Category: Over The Top Services

  • Regional news’ online viewership is billion-plus every month: Vidooly

    Regional news’ online viewership is billion-plus every month: Vidooly

    MUMBAI: News genre is emerging in popularity across leading online video platforms in India and crossing a billion-plus online viewership every month.

    Vidooly Media Tech conducted a study across top Facebook pages from India and YouTube channels from India, two of the most popular video platforms to understand viewership habits of Indian internet users.

    Vidooly CEO Subrat Kar says: “Interestingly, we are seeing a rising trend of regional content dominating English or ‘Hinglish’ content. This points to the larger overall trend of increasing viewership and internet growth in non-urban areas. This presents an exciting opportunity for brands and content creators to create multilingual content to reach out to the millions of users to are accessing internet for the first time.”

    The study was conducted across a total of 16 categories of Indian video content in the genres of automobile, comedy, kids, education, entertainment, film and animation, science and technology, health, gaming, how-to and style, food, music, news and politics, people, pets and animals, sports and travel.

    With over 180 million users on YouTube and 241 million users on Facebook in India, they are the two of the most popular online video platforms in India. Both the platforms with its massive reach and ubiquity allow content creators, brands and anyone to reach millions of viewers who consume this content across desktop and mobile devices.

    YouTube findings (across top 10 channels)

    Music genre with 3.2 billion views and entertainment genre with 2.7 billion views attracted maximum Indian viewership. Video content targeted towards kids especially nursery rhymes were also extremely popular with 1.4 billion views.

    Regional news is extremely popular on YouTube with nine out of the top 10 news channels publishing news in regional languages. Collectively, the top 10 news channels pulled in 701 million views. Most other viewed videos were across the categories of comedy, film and animation and food.

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    Facebook findings (across top 10 pages)

    Unlike YouTube, news pips other genres to emerge the most popular category with Indian viewers with the top 10 pages pulling in collectively 1.4 billion in viewership. Here, the top spots are taken by Hindi and Marathi news channels. Followed closely are entertainment videos with 919 million views across the top 10 Facebook pages. In entertainment category, regional content again takes the top spot with content in Tamil, Kannada, Telugu and Hindi being extremely popular with viewers.

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    Regional trends

    Across Facebook and YouTube, regional news across the languages of Telugu, Hindi, Tamil, Kannada and Marathi are extremely popular with Indian viewers collectively amassing 2.1 billion views in August across YouTube and Facebook.

    Overall rankings

    Across the top 100 channels in India on YouTube, content around music entertainment, news and kids’ genres took the top spots.

    Across the top 100 Facebook pages, the top seven spots are dominated by news channels, followed by cooking and entertainment genres.

  • Epic TV launches OTT, sets million subs target

    Epic TV launches OTT, sets million subs target

    MUMBAI: Aditya Pitte modestly says he does not have much experience in mainstream television. But, the lead distributor of Patanjali’s products loves to listen and learn, and play catch-up quickly. Over the years, he has been doing a lot of listening. And, learning and doing well at the TV business.

    So much so that he took over Sanskar TV, ran it for around five years, turned it around, before handing it over to Swami Ramdev in 2015. Encouraged, he launched another spiritual channel Shubh TV a couple of years ago. And then, the big plunge into the mainstream came in September 2016 when Anand Mahindra told him to head Epic Television, which he and Mukesh Ambani had floated with former Disney India CEO Mahesh Samat. Ambani was exiting, and Mahindra told him to take charge as managing director.

    He hired fresh talent, rejigged the programming and relaunched Epic as an infotainment channel with newer edgier programming. The tactic seems to be working, as the new Epic Channel has been striking a chord with audiences, and has seen its share among its demographic rising. However, what’s keeping him occupied is the launch of the channel’s app on 14 August. Launched with both, iOS and Android versions, it is available on both the iTunes and Google Play stores and has been getting traction with more than 100,000 downloads till date.

