Category: Over The Top Services

  • Hungama Digital focuses on storytelling & narrative

    Hungama Digital focuses on storytelling & narrative

     

    MUMBAI: Jumping on the digital content bandwagon, digital entertainment company Hungama Digital Media announced four web series in the first half of this year. On the back of the encouraging response from its first two shows, it forayed into the regional content space recently. While “content is the king” has been hailed as the tagline in the ecosystem, Hungama Digital Media COO Siddhartha Roy also said storytelling and narrative have been the primary focus of the platform‘s content strategy.

    Recently, the streaming platform launched its third original web series Bar Code. Roy said that it took them more than 1.5 years to ensure it was of high quality. To promote the show, Hungama will primarily leverage its own assets in digital media as well as YouTube. Along with that, interesting corporate communication, public relation and outdoor marketing will play an important role.

    Before Bar Code, it released Damaged and Hankaar which got good consumer response. “The response has been encouraging and that’s the reason we went into the regional space. Between the two shows, we have done 48 million episodic views. It gives us a lot of strength to go out and build this space. So you will see a lot of it on the back of this great consumer acceptance,” Roy said.

    Boys with Toys, another show which was announced earlier this year will be launched in the next two months. The first Marathi original show will also be launched soon. In addition to that, there are a number of new shows in store which are in the process of greenlighting or under production. More interestingly, with the first regional show, Hungama will also enter the brand integration territory. “We will not tell a story as we have a brand to work with but we will look at the story and will see if there’s an opportunity in that story to work with the brand,” he mentioned.

    “Now we are reaching out to the target of 53 million users today and of that we have roughly about 32+ million users which consume video product. So, our intent is basically to go out to that audience.  “Along with a large Indian audience, we have a very large South Asian audience when it comes to outside India,” he said.

    While he was asked if international players are putting more pressure on local players, he said Indian market is ever growing and the game is beyond “us versus them”. Consumers will flock towards the content they find interesting. It will be about who can tell a good story and build a community for that narrative.

    “The ecosystem today has roughly 150-180 million consumers who are consuming video. I believe that will grow to 500 million over the next three years. More opportunity to come and much more consumers,” he commented.

    The new player with an ambitious roadmap is waiting for FY 20 with exciting plans. Over time, it will invest more in the digital content space and for better distribution will look at more partnerships.

  • COAI’s India Mobile Congress recognises companies for innovation & contribution to the ICT sector

    COAI’s India Mobile Congress recognises companies for innovation & contribution to the ICT sector

    MUMBAI: The second day of the India Mobile Congress 2018, which is one of the biggest marquee Mobile, Internet, and Technology event for South-East Asia, with the theme, “New Digital Horizons – Connect. Create. Innovate.”, concluded with the IMC Digital Communications awards. UTStarcom was the award partner for the IMC Digital Communications Awards.

    The awards were given to the companies, for their exemplary contribution to the sector. The highlight of the night was Indus Towers who won the IMC Digital Communications award for “Best Green Technology Adoption for Telecom Networks”. This was part of total five IMC Digital Communications award categories. Other winners included Huawei Communications India for “Innovative Network Solution of the Year for Connectivity”; Hotstar for the “Best OTT Content Platform”; State of Jharkhand for the “State with the Best Digital Infra Policies” and Surat Smart City for “Smart Cities Project with Most Innovative Technology Adoption”. All the winners were felicitated by the Shri Manoj Sinha, Hon’ble Minister of State (Independent Charge) for Communications and Minister of State for Railways.

    As part of this year’s award ceremony, three winners of the 9th Aegis Graham Bell awards, in the Telecom and Mobile categories, were also felicitated at this year’s IMC. The winners included Mahindra comviva for “Innovative Telecom Product or Solutions”, eKincare for “Innovative Mobile App for Enterprise”; and Accenture for “Bringing the fortune to the bottom of the pyramid” category. 

    Aegis Graham Bell awards are given out by the Aegis School of Data Science, Cyber Security & Telecom, and decided by a select jury of key innovators and veterans with aim of promoting innovators and innovations in Information & Communication Technology (ICT) domain and as a tribute to the father of telephony, Alexander Graham Bell.
    The IMC awards were driven by management consulting major KPMG, the Knowledge Partner for IMC 2018. 

