Category: Over The Top Services

  • Live digital video now on Bloomberg|Quint, plans cable and DTH foray

    Live digital video now on Bloomberg|Quint, plans cable and DTH foray

    MUMBAI: Bloomberg|Quint has announced the launch of its digital live streaming service in India. At the launch, Bloomberg|Quint live-streamed the Bloomberg India Economic Forum, which featured the finance minister Arun Jaitley as the keynote speaker.

    The service is now available on its website and top social platforms, and pending regulatory approvals, will debut on leading cable and DTH platforms.

    Bloomberg|Quint, a partnership between Bloomberg Media and Quintillion Media, which claims to reach over two million monthly users across its on-site and partner platforms.

    At the launch, a panel discussion was held with NITI Aayog (National Institution for Transforming India) CEO Amitabh Kant, Edelweiss Group chairman and CEO Rashesh Shah, Kotak Mahindra president – consumer banking Shanti Ekambaram, and Larsen & Toubro director and CFO R. Shankar Raman.

    Bloomberg|Quint’s digital streaming service will include comprehensive live programming on a daily basis, from global and domestic markets, coverage to views from the most influential newsmakers in business and finance. Starting with pre-market cues and news, the service will provide consumers with live insights into the markets throughout the day, culminating with perspective and analysis in the evening.

    “We set out to create India’s premier digitally-led multi-platform media company, so the launch of live streaming video content is a step in achieving this,” said Bloomberg Media Group CEO Justin B. Smith.

    Quintillion Media founder Raghav Bahl added, “Consumers can look forward to compelling video content on key India market developments in the office, at home or on the go on their mobile phones.”

  • India-focused OTT production Golden Karavan launched, two projects approved, 10 under way

    India-focused OTT production Golden Karavan launched, two projects approved, 10 under way

    MUMBAI: Combining their backgrounds and respective strengths into a powerful new digital production company, entertainment executives from the United States and India have announced the launch of Golden Karavan.

    Golden Karavan is a first-of-its-kind, Indian-focused OTT television production company. With two productions greenlit and 10 more in active development, the outfit intends to create a steady supply of compelling, high-quality content from the region, targeting OTT and digital services including Netflix India and Amazon India.

    The new Mumbai-based entity — set to create and finance a slate of original TV content over the next five years — is the vision of Jeff Sagansky and Florence Sloan of Goldenpeak Productions; Aaron Kaplan of Kapital Entertainment; and Apoorva Bakshi, Pooja Kohli and Sanjay Bachani of FilmKaravan Originals.

    Sagansky, former CBS Entertainment and Sony Pictures senior executive, is an active media investor having taken public companies including Videocon d2h, Global Eagle and overseeing the merger of Double Eagle and Williams Scotsman. Kaplan is founder of Kapital Entertainment, a successful TV production Hollywood company. FilmKaravan describes itself as India’s first digital distribution-led production house promoted and run by Cupertino and Bakshi, Kohli and Bachani.

    By creating and packaging this content for exclusive license, Golden Karavan will provide a compelling answer to the emerging revolution in mobile and OTT/broadband delivery in India, servicing local language audiences with original programming.

    “Given the access to broadband that is transforming the Indian media landscape, the timing is ideal to launch Golden Karavan, a studio that will provide provocative and high-end, Indian-themed content,” said Jeff Sagansky upon making the announcement.

    In 2015, Sagansky and his finance partner Harry Sloan invested in and took public on the NASDAQ Videocon d2h, which will merge with DISH TV later in the year to become the largest distribution company in Asia.

    Added Kaplan: “We recognise the opportunity to focus on the underserved Southeast Asian market with amazing storytellers and talent, both in front of and behind the camera, and we couldn’t have stronger partners leading the creative than we do with Apoorva, Pooja and Sanjay.”

    “Given our extensive knowledge and distribution experience of the Indian film business, Film Karavan wanted to use that expertise to expand into the TV sector,” said Bakshi. “We are hitting the ground running with two series projects greenlit and many others in development.”

    Golden Karavan’s initial slate of OTT projects includes the following:

    • The company has formed collaboration with renowned indie filmmaker Hansal Mehta to adapt Ashwin Sanghi’s best-selling book, “The Sialkot Saga.” Mehta’s most recent directorial venture, “Omerta,” garnered rave reviews when it recently premiered during the Toronto International Film Festival.

