the end of the day.

     

    Entertainment is consumed with people one cares for and that’s what we wanted to communicate. In today’s world, where cultures are shifting, people are moving out of their families, nuclear families are mushrooming but relationships do not change. So if people have separated due to circumstances, they don’t need to change their habit of watching TV together. That’s why we showcased mother – daughter, fiancé, brother and sister as well as friends in our campaign. This campaign was executed after research and has nothing to do with Hotstar or its campaign.

     

    With the campaign, was the aim to reach a particular milestone in terms of downloads? What is ditto TV’s subscriber base at this stage?

     

    Downloads mean nothing to us. Ideally, download should mean nothing to everybody. It is just an eyewash. Being a subscription based platform, we analyse ourselves on the basis of the number of active subscribers we have and our target is always to enhance the subscriber base, not the downloads.

     

    We have 1.5 million monthly paid subscriber base out of which most of them are based in India. We have just launched our international operations and have around 20,000 international subscribers. We believe that international operations will play a big role in our growth in terms of monetisation. 

     

    What is the roadmap ahead for ditto TV?

     

    Our goal is to have a worldwide presence with a versatile range of content, which includes both regional as well as international content. We will keep innovating and offering people an exquisite experience. We will make subscription easy and have a wide range of packs, which will make people pay for what they want.

     

    A Bengali has no necessity of a South Indian pack and vice versa, so we will make sure that channels are not forced on to consumers. We allow users to download shows and watch them at their leisure. So overall, we will keep innovating and I believe that’s something that the OTT sector also needs to do non–stop.

     

  • #fame celebrates Independence Day with new rendition of Vande Matram

    #fame celebrates Independence Day with new rendition of Vande Matram

    MUMBAI: It’s been over 100 years since Bankim Chandra Chatterjee wrote our national song- Vande Matram and it continues to ignite the patriotic Indian within us. This Independence Day #fame joins hands with Sarod Maestro, Padma Vibhushan- Ustad Amjad Ali Khan, and his sons-Amaan Ali Khan, Ayaan Ali Khan to recreate the magic of Vande Matram on Sarod in an instrumental music video.

     

    #fame CEO Saket Saurabh said, “#fame is extremely proud to be associated with Ustadji and his sons.  We are particularly happy with this collaboration because every Indian has grown up listening to Vande Mataram and this rendition is truly soul stirring.”

     

    The new instrumental version has a fresh appeal, while Sarod continues to give a classical traditional touch to the song. The video is presented by #fame; Asia’s premier talent led digital entertainment and is trending on social media with the hashtag- #ProudlyVandeMatram.

     

    In 2002, BBC World Service conducted an international poll to choose ten most famous songs of all time. Around 7000 songs were selected from all over the world. A version of Vande Mataram, was ranked second.

  • Bharti Airtel partners ErosNow for Wynk Movies

    Bharti Airtel partners ErosNow for Wynk Movies

    MUMBAI: Bharti Airtel has partnered with ErosNow for its carrier agnostic mobile application – Wynk Movies.

     

    A first-of-its kind video marketplace, Wynk Movies offers a specially curated library of thousands of movies and other videos from a host of partners including ErosNow.

     

    With this partnership, users of Wynk Movies can access ErosNow’s Bollywood content offering new and classic Bollywood movies including exclusive online premieres like Tanu Weds Manu Returns, Shamitabh, Badlapur, Happy Ending and NH 10 even before their television premiere.

     

    While the app content can be accessed across 2G, 3G, 4G and Wi-Fi services, users can enjoy the app best on 4G given its seamless internet capability.

     

    Wynk CEO Kartik Sheth said, “We always partner with the best and are confident that having Eros’s premium content as one of channels on our app will help drive faster adoption for video services in the country. As smartphones penetrate deeper leading to a surge in the consumption of videos on mobile, Wynk Movies will further empower users to seamlessly access the best of video content on the move.”

     

    Eros Digital CEO Rishika Lulla Singh added, “Armed with our content library and first mover advantage, our vision for ErosNow is to fulfil the growing consumer need for endless premium entertainment on-demand and on-the-go, whether on their smartphones, tablets, laptops or internet enabled devices. An important part of our strategy is to be platform-agnostic and we are delighted to tie up with Airtel, a leading player in its space and a front runner in the 4G revolution where we believe our content and distribution synergies will create a win-win consumer proposition.”

