Category: Over The Top Services

  • 4k Media Continues To Expand International Streaming Media Partnerships For The Yu-Gi-Oh! Franchise

    4k Media Continues To Expand International Streaming Media Partnerships For The Yu-Gi-Oh! Franchise

    MUMBAI:  Adding to its digital distribution dominance, 4K Media Inc., the Konami Digital Entertainment, Inc. subsidiary that manages the licensing and marketing of the Yu-Gi-Oh! brand, and its distribution partner Cinedigm have announced that the brand has added  a number of  SVOD/VOD partners in Europe to its already impressive roster of global digital partnerships.

    Among 4K Media’s latest digital media distribution agreements are:

    Germany:

    236 German-language episodes of the complete series “Yu-Gi-Oh! Duel Monsters” and 155 German-language episodes of the complete series “Yu-Gi-Oh! GX,” in cooperation with the German distribution partner KSM GmbH, have been licensed to:

    RTL networks’s German online portal ClipFish

    Maxdome, the SVOD platform owned by Prosieben Sat 1. Media

    My Video, one of Germany’s most popular online video destinations, also owned by  Prosieben Sat 1. Media

    Italy:

    TIM will be offering its TIMvision’s subscribers all 49 episodes of “Yu-Gi-Oh! ARC-V” Season 1, the latest series from the franchise.

    Multi-Territory Agreements:

    Crunchyroll, the U.S. based international online community focused on streaming Asian media with a special emphasis on anime and manga, has expanded its worldwide (outside of Asia) distribution arrangement with 4K Media with the addition of the original, uncut Japanese-language versions of “Yu-Gi-Oh! Duel Monsters” and “Yu-Gi-Oh! GX” series with English subtitles.

    4K Media joins leading Hollywood studios in partnering with Tubi TV (www.tubitv.com), the world’s largest and fastest-growing — free and legal — video app on Connected TV devices, Mobile, and the Web. The free, video-on-demand service has licensed 154 original and uncut episodes of “Yu-Gi-Oh! 5D’s” with English subtitles, as well as 123 English-language episodes of the series. 

    In commenting on the digital distribution partnerships, Mark Kirk, 4K Media Senior Vice President, Digital Operations, said:  “We’re thrilled to have episodes of the various

    Yu-Gi-Oh! series available to fans throughout the world. 4K Media has been embracing digital media platforms as a viable method for distributing content for over a decade and will continue to do so as the numbers of fans accessing the vast Yu-Gi-Oh! library of episodes online and on mobile devices validates that decision.”

    This latest round of digital distribution agreements expands 4K Media’s vast number of existing streaming partnerships for the Yu-Gi-Oh! franchise, including Hulu (US), Netflix (multi-territory), ClaroVideo (Latin America) and TV4 (Sweden), among others.

    The Yu-Gi-Oh! animated franchise, with over 700 episodes available in up to 15 local languages, consists of the original “Yu-Gi-Oh! Duel Monsters,” “Yu-Gi-Oh! GX,” “Yu-Gi-Oh! 5D’s,” “Yu-Gi-Oh! ZEXAL” and the newest installment, “Yu-Gi-Oh! ARC-V,” as well as the highly popular Yu-Gi-Oh! trading card game, video games, licensed product and feature films.

     

  • 4k Media Continues To Expand International Streaming Media Partnerships For The Yu-Gi-Oh! Franchise

    4k Media Continues To Expand International Streaming Media Partnerships For The Yu-Gi-Oh! Franchise

    MUMBAI:  Adding to its digital distribution dominance, 4K Media Inc., the Konami Digital Entertainment, Inc. subsidiary that manages the licensing and marketing of the Yu-Gi-Oh! brand, and its distribution partner Cinedigm have announced that the brand has added  a number of  SVOD/VOD partners in Europe to its already impressive roster of global digital partnerships.

