Category: Over The Top Services

  • The Movie Studio to release ‘Dancing on the Edge’ on Amazon Prime

    The Movie Studio to release ‘Dancing on the Edge’ on Amazon Prime

    MUMBAI: The Movie Studio has signed a deal with Amazon to release Dancing on the Edge on Prime. Its latest release is a family drama written, produced and directed by Alexander MacKenzie and a winner of 10 independent film awards. The picture tells the story of young Corey, an adolescent teenager with dreams of becoming a ballerina before peer pressure led to substance abuse. Corey must overcome the challenged to get back to what matters most, i.e. dancing.

    “The Movie Studio is excited that our latest release, Dancing on the Edge, with closed captioning, will go live on Amazon’s major video-on-demand platform,” said The Movie Studio CEO and president Gordon Scott Venters.

    “As we continue development of our business model as a first mover of applicated geo-fractured disruptive technology for independent motion picture content, we look forward to the completion of Vu-Me’s beta test and application,” he added.

    Dancing on the Edge stars up new comer Nichole McCollough. She is supported by Emily Abramson, Tom Zalkato, Alisa Rakoz, Heidi Geil and Victor Morris.

    The domestic VOD rights were facilitated and licensed by All Channel Films.

  • Comcast’s new offer trumps Fox’s $32.5bn to acquire Sky

    Comcast’s new offer trumps Fox’s $32.5bn to acquire Sky

    MUMBAI: The conflicting parties in bidding war to acquire Sky are leaving no stones unturned. Following the $32.5 billion offer from Rupert Murdoch’s 21st Century Fox, US cable giant Comcast also increased its offer valuing Sky at $34 billion. European pay TV group Sky with 20 million subscribers is a lucrative option for both the firms to extend their business in a Netflix-Amazon era.

    On Wednesday, Fox increased its offer price to buy 61 per cent of Sky putting pressure on Comcast Corporation. It raised the offer to £24.5 billion ($32.5 billion) topping an earlier offer from Comcast.

    Financial Times reported, Sky’s independent committee said Fox’s new bid “represents a substantial increase in value relative to the Comcast offer.” Along with that, it would “unanimously recommend” the offer to Sky shareholders.

    The regulatory approval for Fox’s deal may come this week while Comcast already received approval from the British government. Fox has been waiting long for the approval to buy the 61 per cent of Sky it does not own already. To resolve the concerns that Fox may create a monopoly in the market, Fox agreed to sell the Sky News operation to Disney once the deal is complete. However, now even if the approval comes Fox needs to raise its offer.

    However, the deal is part of a wider battle between Comcast and Disney for control of prized entertainment assets owned by Fox. The tug-of-war includes movie studios, cable channels, National Geographic and a 30 pee cent stake in video website Hulu, as well as Star India.

  • Tarun Katial’s deep dive with Zee5

    Tarun Katial’s deep dive with Zee5

    MUMBAI: Been there, done that and got the T-shirt. If Tarun Katial’s much-celebrated media career had to be summed up in one line, this would be apt. He has risen to the top tier of the media world, with a series of smash hits that include producing K-soaps at Star India, green lighting Big Boss before exiting Sony and building Big FM from the ground up. To use a baseball analogy, Tarun has hit two home runs in every inning he’s played. Yet with three rounds of success behind him, the opening line of this piece seems rather inaccurate. That’s because his latest act – CEO Zee5, Zeel’s OTT- presents obstacles he has never encountered before.

    “It’s the most future-looking gig that I’ve taken on. With digital, there’s no limit to scale. TV has scale but the timeline to scale on digital is far more crunched and it has far more possibilities,” says Tarun who was appointed boss of Zee5 in March this year after having worked closely with  Zeel managing director (MD) &  CEO Punit Goenka (PG) since the end of 2016.

    “We were transitioning our properties from Reliance to Zeel and in that process, I was also helping put together this platform (Zee5) and it kind of became a logical end stop. When PG spoke to me about it, I thought there was a lot to do and learn,” Tarun recalls.

    Tarun, however, reports to Punit’s younger brother and chief executive officer – international broadcasting business and Zee5 global Amit Goenka.

    “Amit is a great person to work with. He gives you direction and freedom in great balance to be able to chart a great course. Amit really helps you build and empowers you to grow” says Tarun in a ringing endorsement of his new boss.

    The now-peppered-with-grey executive turned to Vipassana fairly early on in his life. Success and young age make for a heady cocktail. Wiring himself to spirituality helped him deal with all the tectonic shifts in his life.

    “Coming to Zee is kind of a full homecoming for me because I had actually looked at Subhashji very closely because he is a big proponent of Vipassana himself and it’s actually a great scientific tool to keep your head in balance,” Tarun adds.

