Category: Over The Top Services

  • Amazon India head Nitesh Kripalani’s amazing growth recipe

    MUMBAI: Nitesh Kripalani is pleased as punch. The former Sony Pictures executive and current Amazon Prime director & country head is on the threshold of unleashing the streaming service’s first Indian original with, voila, all of only 10 episodes on 10 July across 200 countries.

    Titled Inside Edge, it has been produced by Farhan Akhtar and Ritesh Sidhwani’s Excel Entertainment and the storyline brings together the world of cricket and entertainment. “The scale at which Inside Edge has been produced is something India has not seen before,” says Farhan. Adds Riteshi: “Amazon gave us the opportunity to think freely in making it for a global audience.”

    The teaser of ‘Inside Edge’ starring Vivek Oberoi, Richa Chadha, Angad Bedi, Sanjay Suri and Sarah Jane Dias was already trending on Twitter before it was formally launched last Friday. “It is completely organic, already showing positive signs welcoming original work,” Kripalani says triumphantly.

    And that’s not all. Another 17 originals are in various stages of development at Amazon Prime Video. “Our content plan appears to be running on schedule. We are trying to get three to four originals beyond Inside Edge in a few months (this year) since there are different projects in various stages of development (casting or post-production, etc),” he says.

    Among the projects it is working on is director Ram Madhvani’s ‘Bodhi Dharma ‘ — the genesis of Kung Fu. “Then,” points out Kripalani, “we are doing a show called ‘The Ministry’ with AIB and OML — it’s a political satire,” points out Kripalani. “Series such as ‘Mirzapur’ and ‘Made in Heaven’ will come up around in August.”

    It’s not just Indian originals that the streaming site is rolling out. Kripalani expects many more US TV shows to hit Amazon India Prime Video service. “A lot more content is coming up after the May screenings in Los Angeles,” he emphasizes.

    Amazon Prime had recently added new Bollywood movies such as Noor and Begum Jaan reducing the release window for OTT services. “Badrinath Ki Dulhania is coming up very soon,” Kripalani reveals.

    The India head did not deny working with the film industry’s big brands such as Akshay Kumar and John Abraham, saying: “They are some of the best talent in the country with whom we discuss ideas on a daily basis.”

    Apart from the main fare of Hindi and US series and films, Amazon Prime has already signed and launched several Telugu movies such as ‘Winner’ and ‘Mister’ and is in the process of launching some Bengali movies. “We are going to see how it works with the customers before we scale up. We are discussing some deals with Tamil, Telugu, Bengali and Marathi content producers,” Kripalani says.

    While being chary of revealing any figures, Kripalani says that Amazon Prime is beginning to see a shift in consumption patterns. Hence, the drive to bring in Tamil, Telugu, Bengali shows and films.

    “Subscribers have been keenly watching Indian movies — especially Hindi, Tamil and Telugu, followed by Bengali and Marathi,” Kripalani elaborates. He explains that a positive outcome of Amazon Prime Video has been that Indian subscribers, at a small price, are now legitimately consuming US TV shows.

    “An unmet demand in India until recently, consumers are binge-watching the initial episodes of some shows, the latest episodes of ‘Vampire Diaries’ as well as s well as supernaturals and global Amazon originals such as American Playboy and of course kids shows during summer vacation.”

    Kripalani reveals that the growth in the number of Prime subscribers has been exponential with more and more getting engaged in terms of hours per customer per month, especially after the April launch of Fire TV stick — when consumption reportedly grew to 1.75 billion minutes.

    He is sparing no effort at making the Amazon Prime Video app available on every viewing option, and ramp up its viewing metrics. “We are available on Samsung, Sony and LG devices. A couple of weeks back, we also launched on their older devices too,” he says. “As data charges in India is a concern, we have implemented a lot of features and are giving away data on Airtel and other partnerships.” The objective is to bring the content in front of customers, wherever they are. “If there were a large MSO with a significant customer base interested in giving the customers a TV experience, we would try (if technically feasible) and integrate the Prime content with them,” he highlights.

