Category: Over The Top Services

  • Punitha Arumugam joins Hotstar as platform evangelist

    Punitha Arumugam joins Hotstar as platform evangelist

    MUMBAI: Hotstar has appointed Punitha Arumugam as platform evangelist, with the mandate to showcase the power of the platform to India’s leading brands.

    The appointment is amongst Hotstar’s several initiatives to spur an increasing shift in marketing focus towards platforms with high quality content and engaged audiences. 

    Hotstar has increasingly raised the pressure on Google and Facebook, especially in an environment where many leading multinational brands have raised questions on the quality and safety of content on open platforms against which their ads are placed.

    Hotstar CEO Ajit Mohan said, “Punitha is a leader in digital who has a fantastic track record of having aided the creation of many agency and brand partnerships in India and around the region. Hotstar is a special place for brands. We are delighted that she is coming on board to help us introduce the unique power of Hotstar to marketers around the country.”

    Arumugam added, “Hotstar is one of the few video platforms in the world that has tremendous scale, very engaged audiences and remains open to advertisers. I believe the world of marketing is evolving quite rapidly, and Hotstar has the unique ability to marry the scale and engagement of television, with the power of audience understanding that digital brings. This is what brands have been waiting for, and I am delighted to play a role in shaping the next phase of the industry’s evolution.”

    Arumugam, a media agency veteran, known for her leadership at Madison Media as group CEO for over 13 years, and at Google as agency director for over five years, is seen as a leader who shaped many agencies’ and marketers’ increasing use of digital platforms for brand building. At Google, she led the organisation’s agency business, first from India and later for the region from Singapore, as managing director, APAC agency for Google APAC. She is currently setting up her own firm in the communications tech space.

    Her career spans over 20 years of media. She is widely acknowledged as the driving force behind Madison’s transformation to the second largest media agency in India and is credited for building a buoyant agency business for Google in India and Asia Pacific.

    She will be operating from Mumbai for her role at Hotstar.

  • Amazon acquires Lord of the Rings rights for TV

    Amazon acquires Lord of the Rings rights for TV

    MUMBAI: Amazon acquired the global television rights to The Lord of the Rings (LOTR), based on the celebrated fantasy novels by JRR Tolkien, with a multi-season commitment. Set in middle earth, the adaptation will explore new storylines preceding Tolkien’s first novel of the series The Fellowship of the Ring. The deal includes a potential additional spin-off series.

    Amazon Studios will produce the upcoming Amazon Prime original in cooperation with the Tolkien Estate and Trust, HarperCollins and New Line Cinema, a division of Warner Bros Entertainment.

    Amazon Studios head of scripted series Sharon Tal Yguado said, “LOTR is a cultural phenomenon that has captured the imagination of generations of fans through literature and the big screen. We are honored to be working on this exciting collaboration for television and are thrilled to be taking LOTR fans on a new epic journey in middle earth.”

    Tolkien Estate and Trust and HarperCollins representative Matt Galsor said, “Sharon and the team at Amazon Studios have exceptional ideas to bring to the screen previously unexplored stories based on JRR Tolkien’s original writings. We are delighted that Amazon, with its longstanding commitment to literature, is the home of the first-ever multi-season television series for LOTR.”
    A world-renowned literary work, and winner of the International Fantasy Award and Prometheus Hall of Fame Award, LOTR novels was named Amazon customers’ favorite book of the millennium in 1999 and Britain’s best-loved novel of all time in BBC’s The Big Read in 2003. Its theatrical adaptations, from New Line Cinema and Director Peter Jackson, earned a combined gross of nearly $6 billion worldwide. With an all-star cast that included Elijah Wood, Viggo Mortensen, Ian McKellen, Liv Tyler, Sean Astin and Orlando Bloom, the LOTR trilogy garnered a combined 17 Academy Awards, including Best Picture.

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  • OTT platforms to captivate Gen Z on Children’s Day

    OTT platforms to captivate Gen Z on Children’s Day

    Mumbai: Today’s kids, a part Generation Z, hold a lot sway when it comes to decision-making in the Indian household. Their say is not limited to what is watched on television or viewed on OTT platforms. As a result, kids’ content on OTTs has become a rapidly growing segment. According to Vidooly, YouTube’s video content for kids ranked third with 1.3 billion views in September alone. A McAfee report suggests that 84 per cent Indian parents allowed their child to bring an internet-connected device to bed. Parents often hand over their mobile devices to children to keep them busy enabling them to watch online content.