    He describes the Essel Group chairman as Indian media’s startup king. Tarun, 43, considers this a great opportunity to work with somebody who has the understanding of building a business. However, he isn’t new to such a setting. At 23, Tarun was strategising with Rupert Murdoch at Star. Was he ever intimidated?

    “You know when you are 23, you have nothing to lose. You get intimidated at 35 when you have enough success behind you and you want to build a great future. At 43, you’re never intimidated because you have enough experiences. It’s 35 that you’re in the middle of nowhere that you do get intimidated,” says Tarun as he lets out a big laugh.

    When you’re an A-list business executive, life’s nothing short of a highlight reel. But even the best doubt themselves at some stage. Tarun endured that moment three months into his job at Star. It was a tough atmosphere and he felt compelled to go back to advertising.

    “One afternoon I spoke to my ex-boss at Ogilvy and told her I wanted to have lunch with her. I was on my way and I got a call and I had to come back for a meeting. I cancelled the lunch and I never went back or rescheduled it. Maybe my career wouldn’t have shaped the way it did had I looked back and gone back. I have never looked back in my life ever since,” he muses.

    Although Tarun has little or no experience in the OTT space, his track record provides some insight into what we can expect from his tenure at Zee5. He’s a big bet maker, who will go the distance for what he believes in. Like taking the call of moving away from English channels to regional at Reliance. Like daring to build a radio business without T-series, which controlled 60-70 per cent of Indian music at the time. Like creating properties such as Jassi Jaissi Koi Nahin and Indian Idol that cater to an aspirational India. Like investing in people around him and empowering them.

    Progressive and future looking, the Zee5 brand is bound to have a distinct Tarun Katial stamp on it. Regional content and original regional content are likely to be the key drivers of growth from a content perspective. Continuing to attract the best talent, staying ahead of technology and finding the right partners to create unique but mass content will be the major areas of focus for the company under him.

    Does he feel handicapped by the absence of a live sports offering on his platform?

    “In every challenge lies opportunity. Great storytelling will always hold you in good stead. Netflix grew on the back of House of Cards. It is the world’s largest OTT today. We will do live content in the entertainment space, which will be as good as what you get with cricket and other sports,” he quips.

    Tarun is confident about tackling the distribution challenge too. Apart from the pull of his product, he sees enough opportunities with his alliance partners to bolster the reach of Zee5 content.

    One thing you can’t deny Tarun is his sense of timing. He has a knack of landing at the right place at the right time. He calls it his karmic cycle and he wants it to continue.

    “I think it’s the right time to be in digital and OTT. The proliferation of data, video content and devices is not going to stop. This ship has sailed and it is going to go as far as you think it can go,” he says when asked about the timing of his latest gig.

    Tarun’s professional life has always been guided by a sense of purpose. With Zee5, he aims to make content accessible to all Indians in their own time and language. He wants to create for India and not impose what works globally. Suiting the taste of the Indian technology, telecom and content ecosystem is a priority for him.

    It wouldn’t be an exaggeration to state that Tarun’s entry into India’s OTT space has made matters all the more exciting. With a proven pedigree and a sizeable risk-taking appetite, he’s bound to give the early entrants and frontrunners Star’s Hotstar, Viacom18’s Voot and SPN’s SonyLIV a few things to think about.

  • Shemaroo revamps logo to suit digital consumer

    Shemaroo revamps logo to suit digital consumer

    MUMBAI: Over the years, Shemaroo has had to reorient its business to suit the changing ecosystem and consumer preference. Now, the content powerhouse has revamped its look as well by unveiling a new logo.

    In its 55 years of journey, Shemaroo has witnessed various changes. 15 years ago, it went through a brand refresh. About 10 months ago, the company announced that it has embarked on a transformation journey.

    Shemaroo gears up for digital era; adds devotional app Ibaadat

    Speaking to Indiantelevision.com, Shemaroo Entertainment CEO Hiren Gada shared the experience. After a three-month selection process, Ogilvy India was approved as the creative partner. “It’s the number one agency in the country. Shemaroo is a brand which has been around for 55 years, has been so closely guarded, so many people have such an emotional connection with the brand. If it has to undergo a refresh, it needs to be with the best,” Gada commented on the reason behind choosing Ogilvy as a partner.

    Initially a B2C brand, over time, its business model has become B2B2C. However, the main target of the refresh is consumers. Gada believes that a strong B2C connection is needed before thinking about how people will perceive the change.