    Epic On is available as a free and paid version. In its free version, it offers selective shows, the first episode of all shows, and an exclusive seven day catch up window of series such as Devlok with Devdutt Pattanaik, Raja Rasoi Aur Andaaz, Umeed India and Indipedia. Subscription fees have been pegged at Rs 60 for a month and Rs 500 for a year. The international sticker prices have been kept at $1.99 a month and $19.99 a year.

    “We believe that consumers today value quality content and are willing to subscribe to platforms which consistently deliver premium original content that is different in its offerings from the normal fare being dished out en-masse,” says Epic Channel programming head Akul Tripathi. “This trend in consumer behaviour is only going to strengthen; creating a robust foundation for platforms committed towards consistent quality programming.”

    Epic On has close to 500 hours of content on launch which is constantly being expanded daily. Tripathi says a lot of thought has gone into the user interface (UI) to allow for intuitive specific cross searches between genres and content types. Also, content has been bunched into addictive and suggestive groups to provide users with the kind of content they prefer to view. The app also has a download feature for fans who can download their favourite shows and watch these on the go.

    The core of the Epic On OTT solution was created by Bangalore-based Saranyu Technologies while a digital team is being put together inhouse for updates.

    Pittie is looking at a million-strong subscriber base in the next 12 months across the globe with a focus on India, Australia, Singapore, followed by Canada, the US and the UK.

    The target audience: the new digital millennials. Explains Tripathi: “The early adopter for the app would be the Epic fans who have long appreciated our content and are eager to access it on demand for catching up on missed episodes and to earmark their favourite ones for repeated watching. Moving forward, we believe that anyone who wishes to know and experience India in an engrossing and interactive manner will definitely engage with the app.”

    And, one of the routes the 30-something Pittie is taking to help get to that million-mark is signing up with telcos everywhere to make Epic On easily accessible to their subscribers. “We have some way to go,” he says. “But I am reasonably happy with the results which can only get better from here. Step by step.”

    It’s this optimistic outlook which could well end up taking Epic On into the fast lane.

  • Arré, FB to stream Ilaiyaraaja film, former to launch Tamil originals

    Arré, FB to stream Ilaiyaraaja film, former to launch Tamil originals

    MUMBAI: Ilaiyaraaja, Isaignani, the reclusive master, known for his unique skill is all set to disrupt, choosing to tell via Facebook his story to the new digital generation.

    This ‘digital-first’ film will play out first on Facebook, Instagram and Arré. Arré recently launched its music vertical, Arré Earworm, and has also entered the Tamil market and will soon be launching originals in Tamil.

    The regional-global story will straddle millions of Ilaiyaraaja fans and music communities across a swathe of geographies and interests

    Joining this initiative is Mindshare, whose specialised content solutions arm Content+ is working with Arré to tell this important story using their understanding of consumers across the globe.

    True to the nature of the medium and the genius of the artiste, Arré is in the process of collaborating with domestic and international creative talent to create what will be a path-defining moment for music and media.

    Ilaiyaraaja, said “I come from a small village and have had no formal training in music. Music has made me Ilaiyaraaja. I am looking forward to sharing my musical journey with all my fans and music lovers on Arré and Facebook.”

    English: https://www.facebook.com/1647011945555015/videos/1967237223532484/

    Tamil : https://www.facebook.com/1647011945555015/videos/1967233830199490/

    Arré B. Saikumar said: “Arré believes that digital is no longer the mainstay of just the millennial; it is increasingly the medium of choice across age-groups and community-led affinities and interests. We are happy to have Mindshare as a strategic partner to provide the required amplification and partners this project deserves.”

    Facebook India head – media partnerships Saurabh Doshi said: “Millions of people who are on Facebook will now be able to have the opportunity to get a glimpse of Ilaiyaraaja’s musical journey and his work through this video series on our platform.”

    Mindshare South Asia CEO Prasanth Kumar said, “The digital medium is giving us the opportunity to tell this story creatively, with the man re-living his musical journey again via video, text and imagery.”

  • Vimeo buys Livestream, enters live video market, may integrate with OTT tech

    Vimeo buys Livestream, enters live video market, may integrate with OTT tech

    MUMBAI: Vimeo, an ad-free open video platform which has an office in India, signed an agreement to acquire Livestream.

