Category: Over The Top Services

  • OTT platforms looking at more original films: Siddharth Anand Kumar

    OTT platforms looking at more original films: Siddharth Anand Kumar

    MUMBAI: Although web-series is the most discussed form of OTT content, some of the streaming services are also investing in content-driven original movies. Both international OTT players and home grown platforms in India have added original movies to their content catalogue. The change has expanded the scope for production houses, independent filmmakers to monetise low budget films easily. Popular music banner Saregama’s film venture Yoodlee Films which started last year has three of its movies on streaming giant Netflix. Two more films from the production house will be available on OTT platforms also.

    In an interaction with Indiantelevision.com, Saregama VP TV and Films Siddharth Anand Kumar highlighted the potential of original movies on the platform and their plan to work on OTT platforms. Saregama India’s film division collaborated with Netflix for the streaming giant’s first Indian original film Brij Mohan Amar Rahe, a dark comedy. Other than that, Ajji and Kuchh Beheege Alfaaz produced by them are also available on Netflix.

    Kumar thinks the potential of original movies on streaming platforms are growing. “OTT platforms are concentrating on putting more films as originals whereas till now we have been seeing more emphasis on series. I don’t think the focus on series will decrease but films are also getting in,” he said.

    Explaining the reason he said as a series demands a high amount of time from viewer to finish watching it, there is a separate need for stories which can be consumed in a small span. Traditionally, young audience of age group 18-25 has been given more importance in digital spaces that can binge-watch a series. But, the audience aged above 30 needs content of shorter span.  Yoodlee Films spokesperson also highlighted the benefits films can leverage from a marketing angle. As good content driven movies can be screened in international film festivals, it’s an easy way to grab eyeballs. Critic review also helps to increase awareness through word of mouth.

    The synergy between production houses and OTT platforms for originals can be regarded as win-win situation for both. While theatrical release cannot leave much impact without proper star-studded casting, those platforms have their own loyal viewer base. Moreover, content becomes more crucial than known faces.

    “I feel that it’s important for us as a production house to build a business relationship with all the OTT platforms. So, naturally when you make a film you will go to everybody who is a potential buyer and say that this is our film, this is the quality of the product we are making and if you would like to buy let’s start talking. So we always approach,” Kumar commented while he was asked if it approached Netflix for Brij Mohan Amar Rahe.

    “We have plans to work with all OTT platforms. What is important for us is not partnering with only one platform but creating something as a company where we can work with everybody. We want to take our films to any platform where it is needed Every platform has a specific niche. Some films will fit one platform, some will fit another,” he added.

    While he was asked how they measure the audience response, Kumar said though any OTT platform does not share data with producers, there’s another interesting way to get feedback on digital. With the release of one film, lots of conversations take place on Twitter, Facebook. The production house has a dedicated team to monitor the chatter on social media.

    While some concerns were raised regarding overflow of dark content on OTT platforms, he said as after a long time producers were freed from unnecessary restrictions, that was a natural reaction. Slangs, sex, violence – all despite being a part of commonplace life were strictly restricted from being shown on screen. “However, the cycle is now ending and we are realising other kind of content is equally important. Every kind of content will go on OTT,” he said.

    With a team of 30 members, the company is looking at creating more thematic films. Though it’s playing in an untested territory of its parent company and monetisation could be a challenge, the success of released films till now speaks in its favour.

  • Eros Now Partners with Leading Indian Digital Marketplace FreeCharge to Grow Customer Base

    Eros Now Partners with Leading Indian Digital Marketplace FreeCharge to Grow Customer Base

    Mumbai: Eros International PLC (NYSE:EROS) (“Eros”), a leading global company in the Indian film entertainment industry, announced today that Eros Now, its cutting-edge digital over-the-top (OTT) South Asian entertainment platform has partnered with FreeCharge, one of India's leading digital marketplaces for financial services and products. Through this association, Eros Now will facilitate a free month of access to its vast library of 11,000 plus movies, original shows, music videos and more for FreeCharge customers recharging pre-paid packages via the FreeCharge app. Additionally, this alliance will also give FreeCharge users a 60% discount on Eros Now’s annual subscription, which is otherwise priced at INR 999 (USA $7.99/ UK £4.99 GBP). The users will be able to use this discount by selecting FreeCharge in the payment selection pane on Eros Now.