    The service is also being pushed with a multimillion dollar ad and promotion content on TV, print and digital. Full front page ads pushing its ecommerce sales and TV spots have been running during the ICC World Cup telecast on Star Sports, and other top GEC channels.

    But, are originals on VoD services viable? “It has worked globally, and it should work in India. If one offers the right content at the right value and on the right device, viewers would certainly consume it,” Kripalani says confidently. “Grand Tour was one of the top shows and so was American Gods. Hundreds of thousands of viewers are coming back every week to watch Bahubali animated shows.”

    ‘Inside Edge’ is the story of Bollywood and cricket — two passion that Indians have in their blood. Like consumers have been watching originals from the US and the UK, now they would have something to call their own original creativity and talent. “It would open up a lot of the market,”he says.

    However, the focus currently is on building scale and improving product and user experience. The bottom line is not the imperative.

    “In the India market, we plan to engage subscribers on a long-term basis. We don’t look at breaking even. We would rather evaluate the buzz in the market, the number of subscribers who engaged with this show or how many new subs signed up seeing this shows,” he says.

    About Prime’s strategy, the India head reveals that the team is are razor sharp focused on customers as the goal is to be number one (from being No. 3 behind Hotstar and Voot as per the latest FICCI-KPMG report).

    “Reliability of service, the selection (of content) that we offer, convenience of access and the value we provide (will decide our destiny),” he remarks. “We are an SVoD service, and we are building that market segment in India with the right content mix, and especially originals such as ‘Inside Edge and others that are expected to be introduced.”

    Media observers give Amazon’s India strategy the thumbs up.

    “It has got a good gig going in India,” says a media agency head. “Consumers, especially in the metros and in emerging towns of India are using the ecommerce site to buy products, coughing up Rs 499 for the prime experience of quicker delivery. Along with that they are getting access to a palette of good video content. While that is an advantage, it can also a disadvantage. Will the two services cannibalise the time visitors have available to them to engage with both of them are challenges Amazon will have to analyse and deal with over time. Prima facie, Prime Video is surely going to give Hotstar, Voot a run for their money. “

    For Kripalani that would be an amazing way for his charge’s story to unfold.

  • India leads y-o-y mobile data growth, 1m global users added per day: Ericsson

    MUMBAI: Ericsson foresees continued rapid growth of mobile connectivity as global mobile data traffic increases to eight times its current level by 2022.

    Global mobile traffic exabytes:

    · Latest edition of the Ericsson Mobility Report foresees 2.6 billion new mobile broadband subscribers will be added through 2022 – averaging to more than one million each day

    · Dominant access technology will be LTE (also known as 4G) in 2018, making it the fastest-growing mobile technology in history

    · Total traffic in mobile networks grew 70 percent between end of Q1, 2016 and end of Q1, 2017

    This traffic is the equivalent of:

    * The population of Spain streaming HD video 24 hours per day for a month
    * A single subscriber streaming HD video continuously for 3.55 million years
    * 31 billion hours of continuous HD video streaming

    For the next six years, nearly 2.6 billion new subscribers will be added to mobile broadband networks – enough to fill a European championship soccer stadium (with capacity of 50,000) 20 times each day. As many people went to Times Square in New York to welcome in the new year for 2017.

    The latest collection of statistics about the growth of subscribers and data traffic in mobile networks is presented in the June edition of the Ericsson Mobility Report. It shows the highest year-on-year mobile data growth globally since 2013, led by massive growth in India, and highlights the underlying need for mobile data.

    The use of smartphones and easy access to mobile internet services comprise a major part of the traffic numbers. Ericsson analyzes “smartphone mobile data traffic” within “mobile data traffic” to illustrate this trend more clearly. By the end of 2022, total smartphone mobile data traffic will have increased 9X, reaching 66 ExaBytes per month.

    Niklas Heuveldop, Chief Strategy Officer and Head of Technology and Emerging Business, Ericsson, says: “Based on measurements made in hundreds of mobile networks, the Ericsson Mobility Report data truly illustrates the tremendous underlying growth in the industry. 4G subscriptions are increasing faster than ever, Voice over LTE uptake is accelerating and traffic growth has reached levels we have not seen since 2013.