     

    This Children’s day (14 November), various OTT and VOD players plan to shoot twinkling rockets of educational and entertaining content for kids. Here’s a look at what some of the platforms are doing:

     

    ALTBalaji

    ALT has five originals shows for kids. It will be streaming its top series, Get Crafty With Rob, in which do-it-yourself expert, Rob, takes parents and kids on a creative journey with easily available everyday materials, Ding Dong Bell L-O-L, a story of two friends Ding and Dong who are fun loving and believe in experimenting, and Moe Doe The Frenemies, which is a story of a wonderful and adventurous journey of Moe who is a little boy and Doe who is a baby dinosaur, are also a part of the line up.

    Apart from the shows, ALT has a bucket full of the most iconic nursery rhymes, compiled especially for young ones to learn, sing, dance and express themselves. For making shapes and maths more colourful and interesting, it has Happy Lucky ki Katti Batti that is a story of Happy, Lucky, and a flying squirrel, Tabby.

     

    Amazon Prime

    Amazon Prime is offering an extended variety of national and international content for kids. Kids can watch originals like Stinky and  Dirty, Just Add Magic and Wishenpoof. It is also streaming a series of old and popular international favourites like Powerpuff Girls,Dexter’s Laboratory and Johnny Bravo. In our very own Indian content, Prime has kept all-time favourite Tenali Raman, Chhota Bheem, Mighty Raju, and Selfie with Bajrangi and Baahubali – The Lost Legends accessible.

     

    Chu Chu TV

    Chu Chu TV is one of the most successful YouTube channels for kids content in India. On Children’s Day, Chu Chu TV will be playing regular shows along with the nursery rhymes with the message of love, sharing and caring. Apart from this, the team has a tour plan to visit schools in Chennai. Regarding their visit, CEO Vinoth Chandar says, “We are going to three to four schools in Chennai and will be playing our content on the projector to entertain as well as educate them.” For LKG, UKG, first- and second-standard students, a colouring contest has been organised with certificates and gifts. Primary and upper-grade students will get sketch colours, pencils, cups etc. Third, fourth and fifth standard students will get Chu Chu TV branded pens.

     

    Lattu TV

    Lattu TV recently launched its app and will have shows like The Treasure Hunt, Talking Tom and Friends, Trigo, Maya – The Bee, Lee & Coco and more. Apart from online streaming, the team of Lattu TV is going on a social cause tour. Lattu TV CEO Vivek Bhutyani says, “The entire team of Lattu TV will be going to a kids orphanage and we will be showing our content to them. We are creating a small screening room for them and will be playing The Treasure Hunt. It will be like a theatre for them. We are taking our mascot Trigo, who will be playing with the kids. We will play games with the kids and, in the end, we will give them gifts.”

     

    YouTube Kids

    A while back, YouTube launched a dedicated app for kids to enable a safe and secure platform for educational and entertaining content. Starinn, a budding channel on YouTube Kids, is also launching a new channel called Go Yoga, wherein a mother-child duo (Tina and Daria) will be doing inspiring yoga, on Children’s Day.

  • Hooq Filmmakers Guild is a hot bed for creative talent, says CEO Peter Bithos

    Hooq Filmmakers Guild is a hot bed for creative talent, says CEO Peter Bithos

    MUMBAI: Days after announcing five filmmakers from Southeast Asia, who have the chance to submit their scripts for a pilot, Hooq Filmmakers Guild has selected five more submissions. It claims to be one of the top video on demand service in the region.

    The selections are Crazy in Love (Indonesia), Golden Star (Philippines), Merit Score (Thailand), ReLie (Thailand) and Trips (Singapore).

    Hooq CEO Peter Bithos said, “The Hooq Filmmakers Guild has really highlighted the immense talent out in Asia and the selection process for the top six pilots announced earlier was not an easy task.  The fact that we could pick out five more brilliant ideas on top of the six we already chose for pilot development means this region is a hot bed for creative talent.  We are excited and committed to developing these talents and helping them turn their vision into your next favourite series.”