    India is a fast growing market for the digitization of services, be it entertainment, shopping or payments. The recent report by NITI Aayog found the industry is expected to become a trillion-dollar market by 2023[1], which reflects the fast pace at which the digital payment space in India is growing. There is no doubt that sooner than we would know, the digital payments system will make way to the interiors in the same capacity as it has captured the urban markets.

    Talking about the partnership, Rishika Lulla Singh, CEO, Eros Digital, said, “The adoption and growth of digital ecosystems is currently at its peak. Users are going digital across categories as its hassle free and quick. Eros Now’s partnership with FreeCharge is a seamless blend of two customer centric brands that focus on consumer preferences and expectations. By bringing an exciting offer like this to our 113 million users, we reinforce our promise of bringing the best of entertainment with the top partners.”

    Commenting on the partnership, Sangram Singh, CEO, FreeCharge said, “The Company is continuously working towards creating opportunities to build deeper engagement with the consumers by presenting them more choices through such collaborations. The association with Eros Now is in line to further strengthen our digital payment services and augment customer experience. Such partnerships are an interesting add-on to our suite of offerings and encourage consumers to increasingly adopt FreeCharge to do more than recharges and bill payments. Together we aim to deliver convenience in terms of seamless subscription for the FreeCharge users for their regular dose of entertainment.”

  • HOOQ, Hotstar enter unique strategic partnership

    HOOQ, Hotstar enter unique strategic partnership

    MUMBAI: Southeast Asian OTT platform HOOQ has struck a unique deal with India’s leading streaming service Hotstar. Under the partnership, HOOQ’s 6000-hour catalogue of Hollywood TV shows and movies will be available for Hotstar Premium users.

    The deal is a win-win situation for both. HOOQ can leverage Hotstar’s massive 150 million monthly active users while the latter will be able to upsurge its premium English content easily. Star India’s digital arm already features content from studios like HBO, Showtime, Fox and Disney. Now, titles such as The Big Bang Theory, Arrow, The Flash, S.W.A.T., The Goldbergs and HOOQ Originals like The Oath will be available on Hotstar. Hollywood blockbusters and classics including Wonder Woman, Harry Potter, Spider-Man and Pulp Fiction will be also available on the platform.

    “Hotstar Premium’s English catalogue is unlike anything you’ll find on any other platform in the world – an aggregation of content from across studios and content producers, at a single destination. This partnership with HOOQ, with its portfolio of curated blockbuster Hollywood content, seals the argument – for an English content fan, there is nowhere else to go,” Hotstar CEO Ajit Mohan commented.

    “We are so pleased to announce this collaboration with Hotstar that combines their reach with our offering as the ‘Home for Hollywood’ in India. With the appetite for Hollywood content in India growing at a furious pace, we are poised to offer the Indian customer easily accessible and a very affordable way to watch the best of Hollywood. This partnership with Hotstar underscores our commitment to satisfying the Indian market’s appetite for on-demand content,” HOOQ CEO Peter Bethos commented.

    According to FICCI-EY’s research on India’s entertainment industry, box office collections from Hollywood films, inclusive of all regional language dubbed versions, totalling Rs 8.01 billion in 2017, making up 13 per cent of the overall movie box office in the country. English titles have witnessed significant uptick over last couple of years. As per the FICCI-KPMG Media and Entertainment Industry Report 2017, gross box office collection of English films in India grew by 10 per cent in 2016 compared to 2015.

    “When it comes to English content, Hotstar Premium is uniquely placed in that it boasts titles from global studios like HBO, Disney, Showtime and Fox and now with HOOQ, iconic shows like The Big Bang Theory, The Flash, S.W.A.T and even cult classics like Friends in the fold. Regardless of mood, genre preference or which side of the superhero debate you sit on, Hotstar Premium is the single destination where English content consumers find everything. The partnership with HOOQ firmly strengthens that position,” Hotstar Premium business head Prabh Singh commented.

    “This is the start of a great relationship between HOOQ and Hotstar in India, we are excited to bring to life a wealth of content for a new audience. The OTT market is an exciting space and our belief is that it is imperative for consumers to have easy access to content. With this Hotstar partnership, HOOQ takes another step forward in becoming the service known as the “Home of Hollywood” on major platforms,” HOOQ managing director India Zulfiqar Khan said.