    “I am particularly excited to see the industry’s major steps to progress network evolution, including the approval of the Non-Standalone 5G New Radio (NR) that will enable early 5G deployments. According to our forecast, we anticipate that this will lead to more than half a billion 5G subscriptions and a population coverage of 15 percent by 2022.”

    On industry trends, the Mobility Report features articles on Internet for all, massive IoT coverage in cities and remote operation of vehicles with 5G.

    LTE BECOMING MOST PERVASIVE TECHNOLOGY IN HISTORY: In 2018, LTE (4G) will overtake GSM as the largest access technology by number of subscriptions. The speed with which this technology has been rolled out and adopted is unprecedented. It has taken only five years for LTE to cover 2.5 billion people, compared to eight years for WCDMA/HSPA, or 3G. In the first quarter of this year alone, 250 million new LTE subscriptions were added.

    While LTE uptake is driven by demand for improved user experience and faster networks, 5G deployment will also be driven by the need for enhanced mobile broadband capabilities as well as industry solutions for efficiency and automation. 5G will be the one network to support a diversity of use cases. More than half a billion 5G subscriptions are expected to be activated by 2022, not including IoT connections. 5G is then expected to cover around 15 percent of the world’s population.

  • ALTBalaji now available on Amazon’s Fire TV stick globally

    MUMBAI: ALTBalaji, the exclusive and original content subscription service, is now available on Fire TV Stick, Amazon’s internet streaming device with voice remote recently launched in India. ALTBalaji will be providing a special introductory offer on their yearly subscription packs to Fire TV users worldwide and will be jointly marketing the service to its audience.

    ALTBalaji launched on 16 April 2017 with five original shows and is adding new shows every month for its viewers to binge watch. The content is created by some of the best talent of the Indian entertainment industry, including critically acclaimed directors and actors. The long illustrious list of artistes comprises of Nagesh Kukunoor, Juhi Chawla, Nimrat Kaur, Rajkumar Rao, Hansal Mehta, Sakshi Tanwar, Ram Kapoor, Atul Kulkarni, Sameer Soni, Yudhishtar Urs, Dipannita Sharma Atwal, and more.

    The Fire TV Stick with voice remote is a plug-and-play device that connects to the television’s HDMI port and allows users to access digital video content from a host of providers. ALTBalaji is one of the featured apps on the streaming device, allowing users to access 250 hours of original and exclusive content consisting of shows from all genres in addition to original kids content.

    Speaking on the partnership, ALT Digital Media Entertainment CEO Nachiket Pantvaidya said, “ALTBalaji app on Fire TV Stick with voice remote allows Fire TV stick users worldwide to enjoy our original shows and provides the existing consumers the ability to stream the shows on TV screens using the Fire TV Stick with voice remote. This helps expand the reach of our content to smart TVs, which already sees significant traction. This is in line with our philosophy of providing our subscribers maximum options to catch our shows on the screens of their preference.”

    ALTBalaji launched with shows like DevDD, Karrle Tu Bhi Mohabbat, Boygiri, Bewafaa Sii Wafaa, Romil & Jugal, and have added The Test Case starring Nimrat Kaur, and Maya Thirrai – the first Tamil original web series to the portfolio. ALTBalaji already has over 3 million downloads across iOS and Android users and was recently the No.3 top grossing app in iTunes in India in the Entertainment section.

  • Tendulkar-backed Smartron mobiles to have Eros Now app, deal signed

    MUMBAI: Eros Now, one of the fastest growing digital over-the-top (OTT) South Asian entertainment platforms, owned by Eros International Plc, has announced a strategic partnership with Smartron, a Sachin Tendulkar-backed India-based IoT startup, to provide its extensive entertainment repertoire to Smartron smartphone customers.

    Eros Now will be the exclusive digital OTT service for entertainment content on all Smartron devices. Sachin Tendulkar is an Indian sporting legend and one of the most accomplished cricket players of all time. He is the only player to complete more than 30,000 runs in international cricket.