    Among 4K Media’s latest digital media distribution agreements are:

    Germany:

    236 German-language episodes of the complete series “Yu-Gi-Oh! Duel Monsters” and 155 German-language episodes of the complete series “Yu-Gi-Oh! GX,” in cooperation with the German distribution partner KSM GmbH, have been licensed to:

    RTL networks’s German online portal ClipFish

    Maxdome, the SVOD platform owned by Prosieben Sat 1. Media

    My Video, one of Germany’s most popular online video destinations, also owned by  Prosieben Sat 1. Media

    Italy:

    TIM will be offering its TIMvision’s subscribers all 49 episodes of “Yu-Gi-Oh! ARC-V” Season 1, the latest series from the franchise.

    Multi-Territory Agreements:

    Crunchyroll, the U.S. based international online community focused on streaming Asian media with a special emphasis on anime and manga, has expanded its worldwide (outside of Asia) distribution arrangement with 4K Media with the addition of the original, uncut Japanese-language versions of “Yu-Gi-Oh! Duel Monsters” and “Yu-Gi-Oh! GX” series with English subtitles.

    4K Media joins leading Hollywood studios in partnering with Tubi TV (www.tubitv.com), the world’s largest and fastest-growing — free and legal — video app on Connected TV devices, Mobile, and the Web. The free, video-on-demand service has licensed 154 original and uncut episodes of “Yu-Gi-Oh! 5D’s” with English subtitles, as well as 123 English-language episodes of the series. 

    In commenting on the digital distribution partnerships, Mark Kirk, 4K Media Senior Vice President, Digital Operations, said:  “We’re thrilled to have episodes of the various

    Yu-Gi-Oh! series available to fans throughout the world. 4K Media has been embracing digital media platforms as a viable method for distributing content for over a decade and will continue to do so as the numbers of fans accessing the vast Yu-Gi-Oh! library of episodes online and on mobile devices validates that decision.”

    This latest round of digital distribution agreements expands 4K Media’s vast number of existing streaming partnerships for the Yu-Gi-Oh! franchise, including Hulu (US), Netflix (multi-territory), ClaroVideo (Latin America) and TV4 (Sweden), among others.

    The Yu-Gi-Oh! animated franchise, with over 700 episodes available in up to 15 local languages, consists of the original “Yu-Gi-Oh! Duel Monsters,” “Yu-Gi-Oh! GX,” “Yu-Gi-Oh! 5D’s,” “Yu-Gi-Oh! ZEXAL” and the newest installment, “Yu-Gi-Oh! ARC-V,” as well as the highly popular Yu-Gi-Oh! trading card game, video games, licensed product and feature films.

     

  • Viacom 18’s VOOT targets ADHD millennials with three lively campaigns

    Viacom 18’s VOOT targets ADHD millennials with three lively campaigns

    MUMBAI: In a move to spread awareness about the brand and increase consumer adoption, Viacom’s Over-The-Top platform VOOT has rolled out three national marketing campaigns. The campaigns have been launched with the objective of making the platform a preferred destination for quality entertainment content consumption through over the top services.

    Conceptualised by Mullen Lintas and directed Vinil Mathew of Breathless Films, the campaigns cater to multiple target groups expanding from kids to adults. With a new tagline which says Wanting Wanting, the service wants to urge, excite and make its viewers restless for addictive content which if started to consume is unstoppable. The catchy jingle ‘what to do, VOOT to do, wanting wanting’ is given by Amar Mangrulkar.

    Through these campaigns, the platform wants to deliver content as per the viewers ‘wanting’ in any lengths from favourite shows to characters to larger preferences like an entire genre. With over 17,000 hours of programming across languages and genres, the venture also aims at adding 10,000 hours of content every year.

    Commenting on the launch Viacom18 Digital Ventures COO Gaurav Gandhi said, “Content is at the heart of this business and therefore our marketing campaign also needed to revolve around the addictive nature of the content available on VOOT. All our efforts have been to create the VOOT experience both in terms of content and the product offering that will leave our viewers addicted and therefore keep coming back for more anytime and anywhere. And that is the singular message that you will see in all our communication. You are most happy when you VOOT, but being away from VOOT will leave you restless and wanting wanting for more.”