    While these five new submissions are not ready to be developed into pilots, they hold enough merit and potential to become compelling stories that will appeal to audiences around South-East Asia. Hooq is investing in the potential of these ideas by developing them into scripts.

    The confirmed 2017 selections are Bhak (India), Suay (Thailand), Haunt Me (Singapore), How To Be A Good Girl (Singapore), Aliansi (Indonesia) and Heaven and Hell (Indonesia) with any of the five, commissioned for script development, having the potential to join them.

    The top ideas will get $30,000 to produce a pilot episode for the platform. Hooq subscribers and judges will vote for their best choice which will be converted into a full series.

    The five submissions bookmarked for script development are as follows:

    Merit Score by Lit Samajarn from Thailand follows the story of 25-year-old entertainment diva and mean queen Nadia, who meets an untimely end in a movie accident. Determined to do whatever it takes to get into Heaven, she has to improve her meagre merit score, secure enough brownie points and karma in the next 30 days.

    The other Thai submission is ReLie by Nirattisai Ratphithak. This thriller revolves around a wildly popular mobile game app that becomes all too real for a group of university students when the players begin dying one by one. To stop the deaths, they need to figure out who the murderer is, but doing so leads them to face the unexpected truth that is much bigger than what they would ever imagine.

    From Singaporean Xavier Ong comes Trips, about a down-on-his-luck model who joins a host club so he can earn enough money to marry his girlfriend. However, he soon finds himself being drawn deeper and deeper into a world where love and money are nebulously entwined and the only way to survive, is to lose yourself.

    The Philippines is represented by Jed Cyril Punongbayan of We Love Motion Inc. under Go Motion Productions. He created Golden Star, the story of a 48-year-old mother of three who tries to secure a better future for herself and her family by entering the tricky world of show business.

    Finally, Indonesia’s Mahakarya Pictures and Aditya Testarossa present Crazy In Love, an offbeat romance about plain jane Kinanti, who gets a peculiar gift from a mysterious stranger – a lip colour that will make fall in love with her through a single kiss. When Aaron, a famous celebrity, accidently kisses her, Kinanti’s destiny changes completely.

    The Hooq Filmmakers Guild drew nearly 500 submissions for original content from across the region. The submissions drew from a large range of genres and styles, ranging from science fiction to historical dramas.

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  • Cable & broadcast biggies discuss issues on day 1 of CASBAA Convention

    Cable & broadcast biggies discuss issues on day 1 of CASBAA Convention

    MACAU: The CASBAA Convention 2017 in Macau kicked off on 7 November 2017 with welcoming remarks from 21st Century Fox CASBAA Board Chairman and SVP Public Affairs Asia Joe Welch, during which he highlighted the association’s escalating efforts to curb the on-going regional revenue leakage caused by piracy.

    “Most importantly”, said Welch, “CASBAA recently launched the Coalition Against Piracy, funded by 18 of the region’s content players and distribution partners”.

    In the meantime, CASBAA CEO Christopher Slaughter, emphasised the yet to be fully-realised digital dividends for the Asia Pacific.

    According to CASBAA, TV production quality is soaring across Asia. Audiences are engaging as never before. New ways of video distribution such as over-the-top (OTT) broadband services are reaching millions of additional customers across a CASBAA footprint that reaches from India and Pakistan to Japan and Korea, from China and Mongolia to Australia and New Zealand.

    Operator workshops and conference sessions such as “New Ecosystems: Myanmar & Cambodia” and “OTT in China” showcased the plus side, while digital negatives were highlighted during sessions such as “Under Attack” and “the ISD Battle”, as well as clear-eyed examinations of the India market and new content offerings both domestic and international.
    Some noteworthy points mentioned through the day:

    New Wine, New Bottles: Astro COO Henry Tan said,“We need to expand beyond our domestic market, it would be foolhardy to be satisfied, with 75 per cent of Malaysian households. The way the world is going, is mergers, acquisitions, and partnerships.”