    As their preferred partners, Eros Now will provide its vast repository of movies, television shows, music, originals and regional content across multiple languages such as Tamil, Telugu, Malayalam, Bengali, Punjabi and Marathi to all Smartron customers. Eros Now will leverage from Smartron’s extensive marketing campaigns and packaging to promote the partnership.
    The smartphone user base in India reached 300 million in 2016 with the market growing by 18% as per a report by Counterpoint’s Research, paving the way for India to become the second-biggest smartphone market in terms of active unique smartphone users.

    Commenting on the association, Rishika Lulla Singh, CEO, Eros Digital said, “With high smartphone penetration and an all-time rise in content consumption on handheld devices, we are happy to join hands with Smartron as this strategic partnership strengthens our philosophy of bringing entertainment at audience fingertips anytime, anywhere.”

    “We are excited to partner with Eros Now as we get ready to roll out our highly intelligent and customized entertainment experience through our tronx platform,” said Mahesh Lingareddy, Founder and Chairman, Smartron. “All of our tronx users can experience great entertainment seamlessly across all our existing smart devices like the tphone, tbook, srtphone and the soon to be launched devices and beyond. We believe in making life smarter and simpler and, with this, even more people can tap into the incredible capabilities of our tronx IoT platform.”

  • ZEEL consolidates digital biz, buys remainder in India Webportal for Rs 1.97 bn

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) will be acquiring the remainder 49 per cent equity stake in India Webportal Pvt Ltd Rs 1.97 billion to consolidate the digital business. India Webportal distributes media content on digital platforms through websites such as Bollywoodlife.com, India.com, and Cricketcountry.com.

    The company will also be acquiring 12.5 per cent stake in Tagos Design Innovations for Rs 160 million, PTI reported.

    ZEEL said in a BSE filing: “In line with the strategy to consolidate digital businesses, the Board of Directors of the company…approved acquisition of balance 49 per cent equity stake in India Webportal, a 51 per cent subsidiary of the company.”

    Zee agreed to buy the 49% holding from existing investors Ashok Kurien (5%) and MMC Investments (44%).

  • YouTube & Vimeo to stream record DD show, producers explore tieups with pvt channels

    MUMBAI: The record-breaking two-season-old cshow with 400 million viewership across the globe which questions gender discrimination and patriarchal attitude is now prepared to bring its stories to the digital media through a web series.

    Challenging regressive cultural and social norms around early marriage, family planning, domestic violence and sex selection, Population Foundation of India’s show has already set edutainment shows record by achieving the record total reach from telecast of 131 episodes and broadcasts on All India Radio FM stations.

    Population Foundation’s executive director Poonam Muttreja told IANS that they planned to develop and disseminate edutainment content from the show on digital media platforms as well as increase online viewership through YouTube and Vimeo. Population Foundation team has shortlisted 10 stories from the show’s field interventions in Bihar and Madhya Pradesh which was in-depth, either through direct outreach programmes or through calls received on the Interactive Voice Response System (IVRS).

    About season three, Muttreja said, they were engaged in a consultative process with a range of experts, stakeholders, and civil society organisations to prioritise the issues that need attention. She said they would be continuing their partnership with All India Radio and Doordarshan and also explore partnerships with private channels to telecast the show as the issues were relevant for the Indian society.

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  • YouTube 1.5x of FB, short-form popular, 65% in non-metros & 80% may pay premium: Kantar

    MUMBAI: In an attempt to understand the dynamics of mobile video consumption space in India, Culture Machine and Kantar IMRB presented an environment scan of consumption of video and OTT platforms.

    Highlights:

    – YouTube remains the king of online video consumption, with 1.5x the reach of second-ranked Facebook
    – Short-form video (<10 min.) remains the most popular format among mobile users, but it’s also gaining traction among PC users
    – Non-Metro consumers accounted for 65% of video views on smartphone
    – 1 in 3 mobile smartphone video viewers is accessing an OTT video Platform
    – 80% of OTT consumers would consider paying a premium to access exclusive content

    The advent of 4G services and subsequent reduction in mobile data costs have acted as significant catalysts for mobile video consumption. The video streaming landscape in India is being radically transformed, but information regarding viewership remains hard to come by. This report sheds light on the budding landscape of mobile video to enhance perspectives and drive decision-making for marketers interested in the mobile video phenomenon.

