Category: Over The Top Services

  • Tiger Global invest $6 million in TVF

    Tiger Global invest $6 million in TVF

    MUMBAI: The Viral Fever (TVF), an over-the-top (OTT) platform, has raised an additional $6 million (around Rs 41 crore at current exchange rates) from existing investor Tiger Global, according to VCCircle.

    Tiger Global is one of the most active venture capital investors, with around 50 firms in its portfolio. It has backed unicorns including e-commerce major Flipkart, classifieds platform Quikr and ride-sharing firms Ola and Uber.

    TVF started out as a YouTube channel that produced premium content targeted at a young demographic. Besides YouTube, its website and Android and iOS apps also serve as digital OTT content distribution platforms.

    TVF which is operated by Contagious Online Media Network, raised the fresh capital at an estimated post-money valuation of around $40 million (around Rs 270 crore). TVF has also raised more than $20 million in external funding, which includes a $4.97 million investment from Tiger Global in July.

    The platform was founded in 2010 by Arunabh Kumar and incorporated in August 2015. It is backed by well-known individual investors that include Flipkart co-founder Binny Bansal, Ola co-founders Bhavish Aggarwal and Ankit Bhati, Freecharge founder Kunal Shah and Toppr founder Zishaan Hayath, among others.

    TVF generates its revenues through marketing and advertising streams associated with its content viewership. It is yet to charge audiences for its content.

    The company had a tumultuous 2017 after founder and CEO Kumar stepped down as chief executive officer following accusations of sexual harassment by a former employee.

    He was replaced by TVF’s chief operating officer Dhawal Gusain.

  • Former Times Internet CRO Gulshan Verma joins Hotstar

    Former Times Internet CRO Gulshan Verma joins Hotstar

    MUMBAI: After almost three years in the company, former Times Internet chief revenue officer Gulshan Verma has joined Hotstar. The professional with more than twenty years of experience has taken up the responsibility of client and agency SVP and head (SVP & head, client and agency).

    The London School of Economics alumnus has worked with leading firms including McKinsey & Company, Associated Press, Yahoo. In the previous position, Verma was responsible for setting up strategies, direction and management of Times Internet’s revenue opportunities.

    He was the first person to be appointed as CRO Of Times Internet Ltd. The veteran in media industry also served as the CRO of digital marketing platform Komli Media.

    Hotstar in April appointed Sid Taparia to head the company’s international business. The digital venture of Star is taking several new initiatives to scale its business.

  • Spuul Now Available at Ola’s Connected Car Platform, Ola Play

    Spuul Now Available at Ola’s Connected Car Platform, Ola Play

    MUMBAI: Spuul, the popular global video-on-demand (VOD) platform today announced a partnership with India’s leading and one of the world’s largest ride-sharing companies, Ola and its connected car platform for ridesharing, Ola Play.

    Spuul’s wide variety of blockbuster Bollywood and regional movies will now be available on Ola Play for its millions of users. Adding to the superior travel experience, this strategic partnership between Spuul and Ola Play will only further enhance the in-car experience for customers.

    Ola customers can enjoy access to Spuul’s content in Prime Play cars including in longer duration trips such as Rentals and Outstation. From the latest Bollywood movies to popular regional movies in Punjabi, Tamil, and more, Spuul offers the perfect experience for movie lovers in-cab. Customers across Mumbai, Bangalore, Delhi, Chennai, Hyderabad, Kolkata, and Pune will be able to catch their favourite movies on-the-go with Ola Play.

    Rajiv Vaidya, India CEO, Spuul on this occasion said, “We are thrilled to partner with Ola and reach out to Ola Play’s fans through our unique offering. Ola’s connected car platform offers an extraordinary experience by enabling a productive and an engaging time for the passenger. Given the traffic congestion in our metro cities, the access to our library on the go will enable an exciting ride for every Ola customer.”

    “At Ola, we are constantly working towards creating unique customer experiences and our association with Spuul is another endeavor to provide the best in-car experience to our customers. Through this association, users will have access to Spuul’s vast library of Bollywood and regional movies. We are certain that this collaboration will create value for every customer,” said Ola Spokesperson.

  • Viu appoints Bimal Unnikrishnan as India content head

    Viu appoints Bimal Unnikrishnan as India content head

    MUMBAI: Viu, leading OTT service by PCCW and Vuclip, has appointed Bimal Unnikrishnan as Vice President Content for India to focus on the service’s original content portfolio. Bimal will report to Vishal Maheshwari, Country Head for Viu India.

