Category: Over The Top Services

  • Hotstar and Akamai create internet history

    Hotstar and Akamai create internet history

    MUMBAI: Hotstar, India’s leading premium streaming platform, leveraged Akamai Technologies, Inc. (NASDAQ: AKAM), the world’s most trusted and largest cloud delivery platform, to create streaming history on 22 May 2018 during the first qualifier match of VIVO IPL 2018. The match between Sunrisers Hyderabad and Chennai Super Kings attracted an unprecedented 8.26 million peak concurrent viewers tuning in simultaneously to witness the nail-biting finish, thereby breaking all previous records in online video streaming across the world. Over four hours, more than 26 million viewers tuned into Hotstar to watch the match.

    The previous record is believed to have been established by YouTube when Felix Baumgartner’s space jump in 2012 saw a peak of just over 8 million concurrent viewers tuning in to watch the event.

    Hotstar’s steady march into the record books started in 2017, when it recorded a peak concurrency of 4.8 million simultaneous viewers during the India-Pakistan ICC Champions’ Trophy final match, the highest in APAC at the time. The opening week of Vivo IPL 2018 upended this record with 5.5 million concurrency recorded on 10 April, followed by the next peak of 7.1 million on 25 April. The peak seen during the ICC Champion’s Trophy Final was nearly doubled during the VIVO IPL 2018 match between Sunrisers Hyderabad and Chennai Super Kings. With all sports streaming records broken, the next frontier was to go beyond just sports and raise the bar on streaming as a whole.

    Commenting on the historic development, Hotstar, CEO, Ajit Mohan added, “Four years ago, when we started streaming IPL, 8 million viewers would have been a big deal for the whole tournament. Crossing 8 million simultaneous users is a testimony to the power of VIVO IPL and evidence of the abiding passion of cricket fans. It is not just about the scale, however. It is about reinventing the sports experience online and constantly raising the bar. Our objective is to create the future of social TV. And we are proud that the tech that we are building is expanding the frontiers of online video.​”

    Akamai Technologies, Vice President, Media, APJ, Parimal Pandya commented, “Over the past year and a half, Hotstar has broken several online viewing records at the regional level. A contributing factor was technology from Akamai playing a role in bringing down the latency drastically so users can enjoy the live action almost as well as people watching it on their television. This is a clear indicator of the fact that, driven by technology from Akamai, live sporting action can be enjoyed on a smartphone which is the new frontier for audience engagement and growth.”

    VIVO IPL 2018, now in its final week, to be concluded on Sunday 27 May 2018, is the fifth year that Hotstar is streaming the tournament. The current edition of the tournament marks a sharp upgrade in viewing experience, with additions like WatchN’Play, a skill based game that tests the cricket fans’ knowledge as they watch, VR to really immerse the viewer in the on-field action, and feeds available in 8 languages.

  • Netflix most valuable media company for a short while

    Netflix most valuable media company for a short while

    MUMBAI: Netflix’s aggressive growth is becoming increasingly inevitable. For a brief period, the streaming giant emerged as the most valuable media company in the world on Thursday with a record high stock value. On Wednesday, it was already closely approaching Disney’s market value and the very next day it surpassed Disney’s market capitalisation. However, at the end of the day, Disney recovered enough to march past Netflix again.

    Netflix ended its day up 1.3 per cent with a market value of $151.8 billion. Disney ended its day with $152.2 billion market cap. With an increase in share, Netflix reached a market value of $152.6 billion as per reports.

    It surpassed Comcast’s market value on Wednesday owing to a new record high of its stock price. Netflix’s market value stood closer to Disney then. However, Disney is also becoming more aggressive in online video market to give a tough struggle to Netflix.

    Netflix’s market cap milestone reflects the seemingly voracious investor enthusiasm for the company’s growth prospects. In terms of revenue, Netflix is way behind Disney or Comcast.