    “Last year at the CASBAA Conventions I met with Group M’s Irwin Gotlieb; he told me ‘Bet on transactions’. Since we have 75 per cent market share, how to do that? Home shopping, eCommerce. We have to see ourselves as a consumer care company, our biggest asset is our customer base.”

    On Piracy:

    Premier League Kevin Plumb said,“In the past 18 months the illegal broadcasting of live Premier League matches in pubs in the UK has been decimated.”

    Sky UK Matthew Hibbert said,“Site-blocking has moved the goalposts significantly. In the UK you cannot watch pirated live Premier League content any more.”

    Federation Aganst Copyright Theft (FACT) Kieron Sharp said,“The most successful thing we’ve done to combat piracy has been to undertake criminal prosecutions against ISD piracy. Everyone is pleading guilty to these offences.”

    UK Intellectual Property Office (UKIPO) Ros Lynch said,“The UKIPO provides intelligence and evidence to industry and the Police Intellectual Property Crime Unit (PIPCU) in London who then take enforcement actions. We first heard about the issues with ISDs from TVB in Hong Kong and we then consulted the UK rights holders who responded that it wasn’t a problem. Two years later the issue just exploded.”

    On New Content New Platforms:

    Vice Media Hosi Simon said, “The business isn’t in some regional office where people send out emails, it’s about local offices building local content.”

    “What Vice trades in is being able to identify emerging trends – artists, music, movements – that young people care about. We trade on an understanding about cultural diversity and nuance, and we don’t believe there is just one global lens, the excitement is about the local story.”

    The Death Of Television?:

    The Promotion Fix @ The Drum Sam Scott said,“As Ad Contrarian Bob Hoffman said, we need to counter the falsehood that TV is dying by pointing out that it’s having babies.”

    “Marketers are not normal people. We love social media, but most people do not. 93% of marketers are on LinkedIn. Among everyone else, it’s 14 per cent. 81 per cent of marketers use Twitter. Everyone else, 22 per cent.”

    “The marketing industry has its own ‘fake news’ problem. Too many marketers – especially in digital marketing – accept what is said in our industry’s echo chamber without thinking critically or asking for evidence.”

    “Don’t let those who are biased towards digital mediums and tactics frame the debate.”

    On C-band and Satellite:

    APT Satellite Huang Baozhong: “With complementary OTT services, we add value instead of lowering prices.”

    “If other countries will follow [the US/FCC]: Japan, Europe, Australia, Korea and others … this will completely destroy the broadcasting industry in C-band.”

    ABS Raymond Chow: “C-band is a precious resource, not only for broadcast, but also mission-critical for military applications.”

    On OTT:

    BrightCove Greg Armshaw said, “Really start understanding your customer base is the essential to selling OTT …. Even though there are free offers, not everyone is signing up to it, so personalised offers, being flexible about bundling and looking at marketing partnerships are key…”

    Fox Network Group Rohit d’Silva said, “Data science is now front and centre for a multitude of industries. In the media industry the sooner they understand that data science is a huge part their operations, then they won’t get left behind.”

    Sony India Uday Sodhi said,“There is a huge mindset change required, when you move from traditional the broadcast business, to digital platforms. You have to deal with the huge explosion of data that you develop.”

  • SonyLIV to live stream Riot Games’ ‘League of Legends’

    SonyLIV to live stream Riot Games’ ‘League of Legends’

    MUMBAI: Sports has become one of the key content being watched online. The concept of esports is evolving slowly. For the digital sports lovers, SonyLIV will now live stream the year’s biggest esports event that is ‘Riot Games’ League of Legends World Championship. The championship is taking place at the Beijing National Stadium also known as ‘The Birds Nest.’

    Through SonyLIV’s association with Riot Games, viewers get access to the live stream of League of Legends’ World Championship finals – an annual event with a massive global audience.

    SonyLIV will stream the championship live on 4 November 2017 at 12:30 pm. With this association, SonyLIV users get access to watch the two teams Samsung Galaxy and SK Telecom T1 fight their battle to win the Summoner’s Cup.

    SonyLIV  EVP and head-digital business Uday Sodhi said, “SonyLIV is all about going beyond regular content and giving our audience a never seen before experience. Keeping this in mind and bringing our brand ethos ‘We LIV to entertain’ alive, we are glad to associate with Riot games to bring esports for the first time to Indian audience on the OTT platform.”