     

    Eros International president – business development Kumar Ahuja said, “ErosNow has already garnered over 19 million registered users worldwide for ErosNow and we believe our integration with Airtel for their Wynk Movies platform will further give momentum to our customer acquisition strategy.”

  • #fame is an amalgamation of technology and content: Saket Saurabh

    #fame is an amalgamation of technology and content: Saket Saurabh

    MUMBAI: The staircase to fame is less steep and wider today than it used to be a couple of decades ago. In the era of digital adeptness, a person sitting in Bangalore or Bokaro, Jalandhar or Jamshedpur, Mumbai or Mussoorie, Delhi or Daman has an equal opportunity to showcase talent and content to the world at the click of a few buttons.

     

    Over the years, from hoardings to cinema to television, the medium through which fame can be achieved has changed drastically. Today, with the emergence of the digital medium, talent no longer needs to follow the long and tedious process. The ‘funda’ is simple: If you if have quality content, all you need is a hashtag to become famous.

     

    At a time like this, armed with the motto of providing a platform to talent that has the quality content, To The New Ventures’ (TTN Ventures) platform – #fame is making waves in the digital world.

     

    With the launch of its new app a couple of months back, #fame enabled users to stream content live, which can be consumed real time.

     

    Speaking to Indiantelevision.com, #fame CEO Saket Saurabh says, “We started our journey as an entertainment network by creating digital first content, which was exclusively for digital. The app, which is India’s first live-streaming app, has seen half a million downloads since launch and that is very encouraging. The app is dedicated to talent where anyone can live beam their performance, find an audience, interact and create a marketplace.”

     

    “As a company we are focused on talent. Our aim is to ensure that we discover emerging talent using the power of digital and give them a platform to showcase their skills and find an audience. We have two fundamentals: one is content and the other is tech. The #fame app is an amalgamation of both,” Saurabh asserts.

     

    Currently, the company’s main focus is to create a quality wave of supply, which can meet consumers’ demand. “We have more than 15000 unique performers and we’re adding 500 new performers every day. In this business, supply is most important and hence having good supply was always our priority,” adds Saurabh.

    Forging multiple tie-ups since inception, #fame’s biggest association so far has been with the IIFA Awards. “We are getting a lot of engaging content. This year we partnered with IIFA and with that we changed IIFA from a two hours prime time show to a three-day entertainment gala. We created content that would never find a television spot and consumers lapped it all up. From the green carpet to behind the scenes, the who’s who of Bollywood were chatting with subscribers and that’s the power of the app,” Saurabh explains.

     

    Today, the Indian youth is constantly interacting across various mediums while consuming content and constant partial attention has become a primary discussion for the ad fraternity. In the age of real time interaction and trending hashtags, consumers are giving their opinion across social medium. The digital medium, be it over-the-top (OTT) or video-on-demand (VOD) platforms, has the infrastructure to provide brands an opportunity to be a part of the real time interaction.

    Saurabh is of the opinion that this phenomenon is poised to get a major impetus in India due to various factors, technological advancement being one of them. “The primary reason for real time interactive mediums to grow is the overwhelming penetration of smartphones. Secondly, the impending launch of 4G will play a pivotal role in ensuring feature phone users’ move towards the smartphone. Last but not the least, access cost will come down while the intensity and quality of streaming will enhance. So interactive mediums will enhance their base and become more mass. The digital medium gives marketers the option to target and analyse specifically because of its interactive nature,” he says.

     

    A key reason for the digital medium’s success is its ability to catapult a person to instant fame. Moreover, according to Saurabh, it definitely has the potential to sustain in the long run. “There is a sea of content creators who are looking towards digital to communicate, which in return is spelling success for the likes of YouTube, Facebook or even #fame for that matter. Talent like All India Bakchod and The Viral Fever are coming to the forefront gaining national and international attention thanks to the medium. What this phenomenon tells us is that there is a wave of talent using digital to come to the fore and connect directly with the audience, which has never happened before. A couple of decades back when television and films were the only medium of exposure for talent, the success ratio of people making it big was very small. The digital medium has multiplied the ratio by 100x if not more. Now all people need to do is shoot and upload. If it has quality, it will get the wings to fly. Digital made things more meritocratic and reduced the reluctance on luck,” Saurabh adds.

     

    #fame, which follows the advertising revenue model, is not looking at the subscription based revenue model as of now. The venture’s focus is to create exclusive content, which can be a great platform of promotion for brands too and help in creating a value proposition for advertisers.