    However, Shemaroo promises to stay loyal to the Indian audience by offering them entertainment with that “special tadka”. ‘India Khush Hua’, the new tagline, wants to convey the message of how the company wants to bring joy to Indians with multi-genre offering.

    Curation brands the need of the hour in digital: Kranti Gada

    The logo comprises a series of overlapping layers in rich Indian colours while the shape of the design elements has been derived from the digital play button. “They are already the modern forward-facing company that the logo reflects,” Ogilvy India CEO Kunal Jeswani said.

    “What I found really interesting was the company has done so much to transform internally before they decided to do the external transformation of the brand. Then the task for us becomes much easier. For agencies, when you are transforming a brand externally, it’s far more difficult when the internal shift is going to happen after that. In the case of Shemaroo, it’s just the colours and logo reflecting the change,” he added sharing his experience working with Shemaroo.

    To devise the new logo, Ogilvy undertook surveys for a thorough understanding of the brand, consumers and the trade through careful planning, exhaustive research and understanding of emergent trends.

    A large part of its multimedia campaign will be through its own media. “There are partner properties which we would be working with. We would also be buying some additional media. But primarily it would be on the digital domain. Because the consumer is largely digital, that’s where more targeted and faster refresh can be achieved,” Gada said.

    The company has the ambition to achieve 5X growth in five years. Multi-genre and multi-language strategies are also on the anvil. Devotional content is a core area for the current time. Through the new identity, the company wants to convey their passionate commitment to the goal.

  • Downloading on Netflix Just Got Smarter

    Downloading on Netflix Just Got Smarter

    MUMBAI: Since we launched the Download feature in 2016, one thing has been clear — members love downloading and enjoying Netflix on the go. Whether they are commuting, traveling or just in a place with pricey or spotty internet access, the download feature makes it possible for our members to take their stories with them wherever they go.

    Today, we are excited to introduce Smart Downloads. Now, when you finish watching a downloaded episode, Smart Downloads will delete it, and then automatically download the next episode. You watch, we do the work.

    We know how annoying it can be to go through all your apps and delete files you no longer need; we also understand that when it comes to Netflix, the faster you can get to the next episode you want to watch, the better. Whether it is smart downloading or viewing a mobile preview, we realize the best part of Netflix is connecting with the stories you will love in an easier and more fun way.

    We also want to emphasize that giving consumers more control over their entertainment experience is at the heart of everything we do, and members can choose when they want to use Smart Downloads. There are more details on how to use the Smart Downloads feature here and we hope you enjoy it! Smart Downloads is initially available on Android phones and tablets.

  • YuppTV to offer select content in Dolby Audio

    YuppTV to offer select content in Dolby Audio

    MUMBAI: YuppTV, the provider of South Asian OTT content has announced that select movie titles will be available in Dolby Audio. This will enable the company to deliver an advanced surround sound experience to its users across the globe.

    A YuppTV subscriber can enjoy select movies in Dolby Audio across smart TVs, media players through the YuppTV App by connecting their smart TV with a Dolby Audio enabled home theatre or a soundbar.

    YuppTV founder and CEO Uday Reddy said, “At YuppTV, it has been our constant pursuit to provide our users with the best entertainment solutions. We are glad to work with Dolby to provide our users with dynamic, rich, theatre-like sound quality, right at their homes, providing them with high-quality surround sound and enhancing their overall viewing experience.”

    Dolby Laboratories MD Pankaj Kedia said, “We are excited to work with YuppTV to bring our immersive audio technology onto the YuppTV platform and offer an advanced, surround sound experience to their viewers. We are confident that YuppTV users will enjoy their favourite content in Dolby Audio.”

  • Zee5 looks to drive up subscription with Sunny Leone biopic

    Zee5 looks to drive up subscription with Sunny Leone biopic

    MUMBAI: Sunny Leone is back. But this time it’s not her dance moves that will sway you but rather her biopic. Zee5, the over the top (OTT) platform by the zee group, is launching Karenjit Kaur-the untold story of Sunny Leone.

    Commenting on the offbeat theme of the biopic Zee5 India CEO Tarun Katial said, “What’s the point of repeating what has been done before?”

    The platform has been bullish about original content right from day one. After launching original shows of diverse genres including ZERO Kms, The Story, Babbar ka Tabbar, this platform is set to drive up subscription by adding a biopic. While the biopic is in episodic format, Sunny Leone played her own character.

    Zee5 launches 20 originals to drive up subscription

    In addition to that, the series will be available in four regional languages including Bengali, Tamil, Telugu and Marathi which can help it garner fans outside metro cities. Other than focusing on digital marketing, there will be heavy promotion on ZEEL’s network as well as outdoor.