    Following a time weighted viewing content strategy, the films features different protagonists watching their favourite content on the platform completely engrossed and the viewing gets interrupted because of a situation that is not in their control. And they are forced to move away from their phone. While the interruption continues, each protagonist is shown to be helplessly looking back at his/her phone screen with the content playing on it. With every passing second that keeps them away from the phone, the agony increases and the craving to getting back to their show becomes unbearable. There comes an inflection point when they can’t wait anymore and the burst of restlessness leads to a dive towards their phone and start VOOTing again.

    VOOT has a categorically segmented content library into three parts with catch-up TV, talks, etc for one group, originals that can connect to the digital and younger audiences and kids content as the third focus. The platform has also formulated a kid’s activation plan which will be rolled-out in sometime.

    “With the kind of content VOOT plans to offer and the anytime, anywhere access to it, we wanted the brand to take the high ground on entertainment. The greatest attribute of good quality content that is available on your terms can be quite addictive. Hence through this campaign, the brand promises that the content will be extremely good and the viewers will never want to be away from it. We are excited with the way the entire campaign has shaped up”, added Mullen Lintas executive VP Ayyappan Raj.

    When asked about the reaction from advertisers Gandhi asserted, “We are getting a phenomenal response from the advertisers. Many brands have showed interest to get on board. We will have some deals locked by June”. He also mentioned that the ad rates on VOOT service are on similar grounds to its other two major competitors in this space.

    With an aggressive campaign plan spanning over 12 months’ time, the company plans to initiate its digital marketing from 18 May followed by TV promotions on 19 May. The trade will be pushed outdoors, on radio and print and across the entire network as well as several other channels in Hindi movies, English movie, news, kids, infotainment, lifestyle and music channels across languages. The massive digital push also includes takeover of home pages of TOI, MSN, Rediff, Dailyhunt and the Youtube masthead. Though the marketing will be a pan-India initiative, special focus will be emphasised on the top six markets of Delhi, Mumbai, Bangalore, Kolkata, Hyderabad and Ahmedabad.

    “We are going to market it across genres, languages, all our channels, outdoor, print, radio, social media, etc. We want to increase awareness of what the brand stands for and what VOOT has in store to offer. We are a brand for everyone and want people to come to us so that we can solve their problem”, said Viacom18 Digital Ventures head of marketing and partnerships Akash Banerji.

    Further strengthening its content library, the platform has also launched two original web-series namely Chinese Bhassad, written by Raahil Qaazi and directed and produced by Saurabh Tewari and a chat show with Alok Nath titled Sinskari produced by Monozygotic. It will also launch two more originals, a mocumentary film Badman starring Gulshan Grover and Soadies, a sitcom tribute to the iconic reality show Roadies which stars Baba Sehgal.

  • Viacom 18’s VOOT targets ADHD millennials with three lively campaigns

    Viacom 18’s VOOT targets ADHD millennials with three lively campaigns

    MUMBAI: In a move to spread awareness about the brand and increase consumer adoption, Viacom’s Over-The-Top platform VOOT has rolled out three national marketing campaigns. The campaigns have been launched with the objective of making the platform a preferred destination for quality entertainment content consumption through over the top services.

    Conceptualised by Mullen Lintas and directed Vinil Mathew of Breathless Films, the campaigns cater to multiple target groups expanding from kids to adults. With a new tagline which says Wanting Wanting, the service wants to urge, excite and make its viewers restless for addictive content which if started to consume is unstoppable. The catchy jingle ‘what to do, VOOT to do, wanting wanting’ is given by Amar Mangrulkar.

    Through these campaigns, the platform wants to deliver content as per the viewers ‘wanting’ in any lengths from favourite shows to characters to larger preferences like an entire genre. With over 17,000 hours of programming across languages and genres, the venture also aims at adding 10,000 hours of content every year.