    • Golden Karavan is also collaborating with award winning Canadian-Indian auteur Richie Mehta on a yet unnamed drama series. His latest, a Google-funded Ridley Scott initiative called “India in a Day,” was critically applauded worldwide.

    Commented Florence Sloan: “One of the real powers behind Golden Karavan is the ability to creatively curate material with an eye to engage and entertain digital audiences in India. We are pleased with the running start we already have and look forward to bringing more exciting projects to fruition.”

  • SonyLiv starts streaming KBC with 7 sponsors

    SonyLiv starts streaming KBC with 7 sponsors

    MUMBAI: “To chaliye, hum aur aap milkar khelte hain Kaun Banega Crorepati.” With these legendary words, the biggest star of Bollywood’s galaxy, Amitabh Bachchan, announced Indian television’s grandest show in his baritone.

    Seventeen years hence and in its ninth season, the quiz game show crosses the threshold of TV and entered a fresh territory in digital, but with the same flamboyance. Riding on SonyLiv, the new season of KBC will be the first to be streamed online, and it has already become the property to acquire the highest number of sponsors.

    Sony Pictures Networks India EVP and head – digital business Uday Sodhi said, “Kaun Banega Crorepati has revolutionised the viewership for the game show. This year, we decided to further augment its massive fan base by involving the digital audience. The programme has seen high traction from advertisers. With KBC’s launch on SonyLiv, there has been a rapid increase in the digital viewership and further strengthening of SonyLiv’s position among its users.”

    The show will be available on SonyLiv on a linear feed on subscription + VoD mode to allow viewers to test their IQ anytime, anywhere!

    KBC has been able to rope in seven of the biggest brands in India as its sponsors, a record for any content category. The popularity of the show can be gauged from the fact that Indian telecom’s most talked about brand, Jio, has come on board as the show’s presenting sponsor on SonyLiv and also has a unique proposition this season.

    Viewers of KBC can match their knowledge with the contestants on the hot seat with Jio KBC Play Along. This can be done by downloading the Jio Chat app on their phones.

    The show is co-powered by India’s largest online automobile marketplace Droom and the go-to brand for Ayurvedic products, Patanjali and driven by Datsun. Gujarat Tourism functions as its associate sponsor. EaseMyTrip has grabbed the role of KBC’s travel partner while caring for its health is Fortune Vivo Diabetes Care Oil.

    SonyLiv has been at the forefront of introducing the exclusive and highly anticipated content from all over the world on its platform. KBC’s inclusion within SonyLiv’s repertoire further cements its position as the ultimate destination for the finest content.

    With a few alterations in the lifelines, the timer, and a digital transfer of the winning amount, the new season of KBC has been a superbly entertaining ride so far, and it promises to be even more so, on digital!

  • Niche regional OTT player Hoichoi offers Bengali content on iOS, Android and Chromecast

    Niche regional OTT player Hoichoi offers Bengali content on iOS, Android and Chromecast

    MUMBAI: As predicted by most observers, regionalisation as well as niche services are coming to the VOD or OTT ecosystem in India. It’s happening at a trickle now, but could gain momentum over the next few months. For with its large population of more than a billion mobile users, there is room for more — for sure. Kolkata-based Bengali entertainment major Shree Venkatesh Films (SVF), is the latest to take the plunge with its OTT play called Hoichoi.

    Vishnu Mohta – one of the promoters – who has worked with KPMG Risk Advisory and Lloyds TSB corporate strategy in their London offices, is the driving force behind the new platform which is targeting 220 million Bengalis globally. With original web-series, short films, and documentaries exclusively for Hoichoi in the pipeline, the service will also offer over 500 Bengali Movies and 1000 songs for subscribers. Recently, in the run-up to the Hoichoi launch, SVF had rolled out an innovative social media campaign to promote its upcoming original web series, an adult-comedy, Dupur Thakurpo.

    Among the big players in the game figure global players such as Amazon Prime and Netflix, and homegrown startups such as Hotstar, dittoTV, Voot, ALT Balaji and SonyLiv, as well as independent platforms such as TVF Play and Spuul. The congested Indian OTT market has around 32 plus players – some with an overwhelming or exclusive content, some with niche content or pricing plans and others who want to be counted.