    Riot Games country manager – India Anurag Khurana said, “We are excited to partner with SonyLIV to bring the global finals of our premier esports event to an Indian audience. Riot is committed to bring the highest levels of player focused gaming entertainment to our Indian fans, who we are confident will enjoy the finals.”

    Riot Games is one of the world’s premier game developers known for their unrelenting focus on putting players first. Their initial title, League of Legends is a fast-paced, competitive online game that blends the speed and intensity of an RTS with RPG elements and helped define the popular ‘MOBA’ (multiplayer online battle arena) genre.

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  • Hotstar is an important platform for us: ABP’s Avinash Pandey

    Hotstar is an important platform for us: ABP’s Avinash Pandey

    MUMBAI: The days of tuning into the news channel at 7 pm in your living room are gone. Today’s consumers want news to come to them not vice versa. Taking note of this, ABP News bought a Hotstar ticket, which boasts of 10 million downloads on Android devices.

    ABP is the first Hindi news channel on the platform. New entrant Republic TV had secured a place in May this year.

    ABP COO Avinash Pandey feels it unwise to consider Hotstar as a media product. He rather gives it the title of a platform in itself. “The exponential growth in business happens when you move from product delivery to platform delivery. A platform becomes a dissemination medium when multiple people for multiple reasons converge. Hotstar is a promising and future-ready platform and it is important to be on such a destination,” he says.

    ABP shares its DNA with Star India since the channel was formerly called Star News – a partnership between ABP and Star from 2003 till Star decided to give up news for giving attention to entertainment in 2012. The synergy made a compelling case for both to unite.

    The deal benefits both parties. While ABP can reach a large audience on a trusted platform, Star can give value addition to its Hindi-speaking audience via ABP News. Let us not forget the increased traction that advertisers will get through it.

    At the 13th Indian Digital Operators Summit 2017, BARC India CEO Partho Dasgupta highlighted that the Hindi news genre grew by 93 per cent in week 41 of 207 over 2015. Pandey calls this growth as exponential, not progressive.

    “People want news as video rather than text and heavy consumption happens via mobiles and tablet due to lower data charges,” says Pandey. The channel is cooking up something as he says that this partnership is just ‘the tip of the iceberg’ and more should be expected.

    With the latest addition, Hotstar has live feeds of five channels – Fox News, Sky News, Asianet News, Republic TV and ABP news.

    As per the comScore report for April 2017, ABP News had 20.7 million viewers on mobile out of the total 200 million news population on digital. It had just 1.7 million views via desktop devices. The report also showed that people across ages, both male and female prefer mobile to desktop any day.

    Star India chairman and CEO Uday Shankar had earlier said, “Young India has embraced Hotstar. We believe that young, digital-savvy Indians are deeply interested in understanding their country and the world they live in.”

    Hotstar has managed to hook viewers to its entertaining content. Now can it manage to get them to spend more time watching news as well?

  • Indian filmmaker among 6 selected for Hooq

    Indian filmmaker among 6 selected for Hooq

    MUMBAI: Hooq Filmmakers Guild has turned six filmmakers’ ideas into reality. Hooq has announced six titles for pilot development from its inaugural Hooq Filmmakers Guild 2017. The Guild, launched in June 2017, is an annual initiative designed to seek out film talents in Asia that have great ideas but lack the opportunity to turn these ideas into reality. It claims to be one of the top VOD service in Southeast Asia.

    The 2017 selections are Bhak (India), Suay (Thailand), Haunt Me (Singapore), How To Be A Good Girl (Singapore), Aliansi (Indonesia) and Heaven and Hell (Indonesia).  The six were selected from 500 submissions received by Hooq over a 2-month period from all over the region.

    The top ideas will get $30,000 to produce a pilot episode for the platform. Hooq subscribers and judges will vote for their best choice which will be converted into a full series.