  • ZEE5 to live stream Republic TV

    ZEE5 to live stream Republic TV

    MUMBAI: Zee5, the OTT platform from the Zee Entertainment Enterprises Ltd stable, is going to live stream Arnab Goswami’s English-language news channel Republic TV on the mobile app and website.
    Zee5 business head Manish Aggarwal said, “ZEE5, through its premium quality content – both syndicated and original – strives to create an immersive experience for viewers. With the addition of Republic TV, the platform is looking to connect with viewers who are digitally savvy but do not want to lose on the live news experience. Our association with Republic TV aligns well with our commitment to making ZEE5 as the one-stop destination for digital content consumption.”

    Republic TV product head Rumit Anand also expressed his eagerness on the partnership saying, “As a country that is still home to households that do not have television access, outreach through handhelds is a logical step. ZEE5 offers robust technological support to make viewing a seamless experience. We are excited about this partnership and are keen to see the response from the subscribers.”
    Republic TV will join the already existing news channel library on the platform with Doordarshan News, 24 Ghanta, Raj News, BBC World News, CNNi SA and Chardikla Time TV.

  • Loco, India’s first and largest interactive game show, makes a regional push and hits 10 million registered users

    Loco, India’s first and largest interactive game show, makes a regional push and hits 10 million registered users

    Mumbai, Oct 3, 2018: Loco, India’s first and largest interactive game show app, which is run by Pocket Aces, a leading digital media entertainment company, today announced that it crossed the 10 million registered user mark on the app within just 6 months of launch. With an average of more than 1.5 lakh concurrent players per game and a peak of more than 5 lakh concurrent players playing the same game at the same time, the platform is setting new benchmarks for live and interactive entertainment in India.

    The platform offers a whole host of different game shows including Loco Bazaar (where the knowledge of prices of interesting as well as mundane products is tested), Loco Percent (where the analytical and estimation skills of the audience are tested), Loco Googly (where the audience has to pick the correct question), and Speed Loco (a rapid fire quiz experience). One of the platform’s most popular franchise is Super Loco, where only one winner takes home the entire prize money of that particular show. The variety of games across the week offers users great choice on the type of entertainment they’d like to consume and the live/interactive element gives them something they can’t experience on any other platform.

    Today, Loco has democratized game shows for the ordinary Indian, with lakhs of users around India participating in the platform’s shows on a daily basis. Instead of just being viewers of shows, users can now be active participants and the whole casting/selection process has been eclipsed in favor of a more participatory game for consumers across India. A good indication of this is the fact that tier 2 cities form more than half of the top 10 cities for the platform and some of the biggest winners come from non-metro areas. These include Sandeep Singh from Lucknow who took home 1 lakh rupees after winning Super Loco and Sanni Kumar from Laxmanpur Village in Bihar, who won 10,000 rupees in January earlier this year. The platform’s growth has been complemented by its successful foray into four new languages – Bengali, Marathi, Tamil and Telugu. Today, Loco is available for audiences to enjoy in six languages, including English and Hindi.

    Ashwin Suresh and Anirudh Pandita, Founders, Pocket Aces said, “As a company, we have always been focused on pressing home the advantages that smartphones have to offer and interactive game shows are a great example of something that traditional television just can not do. We are excited to build this for Indian consumers and with our local language rollout, we are now making the game show experience available to consumers across the country. With a strong local flavor to our content, Bharat-focused product engineering/design, and a strong focus on community, we are creating a differentiated entertainment platform that sits at the crossroads of gaming, social, and content, and helps solve boredom for hundreds of millions of Indian consumers.”

    Adding to this, Aditi Shrivastava, co-founder, Pocket Aces said, “Loco provides a new, highly engaged manner of experiencing content and with our upcoming product updates, we will get closer to our aim of providing a new gamified content discovery experience for consumers. The high engagement nature of the platform offers advertisers an exciting ad format that is not available on other platforms. We have already started testing our first native advertising offering and brands such as OnePlus and Myntra have already seen excellent results from their activities with us. We will roll out many other exciting ad products in the future and our track record of delivering value for advertisers on our FilterCopy, Dice Media, and Gobble platforms will keep us in good stead as we build out this initiative.”

    Loco is available via Google Play for Android devices and the App Store for iOS devices. It is consistently ranked #1 in the trivia category on Google Play and the top 10 entertainment apps in India on the App Store.
    The game shows available on the platform include daily shows Loco Quiz (which goes live at 1:30pm and 10pm) and Speed Loco (which goes live at 6pm), as well as weekly special shows such as Loco Bazaar, Loco Googly, and Loco Percent. In order to win the daily prize money that ranges between Rs 50, 000 – Rs 1,50,000, players must answer all questions in the game correctly. If multiple contestants answer all the questions correctly, the game’s total prize money is split equally. Eliminated players have the option to watch the rest of the game and in certain games participate in special Loco Jackpot questions.