    The latter is a leading live video solution that powers over 10 million events a year. Vimeo also rolled out its own Vimeo Live product, offering professional live streaming capabilities directly through its platform for the first time.

    Following completion of the acquisition, Livestream’s offering will be integrated with Vimeo to empower creators to capture, edit, stream, and archive live events, as well as host, distribute and monetize videos, all in one seamless workflow. The move into live streaming positions Vimeo as the most complete video solution in the market for businesses, organizations and professional creators.

    Vimeo CEO Anjali Sud says: “Live streaming is the #1 request from our creator community this year, and we’re focused on bringing a new level of quality, convenience and craft to this evolving medium.”

    “With the launch of Vimeo Live and the addition of Livestream’s impressive team and innovative product suite, we can empower a diverse range of creators to produce beautiful live experiences with professionalism and ease,” she added.

    Livestream provides businesses and organisations with a solution for connecting with their audiences in real-time. Nearly 50 million viewers tune in to hundreds of thousands of live events powered by Livestream each month from customers including Dow Jones, Philadelphia Eagles, Tough Mudder and Spotify.

    Livestream co-founder and CEO Mark Kornfilt adds, “At Vimeo, we can accelerate the adoption of professional-quality live video by combining our tools and capabilities with Vimeo’s video expertise and global scale.”

    Complete video solution: The integration of Vimeo’s video technology with Livestream’s proprietary hardware and software products, production services and enterprise-level features will provide a end-to-end video solution for a wide range of professionals, businesses and organisations.

    The combination of Vimeo and Livestream will offer: Innovative Production Hardware and Software – Livestream provides production tools and services for capturing, broadcasting and editing live events, from its live event Mevo camera to its live production switcher Studio.

    Future integrations with Vimeo will provide creators with direct access to stream live events through Vimeo and leverage the platform’s robust video tools.

    High Quality Streaming: With Vimeo Live, creators can now broadcast live events in full 1080p with built-in cloud transcoding and adaptive streaming, so viewers can watch in stunning high quality, perfectly fit for their device and bandwidth. Auto-archived live videos on Vimeo can be replaced with files to support 4K viewing.

    Distribution and marketing tools: Creators using Vimeo Live have the flexibility to embed the fully customizable Vimeo player wherever they choose, see who’s attending their event by enabling email capture in the player, turn on live chat, and view live and archived stats to track performance. The addition of Livestream’s syndication tools will enable live distribution across social platforms in the future, including Facebook, YouTube, Twitch and Twitter.

    Singular home for video workflow: Vimeo now provides one home to help creators with all aspects of their video hosting and live streaming workflow – from broadcasting and auto-archiving to storage, management and collaboration to distribution, marketing and analytics. Post-event videos can also be monetised directly to audiences worldwide as a rental, purchase or subscription. Moving forward, Vimeo will also integrate live with its over-the-top (OTT) technology, enabling live content in branded apps across iOS, Android, Roku, Amazon, Samsung, and more.

  • Jio and Roy Kapur Films sign multi-year original content deal

    Jio and Roy Kapur Films sign multi-year original content deal

    MUMBAI: Unique collaborations between content companies and OTT and MVOD platforms are marking a milestone in the confluence of rapidly-evolving entertainment, technology and telecom sectors in India.

    Reliance Jio Infocomm (Jio) and Roy Kapur Films (RKF) have entered into a content partnership.

    RKF, a leading film and media production company founded by Siddharth Roy Kapur, will curate, develop, commission and creatively produce original digital video content for Jio.

    This will include finite and continuing series, long form and short form content across genres, and over time, ‘First on Jio’ feature films.

    RKF will tap into the vibrant content production ecosystem in India and together with Jio’s cutting-edge technologies, power the Jio platform with a robust content pipeline of Jio Originals. This exclusive content will be available to more than 128 million Jio subscribers across India.

    Jio’s Jyotindra Thacker said, “Jio carries over 55 million hours of video daily on its network, already making it one of the largest mobile video networks globally. This association with Roy Kapur Films will help us to power forward towards our goal of delivering the highest quality video entertainment content to our mobile subscribers.”

