Category: Over The Top Services

  • Kinsane to launch a digital-first kids’ entertainment company

    Kinsane to launch a digital-first kids’ entertainment company

    MUMBAI: Kinsane Entertainment Inc (Kinsane) is ready to storm the kids’ entertainment space globally. A digital-first company, Kinsane will create content for kids aged 2-11 years in numerous languages and distribute that content globally through a variety of advertising, subscription and transaction-based revenue models. It is a global digital entertainment company, co-founded by Kurt Inderbitzin, Indrani Pillai and Saahil Bhargava and angel funded by Neeraj Bhargava and other investors.

    Backed by Bhargava as chief mentor, the company has raised USD 2.5 million from angel investors to launch eight new shows, 100 games and 30 new characters in 2018.

    Bhargava, a serial entrepreneur and one of the several prominent angel investors that seeded the company, said “We are seeing major disruptions globally in the digital media space. Television viewing is gradually declining and content consumption is being revolutionised. According to a parent survey conducted by DHX/IPSOS, 72 per cent of kids across the US, the UK, and Canada watch content on streaming services such as YouTube and Netflix. The digitisation of content has made content consumption global and omnipresent. The next leader in content will almost certainly be born digital and Kinsane aspires to be the game changer in the kids’ content space.”

    Kinsane’s strategy is to create a wide variety of videos and games featuring endearing and original characters that become global, iconic brands.  The goal is to take these brands, established in the digital space, and propagate them further through non-digital channels such as film, television, concerts and merchandising. Kinsane plans to launch over 8 new shows and 100 games featuring 30 new and compelling characters over the next 12 months. The core target markets for this content are the US, Europe, India, Brazil, and China.

    Kurt Inderbitzin, co-founder and CEO of Kinsane, said, “We create content featuring characters that live and breathe and have personalities as rich and diverse as the very kids who are watching them. Kids can view these amazing characters, laugh and sing with them and even interact with them in games, live action, and animated shows, augmented reality and audio books.”

    Also Read:

    Regional OTT content more than just catch-up TV    

    OTT platforms to captivate Gen Z on Children’s Day

  • Mumbai hosts the 8th edition of TEDxgateway, riveting talks by 25 remarkable speakers

    Mumbai hosts the 8th edition of TEDxgateway, riveting talks by 25 remarkable speakers

    TEDxGateway is back with its 8th edition at the DOME @ NSCI in Mumbai. Taking forward the theme of  ‘Ideas Worth Spreading’, TEDxGateway will bring 25 motivational speakers from  different walks of life will share their inspiring experiences and stories on varied topics ranging from science, inventions to creative art forms.

    This year promises to be bigger and larger with TEDxGateway expecting to draw more than 5000 attendees at Dome @ NSCI. In addition, the main event will also be webcasted across 50 campuses in India, targeting over 150,000+ viewers.public://gateway.jpg

    This year’s TEDxGateway features an eclectic mix of speakers from diverse backgrounds including a microbial explorer, discoverer of fungal species who is currently researching on understanding how ‘wild’ microorganisms can produce improved food and beverages, a 14 year old who invented a bandage with the ability of assessing the need to change it, preventing the chances of further damage saving countless lives, the inventor and builder of a personal flight system and jet suit, creator of YOLO (You Only Look Once) system, the developer of a breakthrough technology to signal the presence of cancer, a child & adolescent psychologist and family therapist, a TB survivor and public health professional, a cybersecurity expert with domain knowledge of smart devices, the developer of wearable sensor to detect a sexual assault, the inventor of communication devices for children with disabilities, and Guinness World Record holders aka the Everest Twins, amongst various others.

    From the Government quarters, Shri Col. Rajyavardhan Singh Rathore honored with Padma Shri and an Olympic Silver Medal in double trap shooting, and currently Minister of State, Youth and Sports will also be part of this year’s lineup of speakers.

    The event will also see a grand performance by Ricky Kej, the youngest Indian Grammy Award music composer known for his Indo-American styled environmentally conscious music perform at the event.

    To support the TEDxGateway vision, leading corporate powerhouses are supporting the event this year. Some notable names include Aditya Birla Group, Infosys, JSW, and Rustomjee.