    The show is hosted by a team of much loved presenters led by the accomplished Gaurav Kapur. The hosts take the contestants through the questions, entertain them, provide interesting trivia, and help them win the prize money.
    The platform has one of the most vibrant communities for any Indian entertainment platform and in a short span of time, has already racked up more than 1.7 lakh followers each on Instagram and Facebook. Its Twitter account has 62k followers and is one of the most engaged Twitter accounts in India.

  • ZEEL takes ZEE5 Global; goes LIVE in 190+ countries around the World

    ZEEL takes ZEE5 Global; goes LIVE in 190+ countries around the World

    Mumbai, 3rd October 2018: Bringing the largest library of multilingual content to the South Asian diaspora and beyond across the world, Amit Goenka, CEO – ZEE International and Z5 Global, today announced that ZEEL’s digital entertainment platform ZEE5 has gone LIVE in 190+ countries globally. ZEE5 has been launched across platforms and will offer viewers around the globe a completely integrated entertainment offering, with both On-Demand and Live TV across devices.

    ZEE5 offers the largest width and depth of multi-genre content including news and entertainment across English, Tamil, Hindi, Malayalam, Telugu, Kannada, Marathi, Bengali, Oriya, Bhojpuri, Gujarati and Punjabi. ZEE5 comes packed with 1,00,000 hours of On Demand content, including Movies and TV Shows, Music, and Health and Lifestyle videos along with a slew of originals, across 12 languages. It also has an extensive Live TV offering with 60+ popular Live TV channels.

    ZEE5 offers various unique features like content and display language personalization across 12 and 11 languages respectively, voice search, download to watch offline option, HD Quality video, adaptive bit rate streaming etc.
    Outlining the global strategy, Amit Goenka, CEO – ZEE International and Z5 Global said, “As a global content company ZEE has always been at the forefront of bringing the best of Indian entertainment content to audiences around the world. With the launch of ZEE5 across 190+ markets, we have moved into the next phase of our growth story. Launching ZEE5 globally rather than in a staggered manner has been a conscious move in order to capitalise on the tremendous love and following the brand has amassed over the years overseas. This new chapter further strengthens us as a Media & Entertainment behemoth and reiterates our claim to the India story, bringing to our audiences around the globe an unrivalled content offering, using robust technology.”

    Speaking on the soft launch, Archana Anand, Chief Business Officer- ZEE5 Global said, “With over 1,00,000 hours of content across genres and languages, ZEE5 is the singular platform that Indians and South Asians have been waiting for. With the launch of ZEE5 globally, we intend to own the India peg completely and be the unequivocal go to destination for Indian content for South Asians and beyond, wherever they may be.”

    Availability: The ZEE5 App can be downloaded from Google Play Store and very shortly from the iOS App Store. Also available at www.ZEE5.com. Other platform in the pipeline includes Amazon fire tv stick, Apple TV, connected TV apps etc.
    Pricing: Freemium pricing model with both free and paid premium content to cater to a mix of audiences across markets. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content at a special introductory offer price ranging from USD 2.00 per month to USD 10.00 per month, depending on the region.

  • OTT players, cable ops find harmony in integration

    OTT players, cable ops find harmony in integration

    MUMBAI: Studies have shown that as far as India is concerned, nothing is going to dethrone TV’s position for a while. But the OTT boom is undeniable. Even TV broadcasters want to have their cake and eat it too by setting up their own video on demand services. Although cord-cutting is not as prevalent in India as developed markets, it is certain that viewing habit of consumers has already started changing. Cable TV (http://www.indiantelevision.com/iworld/broadband/cable-tv-dth-players-cautiously-optimistic-on-jio-fiber-competition-180706 ) operators are most vulnerable to the major shift in the near-term while DTH players are also under pressure to come up with new strategies.

    Recently, Hathway took a step to bridge the gap between TV and OTT by landing a deal with streaming giant Netflix. Hathway is more vulnerable to the change due to its urban-centric business. Another large operator Siti Networks announced its first hybrid set-top box that has YouTube and YouTube Kids in-built. However, this is not about only cable operators, OTT players also have high chances to reap the benefit of it.