    Also Read:

    Netflix beats Comcast in market value

    Now, Comcast in talks to buy 21st Century Fox

  • Netflix beats Comcast in market value

    Netflix beats Comcast in market value

    MUMBAI: Streaming giant Netflix, on its upward journey, has surpassed Comcast’s market value owing to a new record high of its stock price. Netflix’s market value stands closer to Disney now. While Netflix ended yesterday with a total market cap of $152.8 billion, Comcast ended with $147.15 billion.

    Since the beginning of this year the company has been showing good financial performance. Its stock has been up 70 per cent since the beginning of 2018. Its Q1 2018 earnings report showed it making a net profit of $290 million.

    Netflix has stuck a production deal with former US president and his family – the Obamas – which has led to a four per cent increase of its stock. On the other hand, Philadelphia-based cable TV conglomerate Comcast’s stock ended the day down around 2 per cent.

    Meanwhile, Comcast has confirmed it is in advanced stages of preparing an offer for the businesses that Fox had agreed to sell to Disney. The former is gearing up to top Disney’s $52 billion (€44.4bn) offer for 21st Century Fox.

    “Comcast Corporation confirms that it is considering, and is in advanced stages of preparing, an offer for the businesses that Fox has agreed to sell to Disney (which do not include the Fox News Channel, Fox Business Network, Fox Broadcasting Company and certain other assets),” it said in a statement.

    “Any offer for Fox would be all-cash and at a premium to the value of the current all-share offer from Disney. The structure and terms of any offer by Comcast, including with respect to both the spin-off of New Fox and the regulatory risk provisions and the related termination fee, would be at least as favourable to Fox shareholders as the Disney offer,” it added.

    Also Read:

    Now, Comcast in talks to buy 21st Century Fox

    Comcast may renew bid for 21st CF

  • Turner using Accenture’s video solution platform for its OTT products

    Turner using Accenture’s video solution platform for its OTT products

    MUMBAI: Turner is relying on Accenture’s video solution platform to help manage and operate some of the company’s over-the-top content (OTT) products including FilmStruck in the UK, and Cartoon Network TV Everywhere (TVE) in Asia Pacific.

    “Leading media and content companies know that to respond effectively to the change in viewer consumption habits, they need to adapt their business strategies and models. By embracing OTT models, Turner is continuing to deliver on its brand promise, and we’re excited to be part of this,”  Accenture Managing Director Sef Tuma said.

    Accenture Video Solution (AVS) integrates digital video management, distribution and monetisation with ubiquitous video consumption. The cloud-based service is enabling Turner to integrate components from AVS along with proprietary and third-party solutions.

    “We are reimagining television by taking a fan-centric, technologically innovative approach to deliver high-quality experiences to our audiences wherever and whenever they choose,” Turner digital ventures and innovation, international executive vice president Aksel van der Wal said.

    “With Accenture’s flexible video solution, we are continuing to evolve our OTT app development platform and are well-positioned to deliver a wide variety of experiences to a much broader audience,” he added.

    Also Read:

    Indians don’t mind watching some ads if subscription fee is less

    Hoichoi to double original content to 100 hours this year

  • Hotstar notches up concurrent viewing world record of 8.26 million

    Hotstar notches up concurrent viewing world record of 8.26 million

    MUMBAI: The closely fought Chennai Super Kings (CSK) vs Sunrisers Hyderabad (SRH) playoff game for Vivo IPL 2018 set a new record for India’s leading video streaming service – Hotstar. According to it, the match saw a massive 8.26 million concurrent users logging on to the service, which is a world record for any video app, says its Twitter handle.

    The earlier record was around seven  million concurrent users in the early part of the IPL.

    What helped was the see-sawing of fortunes that both the teams saw during the course of the match. Even as Chennai Super Kings was popping the champagne for restricting the Sunrisers Hyderabad team to just 139 runs, the SRH bowlers put the brakes on the CSK batters when they came to the crease. At one stage the 140 target looked distant as wicket after wicket tumbled to tight bowling on a slowing track at Mumbai’s Wankhede stadium. But a last over first ball six saw the MS Dhoni-led team romping home comfortably.