    SVF, on its part, had selected ViewLift, a global content distribution and monetisation platform, as its technology partner. The VOD service claims to provide the largest collection of the best in Bengali entertainment content on Web, iOS, Android, and Chromecast. ViewLift CTO Manik Bambha states, “Hoichoi is well positioned to capture significant opportunities in the space with a niche offering meant for Bengali consumers. Hoichoi will benefit from our extensive marketing, data and analytics tools that will help them enhance interaction with their audience.”

    “ViewLift is an expert in the OTT space,” says Vishn, who has a Bachelor of Commerce degree from Bond University Australia and MSc in International Business from Aston University Birmingham, UK. With enhanced service architecture, extensive data and analytics insights, and global client support, ViewLift delivers high quality video consumption experiences worldwide.

    SVF is helmed by Shrikant Mohta, Mahendra Soni and Vishnu. Shrikant is SVF’s creative muscle who produced the internationally acclaimed ‘Chokher Bali’ and five other national award-winning films — ‘Raincoat’, ‘Memories in March’, ‘Apur Panchali’, ‘Chotoder Chobi’, and ‘Chander Pahar’. President of Eastern India Motion Pictures Association (EIMPA), and an active member of Kolkata International Film Festival (KIFF), he initiated the shooting of Bengali films abroad.

    Under Soni’s leadership, SVF distributed almost 900 films including blockbusters like ‘Dangal’, ‘Sultan’, ‘Dabangg’, ‘Ghajini’, ‘’Ae Dil Hai Mushkil’, ‘Kahaani 2’, ‘The Jungle Book’, ‘Kapoor & Sons’, ‘Neerja’, ‘Airlift’ and Drishyam.’ He also drives satellite and music syndication deals, along with film acquisitions.

    Mohta and Soni are pretty gung-ho about Hoichoi. The Indian consumer who has access to OTT entertainment — with internet penetration around 32-34 per cent today, and one-third owning smartphones — may well be spoilt for choice, now.

  • Asian OTTs use global, local content, AVoD and SVoD mix to consolidate position, says report

    Asian OTTs use global, local content, AVoD and SVoD mix to consolidate position, says report

    MUMBAI: Over-the-Top services are steadily gaining traction in APAC, but succeeding in a highly diverse and price-sensitive market will entail a thorough understanding of consumer preferences and intent.

    OTT players in the region are already partnering with mobile operators to drive subscribership. Examples include Viu’s various partnerships with Telekom Malaysia, Maxis and U Mobile in Malaysia, Indosat in Indonesia, CSL in Hong Kong and Idea cellular in India among others.

    A new report, “OTT Video in Asia-Pacific: Localised content and business models are key while mobile will offer opportunity for future video growth” has been added to the repository of Market Research Hub (MRH).

    Strategies of the four key OTT video service providers have been discussed in the report in the form of four case studies. The key OTT video service providers profiled in the case studies include Netflix, iflix, Viu, and Hotstar.

    The success of OTT services in any market depends upon a host of factors, with viewer awareness and receptiveness among the key factors. Smartphone ownership, cellular and broadband penetration levels, and pay-TV subscription are the other key factors that influence the scope of OTT video services in a market.

    The APAC region remains diverse, with a significant variation in internet and broadband penetration levels. Further, owing to lax piracy laws, a significant section of the consumer base is habitual of downloading pirated copies from the internet. In view of these factors, many OTT video service providers are using a mix of AVoD and SVoD to consolidate their position.

    According to the report, content remains an integral part of overall viewer experience in APAC. OTT video service providers have realised the importance of high-quality content, as a result of which, content production has gained prominence. Further, increase in smartphone ownership and launch of 4G services in several APAC countries are leading to collaboration between telecom service providers and OTT video service providers.

    According to the report, OTT service providers in countries that have low OTT readiness can commence with AVoD services to raise awareness and interest among viewers. The report comments that this strategy has helped Hotstar and Viu in gaining a significant foothold in the APAC OTT video services market.

    However, AVoD as a business model is likely to face a lot of challenges, on account of high cost of content acquisition. Further, relying on one particular form of content may not work, and OTT service providers may have to rely on a mix of local and international content to appeal to a wider target audience.