    Sharing his views on the award ceremony and the contribution by the winners, Rajan S Mathews, Director General, COAI, said, “We must say that the participants and the awardees plays a vital role in introducing new technology and the much needed change. There is a dire need to encourage innovations and disruption in ICT industry to make the technology work for good. It becomes the responsibility of the entire industry to acknowledge the contribution by these individual, companies and institutions towards the development of the technology.”

    IMC 2018, jointly organised by the Department of Telecommunications (DoT) and COAI for the second time in India, has gone above and beyond everyone’s expectations in showcasing India’s prowess in communications and technology sectors and futuristic technology innovations that will shape India’s future to the rest of the world. 
    The three day event, titled “New Digital Horizons: Connect, Create, Innovate”, being held at Aerocity, New Delhi, has received unprecedented response with participation from some of the world’s biggest technology companies as well as massive interest from the industry and other visitors.

  • Eros Now’s bittersweet drama ‘A Monsoon Date’ by Tanuja Chandra to premiere at MAMI

    Eros Now’s bittersweet drama ‘A Monsoon Date’ by Tanuja Chandra to premiere at MAMI

    MUMBAI: JIO MAMI Mumbai Film Festival is known for bringing the best of world cinema to the city. After presenting a remarkable line-up of movies at the festival this year, the Jio MAMI 20th Mumbai Film Festival with Star will be premiering 'A Monsoon Date' presented by Eros Now, a premium over-the-top

    (OTT) South Asian entertainment platform by Eros International PLC and directed by critically acclaimed Tanuja Chandra under the category 'Anthology Of Shorts'.

    'A Monsoon Date' written by Gazal Dhaliwal and produced by Rakesh Singh is about an eventful, rainy evening when a young woman is on her way to see a young man she is dating. Along the way, she experiences bittersweet moments with a series of strangers, even as a storm brews inside her. Today, she has decided to reveal to the young man a heart-breaking truth about her past.

    This truth, she knows, is not possible for anybody to understand. And yet, she hopes that he would. With her heart pounding like the torrential rain around her, she holds on to this unreasonable hope.

    The short film will be followed by a panel discussion hosted by Ritam Bhatnagar, Head of Indian Film Project with panelists Tanuja Chandra, Konkona Sen Sharma, Gazal Dhaliwal and Ridhima Lulla, Chief Content Officer, Eros Group.

  • MX Player ropes in Abhishek Joshi as CMO and head of business partnerships

    MX Player ropes in Abhishek Joshi as CMO and head of business partnerships

    MUMBAI: Times Internet’s MX player has roped in Abhishek Joshi as CMO and head of business partnerships. The media executive with over 17 years of experience had a long stint with Sony Pictures Networks India (SPNI) and left the leading company last month.

    Earlier to this new position, he worked as head of marketing, subscription, content and licensing of digital business at SPNI. Back in 2015, Joshi joined SPNI as VP & head – marketing & analytics, digital business. He had been a core member of digital business leadership team and also looked after global monetisation and syndication of SPN’s content across digital platforms in addition to heading marketing for SonyLIV. 

    The media executive has had experience n business development, marketing and content partnerships, strategy business planning and execution expertise spanning television networks, internet video, content distribution, Ad Agencies and brand licensing & marketing.

    Prior to SPNI, Joshi was the CEO of Zenga Media. He was also associated with Reliance Big Pictures, SAB TV, ABP Group.

    With an ambition to step into the growing OTT space, Times Internet acquired a majority stake in Seoul-based MX Player. Though the exact time has not been revealed till now but for certain the last quarter of this year will have this new player in the market.

  • AMAZON PRIME VIDEO PRESENTS THE MARVELOUS MRS. MAISEL SEASON 2 TRAILER

    AMAZON PRIME VIDEO PRESENTS THE MARVELOUS MRS. MAISEL SEASON 2 TRAILER

    MUMBAI: After Midge’s triumph at the Gaslight, the fallout from her takedown of Sophie Lennon looms large, making her climb up the comedy ladder more challenging than ever. As the actual grind of being a comic begins to take its toll on Midge, the pressure to come clean to her family weighs on her – especially as her choices have a ripple effect on everyone around her.