    Key Findings:

    – Short-form video remains the most popular format among smartphone users, with 85% of viewers preferring a video length of 10 minutes or less
    – YouTube leads the charge with maximum reach among online mobile video viewers
    – The average smartphone user devotes more than 3 hours a week, watching video content on their smartphones
    – 1 in 3 mobile smartphone video viewers is accessing an OTT video platform
    – 80% of OTT consumers would consider paying a premium to access exclusive content

    Facebook vs YouTube

    – YouTube remains the king of online video consumption, with 1.5x the reach of second-ranked Facebook. But this dominance has come under threat as Facebook is proving to be not just a platform that drives views but also delivers engagement for content
    – The frequency of accessing Facebook in a month is almost 2.5x times greater than YouTube
    – Entertainment/Comedy is the most popular genre on both platforms
    – Vernacular/Regional Content is the most engaging content across categories on YouTube
    Over-the-top (OTT) video services
    – Mobility factor and ability to consume content on-the-go emerges as the clear driver for growth
    – Women and those aged between 15-24 are most likely to be avid users
    – Weeknights are the most popular time slots for OTT consumption

    Culture Machine CEO Sameer Pitalwalla said, “Digital’s rapid growth continues and video is the fastest growing piece of that pie. This report was the result of Culture Machine’s proprietary technology platform Intelligence Machine which we used to understand the video landscape in India. Thereafter, the collaboration with Kantar IMRB was natural, given their global standing in creating reports and coming up with deep-dive analyses on data points.”

    Kantar IMRB MD Hemant Mehta said, “Mobile video has definitely come of age and is the new leveler. Over 40% of users are from the lower socio-economic groups (SEC C/D/E) and as many as 65% are from non-metros. Also, mobile video is not a youth phenomenon anymore – with over 25-year-olds contributing equally. For me, two things stand out: the strong engagement levels that women have with mobile videos and the fact that it’s not just about entertainment. We found that Education while being the third most watched genre, generated over a billion views; especially for the content-focused on toddlers and preschoolers.”

    The report combines Big Data and a deep understanding of smartphone consumer behaviour including –

    – Intelligence Machine – Culture Machine’s AI powered video intelligence platform that scans 3 billion videos daily.
    – Mobi Track: Kantar IMRB’s 8000-strong proprietary smartphone panel that tracks behavioural data.
    – Interviews with 1500 video OTT consumers across India.

  • Yash Raj partner YuppFlix offers Sultan, Fan & Befikre TVoD & SVoD

    MUMBAI: World’s largest OTT player for south-Indian content, YuppTV, has announced its partnership with one of the leading Indian production houses, Yash Raj Films (YRF).

    As part of the association, YuppTV will now host popular Hindi movies produced by Yash Raj Films on its movie-on-demand service, YuppFlix. These titles include the latest and popular offerings by Yash Raj Films, such as Sultan, Fan, Befikre, Dhoom:3, among others, that will be available in TVOD model within India and in SVoD/TVoD models outside India.

    Uday Reddy, Founder & CEO of YuppTV, said, “We are glad to offer our users a stimulating assortment of latest movies made under their banner. At YuppTV, we are driven with the vision to extend the most captivating entertainment solutions to our expat community of users and view this association as another step in the same direction. I am affirmative that our global audiences will enjoy the latest offering at YuppTV and we will continue to bring more awaited movies on YuppFlix.”

    Commenting on the association, Anand Gurnani, Vice President – Digital, Yash Raj Films, said, “We are glad to expand the digital reach of YRF’s bouquet of movies across global markets. We are affirmative that users across different countries will be happy to watch and enjoy their favourite YRF titles online on YuppFlix.”