    Speaking on its association with the platform, Percy S. Chowdhry, CEO, Rustomjee, said, “We are delighted to continue our long standing association with the 8th Edition of TEDxGateway. Over the last five years, the TEDxGateway has emerged as one of Asia’s largest event platforms attracting inspirational speakers who are game changers in their respective domains having taken the road less travelled.

    At Rustomjee, we believe passionately that inspiring ideas have the power to change attitudes, lives and ultimately, the world. As one of Mumbai’s largest and most trusted developer, Rustomjee takes pride in making thoughtful spaces available to people and families. Spaces inside and outside homes that help them find who they truly are, help them rediscover lost passions, old friends, spend quality time with their loved ones and much more. We are looking forward to the talks that will emerge for TEXxGateway 2018 – ‘Ideas Worth Spreading’.”

    Commenting on TEDxGateway 2018, Yashraj Akashi, Senior Ambassador and Curator, TEDx Gateway in India said, “With every year, TEDxGateway is growing to become a bigger platform for inspirational people to share their path-breaking ideas and worldly experiences with the Indian audience. Built on the premise of stimulating minds, leading to interactive discussions and constructive conversations, TEDx now has a place in the Indian market where it drives thought-leadership to the learning-oriented, knowledge seeking audience. This year too, we aim to bring inspirational speakers to share their inspirational talks to a high-spirited crowd.”

  • Branded content drives Viu

    Branded content drives Viu

    MUMBAI: Within two years of launch, over-the-top (OTT) service Viu has created a unique value proposition of fresh and localised regional and local premium TV shows, movies and originals for its consumers every day.

    While digital shows are becoming increasingly popular among the masses, brand marketers are exploring innovative ways in which they can garner interest for their brand by strategically incorporating branded content. In 2017, a number of brands jumped on to the AFP bandwagon, making it a wonderful year for branded content.

    Viu India head monetisation & distribution Sameer Gogate said, “Our constant focus is to ensure that there is a strong story, and content becomes the hero along with seamless integration of the brand. We have been able to make content a surrogate for advertising, and we believe this model is here to stay. McDowells No.1 Yaari and Nicotex presents I Can You Can were win-win AFP partnerships which saw the delivery of great original content by integrating the essence of the partner brands in a creative and frictionless way. It reinforced our belief in AFP being a viable revenue stream as part of our overall monetisation model. I think it sets the tone for us to explore more such successful branded content partnerships in the coming year.”

    Viu India country manager Vishal Maheshwari said, “Our strategy is deeply anchored in technology and consumer insights. Research affirms that regional content on OTT will command close to 30 per cent of the overall share in the years to come. Indian language internet users will drive the next phase of internet adoption in India. This new generation of users will come on board from tier 2 and tier 3 cities and with this potential increase in consumer base, there will be an immense demand for intriguing regional content. With Viu, we have always been about global expertise and local execution and that’s why we are focused on entertaining this new generation with content in languages with which they are familiar.”

    Year 2017 was full of colors for Viu. It launched the first bilingual digital show in Hindi and Telugu – Social. It started with cricket comedy chat shows like What the Duck and Virender Sehwag’s micro-original Viru ke Funde, which has now evolved to a roster of nearly 12 premium shows and more in the pipeline (a combination of long form and short form). It tied up with Vikram Bhatt for multiple long form shows in Hindi such as Gehraiyaan and Spotlight. Spotlight 2 and Memories are also in the pipeline, which have roped in best talents for the show. In association with Annapurna Studios, the platform launched two long form shows titled Pill-A and Pelli Gola. Viu is catering to the growing demand for regional content by creating intriguing and contemporary digital shows such as No 1 Yaari and Munching with Mahathalli.

    A key strength of Viu’s global strategy is to form strong partnerships, whether they be Samsung, Micromax, Vikram Bhatt’s Loneranger Productions or Annapurna Studios. Content house Shemaroo Entertainment has inked a licensing deal with Viu. Through this deal, a handpicked catalogue of Shemaroo’s full length Hindi movies can be accessed by its subscribers.