  • Hotstar to stream Emmy Awards in India on 18 Sept

    Hotstar to stream Emmy Awards in India on 18 Sept

    MUMBAI: It is bringing the world to India and taking India to the globe!

    Ahead of its launch in a “few international markets in the next couple of months” Hotstar, ranked number one by App Annie  in terms of MAUs, is also bringing the 69th Primetime Emmy Awards to Indian viewers. live.  This is even as the research firm KalaGato reported 73 per cent jump in Hotstar’s market share, that is expected to spurt with the addition of Emmys, CBS, and GoT.

    For Hotstar, which has over 100,000 hours of drama and movies in nine languages, and covers every major global sporting event, the Emmy countdown has now begun.  As the excitement builds up, viewers of the India’s leading video-on-demand service will be able to tune in to the awards simulcast on 18 September, at 530 am on 18 September 2017 from 8 pm onwards. Thereafter, the ceremony will be available in the Hotstar library from Tuesday, 19 September.

    Indiantelevision.com spoke to the Hotstar CEO Ajit Mohan on Friday evening, but he sought queries on email, which have been sent.

    With a whopping 149 nominations across 23 shows that it has licensed from American studios, Hotstar is the home of the Emmys and will be the only digital platform in the country to telecast simulcast the event. Viewers will have the opportunity to watch the much-anticipated ceremony along with the rest of the world, from wherever they are. This year, the event will be hosted by Stephen Colbert, previous Emmy Award winner and host of The Late Show with Stephen Colbert, at the Microsoft Theater in Los Angeles.

    From the Hotstar library, acclaimed shows like Westworld, Feud, Veep and Big Little Lies lead the extensive list with the most number of nominations. Other favourites include Night Of, This is Us, Silicon Valley, The Wizard of Lies, among others. Through their partnership with the world’s largest studios, like HBO, Disney and Showtime, Hotstar has managed to bring the most celebrated international shows to India, under the Hotstar Premium bucket.

     

    (For our readers: We, at indiantelevision.com got an email from Hotstar communications agency Text100 on 16 September at 11:19 pm after the Emmy Award Hotstar telecast press release was published on 16 September at 9:22 am. It had already been indexed by the Google News bot.  The Text 100 email read as follows

    Request you to disregard the announcement in this email. The information contained in it is incorrect. Hence, please do not publish it or use it in any form of story. Sorry for the inconvenience.”

    Another email followed from Text100 at 11:49 pm. It said:

    As discussed, request you to disregard the previous communication on Hotstar live streaming the Emmys. The information is incorrect. Hence, please do not use it in any form of story. Sorry for the inconvenience.”

    Here’s the link that was published – http://www.indiantelevision.com/iworld/over-the-top-services/hotstar-to-live-stream-emmy-awards-in-india-on-18-sept-170916?amp

    We have chosen to use the strikethrough text mode to inform readers that the story has been cancelled. Apologies for any inconvenience caused by the incorrect information provided by Hotstar’s agency, Text100. We adhere to the highest editorial standards and our effort is to  bring you the most accurate information possible. Always – Editor

    (Updated on 17 September 2017 at 10:57 am)

    Later in the day we got another email from Text100 stating that the Emmy Awards would be streamed on 18 September from 8 pm onwards. So now you know when to watch your favourite awards show on Hotstar. Hence, we removed the strikethrough mode and updated the story.

    (Updated on 17 September at 6:43 pm)

  • Hooq hooks  CBS’ Jennifer Batty as CCO

    Hooq hooks CBS’ Jennifer Batty as CCO

    MUMBAI: Earlier this year, OTT service Hooq cofounder and chief content & distribution officer Krishnan Rajagopalan relinquished his post, which lay vacant. Today, the burgeoning SVOD’s service’s CEO Peter Bithos announced that the position has been filled as a replacement has been found in former RTL CBS Asia executive vice-president programming Jennifer Batty.

    A 20 year veteran with exposure to channel development and programming in North America, Asia and Europe, Batty will now be bringing all her experience to bear as Hooq’s chief content officer (CCO). She built her career heading up programming at Modern Times Group (Viasat Broadcasting) pay-TV channels across Scandinavia and Eastern Europe, and held various roles at Alliance Atlantis Communications, from content sales to content development in both Europe and Canada.