    Bimal will focus on driving a strong content-led value proposition for consumers, as well as strengthen the Original Content library for the brand through the 30 + originals that Viu has announced slated to launch in 2018. He joins Viu with more than two decades of rich and diverse experience in direction and programming division and has proven to be a leader with his exceptional entertainment segment knowledge. In his long and successful career, he has held leadership roles with various media companies including Sony Entertainment Television and Reliance Big Magic.

    Speaking about the new appointment, Viu, Country Head, Vishal Maheshwari said, “It’s an exciting phase for Viu. With Bimal’s leadership, depth of knowledge and expertise, we are confident that we will continue to build Viu as preferred destination for Indian Original content. Stay tuned for exciting Originals from Viu.”

    Speaking about his new role, Bimal Unnikrishnan said, “It gives me immense pleasure to be part of Asian regional OTT leader Viu.  Viu has already emerged as the leading regional platform in South East Asia Markets. I am looking forward to working with the highly-driven and talented team which has been recognized for delivering unique, differentiated, youth-centric content offerings and  create captivating Indian shows for audience around the world.

    Globally Viu Originals will see 70 titles and 900+ episodes of locally produced content by end of 2018 with 30+ original coming from India alone.

  • SonyLIV Goes Regional with ‘Full Tight’- Launches its second Marathi Web-Series

    SonyLIV Goes Regional with ‘Full Tight’- Launches its second Marathi Web-Series

    MUMBAI: With 180.3 million* active online video viewers and almost 4 million* registered subscribers, the OTT companies today are making huge investments in language content to spur growth from regional markets. According to a KPMG and Google report in 2017, Indian language users adapt to digital entertainment at a much quicker pace and the rate is deemed to rise in future.

    Catering to this discerning viewer, SonyLIV aces up its regional content offering with the launch of Marathi web-series ‘Full Tight’ today. A 7-episode series, Full Tight is a heartfelt yet realistic take on the youth directed by Shriprasad Pawar and produced by Vijay Barse. The web-series stars popular faces like Yatin Karyekar and Sneha Raikar along with Akshay Kelkar, Sayli Salunkhe, Vanashree Joshi and Sumukhi Pendse.

    Full Tight touches upon the concepts of friendship, romance and parenthood with a comical undertone. The story revolves around Adi (Akshay Kelkar) and his weird encounters with his parents (Yatin Karyekar and Sneha Raikar) in what looks like a perfect family setting. All goes well until one evening the father and the son bond over alcohol and all hell breaks loose. Twists, turns and ironies of life weave together in this well-crafted script.

    Full Tight is the second Marathi offering by SonyLIV after the massive success of ‘YOLO- You Only Live Once’. Starting July 18, it premieres every Wednesday and will also be available with English subtitles on the platform. Media Partner – Lokmat.com, India’s No.1 Marathi News & Infotainment Portal.

  • Netflix sees tremendous advantages for internet viewing in India

    Netflix sees tremendous advantages for internet viewing in India

    MUMBAI: Though Netflix did not deliver an outstanding performance for Q2 2018, its focus on India has surely risen. In the follow-up conference call, India was mentioned 20 times, which is higher than the last nine quarters combined.

    Netflix CEO Reed Hastings admitted the challenges in the Indian market. “We’re way behind YouTube, Hotstar. Those are really the leaders on the internet. There’s so much TV viewing, that linear TV that could be internet viewing and the advantages are tremendous in India for internet viewing because you don’t get the ad load that you see that’s so high in all of the other platforms. So, Netflix is having great success getting established, getting our reputation going,” he commented.

    With Raw Stories, Sacred Games, and Ghoul, the company expects to gain good momentum but needs to focus on adding languages and better pricing. “It’s really I think accelerating the brand perception of Netflix as not just an out-of-towner, but someone who is producing content that you care about in every part of the world,” Sarandos commented on local content strategy in the global market. Its first Indian original Sacred Games is doing well while Ghoul is releasing in August.

    “Paid net ads are up compared to year ago and forecast to be up on a year-over-year basis in Q3. The fundamentals have never been stronger. Our viewing is setting year-over-year records. So, we’re feeling very strong about the business,” Hastings said in an earnings call.

    Netflix isn’t worried since it has observed a pattern of unprecedented growth in Q1 followed by flat growth in Q2 and Q3.

    “We started investing our own unscripted programming and have had some really great, out-of-the-box hits with Nailed It and Fastest Cars and Queer Eye, that are doing great with our watchers relative to building an audience. Also, you saw Queer Eye did quite well at the Emmy nominations announced last week. We’re really excited with the progress and the speed to market we’ve been able to do our unscripted shows at really high quality,” Netflix chief content officer Ted Sarandos said.