    Viu’s primary focus for the year 2018 is ramping up content library by three times. The OTT platform is planning to foray in the Tamil market by associating with content creators. Similar to the expansion plans in India, Viu will also be expanding its content base internationally. It is planning to launch multiple bilingual shows as the next step and additionally looking to explore other regions as well. This year, Viu will be launching Spotlight 2, Memories, Trysexual (yet to be titled), Kaushiki, Unafraid and many more small and big format web series.

    Today Viu reaches more than 26 million total monthly active users across markets with 3,000 hours of compelling original content in Asia.

    As of October 2017, its India downloads were 9.5 million. Its monthly active users graph goes up to six million and the global average hours per user for the month was 14 hours whereas in India the average hours per user was 34.5 hours. However, the reach of Viu is wide globally, which reached to 150 million video views, whereas total video views in India was 18 million.

    Also Read :

    Regional OTT content more than just catch-up TV   

    Viu brings best of korean shows to india

    Viu’s unique Asian content attracts six million active users, claims 50% growth in four months

     

  • ALTBalaji bets big on first-time producers with Haq Se

    ALTBalaji bets big on first-time producers with Haq Se

    MUMBAI: There has never been a better time to be a producer in India. The entertainment industry, despite several challenges, is exploding with consumers willing to lap up stories that were not told before. In the race to experiment and create fresh content, two producers jumped into the pond of content production after being afforded the opportunity by one of the bigger OTT platforms-ALTBalaji.

    ALTBalaji is all set to kick start the new year with a big bang by launching a new Urdu web series Haq Se in the third week of January. The 20-episode series is an adaptation of classic novel Little Women by Louisa May Alcott, which is produced by the producers of Mano Rama Pictures – Karan Raj Kohli and Viraj Kapur.

    This is the first on air project of Kohli and Kapur and they have collaborated with Star Plus for two daily soaps. Manor Rama Pictures is aiming to set their second project with ALT in 2018 and have discussed a brief of another series with them.

    The digital series have many film-centric names attached to it, like, Ken Ghosh is the director of the series. The story and screenplay is written by Devika Bhagat, who has written the film Jab Tak hai Jaan whereas Renuka Kunzru wrote the dialogues for us. The star cast includes popular names like Rajeev Khandelwal, Surveen Chawla, Parul Gulati, Simone Singh, Rukhsar, Aanchal Sharma, Nikeesha Rangwala, Pavail Gulati and  Karanvir Sharma. Even, the DOP has earlier worked on the projects like Baaghi, and used a multi-camera setup for shooting the series in Manali and Mumbai. The series is filmed on two cameras on most days on Arri Alexa XT. 

    According to ALTBalaji CMO Manav Sethi, “The series is shot in Manali largely as we wanted to give the backdrop of Kashmir. As far as FY 2017-18 is concerned, this is the second biggest show of ours after Bose. It is a women-skewed show, although the average women-men skew on the platform is 45 and 55. We will be leveraging the marketing on television and largely on digital with an investment under a million dollar. Out of this, 70 to 80 per cent investment will be on digital. The total marketing budget for the year is under $ 10 million.”

    In an interaction with Indiantelevision.com, Karan Raj Kohli and Viraj Kapur shared the experience of their first digital project.

    Tell us something about your series and your experience while shooting it.

    Karan: Ekta Kapoor is a very dear friend, so on a random day we discussed doing a new show together. We met and shot some ideas past each other and then she came up with the idea to work on an adaptation of a classic novel called Little Women. It is a beautiful story based on four sisters in the era of World War II. We decided that we need to Indianise the story considering it’s based on a different time. We started the process and worked on adding more spices in the story, how do we make it more Indian, more coordinated with present age and more relatable to brand India.

    We decided to get Rajeev Khandelwal onboard. We also started casting while developing the characters. This was the most special part of the journey. We had several filters while casting. We had to ensure the girls looked Kashmiri and that they had similar features, they could speak a bit of Urdu, and each character stood out but seemed like a part of the same big family. 

    Is this your first web series?