    Commenting on the launch Viacom18 Digital Ventures COO Gaurav Gandhi said, “Content is at the heart of this business and therefore our marketing campaign also needed to revolve around the addictive nature of the content available on VOOT. All our efforts have been to create the VOOT experience both in terms of content and the product offering that will leave our viewers addicted and therefore keep coming back for more anytime and anywhere. And that is the singular message that you will see in all our communication. You are most happy when you VOOT, but being away from VOOT will leave you restless and wanting wanting for more.”

    Following a time weighted viewing content strategy, the films features different protagonists watching their favourite content on the platform completely engrossed and the viewing gets interrupted because of a situation that is not in their control. And they are forced to move away from their phone. While the interruption continues, each protagonist is shown to be helplessly looking back at his/her phone screen with the content playing on it. With every passing second that keeps them away from the phone, the agony increases and the craving to getting back to their show becomes unbearable. There comes an inflection point when they can’t wait anymore and the burst of restlessness leads to a dive towards their phone and start VOOTing again.

    VOOT has a categorically segmented content library into three parts with catch-up TV, talks, etc for one group, originals that can connect to the digital and younger audiences and kids content as the third focus. The platform has also formulated a kid’s activation plan which will be rolled-out in sometime.

    “With the kind of content VOOT plans to offer and the anytime, anywhere access to it, we wanted the brand to take the high ground on entertainment. The greatest attribute of good quality content that is available on your terms can be quite addictive. Hence through this campaign, the brand promises that the content will be extremely good and the viewers will never want to be away from it. We are excited with the way the entire campaign has shaped up”, added Mullen Lintas executive VP Ayyappan Raj.

    When asked about the reaction from advertisers Gandhi asserted, “We are getting a phenomenal response from the advertisers. Many brands have showed interest to get on board. We will have some deals locked by June”. He also mentioned that the ad rates on VOOT service are on similar grounds to its other two major competitors in this space.

    With an aggressive campaign plan spanning over 12 months’ time, the company plans to initiate its digital marketing from 18 May followed by TV promotions on 19 May. The trade will be pushed outdoors, on radio and print and across the entire network as well as several other channels in Hindi movies, English movie, news, kids, infotainment, lifestyle and music channels across languages. The massive digital push also includes takeover of home pages of TOI, MSN, Rediff, Dailyhunt and the Youtube masthead. Though the marketing will be a pan-India initiative, special focus will be emphasised on the top six markets of Delhi, Mumbai, Bangalore, Kolkata, Hyderabad and Ahmedabad.

    “We are going to market it across genres, languages, all our channels, outdoor, print, radio, social media, etc. We want to increase awareness of what the brand stands for and what VOOT has in store to offer. We are a brand for everyone and want people to come to us so that we can solve their problem”, said Viacom18 Digital Ventures head of marketing and partnerships Akash Banerji.

    Further strengthening its content library, the platform has also launched two original web-series namely Chinese Bhassad, written by Raahil Qaazi and directed and produced by Saurabh Tewari and a chat show with Alok Nath titled Sinskari produced by Monozygotic. It will also launch two more originals, a mocumentary film Badman starring Gulshan Grover and Soadies, a sitcom tribute to the iconic reality show Roadies which stars Baba Sehgal.

  • nexGTv revamps its mobile app interface

    nexGTv revamps its mobile app interface

    MUMBAI: nexGTv has announced the launch of its redesigned mobile app. The overhaul comprises a complete revamp of the app aesthetics user interface and product design in addition to some exciting new-age features. The move is a part of the platform’s long-term growth strategy that has and is meant to further enhance the digital viewing experience for nexGTv users.

    The latest announcement will delight the Indian digital viewership, which will now be privy to nexGTv’s diverse entertainment solutions in a more vibrant, friendly and engaging atmosphere. The bright and eye-catching colour palette has been chosen to associate various categories of its content with its users’ cool, modern and trendy lifestyles, while the interface will now have cards and floating icons to recommend the best content.