    CAST: Rachel Brosnahan, Tony Shalhoub, Alex Borstein, Marin Hinkle, Michael Zegen, Kevin Pollak

    EXECUTIVE PRODUCERS:  Amy Sherman-Palladino (creator/executive producer), Daniel Palladino (executive producer)

    Amazon Prime Video has the largest selection of latest & exclusive movies and TV shows, stand-up comedy, biggest Indian and Hollywood films, US TV series, most popular Indian & international kids’ shows, and award winning Amazon Prime Originals, all available, ad-free, with a world class customer experience. Besides Kannada, the platform also includes titles available in Hindi, Marathi, Tamil, Telugu and Bengali.

  • ZEEL turns activist with ‘Aankhon Ka Aandolan’ driving upgrade to an HD quality viewing experience

    ZEEL turns activist with ‘Aankhon Ka Aandolan’ driving upgrade to an HD quality viewing experience

    MUMBAI: Zee Entertainment Enterprises Limited (ZEEL) the leading media & entertainment powerhouse, launched its new campaign ‘Aankhon Ka Aandolan’ to build awareness about the benefits of a High-Definition (HD) channel viewing experience and drive a behaviour change. With multiple players having pushed the HD subscription, its penetration still stands below 10%. With this new campaign, ZEEL aims to drive consideration to upgrade from SD to HD subscription amongst the current SD subscribers.

    The campaign ‘Aankhon Ka Aandolan’ showcases the trouble that the eyes go through and the reason why they are out on streets to protest. The campaign further aims to educate viewers who would have heard about the HD experience being better but are not sure how it is significantly superior to what they are currently experiencing.  Launched in partnership with the country’s top DTH platforms like Tata Sky, DishTV, Videocon d2h, Airtel and cable platforms, the campaign aims to actively drive HD channel upgrades during this festive season. Hence, the creative campaign has a clear Call-To-Action with a missed call number that will allow consumers to opt for their DTH partner or call their cable operators and enquire on the HD offers available.

    The core idea of the campaign is led by strong consumer insights that address the inferior experiences that the SD channel viewers are currently settling for – Less Clarity, Faded Colours & Stretched Pictures. Along with the SD viewers, the campaign also reaches out to those HD viewers who believe that HD viewing is only relevant for specific content, whereas HD experience is an overall upgrade to a superior quality viewing world.

    Conceptualised by the company’s creative partners Lowe Lintas, the campaign aims to be the trigger to upgrade to HD subscription by showing the consumers, the superior quality HD viewing experience that they are missing out on. ZEEL currently offers 14 HD channels. With the revised MRP price point regime that is expected to come into play in a few months from now, and the changing consumer behaviour pattern, the viewer will now be able to independently choose HD and SD channels separately giving them the power to upgrade to a superior viewing experience.

    Commenting on the launch of the ‘Aankhon Ka Aandolan’ campaign, Ms. Prathyusha Agarwal, Chief Marketing Officer at ZEEL said “At Zee, we believe in offering 'Extraordinary Entertainment' to our consumers at all levels. Where we focus on offering versatile content for consumers across age groups, we are equally invested in offering them superior quality viewing experience through our best in class HD technology. We truly believe that HD viewing experience offers our viewers better clarity, and once you get hooked on to it, you just can’t do without it! We have tailor-made our two brand films in 8 languages and given it legs to appeal to our regional viewers spread across the country. The benefits of the HD viewing experience has been brought alive through the lead protagonist across regional markets of the ZEE network.

    Sharing his views on the campaign, Sagar Kapoor, Executive Director at Lowe Lintas said – “FINALLY, THE EYES SPEAK UP! The creative idea stemmed from the very objective of magnifying the benefits of HD over the SD experience. We just shifted the lens on looking at a very apparent yet hardly spoken about TG. The eyes in this case. Hence the idea of eyes asking for HD viewing. It just made complete sense to land the advantage via someone who will benefit the most. Not to mention the cut through we get with the visual idea of creating characters out of eyes themselves.”