    Hotstar, apparently, has played a key role in helping team Uday Shankar and Sanjay Gupta get closer to their revenues. Sources indicate the  advertising revenues accruing courtesy the Vivo IPL are in the region of Rs 350 crore. Even rivals acknowledge that it is a landmark figure Hotstar has managed to achieve. To top that are the subscription revenues – guesstimated at around Rs 100 crore – that the streaming service has notched up so far.

    With the finals set to be played by end this month, expect a newer record being set. Keep checking indiantelevision.com for updates.

    Also Read :

    We are fundamentally changing storytelling: Hotstar CEO Ajit Mohan

    Ab Raaton Raat Ban Jao Sarkar with WatchN’Play on Hotstar

    Hotstar packs a punch with IPL 11 opening week user numbers

  • Balaji Telefilms’ next show titled ‘Dil Hi Toh Hai’ to debut online on ALTBalaji after telecast on Sony TV

    Balaji Telefilms’ next show titled ‘Dil Hi Toh Hai’ to debut online on ALTBalaji after telecast on Sony TV

    MUMBAI: Balaji Telefilms Limited, India’s leading entertainment content producer operating across television, movies, and digital platforms, has announced the upcoming show, Dil Hi Toh Hai, will air on Sony Entertainment Television, while retaining the intellectual property to the show with itself. After its telecast on Sony, the show will be available to be consumed on the company’s OTT platform, ALTBalaji. Now, viewers of this show will be able to watch it whenever and wherever they want on their smartphones and laptops, even if they have missed watching it on TV. This is a pioneering step by the company as it aims to drive its digital future and expansion in the B2C segment through ALTBalaji.  

    Starring Karan Kundra in the lead, ‘Dil Hi Toh Hai’ is a family drama centered around an industrialist family that deals in pharmaceuticals. It’s a story about siblings who love and respect each other despite differences. It also stars Poonam Dhillon, Akshay Dogra, Sudeepa Singh, Gurpreet Bedi, Yogita Bihani, Nyra Banerjee, and Asmita Sood in pivotal roles.

    By exploiting the digital rights of this show by itself, Balaji Telefilms and ALTBalaji have become the game changers in the Indian media and entertainment industry. As a content producer, Balaji Telefilms, for the very first time, has retained the intellectual property to a show produced by Balaji and licensed to Sony Entertainment Television to exploit the same on their TV Channel.

    Commenting on this development Group COO and CEO ALTBalaji, Mr. Nachiket Pantvaidya said, “We are front-runners in creating original content and have crafted unique stories for numerous television networks. With widespread penetration of the internet and smartphones in India, we launched ALTBalaji to acquire new viewers globally, as these users are not encumbered by restrictions posed by TV – both as a device and as a format. The retention of a TV show’s rights by Balaji marks a major shift in the industry and one of many firsts for us. This strategic move is in line with our vision to transform the company from a B2B production company to a B2C consumer and digital company.”

    ALTBalaji has already acquired a leadership position as India’s largest platform for original and exclusive digital shows with more than 15 million mobile plus web viewers across 90 countries. The digital platform currently offers 20 original shows in Indian languages across various genres such as romance, mystery, drama, and comedy. The platform also offers entertaining original shows for kids, along with short, hilarious regional stand-up comedy videos in Marathi, Punjabi, Hindi, Gujarati, Tamil, and Telugu.

  • Indians don’t mind watching some ads if subscription fee is less

    Indians don’t mind watching some ads if subscription fee is less

    MUMBAI: Over the top (OTT) players have a lot to rejoice in India. A survey conducted by YouGuv and Brightcove has found that non-subscribers of OTT in the country show a higher consideration of opting for it here as compared to other APAC markets.

    Despite a small sample size, the survey found that 40 per cent of India’s internet users watch OTT – both SVOD and AVOD. An interesting tidbit that was thrown up was that the mere access to mobile and content was enough to drive OTT adoption in India while other markets require promotion and trials.