    Kapur said, “Content that can be watched all over India, across all demographics and best of all completely at one’s convenience, across all screens mobile, tablet, laptop and TV. Never before has so much entertainment been so accessible to so many. Our goal is to provide Jio subscribers with a wide variety of content that caters to their diverse tastes and sensibilities.”

  • Network18 Digital hires Saregama’s Mudaliar as chief product officer

    Network18 Digital hires Saregama’s Mudaliar as chief product officer

    MUMBAI: Network18 Digital (N18D), the digital arm of the Network18 Group, has appointed Avinash Mudaliar as the chief product officer. Mudaliar has an experience of over 16 years across media including digital, print and radio and has a plethora of accolades to his name.

    At N18D, Mudaliar will be responsible for working across all the digital properties of Network18 (firstpost, moneycontrol, News18.com and other sub-brands like Cricketnext, Compare India, Tech2, Indiwo , Faking News) – working with the teams, defining present enhancements on existing products and working future roadmaps and initiatives.

    Considering the future is going to be 4G-enabled and video focused and Avinash’s experience in handling products both around video and audio is a great addition to the Network’s strength. He also brings with him a deep understanding of news and content and the ability to package it in across both the physical and digital products.

    Network18 Digital CEO Manish Maheshwari says, “Avinash brings an unparalleled understanding of the digital space to the table. His presence will bolster the on-going activities and bring in the momentum to look at a number of clutter-breaking products in the arena. He has often walked the unconventional path and with Network18 Digital’s intention to consistently deliver out-of-the box content, he is the perfect addition to the team.”

    Prior to this, Mudaliar was the vice president – product, technology and IT at Saregama whom he joined in 2013 as VP and head of internet products. He also grew the Youtube business manifold.

    In the last four years, he led the team which conceptualised and executed all of Saregama’s digital, physical product and technology initiatives, the latest being Saregama Carvaan – the digital radio. His team also led the development of D2C products like the new Saregama.com music store and app, Saregama’s niche music apps like Saregama Classical and Shakti and the creation of the backend technology and analytics platforms which power and service both Saregama’s B2B clients and internal initiatives. He also headed and grew the Youtube business manifold.

    Before his stint at Saregama, he worked with Times Internet Ltd (TIL). He was the co-founder and business head of Gaana.com. While he was the vice-president and business head of Indiatimes, he and his team simultaneously worked on a product which became Gaana.com. Gaana.com was then hived off as a separate entity which he went on to head. He joined TIL in 2008 as VP – head of content, creative. His role involved scoping and execution of internal products within Indiatimes. He was given business responsibilities and made business head and went on to head multiple verticals within TIL which included gaming, infoTech and videos.

    Mudaliar says: “Getting our products right and understanding our customers would be key – it’s great to be part of an ecosystem which is focused on serving what the customer wants ”

    This is a home-coming for Mudaliar as in the past he was a part of the founding team of In.com and served as the founder editor-in-chief of In.com at Web18 (Now Network18 Digital). Prior to that, he was with Radio Mirchi as the cluster programming head for south. His earlier stints with the internet include being a partner of Microsoft’s Bhashaindia Indic language computing initiative and BPL’s Oyeindia.com.

  • Relaunched Gyan Darshan goes digital and mobile, also serve diaspora

    Relaunched Gyan Darshan goes digital and mobile, also serve diaspora

    MUMBAI: IGNOU has relaunched Gyan Darshan, its educational broadcast channel, which is said to be a major step in implementing education through electronic media. The channel was launched through webcasting along with Ignou’s Electronic Media Production Centre (EMPC) page on Facebook.

    IGNOU’s programmes will be available on the mobile phones too. The channel’s content will also serve the Indian diasporas globally, also enlightening them with contemporary achievements of India.

    EMPC initiatives will also help IGNOU’s study centres in West Asia (Middle-East) and African countries to enhance the learning processes of the foreign students.

    IGNOU has started Gyan Vani interactive radio counselling programmes already through both, webcasting and broadcasts.