    Karan: Yes, this is our first web series. We would like to call it a digital series, along the lines of other international platforms since this is not a show that releases completely on a social platform. The difference between a digital series and a web series is that the latter is free and meant for snacking and targets audiences that tune in and tune out. Whereas a digital series is paid content that is high concept and has the same challenges that film does to bring audiences to tune in for a fee. So it has to be cutting edge and fresh that is not available to audiences in other mediums i.e. TV or film. 

    Are you planning for a second season?

    Viraj: Yes, we already have a contract in place and are in talks for a second season. Since this is a novel adaptation, we have covered only 75 per cent of the first novel and there are three more sequels to the book so it is going to be a long series. Most probably, we are going to be doing one season a year, anywhere from 15-25 episodes. Digital series is a new medium, so later when things get more streamlined, there may even be two or more seasons in a year. The first season consists of 20 episodes.

    How much is the investment per episode?

    Viraj: It is a Rs 10-15 crore project. Generally for any web series on ALT, Netflix and Amazon, the budgets range from Rs 25 lakh to Rs 2 crores per episode and per episode cost of this project is somewhere between Rs 50-75 lakh.

    Did you get any advertisers onboard?

    Viraj: There is no in-film branding since it is paid content. One can tune in to watch episode after a pay-wall for a minimal annual subscription fee. We haven’t started our promotional process yet. But most part of it will be handled by Alt. We are going to have the trailer and episode launch in early Jan.

    How many days did it take to complete the shoot?

    Karan: 82 days – roughly about 50 days in Mumbai and 32 days in Manali. Our crew was local from Mumbai itself. We did not hire any locals from Manali. We had a line producer who was organising things there. The size of our team was about 100 people excluding juniors and 250+ with juniors.

    What are your previous works? What are the two projects with Star Plus?

    Karan: Yes, we were doing two projects for Star Plus, one is a finite series with about 100 episodes and the other one is infinite. They are still under wraps and will be on air soon. They are regular telenovela styled shows. However, Viraj and I want to create content that has a social message, a take home for our audiences. We do not want to create content solely for entertainment or for the sake of it. We want to put out content that leaves a lasting impact even after having switched off the TV or having left the cinema hall, something that stays with them, something to really think about right before they sleep. 

    What are your marketing strategies for Haq Se?

    Viraj: Since this is a digital series, we will be relying heavily on digital push like social media and digital mediums to promote this. From our end, we will be setting up interviews next month with the press and will be uploading bytes too on our social media pages.

    How are you going to earn from this?

    Viraj: We have been commissioned by Alt, we invest the entire amount and they procure it from us. It’s a cost-plus scenario for Manor Rama. However, the IP rights are with AltBalaji.

    Were the actors given any kind of special training?

    Karan: There were a couple of delays considering the director held workshops with the cast to make them all feel together, like blood bound sisters. We were to shoot the series in Kashmir first, but because of the slight unrest, we decided to shoot in Manali. 

    At which locations did you shoot?

    Karan: We have shot the series in Manali and Mumbai. Each prop in each room to bathroom, everything was sourced locally from Kashmir or designed from scratch. Every single location and thing and even a painting has been created from scratch for the shoot. Same goes for every costume, Winnie Malhotra has designed the outfits.

    Other than Urdu, what are the other languages spoken in the series?

    Viraj: The series is in Hindi with splashes of Urdu. It is a mix of three languages, i.e., Urdu, English and Hindi, primarily Hindi because we do not want to alienate our audiences, and we need to have mass appeal. But Urdu is very similar to Hindi, so our writers did a lot of research in terms of figuring out the right words, the local dialect etc.

    What are your other line-ups for the year 2018?

    Viraj: We are in talks with Star TV for two shows for which we have already shot pilots. We have another project that is still in the writing process. We are also making a film, that’s under wraps right now, but will be announced early next year. 

    Also Read –

    Regional content on ALTBalaji to constitute 15% of show hours 

    Ragini MMS Returns to ALTBalaji with racy marketing

    ALTBalaji show Bose ‘anthem of protest’ is full of adrenaline, says Hansal Mehta

  • ‘Behind The Scenes’ of film butterfly crosses 1 million views in less than a week!

    ‘Behind The Scenes’ of film butterfly crosses 1 million views in less than a week!