    Anaheeta Goenka, President at Lowe Lintas Group also expressed her views saying “In India a better service or product does not necessarily make for adoption. Especially when the comparative does not exist. That was our strategic challenge. Getting people to see the distinct value of HD vs SD. Easy to sell the product – but we refrained and instead took another journey from the ‘viewers eyes’.”

    Zee Entertainment has launched a 360-degree marketing campaign influencing the consumers across their path to purchase journey. The media mix strategically uses ‘TV, DTH and Out-of-home’ to build awareness, ‘Digital’ to influence behaviour and an aggressive ‘Retail’ promotion to trigger conversions at the point of purchase of the HD TV set. The high impact retail push is in association with the biggest electronic stores in the country such as Reliance Digital and Vijay Sales, during this festive season. Alongside, the company will also be seeding the campaign across Samsung and Panasonic stores in collaboration with Dish TV.

    The campaign is promoted through the strength of the network with 35 channels coming together to achieve a reach of 40 Mn viewers ably supported by our digital push with an estimated reach of 45 mn across the campaign period up till Diwali. The Digital campaign has been designed to reach out to the SD viewers across platforms that they have used to either show interest in purchasing HD TV sets, make subscription payments or upgrade their lifestyle. The SD & HD subscribers will be targeted not only through the DTH & cable platforms but also through our network’s vast social media assets. Innovative marketing formats have been used across social media and Out of Home to bring alive the tension points – example, usage of Uber cab windows to bring alive the ‘clarity’ difference between SD and HD channels.

  • SonyLIV partners Planetcast to power live streaming service

    SonyLIV partners Planetcast to power live streaming service

    MUMBAI: Planetcast Media Services, a global player in digital broadcast technologies announced today that it has deployed its latest feed management and publishing platform to power live streaming of sports feed from its PMSL Facility at Mumbai.

    As a part of the partnership, Planetcast is using its hi-tech and intelligent feed management platform to receive / downlink around 30 feeds, which are then converted to the house formats (mainly audio shuffling & up-down-cross conversion) before being published in DRM enabled HLS format. A host of other VAS is also provided which include channel branding, SCTE insertion, Playout services with live studio including commentary insertion as well as Time delay & Upload for VoD consumption.

    Planetcast’s live streaming services have been successfully deployed on SonyLIV since FIFA 2018, one of the world’s largest sporting events.

    Commenting on the development Planetcast Media executive director MN Vyas said “Planetcast’s live streaming platform is instrumental for global sporting events like FIFA, Asian Games as there has been a paradigm shift in the viewing pattern of such events, this shift in viewing pattern has opened up new revenue streams for the broadcasters. Planetcast’s live streaming technology is aimed at helping the broadcasters to increase revenue by monetising their digital viewership”.

    Sony Pictures Networks (SPN) India business head- digital Uday Sodhi said, “There has been a paradigm shift in the viewing pattern of sporting events in India. For SonyLIV it is of paramount importance to deliver a premium video streaming experience to our audience and Planetcast has played a pivotal role in achieving that goal. Planetcast has not only provided the latest technology but also brought in their decades of expertise in the TV broadcast sector to keep us ahead in such a highly competitive space.”

    Planetcast’s streaming service is the professional-grade service for streaming media to audiences of any size on any device, reaching global audiences with high-quality, custom-branded videos— with no additional infrastructure. Our solutions are designed to support streaming needs for multi format (android, Windows, iOS etc.) and multi device (Tablets, PC or smartphones etc.) uni/multi-cast streams with multiple capabilities of formats and video players.

  • Q India Launches Mobile App Targeting 300M+ Smartphone Audience in India

    Q India Launches Mobile App Targeting 300M+ Smartphone Audience in India

    MUMBAI: QYOU Media (TSXV:QYOU; OTCQB: QYOUF), announced today its launch of the Q India mobile app on the Google Play store. Featuring content from top local creators and talent, the direct-to-consumer app significantly expands Q India’s footprint within India, and to the additional tens of millions of expatriate fans of Indian-created content globally.

    The mobile app market has exploded worldwide, with India surpassing the US in mobile app downloads, and now second only to China. The Q India app, available globally through the Google Play Store, will allow users access to the channel’s 24/7 linear stream of premium digital-first content from India’s top creators, along with individual video on-demand offerings of all episodes.