    “Traditional cable players are already penetrated very deep, with 90-100 million TV households and broadband customers too. That is a huge customer base for OTT platforms to leverage. It’s a win-win situation: the OTT (http://www.indiantelevision.com/iworld/over-the-top-services/higher-production-values-of-ott-content-wont-put-pressure-on-tv-biz-punit-goenka-180814 platform gets access to the customer base while the cable company can increase subscription ARPUs,” Ernst & Young media and entertainment advisory services partner Ashish Pherwani commented.

    Netflix, the US streaming giant is trying to beef up its business in India very soon. With deep pockets, it wants to make a premium content library. But as the platform has high pricing and still does not have a considerable amount of regional content, it’s not easy for it to acquire customers here.

    KMPG India media and entertainment partner and head Girish Menon said it’s definitely a starting point for cable operators to be able to offer OTT content. With the rapid growth of mobile internet, linear TV may be under threat at least for certain situations. According to him, by offering OTT platforms, these cable operators are protecting their business from digital.

    “The biggest challenge for any OTT platform is physical distribution and customer acquisition. So by a deal with Hathway, Netflix is actually taking them into many more households than they are currently able to access on a direct basis. It partially helps them with both distribution and acquisition challenges,” Menon commented.

    A study by Parks Associates said approximately 33 per cent of cord cutters in the US would have stayed with their service provider if offered a Netflix-style service bundled with broadcast TV channels. In the US, where the cord-cutting started first, viewers love to get both experiences at the same time. As traditional TV still remains the primary screen in India, these integrations can definitely help cable operators to reduce churn and increase stickiness.

    On the contrary, Dolat Capital VP research Karan Taurani thinks the deal won’t help Netflix to acquire customers as the service is not bundled and will cost the same amount of money. According to him, Netflix is much easier on Chromecast.

    “It may help Hathway in some way if they tie up with four to five VoD platforms rather than just one; further, they will also have to provide the set top box with VoD access at a minimal price in line with the price of a Chromecast device which gives access to any VoD platform,” he added. However, the new set top box with a special button on remote for Netflix has been priced at Rs 2999.

    Talking about the benefits of the deals, Menon mentioned another vital point. As most of the cable companies also have broadband businesses, the alliance between cable and OTT players can lead to the broadband growth of the cable companies. Moreover, for cable companies, broadband operates at a much higher margin than traditional cable business.

    It seems as if even broadcasters are growing alert to the potential danger in OTT unless you make them your friend. Recently Zee Enterprises Entertainment Ltd entered into a content deal with Airtel after breaking up with Jio while ALTBalaji partnered Xiaomi with Mi TV. Eros Now, the OTT platform from Eros International, struck a deal with FashionTV.
    It is very certain that the industry is about to see more partnerships along the same line. Even DTH players have also struck few deals with OTT players. Acknowledging it as an upcoming trend, Pherwani commented that every OTT platform is trying to maximise its reach.

    “I think you will see more and more such partnerships and this is not just in cable, even in DTH. The reason behind it is that to a certain extent they are preparing for a future. Because the FTTH broadband roll out front that Reliance has announced makes it a significant player that could actually impact the distribution business of cable and DTH players. So the partnerships are a protection,” Menon commented.

    Large players like Hathway, Siti Networks, Den Networks will find it easy to invest more in the technological update and remain relevant. But small MSOs with lesser investment, cash flow will not be able to survive in the thriving competition. Hence, the cable industry is definitely going to witness a number of consolidations. The DTH and telecom industries have already realised that they need to merge if they want to sustain their businesses.
    Going forward, we will see more partnerships and deals between traditional TV and modern OTT.

  • Leading OTT platform, ALTBalaji partners with Xiaomi through Mi TV

    Leading OTT platform, ALTBalaji partners with Xiaomi through Mi TV

    Mumbai 3rd, October 2018: ALTBalaji, the digital platform of Balaji Telefilms Limited, has entered into a strategic partnership with global technology leader Xiaomi through its Mi TV, that was recently launched in Indonesia. As part of the association, ALTBalaji app will be available on Mi TV and can be accessed through Mi TV’s PatchWall. With this new partnership, ALTBalaji plans to strengthen its presence in Indonesia through Mi TV’s users and leverage the brand’s global expansion.

    Users of Mi TV in Indonesia can now have access to ALTBalaji’ s exclusives content that comprises 25 original shows and popular movies at a quarterly subscription of $ 4.99, half yearly subscription of $ 7.99 and an annual subscription of $ 12.99.