    So whether it is sampling premium user-generated content from nexGTv SPOTLight with Imtiaz Ali or watching exclusive content such as India’s first mobi-series ‘It’s My City’ starring Priyanka Chopra as herself, nexGTv users will have access to the entire catalogue of nexGTv’s unique contemporary offerings literally at their fingertips. But that is not all! nexGTv has also added a Non-Stop News tab that showcases news bulletins from leading TV news channels on the app, providing users, the fastest way to stay updated with the latest happenings from around the world.

    Speaking on the announcement, nexGTv COO Abhesh Verma said, “At nexGTv, we have always sought to enable the most relevant and highly curated end-to-end entertainment solutions for our users, and today’s mobile-first consumer wants nothing but the best, both in terms of services and service fulfilment. Our latest app launch is meant to incorporate engaging, interactive features and intuitive product design that add great convenience and usage flexibility for the end-consumer. As the viewing experience and convenience of usage have emerged today as top priorities for the digital viewer, we are confident that our app revamp will find great reception amongst our existing and prospective users who are sure to take delight in the enhanced features of our mobile app.”

    The redesign will facilitate easier navigation through category tabs, search tab and advanced filters, and will clearly indicate free and paid content to the user. nexGTv users have an option to pause the Live TV, see picture in picture, set reminders for their favourite shows and movies, and will have greater control of their viewing experience with features such as playlist management, recommended tab and info tab.

    nexGTv will also be enabling several novel features such as Quicky, which will recommend the most tailored entertainment content depending upon the users’ preferences and the time available to them; PIP, which enables watching selected content while browsing/exploring for more content; and Rich Media EPG, which keeps the content display fresh and interesting for user by displaying new thumbnail from within the latest content asset. Moreover, with its revolutionary Save Data feature, the revamped nexGTv app will allow its users to toggle between Performance and Data Saving modes at the touch of a button, thereby enabling them to derive greater value for their money through streamlined data consumption.

    With all this and much more, such as access to Live TV scheduling and adaptive streaming, nexGTv is definitely set to be the unmistakable TV button on your mobile. The nexGTv mobile app is available for download on both Android and iOS platforms globally.

  • nexGTv revamps its mobile app interface

    nexGTv revamps its mobile app interface

    MUMBAI: nexGTv has announced the launch of its redesigned mobile app. The overhaul comprises a complete revamp of the app aesthetics user interface and product design in addition to some exciting new-age features. The move is a part of the platform’s long-term growth strategy that has and is meant to further enhance the digital viewing experience for nexGTv users.

    The latest announcement will delight the Indian digital viewership, which will now be privy to nexGTv’s diverse entertainment solutions in a more vibrant, friendly and engaging atmosphere. The bright and eye-catching colour palette has been chosen to associate various categories of its content with its users’ cool, modern and trendy lifestyles, while the interface will now have cards and floating icons to recommend the best content.

    So whether it is sampling premium user-generated content from nexGTv SPOTLight with Imtiaz Ali or watching exclusive content such as India’s first mobi-series ‘It’s My City’ starring Priyanka Chopra as herself, nexGTv users will have access to the entire catalogue of nexGTv’s unique contemporary offerings literally at their fingertips. But that is not all! nexGTv has also added a Non-Stop News tab that showcases news bulletins from leading TV news channels on the app, providing users, the fastest way to stay updated with the latest happenings from around the world.

    Speaking on the announcement, nexGTv COO Abhesh Verma said, “At nexGTv, we have always sought to enable the most relevant and highly curated end-to-end entertainment solutions for our users, and today’s mobile-first consumer wants nothing but the best, both in terms of services and service fulfilment. Our latest app launch is meant to incorporate engaging, interactive features and intuitive product design that add great convenience and usage flexibility for the end-consumer. As the viewing experience and convenience of usage have emerged today as top priorities for the digital viewer, we are confident that our app revamp will find great reception amongst our existing and prospective users who are sure to take delight in the enhanced features of our mobile app.”