    Curt Marvis, CEO and Co-Founder of QYOU Media, commented: “India is one of the fastest growing mobile markets in the world and provides the perfect opportunity for us to launch a new, youth-oriented mobile app that taps into this. We know from working with leading digital creators in India – like Culture Machine, Pocket Aces, The Comic Wallah and others – that there is a real appetite from young Indians for content that reflects local themes and culture. Q India is fast becoming recognized as having the best of this content all in one place, and now with the app we are also enabling audiences that have grown-up watching online video on a daily basis to access their favorite curated content on their favored devices.”

    The launch follows on from the appointment earlier this year of former president of Sony Pictures Worldwide Networks, Andy Kaplan, as Non-Executive Chairman of Board of Directors of QYOU India Pvt (QYOU India). It also adds to the 230 million+ consumers on mobile and TV that are already engaging with QYOU’s curated content through partnerships with leading TV and mobile providers in the region.

  • Viu Sweeps Six National Asian Academy Creative Awards

    Viu Sweeps Six National Asian Academy Creative Awards

    MUMBAI: Viu has won 6 (six) Asian Academy Creative Awards for its Originals out of Indonesia and Malaysia. Receiving top honors in the national qualification round were:

    ●      Best Drama Series for “The Publicist”, Viu Indonesia

    ●      Best Promo or Trailer for “The Publicist”, Viu Indonesia

    ●      Best Theme Song for “Matahari” (“The Sun”) by Alyandra, for “Sunshine”, Viu Indonesia

    ●      Best Actress in Supporting Role for Poppy Sovia for her role as Erika in “The Publicist”, Viu Indonesia

    ●      Best Actor in Supporting Role, for Michael Kho in his role of Arik in “KenapaHarusBule?”, Viu Indonesia

    ●      Best Branded Program for “I Am Woman”, Viu Malaysia

    Since its launch in 2016, Viu has focused on creating content that resonates with millennials. Viuhas created Originals in many local languages including Chinese, Hindi, Arabic, Tamil, Bahasa Indonesia, Bahasa Malay, Telegu and Arabic and is releasing 70 local originals in total in 2018 alone.Viu’sapproach to creating Originals has always been to work with local talent to tell local stories with international-quality production for a global audience. This has resonated with the more than 20 million monthly Viu’ers worldwide.

    “The OTT category has evolved over the past few years to a stage where today on a global basis some of the best shows and talent are emerging from this category. We are certainly focused in pioneering this content transformation in our markets of South East Asia, Middle East & Africa and Indiaand are pleased to be recognized for the results. Millennials are responding well to our efforts and rallying to form a habit of regularly watching shows on Viu,” said Arun Prakash, President and COO of Vuclip.

  • Hotstar appoints Sameer Kapoor as Vice President – Agency Ad Sales

    Hotstar appoints Sameer Kapoor as Vice President – Agency Ad Sales

    MUMBAI: Hotstar, India’s leading premium streaming platform, announced the appointment of Sameer Kapoor as Vice President – Agency Ad Sales. In his new role, Sameer will be responsible for driving the relationship with media agencies to deliver measurable and impactful media strategy for clients through Hotstar.

    Sameer brings over 17 years of media and marketing experience to the table, having managed offline and online platforms in leadership roles across diverse industries and geographies. Sameer joins Hotstar from Google, where he was Head of Brand Measurement for the India & Southeast Asia markets. Prior to that, he sharpened his media management experience with Starcom as Vice President, overseeing the Samsung account, and Madison World as General Manager, handling Bharti Airtel.

    Commenting on his appointment, Sameer Kapoor said, “I’m thrilled to have joined the incredible team at Hotstar. As India's leading OTT platform, Hotstar offers tremendous value to users and marketers alike. In my role, I look forward to building stronger partnerships with agencies, enabling them to offer the most effective media solutions for modern multiscreen consumers.”

    Gulshan Verma, SVP and Head – Client & Agency, Hotstar added, ‘Sameer is joining us at a time when Hotstar has firmly established its might in digital video, through its massive content catalog and extensive set of advertiser tools to deliver highly targeted solutions for clients. It’s an exciting part of our journey and we’re excited to have Sameer drive the agency agenda for Hotstar.’