    “Jennifer understands the region and she knows customers’ media appetite. Her knowledge of Asia combined with her passion for content are assets we welcome to Hooq,” said Bithos.

    High on Batty’s to-do list is building on the OTT service’s previous week’s week’s agreement with Marvel for exclusive SVoD rights to three new series – Marvel’s Inhumans, Marvel’s Runaways and Marvel’s Cloak and Dagger.

    This represents an extension of a deal signed with Disney early in the year. Additionally Hooq is aiming to extend its list of Asian originals with ‘Saranair Love You’ currently playing in Thai cinemas and available on Hooq three months after the last cinematic screening as well as Asian originals co-produced by Hooq from Indonesia including Critical Eleven, Sweet 20 and Marlina the Murderer in Four Acts, which was also recently screened at the Director’s Fortnight at Cannes and this week at the Toronto International Film Festival.

    “The growing access to multiple screens and improved connectivity underscores the reality that linear viewing is on the decline. With Hooq, viewers can choose to watch their favourite shows wherever, whenever they want. More than ever, we must provide compelling programmes and an easy-to-navigate platform to retain viewers,” said Batty.

    Batty was a key member in RTL Group’s expansion into India and then their joint venture with CBS Studios International, launching RTL CBS Entertainment and RTL CBS Extreme.

  • Singtel’s CAST adds HOOQ to OTT content line-up, three-month trial offered

    Singtel’s CAST adds HOOQ to OTT content line-up, three-month trial offered

    MUMBAI: Singtel’s OTT video portal app CAST is bringing a new world of entertainment to Singtel postpaid mobile, fibre broadband and Singtel TV customers with the addition of HOOQ.

    HOOQ’s extensive library of over 20,000 movies and TV series can be viewed on mobile, tablets, and even big TV screens enabled with Android TV and Google Chromecast. Customers will be spoilt for choice with programmes by HOOQ’s network of studio partners such as Sony Pictures, Warner Bros., Disney, DreamWorks, Lionsgate and over a hundred Asian studios. From Hollywood blockbusters such as Captain America: the First Avenger, Guardians of the Galaxy Vol. 2 and Thor, to popular shows such as The Flash and Supergirl, HOOQ is the only video-on-demand service in Singapore to offer selected Hollywood movies from 90 days of cinema release and TV series with same-day telecasts as the U.S.

    Singtel MD – home, at consumer Singapore Goh Seow Eng said, “Hollywood, Asian and kids’ content is extremely popular with our customers. We are pleased to offer HOOQ’s vast selection in the palm of their hands or comfort of their own homes. We will continue to expand CAST’s content library for our customers’ enjoyment.”

    HOOQ CEO Peter Bithos said, “We are very excited about our partnership with Singtel and proud to bring Singaporeans more of the latest! Binge now on Supergirl, The Flash and Lucifer before catching the latest season the same day as the U.S.! Soon, HOOQ will be bringing three of Marvel’s latest series – Marvel’s Inhumans, Marvel’s Runaways and Marvel’s Cloak and Dagger – the same day as the U.S. telecast! We are always looking for new ways and new titles to keep Singaporeans HOOQ’d month after month!”

    As an introductory offer, Singtel postpaid customers can get a three-month trial on HOOQ with a 12-month contract and pay only S$4.90/month subsequently.

    For customers who opt for a non-contract subscription, they will pay only S$7.90/month.

    HOOQ is the latest addition to CAST’s wide range of content such as Aneka Plus, Asian Plus, Fox+, Variety Plus, Viu Premium and more.

    Singtel postpaid customers can subscribe to HOOQ and enjoy:

    · The best of Hollywood – movies available from 90 days of cinema release and the latest TV series on the same day telecast as the U.S.

    · The largest selection of the best hits – 20,000 movies and TV series for the price of one movie ticket

    · Entertainment for the whole family – including younger kids who can catch their favourite animated series such as Transformers: Robots in Disguise, Mr. Bean and more

    · Unlimited online viewing using up to five devices – download anytime, anywhere

    · An ad-free experience – uninterrupted viewing without ads

  • 14 pc Singaporeans use illicit TV boxes, at malware risk: Casbaa-sponsored study

    14 pc Singaporeans use illicit TV boxes, at malware risk: Casbaa-sponsored study

    MUMBAI: Despite major growth in the number and range of legal online content choices available to them, recent studies have found Singaporeans to be among the top consumers of pirated online content around the world.