    The redesign will facilitate easier navigation through category tabs, search tab and advanced filters, and will clearly indicate free and paid content to the user. nexGTv users have an option to pause the Live TV, see picture in picture, set reminders for their favourite shows and movies, and will have greater control of their viewing experience with features such as playlist management, recommended tab and info tab.

    nexGTv will also be enabling several novel features such as Quicky, which will recommend the most tailored entertainment content depending upon the users’ preferences and the time available to them; PIP, which enables watching selected content while browsing/exploring for more content; and Rich Media EPG, which keeps the content display fresh and interesting for user by displaying new thumbnail from within the latest content asset. Moreover, with its revolutionary Save Data feature, the revamped nexGTv app will allow its users to toggle between Performance and Data Saving modes at the touch of a button, thereby enabling them to derive greater value for their money through streamlined data consumption.

    With all this and much more, such as access to Live TV scheduling and adaptive streaming, nexGTv is definitely set to be the unmistakable TV button on your mobile. The nexGTv mobile app is available for download on both Android and iOS platforms globally.

  • Spuul adds blockbuster titles from Vidhu Vinod Chopra Films

    Spuul adds blockbuster titles from Vidhu Vinod Chopra Films

    MUMBAI: Spuul has tied up with Vidhu Vinod Chopra Films for its premium subscribers in India. Movies like 3 Idiots, Munna Bhai film series will be added to the catalogue of the online streaming service. 

    The movies will be available across devices like web, iOS, Android, Smart TV, Airplay and Apple TV on iOS and Chromecast on Android.

    With these additions viewers will also get access to classics such as Khamosh, Parinda, 1942: A Love Story, Kareeb, Mission Kashmir, Parineeta and Eklavya – The Royal Guard.

    Speaking about the partnership, Spuul Global CEO Subin Subaiah said, “As one of the leading providers of Bollywood content to viewers across India, we are constantly investing in growing our library by adding new, popular and blockbuster titles to our catalogue. The addition of movies from esteemed production house such as Vidhu Vinod Chopra Films to our catalogue is yet another step towards providing our 12 million viewers with fresh and diverse films.”

     

  • Spuul adds blockbuster titles from Vidhu Vinod Chopra Films

    Spuul adds blockbuster titles from Vidhu Vinod Chopra Films

    MUMBAI: Spuul has tied up with Vidhu Vinod Chopra Films for its premium subscribers in India. Movies like 3 Idiots, Munna Bhai film series will be added to the catalogue of the online streaming service. 

    The movies will be available across devices like web, iOS, Android, Smart TV, Airplay and Apple TV on iOS and Chromecast on Android.

    With these additions viewers will also get access to classics such as Khamosh, Parinda, 1942: A Love Story, Kareeb, Mission Kashmir, Parineeta and Eklavya – The Royal Guard.

    Speaking about the partnership, Spuul Global CEO Subin Subaiah said, “As one of the leading providers of Bollywood content to viewers across India, we are constantly investing in growing our library by adding new, popular and blockbuster titles to our catalogue. The addition of movies from esteemed production house such as Vidhu Vinod Chopra Films to our catalogue is yet another step towards providing our 12 million viewers with fresh and diverse films.”

     

  • Hotstar rolls out Malayalam content with Mohan Lal as brand ambassador

    Hotstar rolls out Malayalam content with Mohan Lal as brand ambassador

    MUMBAI: Indian premium streaming platform, Hotstar reached out to its Malayalam speaking users and fans, accompanied by its new brand ambassador, the superstar of Malayalam cinema yesterday. Hotstar  offers more than 4000 hours of Malayalam content  including a large collection of the latest and classic Malayalam movies, and popular TV shows.