    Users are attracted to particular shows or movies and the availability to choose from international titles. The hunger for the latter is a key consideration for even non-users.

    The common myth that Indians are not ready to pay for content is not entirely true. To see lesser advertisements, 27.1 per cent of respondents are willing to pay a higher subscription fee. 18.5 per cent of them prefer to pay a higher subscription to enjoy seamless experience without any advertisements. It indicates that the inclination towards good viewing experience is increasing in India. However, amidst the positive scenario, free streaming services as well as existing paid TV subscriptions are barriers to OTT adoption.

    Niche content also plays an important role to attract subscribers for paid services. Speaking at an OTT summit, Brightcove Asia media head Greg Armshaw talked about FishFlicks, a client of Brightcove that offers recreational fishers, hunters, and 4×4 enthusiasts, access to more than 1,300 videos to meet subscribers viewing appetites. Niche content for relevant audiences is the trend rather than mass production. Opting for a hybrid model is also more monetising.

    “Brands last longer than messages, campaigns and identities. They build loyalty. People are falling in love or at least making an association with what you stand for and who you are versus what business you are in,” Syntropic Systems partner Alap Ghosh commented on the importance of brand building. As brand determines acceptability, despite having great content, some platforms have poor reach. He also mentioned the importance of ambient content and the demand for family-friendly content on OTT platforms. While technology is important, brands also need to know how much they want to engineer.

    Indian OTT players need to realise that while fresh content is surely needed, the appetite for movies, TV shows and international content will never be famished in India. These genres will be the ones to pull free users into subscription mode.

    Also Read :

    OTT experts discuss future of India’s hybrid market

    SonyLIV expands its English entertainment library for premium subscribers

  • Hoichoi to double original content to 100 hours this year

    Hoichoi to double original content to 100 hours this year

    MUMBAI: The over the top (OTT) platform that has been a rage in the eastern part of India has ambitious plans for the coming year. With about 50 hours of original content live on the platform, Hoichoi aims to double that to 100 hours by the end of 2018.

    A product of Shree Venkatesh Films (SVF), Hoichoi has 16 original shows (with three in-house productions) and 500 movies thanks to its parent. With 20 years of experience in the media business, SVF was no stranger to the content business when it launched Hoichoi in September 2017. The mandate was simple: give premium and ad-free content in turn for subscription. While other players are jittery when it comes to subscription, Hoichoi co-founder Vishnu Mohta says it has been confident of an SVOD model in the niche Bengali market.

    Mohta says that out of the three plans of Rs 399 for 12 months, Rs 249 for six months and Rs 149 for three, the six-month plan is the opted for the least. As long as people continue to pick the annual plan, the lack of uptake for the middle one doesn’t bother.

    The first six months were dedicated entirely to brand awareness. Heavy marketing has been kept for later. However, Mohta believes that word of mouth will be a way to attract new customers. “We still believe very strongly that people, who want to watch content of this sort, will largely be driven by referrals. I think that drives a lot more business than pure marketing. We don’t do marketing on large scale. Our focus is largely on awareness,” he says. Last year’s #HoyeJak campaign was called a success and soon another campaign is on the anvil.

    Using feedback, Hoichoi keeps updating its library and recently added an audio-streaming option too. Despite having originals, Mohta thinks that the power to acquire customers lies in the movie section since West Bengal has an active movie market.

    “Movies make your decision easier when you subscribe because they come in handy on a Sunday afternoon.  Originals are about impulse, someone can see a trailer or may be told by a friend about a show. However, we made a promise to our consumers that we would continue with our originals,” he adds.

    Among recent originals, Japani Toy was launched on 12 May. Another original Dupur Thakurpo which got great traction across Bengal, will see its second season launch on 26 May. Another show Shei Je Holud Pakhi, starring famous faces from the Bengali film industry Saswata Chatterjee and Tridha Choudhury will be launched sometime in June.