    MUMBAI: The makers of film Butterfly recently released a ‘behind the scenes’ video of the film and it is absolutely beautiful. Going by the number of views it has received, it seems that audience completely agrees! The BTS video has garnered over 1 Million views in less than a week, quite unheard of for a behind the scenes video of a film. Directed by Ramesh Aravind, the movie stars Parul Yadav in the lead.

    From walking us through the beautiful locales of France to teasing us with bits and pieces of Parul’s scenes in the film, the video has definitely piqued our interest for the movie. It gives the viewers a perfect glimpse of the fun that the cast and crew seem to have had while shooting the film in France!

    Commenting on the same, Parul Yadav stated “I’m glad to see such an amazing response to the behind the scenes of the film. We have been receiving immense amount of love and appreciation from the audience and this is what we, as a team look forward to with any of our work being showcased”.

    Butterfly is the official Kannada version of the Hindi superhit film Queen (2014) which is also being simultaneously remade in the three other South Indian languages by Mediente Films. The film is slated to release in 2018.

  • The Quint partners with MP Dr Shashi Tharoor to make stalking a non-bailable offence

    The Quint partners with MP Dr Shashi Tharoor to make stalking a non-bailable offence

    MUMBAI: In August, The Quint started Talking Stalking, a campaign to give a voice to all those who face stalking every day and yet find that they can’t speak out.

    The overwhelming response to the campaign compelled us to look for a way which would ensure that stalkers are held accountable by the law and that stalking complaints are taken seriously. As we studied the existing law, we realised that one important change could make a huge difference – stalking as a non-bailable offence

    As a result, we have partnered with MP Dr. Shashi Tharoor and senior advocate Kamini Jaiswal to propose an amendment to Indian criminal law that will make stalking a non-bailable offence, in the form of a Private Member’s Bill.

     On December 20, 2017, The Quint organised an event at Oxford Bookstore, New Delhi to raise support for the Bill. A packed house participated in a discussion with a distinguished panel, which was also broadcast via Facebook Live.

     On Stalking and the Bill

     Dr. Shashi Tharoor, talking about why this Bill was important, said: “Now is the time to talk about stalking. Stalkers in India have a sense of impunity as it is a bailable offence”. He noted that while he had submitted the Bill to amend the law, “Maneka Gandhi should take this issue up personally.” This would help ensure it gets passed in Parliament: “Those who aren’t allowing this Bill to prevail are doing an insult to the Varnikas and Laxmis of the country.”

     Supreme Court advocate Karuna Nundy, who has argued several important Constitutional matters in the courts, including most recently a challenge against marital rape, said that “Stalking being a bailable offence is a massive lacuna in our legal system. It enables criminals to [commit] murder, rape & acid attack”. Pointing out that stalking was supposed to be made non-bailable when it was introduced in 2013, she criticized Parliament for changing this at the last minute: “Parliament caused a lot of women being attacked, raped and killed when it failed the stalking bill in 2013”. She concluded with a strong message: “Women are Indian citizens and have a right to NOT be stalked”.

     “Why should their stalking make us lose our freedom?”, asked Varnika Kundu, whose fight against her stalkers in Chandigarh helped bring the problems with the law on stalking to light. She is also fronting a petition with The Quint on Change.org to support the Bill, which has over 1,30,000 signatures: “The big reason I am fronting this petition — everyone who has survived stalking is so done with living with fear. Strike the fear of them losing their freedom. What is flattering is not actually flattering but terrorising”.

     Laxmi, acid attack survivor and activist also gave a fiery speech, and urged society to change its attitude towards stalking. “I did not live like a victim. I am a survivor. I am not a “poor thing”. I have all rights to live my life to the fullest. I have made a place for myself. Support yourself, and only then will others support you… Why should I be ashamed? The man who attacked me and those who supported him should be ashamed.”

     Geetha Nambisan, director of Jagori, which works with women who have faced crimes like stalking, and has agreed to partner with The Quint on its #TalkingStalking campaign, added that “When people will understand that there is a concrete punishment for stalking, that there’ll be consequences, then the crimes will go down”.