    The launch will be followed by a six-week multi-media campaign featuring iconic Mohan Lal across TV, print, outdoor and digital. Hotstar plans to connect with its strong regional language audiences in the major regional markets of South India.

    Speaking at the event, Mohan Lal said, “I feel proud that Kerala not only has the highest literacy rate, but also boasts of a large number of digitally savvy youth. But what is especially gratifying is that these big audiences are watching and enjoying the most popular and loved Malayalam movies and television series on Hotstar. I am really glad to be associated with a brand as vibrant and pioneering as Hotstar, which is changing the way people get entertained. For a creative person like me, it is very satisfying that our works are finding a legitimate way to reach the ever growing audiences on the digital platform and that fans are connecting with the best of Malayalam entertainment on an exciting new, platform like Hotstar. A marketing campaign of this scale targeted at a state is perhaps a first for any digital brand in the country. I wish Hotstar all the best.”

    Star India MD South K. Madhavan said, “It is a pleasure to be here with Hotstar today and I am grateful to Mohan Lal the Superstar and a befitting brand ambassador for Hotstar in Kerala. With the changing landscapes of the entertainment industry and digitalization of content and consumption, Hotstar, India’s biggest digital content platform, is consolidating its presence in the Southern markets by providing a superior digital service to both the fans and the eco-system of Malayalam movies and television, along with brands in general.”

    Hotstar CEO Ajit Mohan said, “Over the last 15 months, Hotstar has established itself as the primary screen for young India. We are the only platform that showcases and curates the best of Malayam movies and TV shows, all for free to users. We are keen to showcase this extraordinary offering to one of the most extraordinary states in the country. We are grateful that as brand ambassador, Mohan Lal will be helping us showcase our platform to Malayalis across the world in the days to come.”

  • Hotstar rolls out Malayalam content with Mohan Lal as brand ambassador

    Hotstar rolls out Malayalam content with Mohan Lal as brand ambassador

    MUMBAI: Indian premium streaming platform, Hotstar reached out to its Malayalam speaking users and fans, accompanied by its new brand ambassador, the superstar of Malayalam cinema yesterday. Hotstar  offers more than 4000 hours of Malayalam content  including a large collection of the latest and classic Malayalam movies, and popular TV shows.

    The launch will be followed by a six-week multi-media campaign featuring iconic Mohan Lal across TV, print, outdoor and digital. Hotstar plans to connect with its strong regional language audiences in the major regional markets of South India.

    Speaking at the event, Mohan Lal said, “I feel proud that Kerala not only has the highest literacy rate, but also boasts of a large number of digitally savvy youth. But what is especially gratifying is that these big audiences are watching and enjoying the most popular and loved Malayalam movies and television series on Hotstar. I am really glad to be associated with a brand as vibrant and pioneering as Hotstar, which is changing the way people get entertained. For a creative person like me, it is very satisfying that our works are finding a legitimate way to reach the ever growing audiences on the digital platform and that fans are connecting with the best of Malayalam entertainment on an exciting new, platform like Hotstar. A marketing campaign of this scale targeted at a state is perhaps a first for any digital brand in the country. I wish Hotstar all the best.”

    Star India MD South K. Madhavan said, “It is a pleasure to be here with Hotstar today and I am grateful to Mohan Lal the Superstar and a befitting brand ambassador for Hotstar in Kerala. With the changing landscapes of the entertainment industry and digitalization of content and consumption, Hotstar, India’s biggest digital content platform, is consolidating its presence in the Southern markets by providing a superior digital service to both the fans and the eco-system of Malayalam movies and television, along with brands in general.”

    Hotstar CEO Ajit Mohan said, “Over the last 15 months, Hotstar has established itself as the primary screen for young India. We are the only platform that showcases and curates the best of Malayam movies and TV shows, all for free to users. We are keen to showcase this extraordinary offering to one of the most extraordinary states in the country. We are grateful that as brand ambassador, Mohan Lal will be helping us showcase our platform to Malayalis across the world in the days to come.”