    While the good romantic comedies have gradually disappeared in the last two decades, the internet content king is reviving the old charm with movies like Kissing Booth, Set It Up. The movies have been delivering good viewership, as claimed by the company. Other than this genre, Netflix will have movies with critically acclaimed directors like Martin Scorsese and Alfonso Corona next year.

    While the company has planned to invest $8 billion only in content, it will continue to operate with debt to finance as it remains the most cost-effective source of capital for the company. “Obviously, we’d love to get to that point where we’re organically and self-funding content. We do see a point where we can get there. But until we do, we see debt as the right choice in terms of cost of capital,” Netflix chief financial officer David Wells said. This strategy may pay off well if it can raise the price with the addition of subscribers.

    Going forward, Netflix wants to highly emphasise on products too. From better mobile UI, smart downloads to faster TV experience, everything is being talked about. Along with happy subscribers, it wants to make more people aware of the brand. Despite a worse Q2 result, it will definitely continue to be a good choice for investors.

  • In Q2 earnings call, Netflix’s added focus on India

    In Q2 earnings call, Netflix’s added focus on India

    MUMBAI: Though Netflix did not deliver an outstanding performance for Q2 2018, its focus on India has surely risen. In the follow-up conference call, India was mentioned 20 times, which is higher than the last nine quarters combined.

    Netflix CEO Reed Hastings admitted the challenges in the Indian market. “We’re way behind YouTube, Hotstar. Those are really the leaders on the internet. There’s so much TV viewing, that linear TV that could be internet viewing and the advantages are tremendous in India for internet viewing because you don’t get the ad load that you see that’s so high in all of the other platforms. So, Netflix is having great success getting established, getting our reputation going,” he commented.

    With Raw Stories, Sacred Games, and Ghoul, the company expects to gain good momentum but needs to focus on adding languages and better pricing. “It’s really I think accelerating the brand perception of Netflix as not just an out-of-towner, but someone who is producing content that you care about in every part of the world,” Sarandos commented on local content strategy in the global market. Its first Indian original Sacred Games is doing well while Ghoul is releasing in August.

    “Paid net ads are up compared to year ago and forecast to be up on a year-over-year basis in Q3. The fundamentals have never been stronger. Our viewing is setting year-over-year records. So, we’re feeling very strong about the business,” Hastings said in an earnings call.

    Netflix isn’t worried since it has observed a pattern of unprecedented growth in Q1 followed by flat growth in Q2 and Q3.

    “We started investing our own unscripted programming and have had some really great, out-of-the-box hits with Nailed It and Fastest Cars and Queer Eye, that are doing great with our watchers relative to building an audience. Also, you saw Queer Eye did quite well at the Emmy nominations announced last week. We’re really excited with the progress and the speed to market we’ve been able to do our unscripted shows at really high quality,” Netflix chief content officer Ted Sarandos said.

    While the good romantic comedies have gradually disappeared in the last two decades, the internet content king is reviving the old charm with movies like Kissing Booth, Set It Up. The movies have been delivering good viewership, as claimed by the company. Other than this genre, Netflix will have movies with critically acclaimed directors like Martin Scorsese and Alfonso Corona next year.

    While the company has planned to invest $8 billion only in content, it will continue to operate with debt to finance as it remains the most cost-effective source of capital for the company. “Obviously, we’d love to get to that point where we’re organically and self-funding content. We do see a point where we can get there. But until we do, we see debt as the right choice in terms of cost of capital,” Netflix chief financial officer David Wells said. This strategy may pay off well if it can raise the price with the addition of subscribers.

    Going forward, Netflix wants to highly emphasise on products too. From better mobile UI, smart downloads to faster TV experience, everything is being talked about. Along with happy subscribers, it wants to make more people aware of the brand. Despite a worse Q2 result, it will definitely continue to be a good choice for investors.

  • Zenith report says online video viewing to cross 1 hour a day

    Zenith report says online video viewing to cross 1 hour a day

    MUMBAI: Consumers across the globe are becoming increasingly engaged with online videos. Zenith’s Online Video Forecasts 2018 reveals global consumers will spend watching online videos more than one hour on average this year. From 2017’s 56 minutes, the average will go up to 67 minutes.

    In addition to that, the report also predicts this time span will go up to 84 minutes in the next two years. Viewers from China, Russia and the UK are expected to watch the most online video at 105, 102 and 101 minutes per day respectively.

    “It [online video] accounts for almost all the growth in total internet use, and is growing faster than media consumption overall, so it is taking consumption time from traditional media,” the report says.

    Still now, ad spends for online video is very less compared to traditional media. The report predicts that by 2020, online video adspend will reach 23 per cent of the size of television adspend. In 2015, online video ad market was 10 per cent of the size of the TV ad market.