    A new consumer research study released by research company, Sycamore, at a Casbaa-sponsored event further examined online piracy behaviour within Singapore and found several striking trends:

    • Almost half the population admit to having engaged in online piracy, with 39 per cent stating they currently illegally stream (OTT / VoD) or download movies, TV shows or live sports channels.

    • Illicit Streaming Devices (TV boxes) are changing the face of piracy in Singapore, with 14 per cent of Singaporeans admitting to currently using an illicit streaming device.

    • Seventy-four per cent of active pirates recognise that accessing pirated content puts them at greater risk of getting viruses, spyware and other malware. In fact, the risk of malware was the primary reason (40 per cent) cited by those who said they had stopped pirating for their change in behaviour, followed by recognition that there were now more legal options available (37 per cent).

    • Sixty-eight per cent of Singaporeans recognise that pirating movies, TV shows or sporting events is stealing or theft, with almost a third agreeing that blocking of sites which profit from pirated content would be the most effective means of reducing online piracy.

    The Sycamore study combined qualitative and quantitative methodologies. This included a survey of 1,000 respondents in Singapore, weighted to be representative of the population, plus a further 300 users of illicit streaming devices, to better understand the details of their behaviours.

    “The implications of these results are significant”, commented CASBAA’s chief policy officer John Medeiros. “Admitted usage of TV boxes which provide illegal access to TV series, movies and live sports events is much greater in Singapore than in other developed markets, such as the US and the UK. While these numbers are already concerning, they rely on the candour of respondents and undoubtedly underestimate the true scale of the problem.”

    These findings point to an equally worrying trend in the Singaporean market. Despite the fact that two-thirds of Singaporeans agree that piracy is stealing, the study revealed that nearly three quarters of the population consider piracy to be a normal or typical behaviour.

    “The notion that piracy is something that everybody does nowadays turns it into a socially acceptable behaviour”, said Sycamore Research director Anna Meadows. “Numerous studies have shown that what we perceive others to be doing has a far stronger influence on our behaviour than what we know we ‘ought’ to do. People know that they shouldn’t really pirate, but they continue to do so because they believe those around them do as well. Interestingly, even among active pirates, almost a third agree that authorities should be able to take more action to deter piracy.”

    Those Singaporeans who admitted to actively streaming or downloading pirated content admitted that the primary incentive behind their behaviour is that it costs nothing to pirate. An overwhelming 63 per cent of respondents answered that their decision to pirate was motivated by the desire to access content for free. “On the other hand”, said Meadows, “there are few perceived downsides to piracy. Whilst the risk of devices being infected with viruses or malware is understood, it is underweighted. In the face of the benefit of free content, people appear to discount the risks, as the idea of getting something for nothing is so psychologically powerful.”

  • TVF’s ‘ideas man’ Tarun Tripathi joins OML

    TVF’s ‘ideas man’ Tarun Tripathi joins OML

    MUMBAI: Tarun Tripathi, the brand awareness and brand solution head of The Viral Fever (TVF), the digital entertainment channel for the younger generation which seldom watches television, has joined Only Much louder (OML). 

    For the young, TVF had created a web series called Permanent Roommates, touted as the second most-viewed long-form web series. TVF had also released its second original series, TVF Pitchers, about engineers at different companies who quit to launch their startups.

    Tripathi, who states in his profile that he is in the business of ideas, has come on board OML as the chief strategy officer from 1 September, 2017.

    Tripathi joined TVF in January 2016, where he was leading branded content and marketing. Tripathi also worked for HUL’s ‘phd’ as a business head for 19 months. He was responsible for digital media buying, planning and strategy.

    Tripathi, the founder of a startup called Collectivity, a consultancy focussed on the intersection of technology, content, and the bottom of the pyramid, also worked with Myspace as the director – marketing and content (India) for 17 months. 

    Starting his career as an assistant consultant for KPMG Mauritius, he moved to Trikaya Grey in Mauritius where he wrote copies for two years and then headed Yash Raj Films’ marketing department for around six years before moving to Myspace.

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