    Speaking on the association, Nachiket Pantvaidya CEO ALTBalaji and Group COO Balaji telefilms shared, “We have seen a phenomenal response from viewers spread across geographies especially Indonesia. We have received great love from Indonesians who have been enjoying Bollywood content including popular ALTBalaji shows. Consequently, we have dubbed original shows of ALTBalaji – 8 in Bahasa Indonesia, 8 in Malay Bahasa and 7 in Arabic with English subtitles and will add 2 dubbed shows every month to this line-up as the app grows. This content alliance with Mi TV is symbiotic and will allow both the companies to derive value from their inherent strength.”

    ALTBalaji has already acquired a leadership position as India’s largest platform for original and exclusive digital shows with more than 15 million viewers from over 90 countries on both mobile and web platforms. The digital platform currently offers 25 original shows in Indian languages across various genres such as romance, mystery, drama, and comedy. The platform also offers entertaining original shows for kids and short, hilarious regional stand-up comedy videos.

  • Eros Now Strengthens its Presence in MENA by Partnering with E-Vision for ‘eLife Triple Play’

    Eros Now Strengthens its Presence in MENA by Partnering with E-Vision for ‘eLife Triple Play’

    Mumbai, October 2, 2018 – Eros International PLC (NYSE:EROS) (“Eros”), a leading global company in the Indian film and entertainment industry, today announced that Eros Now, its cutting-edge digital over-the-top (OTT) South Asian entertainment platform has entered into a strategic partnership with E-Vision, a fully-owned subsidiary of Etisalat, for its SVOD offering ‘eLife Video Packs.’ This partnership further strengthens Eros Now’s existing presence in MENA region (Middle East and North Africa).

    With an ardent fan-base of Indian content including films, music and TV series, MENA countries have always been positively receptive towards Indian content. Bollywood content is also popular with the local Middle Eastern population in dubbed and subtitled formats – both of which are offered on Eros Now. Through this partnership, Eros Now’s rich library of over 11,000 film titles, original shows and music videos will be made available to eLife TV subscribers across the region.

    Commenting on the partnership, Rishika Lulla Singh, CEO, Eros Digital, said: “The partnership with Etisalat’s eLife Triple Play further intensifies our aim of being a globally present digital entertainment platform with the MENA region being of strategic relevance. Our objective continues to be focused on strengthening our philosophy of being platform agnostic, expanding our worldwide presence and providing the best value and experience to our customers.”

    Humaid Sahoo, CEO, E-Vision, said: “We are delighted to enhance our content offering by partnering with Eros. As a pioneer and trusted content aggregator in the region, E-Vision is constantly providing turn-key solutions for content aggregation and content management for IPTV platforms and multi-screens (OTT).”

    Previously, Eros Now had announced its mobile billing integrations with major telecom operators in UAE, Kuwait and Qatar. The integration with Etisalat reinforces Eros Now’s penetration strategy in the Middle Eastern markets.

  • Rishika Lulla Singh, CEO, Eros Digital honored at BW Business World 40 Under 40 Awards and Summit

    Rishika Lulla Singh, CEO, Eros Digital honored at BW Business World 40 Under 40 Awards and Summit

    Mumbai, October 1, 2018: Eros International, a leading global company in the Indian film entertainment industry, announced today that Rishika Lulla Singh, CEO Eros Digital was recognised as one of the 40 winners at the 2nd Edition of the prestigious 40 Under 40 Awards by BW Business World held on September 27, 2018 in New Delhi, India.
    Ms. Singh was among the selected Young Business Leaders below the age 40, who were awarded for having demonstrated exceptional contribution in their work and personal growth and building new businesses or are making a difference in the success of their companies. Her role in building Eros International’s leading on-demand South Asian Entertainment Video Service Eros Now accessible worldwide to viewers across internet enabled devices including mobile, web and TV earned her the coveted place in the top 40 under 40 leaders, nominated from among almost 300 entrepreneurs across India.

    Speaking on the recognition, Rishika Lulla Singh, CEO Eros Digital said, “I am very honoured and humbled to be included in this significant list. The award reaffirms my resolve to continue Eros’ vision to revolutionise and uplift the digital entertainment eco system with Eros Now. Backed by a visionary management and a fantastic team, we remain committed to enriching the experience of entertainment loving consumers across the globe’.