    Katial said that all the platforms shows are getting the required traction. “In digital, we want to build some robustness in the user data before we take decisions of preferring one genre over the other. We don’t want to get bracketed and clustered just yet,” he said.

    Katial believes that there ample opportunities in getting subscription revenue. “There’s definite room for big subscription revenue. I think you should give more credit to Indians. They didn’t want to shop online but e-commerce is such a major business now,” he commented on the future of the SVOD model.

    In the six months of Zee5, the earlier users of OZEE and Ditto TV have been integrated successfully and the platform has already rolled out a global launch. The plan is to market to different geographies on user-based segments, language-based segments and tastes and preferences. Rather than going with a very generalised marketing strategy, the platform is opting for user-based marketing strategy.

  • Netflix targets anime fans with ‘Ingress: The Animation’

    Netflix targets anime fans with ‘Ingress: The Animation’

    MUMBAI: A new animated series based on the world famous augmented reality mobile game Ingress is coming to Netflix, according to a report published by Variety. Ingress is developed by Niantic, the developer of Pokemon Go. Animation studio Crafter, Japanese TV station Fuji TV and streaming giant Netflix are collaborating for the ongoing project.

    Famous computer-graphics artist Yuhei Sakuragi is directing the anime show Ingress: The Animation and Takeshi Honda is in charge of character designing. “The anime peers into the ‘Ingress’ universe and allows viewers to see a part of that universe that is uniquely expressed,” Niantic founder John Hank said as quoted by Variety.

    Makoto and Sarah are the main characters in the story who are impacted by the effects of the exotic matter spreading across the earth in the Ingress story. There’s a new antagonist as well.

    The over-the-top (OTT) platform has been expanding its anime slate. Earlier Netflix announced two new anime (Japanese animation) series, as well as the renewal of popular series Aggretsuko for a second season.  

    “As Netflix has grown around the world we have been astounded by the broad reach and great depth of anime fandom. We are partnering with the best global creators to produce a diverse slate of shows that we hope will excite the boundless passion of anime fans and make Netflix a premier destination for this beloved art form,” Netflix Japan and Anime content director John Derderian said earlier.

  • F1 TV to launch on Amazon Prime

    F1 TV to launch on Amazon Prime

    MUMBAI: Formula 1 (F1) recently launched its over the top (OTT) platform F1 TV and is now planning to hop on Amazon Prime. With the deal, F1 TV is expected to grow by more than 100 million subscribers, according to Digiday.

    The OTT service was launched in the month of May with two service models F1 TV Pro (Live) and F1 TV Access (non-live) at two different price points. F1 TV Pro is priced at of $70-$150 annually, and monthly rates ranging from $8-12.

    Formula 1 head of global sponsorship and commercial partnerships Murray Barnett was quoted as saying, “It makes sense for us to be on there (Amazon Prime) because it’s an open platform and we’re already in discussions with them about distribution in the future. In the US we have an agreement with ESPN that allows us to exploit our own OTT service separately so we’ll definitely be on Amazon Prime (there).”

    The service would be made available to Prime subscribers in countries where the local broadcaster has given up its exclusive rights under new or renegotiated deals. Formula 1 must negotiate the freedom to launch its OTT service in each media-rights deal it agrees, as broadcasters who agree to the F1 TV launch in their territory lose some exclusivity.

    Barnett sees F1 TV as a stand-alone revenue source exclusive of their relationship with the TV partners. “We want to be one of the smarter channels on the Amazon Prime platform,” he added.

  • More group stage streamers for FIFA 2018 WC than entire 2014

    More group stage streamers for FIFA 2018 WC than entire 2014

    MUMBAI: The streamers are on the rise and what better way to get everyone online at the same time than sports. The FIFA world cup 2018 in Russia saw more online viewers glued in the group stage itself than the entire 2014 world cup.

    The rise in mobile data consumption and emergence of OTT platforms can be regarded as major reasons behind the enormous increase of online viewers.

    According to a study released by cloud delivery platform Akamai, viewers of the first round of Russia 2018 streamed 65 per cent more data compared to the whole season of Rio World Cup.

    Sony bets big on 2018 FIFA World Cup

    The study revealed that the highest number of concurrent streams peaked at 9.7 million on 27 June during Mexico-Sweden and South Korea-Germany matches. In the entire Rio tournament, the record viewing peak hit five million during concurrent streams only.

    According to another report quoted by Forbes during the first week of the World Cup, 393 million plays of matches were successfully streamed via 59 million unique video streaming apps.  On the other hand, Akamai reports that while the peak bandwidth in Brazil was 6.99 Tbps, it was 23.8 Tbps in the first round in Russia.