    “The rapid rise in video viewing makes online video the world fastest-growing advertising format, creating new strategic and creative opportunities. Brands that do not currently have a strategy for online video need to think about getting one,” Zenith’s global intelligence director Jonathan Barnard said.

  • Netflix shares sink after it misses Q2 subscriber growth expectations

    Netflix shares sink after it misses Q2 subscriber growth expectations

    MUMBAI: Making some analysts’ prediction true, Netflix could not live up to its second-quarter earnings expectations. The streaming video giant added 5.15 million subscribers worldwide compared to the expectation of 6.2 million new subscribers. Following the result, the company’s stock fell down 14 per cent.

    In the domestic market of the US, the company added 670,000 subscribers while in international market it signed up 4.47 million subscribers. For domestic market Wall Street analysts expected 1.23 million net adds and 5.11 million overseas for the period. Now, the fear has risen that the company’s rapid growth is slowing down. Despite missing the expectation in terms of subscriber growth, it beat earnings expectations of $0.79 per share by reporting $0.85 EPS for the quarter.

    “Investors are devastated by Netflix’s Q2 projection that went down in dramatic flames. Now future projections are suspect and that decimates valuation,” private equity firm Patriarch’s CEO Eric Schiffer said as quoted by Reuters.

    “We had a strong but not stellar Q2,” Netflix said in a quarterly letter to shareholders. “This Q2, we over-forecasted global net additions… as acquisition growth was slightly lower than we projected,” the company added. Netflix CEO Reed Hastings said median viewing hours was growing but without sharing any specifics.

    Though Netflix is leading the market globally, competitors including Amazon, Hulu, and Apple are also gaining foothold in the market making things tougher for the company. The deal between AT&T and Times Warner is also an indication of increased competition for the platform. Even in India, from where Netflix targets to add a huge number of subscribers, its international rival Amazon and players like Hotstar, Voot, ALTBalaji have strong foothold in the market.

    “We’ve seen this movie of Q2 [subscriber net adds] shortfall before, about two years ago in 2016 — and we never did find the explanation to that, other than there’s some lumpiness in the business,” Netflix CEO Reed Hastings said adding that the company continued to perform after that also.

  • Eros Now, Xiaomi Mi TV enter into distribution partnership

    Eros Now, Xiaomi Mi TV enter into distribution partnership

    MUMBAI: Eros International has announced that Eros Now, its cutting edge digital over-the-top (OTT) South Asian entertainment platform, has entered into a strategic distribution partnership with Xiaomi, India’s smartphone brand for its smart Mi LED TVs.

    With this partnership, Eros Now further enhances its distribution to the larger screen in India and then across Asia. Eros Now will be available within patchwall on all Mi TVs sold in India, giving all users access to its compelling bouquet of 11,000+ Bollywood and regional language films, entertainment shows, music videos and originals at a monthly subscription of INR 49 (Plus Plan) and INR 99 (Premium Plan).

    Eros Digital CEO Rishika Lulla Singh said, “Eros Now intends to take its viewers beyond conventional small screen on demand experience and offering an enviable user interface on smart televisions. In a bid to ensure that the digital-first audience of today has access to the best of entertainment, we are glad to partner with Xiaomi for its content offerings on all Mi LED TVs. Through this partnership, we are thrilled to bring our larger than life movies and Eros Now Originals on the bigger screens with a richer experience.”

    Eros Now’s integration with Mi LED TVs comes at a time when Xiaomi is celebrating its anniversary of four years in India. Earlier this year, Xiaomi integrated its Mi Video app with on-demand streaming services including Eros Now.

    MiTV Xiaomi India product manager Sudeep Sahu said, “Mi TV 4 is the thinnest LED TV in the world, boasting an extremely slim design that measures only 4.9mm, with a frameless display design for a more immersive viewing experience. With our content first philosophy, we hope to bring each Mi LED TV user a unique experience with a personalised interface. All this and much more is possible with PatchWall inbuilt into the world’s thinnest LED TV. Eros Now has been synonymous with groundbreaking content for the digital medium and we are extremely proud to have brought them on-board with their high quality immersive content offerings for all our Mi Fans. We hope to build great properties together. Mi LED TV offers over 500,000 hours of content and Eros Now is a very important partner who share similar brand philosophies as Xiaomi in terms of disrupting industries.”

    In an innovative move earlier this year, Xiaomi launched the new Mi LED TV 4 55”, Mi LED TV 4A 43” and Mi LED TV 4A 32” armed with native apps from a group of content partners powering the world’s thinnest LED TV. Eros Now’s content offering adds to the largest content aggregator library in India of Xiaomi. The content offerings now pan out to all three Mi TV’s.