    YuppTV users across the globe can now enjoy the latest collection of movies through its movie-on-demand service, YuppFlix. In addition to the fascinating bouquet of movies from Yash Raj Films, YuppTV is further committed to updating its movie catalogue on a weekly basis. With such an envious collection of popular movies, global users can easily access these movies on all YuppTV platforms, including the website and Android and iOS apps and via internet-enabled devices.

  • Brightcove expands into India, counts Republic, SonyLiv, Dekkho & Hero among clients

    MUMBAI: Brightcove Inc., a leading provider of cloud services for video, is expanding its global market leadership into India with key customer wins and the launch of a new office in Mumbai, India. With several of the country’s top-tier media companies as customers, Brightcove is demonstrating that it is the go-to partner for a wide range of broadcasters, publishers and OTT services as they seek to launch and monetise their online video experiences.

    Brightcove’s key customer wins in India include:

    Sony Liv, an Indian general entertainment VOD service that is owned by Sony Pictures Networks India.
    The Viral Fever, one of India’s leading online content creators that recently launched their OTT entertainment channel, TVFPlay.

    Dekkho, a streaming video service specializing in delivering premium content from India’s top content creators.

    Hero Talkies, a SVOD OTT service that specializes in streaming Tamil movie content across 80 countries.

    Republic World TV, a newly launched Indian English-language news television channel streaming news across satellite, cable and online.

    According to research from Media Partners Asia (MPA), the market potential of online video in India is massive. Online video advertising is expected to surpass US$1 billion in net revenue in India by 2021, according to MPA analysts. Despite having the lowest broadband penetration among APAC’s 14 biggest economies, broadband penetration is on the rise and expected to reach 622 million mobile broadband subscriptions by 2021, according to the MPA study. India’s OTT video market is already the fourth-biggest in the region, behind China, Japan and Australia.

    “With 462 million active Internet users1, India is a sizable market for online video and OTT – and it’s growing. Data shows that only 35 percent of the Indian population is using the internet,” Brightcove Asia vice president Tomer Azenkot said. “This growth represents a tremendous opportunity for Brightcove which, even prior to its office opening, powers video for some of the top-tier Indian media companies. By adding a talented team on the ground, it will only elevate the way that we serve our customer base and shape the future of video experiences moving forward.”

    Founded in 2004, Brightcove has been revolutionizing online video experiences for over a decade. Media companies, publishers and brands worldwide use Brightcove to publish and distribute video across the web, mobile and connected devices. Brightcove is headquartered in Boston, with its Asia Pacific offices in Singapore, South Korea, Sydney, Tokyo and now Mumbai.

  • ZeeMelt: OTTs add to momentum of FB & Youtube video consumption

    MUMBAI: “Digital video is not the regular video which is differentiated by the screen size but everyone is aware about digital videos. If someone is working on a TVC, then bring your brand within first five seconds to get your brand liftup,” said Google creative head Haani Mirza.

    “To lift the brand, marketers will have to focus on ABCD, which is Attract, Brand, Connect and Direct the viewers,” he added.

    Talking about digital advertisments, Kantar Insights CEO – media & digital Gonzalo Fuentes said, “86 per cent people have observed the frequency of advt has increased as compared to past three years, and 32 per cent of Gen Z in South East Asia and India have installed ad blockers.”

    “Digital Advertising industry can change the trend by focusing on the data which is fully consumer-centric and building engagement through creativity and consistency — creativity which is not targeting the audience gives a negative impact,” he added.

    Speaking about videos on social media and OTT platforms, Kantar IMRB MD media, digital & retail Hemant Mehta said, “Over the last few years, video is dominating the social media, and mobile screens attract more engagement than any other media. All the OTT platforms add to the momentum which was inbuilt in the social consumption. India has more than 20 million avid-video consumers spending 45 minutes a day and 22 hours a month.”

    Culture Machine CEO & co- founder Samir Pitalwalla added to Mehta’s view, “90 per cent of the consumers are watching videos on Youtube and Facebook in which three out of 10 consumers access OTT platforms. Music & entertainment are most dominant categories, and the fastest growing are: education and news.”

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