    Hooq CEO Peter Bithos said, “Hooq has always been a big supporter of the Asian film industry.  The Hooq Filmmakers Guild was designed with this aim in mind and focuses on developing the next generation of Asian film talents by providing them with the opportunity to showcase their ideas and develop their skills through connecting with the Guild’s judges who are the crème de la crème of the Asian film business.” He further added, “We are so excited to announce the six pilots that we have selected to be produced.  There were so many great ideas to select from so we decided to produce six pilots instead of the five that we had intended.  We look forward to the completed pilots and hope that everyone will get Hooq’d on them.

    Judge Puttipong Promsaka Na Sakolnakorn commented, “The number of submissions was far more than what any of us were expecting”.  The submissions spanned a range of genres and styles, from science fiction to supernatural and even historical dramas.  The dominant genres submitted were drama, horror/supernatural and comedy, with science fiction and fantasy a close fourth.

    “I was deeply amazed by the quality of the submissions, so much so that it made judging really difficult!” said judge Mouly Surya, director of ‘Marlina the Murderer in Four Acts’.  “It was affirmation to me that Asia truly has immense talent when it comes to filmmaking.”

    This sentiment was echoed by her fellow Indonesian judge, actor Nicholas Saputra. She said, “Not only were their submissions for the Hooq Filmmakers Guild fantastic, they are so energetic, creative and bursting with ideas and serves as a reminder to all seasoned filmmakers to never lose that spark inside of us.”

    Judging was based on the relevance and potential appeal to Asian audiences, demonstrable creativity in storytelling and most of all, a well told Asian story with an original point of view. 

    India’s winning entry, ‘Bhak,’ is a colourful dramedy that follows the adventures of two ambitious young filmmakers in the Bollywood film industry.  Written by Arjun Chatterjee and Shreyom Ghosh from Big3 Media, it explores themes of passion, betrayal and love.

    ‘Suay,’ a Thai crime thriller by Marcelo von Schwartz, follows the story of ladyboy go-go dancer Lola, who receives a cut-off ear belonging to her best friend and mentor, Carly.  She is then forced to draw upon her past identity as a tough male private detective and descend into the underbelly of Bangkok.

    Supernatural drama ‘Haunt Me,’ by Oman Dhas and Goh Ming Siu from Third Floor Pictures, follows the story of Kwong, a widower, who after his father’s death, moves into his family ancestral home and discovers his family’s secret sacred destiny; guiding lost souls to the other side.

    The other Singaporean entry, ‘How To Be A Good Girl,’ comes from Abundant Productions and follows former socialite turned ex-convict, Frances Lee, who is looking to reclaim her life after time behind bars.

    The Indonesian winning entries reflect two ends of the genre spectrum. ‘Aliansi’ is an offbeat comedy by Muttaqiena Imaamaa.  It follows the story of a down-and-out Jakarta-based creative executive, who gets a chance to start over when a mysterious millionaire approaches him to create advertising campaigns – to convince the public that aliens are real.

    By contrast, Bobby Prabowo & Eric Tiwa’s ‘Heaven and Hell,’ takes us into the world of the Eastern Indonesia mafia.  When a gang war about to break out in Darmaga Batu, his adoptive hometown, Chris contemplates leaving the violent world of crime, until he realises, the only way he can protect his jailed father, is by becoming the head of the crime world.

    Thai Hooq Filmmakers Guild judge Wasin Pokpong said, “I am very happy that Hooq launched the Hooq Filmmakers Guild this year because it has become a platform for aspiring filmmakers who were lacking resources to finally be able to bring their ideas to life. Sometimes, all it takes is a little boost to make dreams come true.”

    Millions of viewers across the region are now keeping their eyes peeled as these six titles make the transition from a good idea to great stories.

  • Uday Sodhi bets long on short films on SonyLiv

    Uday Sodhi bets long on short films on SonyLiv

    MUMBAI: We like it short. That’s the message that subscribers of SonyLiv from Sony Pictures Networks India have been telling the programming team. Led by CEO Uday Sodhi, it noticed that its four to five million subs were rapidly lapping up its portfolio of 500 short films which were on offer to them. What was pleasantly surprising was that watch time for these shorts had rapidly grown to around 10 per cent of the total on the OTT service in just one and a half year since these were introduced.