    Hoichoi sees a potential market outside the state in Delhi, Mumbai, Bangalore and Agartala. Even the Indian diaspora markets of the US, UK and Middle East and even Bangladesh are large pockets offering good opportunities to leverage. For exploring the Bangladeshi market more, Hoichoi will provide payment options in local currency in the next one or two months. It has also bundled up one Bangladeshi show shot there and directed by a local name. The show Dhaka Metro will be followed by at least two more in 2018 itself.

    Being in an industry which is backed by partnerships, Hoichoi is dependent on Viulift since its launch for tech support. To provide customers a seamless experience, Hoichoi depends on Amazon Cloudfront as CDN partner. It is in talks with many telcos both in India and Bangladesh too.

    Customers are demanding more features, especially from second seasons, and this has thrown challenges for Hoichoi. But it looks like the plan for 2018 is a done deal.

  • PCCW Media launches Now E OTT platform

    PCCW Media launches Now E OTT platform

    MUMBAI: Hong Kong-based media company PCCW Media has launched an over the top (OTT) platform Now E that will have several Asian dramas, movies, sports and Hollywood content to offer.

    It has partnered with several companies such as HBO, MOViE MOViE, Now  Baogu, Viu, etc. The upcoming FIFA World Cup 2018 will also be available for watching.  From July, all Hollywood and Asian content would be available on a pay per rent basis.

    Users can start downloading later this month from the Google Play Store or Apple App Store. Each user can add up to five devices and watch two streams concurrently.    The content can also be viewed on TV via Airplay or Chromcast.

    PCCW Media Group managing director Janice Lee said, “PCCW Media is very excited to add a new member to our media service family. Now E means ‘Easy, Entertainment, Everywhere’ which will be a perfect fit for the individual with millennial lifestyle. Today, modern viewers consume more online video than other audiences. They prefer watching online for greater flexibility and demand for personalised content. We are confident that Now E will stand out from the rest as the most preferred OTT service as Now E is a single OTT platform which provides exclusive Asian and international movies, dramas and world-class sports events.”

    Also Read :

    OTT players see subscription revenue as India’s future

    OTT experts discuss future of India’s hybrid market

    OTT platforms discuss need for regulation

  • Zakir Khan partners with Mech Mocha’s Jetpack Joyride for his new show, Chacha Humare Vidhayak Hain, premiering on Amazon Prime

    Zakir Khan partners with Mech Mocha’s Jetpack Joyride for his new show, Chacha Humare Vidhayak Hain, premiering on Amazon Prime

    MUMBAI: With smartphone gamers constantly on a rise in India, brands are turning to gamification for boosting adoption and user-engagement. Partnering with fun and popular mobile games allow brands to enjoy riveted attention of highly engaged users. By the same token, Zakir Khan has joined hands with Jetpack Joyride by Mech Mocha.

    Zakir Khan’s first show will debut today on Prime Video, in tandem with Jetpack Joyride India, a mobile game by Mech Mocha, starring Zakir Khan. Zakir Khan’s character Ronnie Bhaiya will be a playable character, with players getting a chance to complete various challenges. Lucky winners of these challenges will be greeted by Zakir himself over video call and will receive autographed T-shirts.

    Having shot to fame with his relatable persona of “Sakht Launda”, Zakir Khan has more than 2 Mn followers on YouTube. Recently launched Jetpack Joyride shot to fame with its one of a kind partnership with popular Youtuber such as Zakir Khan, Tanmay Bhat & Biswa Kalyan Rath. In less than a month, it has clocked up more than 1.5 Mn downloads.

    Mech Mocha, developers of Jetpack Joyride have previously partnered with “Fukrey Returns” movie. Arpita Kapoor from Mech Mocha, developers of Jetpack Joyride added, “Brands have realised the potential of top-notch mobile games in offering highly engaged users in a controlled environment. Celebrity brand is no different and a growing number of brands are accessing this medium to expand their presence, across the board.”