  • Sunburn 2017 goes live on Tata Sky mobile app

    Sunburn 2017 goes live on Tata Sky mobile app

    Ola Sunburn Festival 2017 burst into life on small screens as Tata Sky mobile app streamed the beats of some of the world’s top EDM acts on smartphones on the inaugural day of the iconic music festival. Dmitri Vegas & Like Mike (DVLM) and Coone were two of the nearly 20 electrifying local and international acts performed across four stages, whose pulsating rhythms reverberated around the Oxford Golf Resort (Pune) on the Festival’s inaugural day.

    Twisted Bass got the groove going at the Ola Stage with London-based duo Stooki Sound, Citizen Kain, Talamasca and Swami Harami also spinning out their tunes. Coone, DJ Mag’s highest-ranked Hardstyle DJ in 2016, came on as the sun went down and took the party up a gear at the Empire of the Sun 2.0 stage. He handed over to Mattn, who cleared the stage for DJ Mag’s 2015 Top 100 #1s and concluding act DVLM.

    Apart from streaming live from the festival’s four days, Tata Sky Mobile App is open to all users including non-subscribers, also showcasing nearly 500 hours of additional content, including after movies, artist interviews and exclusive backstage footage.

    Every throbbing beat from the opening day of Ola Sunburn 2017 was streamed live on Tata Sky’s mobile app. India’s leading content distribution platform has tied up with the festival, one of the largest in the world, to bring its eclectic mix of music, entertainment, experiences, celebration and lifestyle straight to the smartphone. This is the first time ever that Ola Sunburn festival will be live streamed on the Tata Sky Mobile app which is free for all users.

    Tata Sky has lined up a slew of ground-breaking experiences for fans at the venue that put them at the heart of the action like never before. Tata Sky set up dedicated virtual reality pods that gave fans a breath-taking 360-degree view of what the DJs see from behind the turntable as they crank out their tunes. There was also a Graffiti Wall where fans could get photographs of themselves clicked, which they could spray paint, write messages or draw quirky costumes on.

    The second day of Ola Sunburn 2017 kicks off Friday afternoon and will feature 21 acts, including DJ Snake and Kayzo.

    Until now, Tata Sky’s partnership with Ola – Sunburn 2017 has received over 80,000 engagement on social media platforms, over 6,000 mentions and growing.

    Download the Tata Sky mobile app now and be a party of the biggest party of the year.    

  • Eros Now Available on Amazon Channels

    Eros Now Available on Amazon Channels

    MUMBAI: Eros International PLC (NYSE: EROS) (“Eros”), a leading global company in the Indian film entertainment industry, announced today that Eros Now, its cutting edge digital over-the-top (OTT) South Asian entertainment platform, is now available to Amazon Prime members on Amazon Channels across the US and UK with subscription fee of 7.99 USD and 5.99 GBP per month. Access to Eros Now’s entertainment services through the program will include a 7-day free trial.

    Amazon Prime members can sign up for Eros Now through Amazon Channels to get access to Eros Now’s unparalleled movie library of thousands of films offering a wide range of Bollywood and regional language films, music videos and originals.

    Commenting on the relationship, Eros Digital, CEO, Rishika Lulla Singh says, “Eros Now’s integration with Amazon Channels in the US and UK further empowers us to reach out to millions of subscribers and provide them with rich and compelling content, from movies to music to TV content. Having crossed over 3.7 million paid subscribers and over 75 million registered users, this association enhances our customer acquisition strategy and further pushes the envelope in our endeavor to reach out globally to those seeking the best in entertainment on the go.”

    To learn more about Eros Now on Amazon Channels and to sign up visit: www.amazon.com/amazonchannels in the US and www.amazon.co.uk/amazonchannels in the UK.

  • Viu brings best of korean shows to india

    Viu brings best of korean shows to india

    MUMBAI: Viu, the premium video-on-demand service by Vuclip and PCCW today has launched popular Korean dramas for their viewers in India. After successfully rolling out Korean TV Shows in other Asian markets, Viu has now expanded its Korean content library to the young digital consumer in India. Viu continues to be a trendsetter in offering digital entertainment that popularizes the global phenomenon of Hallyu among the Indian millennials.