    Thus to further encourage engagement and stickiness, the team unvieled a new bunch of 50 short films last week on the app. Cherry picked from Mumbai-based content and aggregator and distributor Pocket Films’ catalogue, which included a clutch of award winning shorts, its offering has swelled to 550 now.

    Says Sodhi: “Short films on SonyLiv are a very large category. We keep looking in the market to see where good quality short films are available so that we can offer a good range to our regular visitors. We have selected the top films based on their quality of content, which are award winning and critically acclaimed. Also a few films have the film festival touch in them.”

    Among some of the more popular short film titles viewers can now snack or binge watch include: the Nawazuddin Siddiqui and Tejaswini Kolhapure starrer film Salt N Pepper, Tubelight ka Chand by Anurag Kashyap, sSknoia Waapasi, Umbrella, Living is Easy, Gotya, Lori, Aachor, Destiny’s Two, Viola, Kundli, ABC, Smothered, Girl in Red, Love Pichkaari, Watermelon, A Gentle Giant, The Break Up, Laugh, Aakhri Sawari, Rishtey, Kite, Aai, Anjaan, and Bhopal Diaries.

    Sodhi was loathe to reveal the deal that SonyLiv had signed with Pocket Film, saying that it is a private commercial transaction between the two. However, sources reveal that Pocket Films which is among the leading aggregators of short films and videos on Youtube, has probably struck a revenue share deal with SonyLiv.

    All that Pocket Films CEO and founder Sameer Mody is willing to say was that he was happy to partner with SonyLiv and that he was hopeful that the association will help “us widen the reach of our offering.”

    Sodhi, on his part however, is quite confident that viewership of short films on SonyLiv will head in only in one direction: northwards, though he was not willing to bet by how much.
    Says he: “We believe that digital cinema can be told in different lengths. On digital, we have found that a lot of consumption happens in the 20-40 minutes range. It is an exciting form of storytelling to tell a story in this length.”

    That kind of consumption would make any OTT business head smack his chops.

  • Amazon to tickle your bones with Funny or Die films

    Amazon to tickle your bones with Funny or Die films

    MUMBAI: From only streaming to now producing, Amazon has taken a leap. One of the top OTT video content providers, Amazon, is financing the production of three Funny Or Die (FOD) comedy shorts to be available exclusively worldwide on Prime Video. This is happening for the first time that it is investing in the development of original, exclusive partner content.

    The deal has given creators, studios and distributors different options for distributing content on Amazon’s video platforms.

    Under the partnership, Prime Video will debut three new original FOD shorts on Nov. 10:

    Lovebirds

    Written and directed by Ahamed Weinberg (“Comedy Bang! Bang!”, “Quincy Jones: Burning the Light”), the short film tells the story of a lonely young man who buys a bird feeder to attract birds to the window of his studio apartment. When that doesn’t work, he’s compelled to fall in love with a woman in his apartment complex.

    The Jury

    Written and directed by Anna Kerrigan (“Hot Seat,” web series “The Impossibilities”), it brings viewers into a roomful of bored strangers called for jury duty awaiting their assignments, when a mysterious, foul odour unites — and then threatens to divide — them in a quest to find the source.

    Soojung Dreams of Fiji

    Documentary satire written by SJ Son and directed by Hye Yun Park about first-generation Korean-American Soojung Yoon, a renowned nail salon owner, who elevates her craft to an art form — an unexpected profession that puts her into conflict with her immigrant mother.

    According to the source Variety, Funny Or Die VP partner content Brian Toombs said, “We have had great success with showcasing our content on Prime Video through Amazon Video Direct.” Our comedy has really resonated with the Amazon audience and we look forward to showcasing these original shorts on the service.”

    Amazon Video Direct, launched in 2016, provides four options to content owners. They can make their content available: in Prime Video at no additional charge to Prime members; as an add-on subscription to Prime Video; for a one-time rental or a one-time purchase price; or available to all Amazon customers on an ad-supported basis. The new FOD shorts will be distributed on Prime Video globally.

    Funny Or Die was founded 10 years ago by Will Ferrell, Adam McKay, and Chris Henchy as a comedy website destination. The company, whose investors include CAA and AMC Networks, has increasingly branched into TV and film projects.

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