    Gyan Darshan was operating well until June, 2014, as a significant channel for educational programmes but was closed by Indian Space Research Organisation (ISRO) to help its migration to GSAT-10.

    The Indira Gandhi National Open University (IGNOU) vice-chancellor Prof Ravindra Kumar, while launching the webcast, said that they were digital and open university — closing the chasm between Ignou and the learners.

    EMPC director Prof Kapil Kumar said the platform would be used as a promotional tool India’s cultural awareness and empowerment on a variety of issues and challenges related to societal development, environment and cultural heritage, etc.

  • Millionlights to provide open source education via YuppTV

    Millionlights to provide open source education via YuppTV

    MUMBAI: Millionlights, a content provider, has struck an alliance with YuppTV, an OTT provider, to foster open source education.

    Participants would be able to learn through the Millionlights exclusive TV channel on OTT platform YuppTV. On the Millionlights portal, participants can also access the channel on YuppTV through mobile, TV and desktop.

    Millionlights will offer access to their premium content which includes – live lectures, webinars, career guidance, and latest tech reviews etc. Certification will help learners to advance their skills and prepare for jobs in today’s digital world.

    Millionlights CEO Akshat Shrivastava said, “The partnership is a step to strengthen our capability to reach millions of users who do not have access to the best educational content.”

    Millionlights has partnerships with Microsoft, RedHat, CompTIA, Saylor and other leading Indian and foreign universities for their content.

  • iTV’s new exec Sandeep Amar: We’ll launch video-first, multi-platform content properties

    iTV’s new exec Sandeep Amar: We’ll launch video-first, multi-platform content properties

    MUMBAI: Sandeep Amar, a senior leader in the Indian digital space, has joined iTV Network as the CEO of iTV – digital.

    In his new role, Amar, with two decades of experience, will focus on building the digital assets for iTV Network and launch multiple new projects, he will be reporting directly to iTV founder and promoter Kartikeya Sharma.

    Before joining iTV, Amar was the CEO of Indian Express Digital, prior to which he worked as the CEO for India.com, a ZEEL and Penske Media JV. Indian Express Digital and India.com properties reached leadership positions during his tenure.

    Earlier, he also worked for Audiences, Times Internet Limited., Citigroup, Times Business Solutions, Zee Telefilms and The Times of India.

    A six sigma black belt and alumnus of FMS, Delhi, Amar has been an avid blogger and speaker in digital space and considered as a thought leader in digital space in the country.

    Sharma said, “We are happy to have Sandeep (Amar) on board at a time when the group is promoting several new-edge media solutions and working feverishly towards making information available in formats that will appeal to today’s tech-savvy consumers.”

    Amar said, “We will be launching multiple projects including video-first properties, strong multi-platform digital video content properties, powerful native platforms and future tech projects in AI and Machine Learning. The key is to focus on building the future of digital publishing businesses as the metrics and environment are changing dynamically, the future is mobile, vernacular, video and strong product vision backed by future tech.”

  • Google brings user-generated movie and TV show reviews on app, mobile and web to India

    Google brings user-generated movie and TV show reviews on app, mobile and web to India

    MUMBAI: Google recently added a feature which now allows contribution of users’ movie and television reviews within Google search results – a move towards the potential implementation of IMDB-like reviews service or something similar to its own ‘Rotten Tomatoes’. Google said, for the time being, it was only available on mobile, web and the Google app in India in the English language.

    Last year, the search giant had brought in like and dislike buttons on TV shows and movie results cards, Techcrunch reported.

    The users’ reviews are automatically filtered for any inappropriate content through Google’s system. After the user submits it, the reviews themselves will then appear in the Knowledge Panel in search results on Google.in.

    This is an example of Google starting Google Search results to include user-generated content. Google had earlier brought in a feature called “Posts on Google” that permitted local businesses the ability to publish their products, events and services on Google Search. Celebrities, movie studios, sports leagues and museums could also use this feature.

    Google says the new reviews feature is not using technology similar to ‘Posts on Google.’ Google did not confirm plans to expand its reviews product in other markets.