    Shows available on the service include hits like ‘Come Back Alive’, ‘Heirs’, ‘My Love From Another Star’, ‘Descendants of the Sun’, ‘Sweet Stranger and M’, ‘Doctors’, ‘Poet Warrior Youth’. The plan is to launch 20 more shows by March 2018. The entire library can be accessed at https://www.viu.com/ott/in/korean-en/korean_dramas.

    Speaking on the launch, Viu India, Country Head – Vishal Maheshwari said, “We have witnessed a very healthy uptake by young viewers, aged 18 to 24 years, who are watching Korean TV shows with English subtitles. The youth of India today are looking for world class TV shows. Korean TV shows deliver on all aspects from story to production which makes it such a success. The trend of watching Korean content is picking up rapidly across the country.“

    Viu has approximately 4,000 hours of the latest Korean drama and variety shows telecast from SBS, KBS, MBC and CJ E&M for all regions. All of this content can be accessed at https://www.viu.com or by downloading the Android app from Google Play or the iOS app from the Apple App Store.

  • Indians among top commute streamers for Netflix

    Indians among top commute streamers for Netflix

    MUMBAI: India is clearly a nation of commute streamers with internet users making the most of their travel time by binge watching. At 88 per cent, Indians are the second-highest public bingers in the world, just a tad behind Mexico with 89 per cent, according to a survey report by Netflix.

    Despite being in proximity to strangers, Indians don’t stifle their emotions and end up gasping, laughing and even crying in public. This public activity has been aided by the ability to download series and films for later viewing. Indians are amongst the top mobile downloaders in the world for Netflix content. Binge watching grew by 17 per cent from last year’s 71 per cent.

    According to the survey, Narcos, Stranger Things and 13 Reasons Why were the top watched shows in 2017 in India. Indians binge watch in three days, which is faster than the global average of four days. Though mobile viewing is prime, a third (34 per cent) of Netflix viewing in India was through connected TVs.
    To gain ground in India, the streaming service launched a slew of new relatable shows such as Sacred Games, Selection Day, Again, and Bard of Blood in association with Red Chillies Entertainment; the first kids original series from India, Mighty Little Bheem and Love Per Square Foot, the first mainstream film from India to be exclusively available on Netflix. These are local stories that will travel across the globe, finding an audience wherever Netflix is available.

    Going into 2018, Netflix eyes more partnerships with local content creators. Netflix VP communications-Asia Jessica Lee says, “We are committed to working with producers, creators, talent and crew in India to create more great content. We are constantly innovating to enhance our member experience to be able to better serve members and provide more control over their watching experience.”

    Lee is thrilled at the response India has given to Netflix content. She says, “We are pleased with how we have grown in the first two years in India and have witnessed a huge appetite for entertainment and plenty of fan enthusiasm. We have focused primarily on content, partnerships and technology to build a great Netflix experience in the country. In the past year, we have more than doubled our catalogue in India, creating a compelling and growing content library encompassing original and licenced titles.”

    Overcoming the issue of low quality of internet in the country, Netflix has invested in its own content delivery network, lowering the cost and boosting efficiency for it as well as for ISP partners. Lee says, “Our open connect programme supports hundreds of large and small ISPs to directly interconnect with the Netflix network for free in regional locations rather than going through third-party transit providers. We have been working on local partnerships to make sure that Netflix is even more accessible in India. Over 2017, we launched partnerships with Airtel Digital TV, Videocon and Vodafone to make it much easier for Indian consumers to watch Netflix, whether on a set-top box or on a mobile.”

    Lee opines that people’s tastes are broad even in an individual market like India. “By using advanced algorithms, we can make tailored recommendations based on individual users’ tastes. Since we are across 190 countries, the algorithms now draw upon a much larger audience of over 109 million members. The feature of personalisation and discovery is now even more dynamic and is only going to get better as our content library grows,” she says.

    Netflix members around the world watched more than 140 million hours of TV shows, movies, documentaries and more per day – that’s about one billion hours per week. The average global member watched 60 movies on Netflix this year.

    Also read:

    Netflix and chill but pay more now

    Netflix expects rapid content growth from India

    Netflix plans to become leading producer & distributor of high-quality Indian content