     

    “We have had a very strong relationship with advertisers right from the beginning. Being a talent management company, we indulge in creating a lot of properties, which helps us to discover talent. We created a fashion property where Karan Johar was a mentor and editor. We recently launched a musical property called Web Singer with Pritam Chakraborty, where the focus is on discovering young singing talent. Being an interactive medium, we interact with audiences in many different ways and brands associated with us also become a part of the interaction,” informs Saurabh.

     

    Speaking on the growth of digital medium, he says, “The time of digital boom has come. We have to follow consumers wherever they are going and they have now moved towards the mobile medium. There’s always a debate about whether mobile is the second screen or the third screen. Well, I think mobile is the first screen. The line between television and digital has blurred over the time. All we need to do is create specialized content for consumer to consume in digital mediums.”

     

    With the influx of new players like HOOQ, Hotstar and Ditto TV amongst others, India has become a battlefield of OTT and VOD platforms. Moreover, with the speculated launch of Netflix in India by 2016, the competition is only set to get tougher. Speaking on the same, Saurabh says, “The players that are already present will spur the ecosystem and competition will only go on to ensure that better quality is presented to consumers. So I don’t think one will demolish the other. Rather in my opinion, one will subtly compliment the other and at the end of the day, it’s the survival of the fittest.”

  • Simpli5d Technologies ousts mechanical platform to help prevent online ad fraud

    Simpli5d Technologies ousts mechanical platform to help prevent online ad fraud

    NEW DELHI: Anti-fraud technology consultants Simpli5d Technologies has designed ingenious technology platforms for impactful digital advertisements that sideline the risks and complicacies of online advertising providing optimal returns. 

     

    The innovation is a groundbreaking solution to filter out non-human traffic coming on to any ad-campaign or website. The patent-awaited Natural Language Processing (NLP) Technology developed by the company is a strong solution that ensures that the brands/ advertisers pay only for what they get. The technology is based on the fundamental aspect of any advertisement campaign along with elimination of the fraud which is ‘Real Human + Right Targeting + Real Engagement = Enhanced and Sustainable Brand Recall’.

     

    Simpli5d Technologies founding partner and CEO Amit Mittal said, “Simpli5d Technologies is helping brands prevent waste of money on ineffective advertisements and is effectively addressing the issue of ad-fraud. The company is working towards building a very comprehensive and powerful analytics engine, which would be extremely beneficial for both publishers as well as advertisers.” 

     

    The company’s endeavour is to be the leader in anti ad-fraud domain and help save billions of dollars that are going waste on automated bots and blindspots. Currently, it is the only venture in India providing service in this segment. With the mission, Simpli5d Technologies offers the solutions which are instrumental in paving the way forward to a more digitized India.

  • Netflix plans ‘Mr. Peabody & Sherman’ series from DreamWorks Animation

    Netflix plans ‘Mr. Peabody & Sherman’ series from DreamWorks Animation

    MUMBAI: Netflix will introduce a new original series for kids – The New Mr. Peabody & Sherman Show from DreamWorks Animation.

     

    Mr. Peabody, the smartest dog in the world, and his boy Sherman host a zany late-night comedy show broadcast from their swanky penthouse in front of a live studio audience. Anything can happen in this show jam-packed with exciting segments, great musical acts and very special guests like outrageous neighbors and hilarious time travelers they meet with the WABAC machine.

     

    Netflix has planned 13 episodes for season 1 of the show.

  • ‘Bangistan’ signs hotstar as digital partner

    ‘Bangistan’ signs hotstar as digital partner

    MUMBAI: After Tanu Weds Manu Returns and the multi-starrer hit Dil Dhadakne Do, the forthcoming comic caper Bangistan has signed Star India’s over-the-top (OTT) platform hotstar as digital partner.

     

    The partnership will encompass the movie’s marketing initiatives ahead of its nationwide release on 7 August. 

     

    Using innovative and entertaining content as a means of promoting awareness and expectation for itself, Bangistan has shot wacky videos featuring its lead actors, Riteish Deshmukh and Pulkit Samrat in conversation and demonstrations with Cyrus Sahukar. The tongue-in-cheek videos range from a class in homegrown bomb-making, a discussion on the alphabets taught to trainee terrorists, and windows into their funny lifestyles and priorities in the back of beyond.

     

    These episodes are available only on hotstar, to promote Bangistan. The videos were created in sync with the personality of the film. Bangistan is also using theme driven promotion to connect with evolved and connected movie lovers, who consume a majority of their entertainment dose through the digital platform.