Category: Over The Top Services

  • Eros Now strikes a strategic partnership with BSNL

    Eros Now strikes a strategic partnership with BSNL

    Mumbai:  Eros International PLC (NYSE:EROS) (“Eros”), a Global Indian Entertainment Company, announced today that Eros Now, its cutting-edge digital over-the-top (OTT) South Asian entertainment platform has entered into a platform and content association with Indian state-owned telecommunications company – Bharat Sanchar Nigam Ltd (BSNL). The association comes as an initiative to deliver high quality on-demand entertainment to BSNL consumers thus enhancing the reach of Eros Now paid subscribers across the rural parts of India.

    The partnership between Eros Now and BSNL will further enhance the entertainment experience of BSNL’s post-paid as well as the pre-paid subscribers through their access to the Eros Now app including the vast library of over 11,000+ movies, digital originals, Eros Now Quickie, music videos and more. The alliance is a first for BSNL’s large pre-paid customer base to avail the services of an online video platform. The tie-up will allow all BSNL customers across all packs and tariffs to access the collection of Bollywood and Regional entertainment, on the go via the Eros Now app.

    As per the recent report by Boston Consulting Group (BCG), by 2020, half of the internet population in India will be from rural India as the internet penetration there is expected to grow to as much as 35%, thus driving Video OTT services to take off in rural India. Eros Now’s association with BSNL reiterates its own reach strategy in connecting with predominantly rural Tier II and III markets where the telecom service provider has a strong foothold.

    Commenting on the partnership, Rishika Lulla Singh, CEO, Eros Digital, said, “As trends indicate, the OTT industry in India is expected to reach a size of $5 billion by 2023 with tier II, III and rural areas of India witnessing a sizeable increase in mobile penetration and data consumption. We are well poised to cater to this growing community and our alliance with BSNL is a step towards bridging the urban-rural gap and expanding our national reach”.

    Mr. Anupam Shrivastava, Chairman and Managing Director, BSNL informed that keeping up to the commitment of offering great service at affordable price to BSNL subscribers, BSNL has taken this initiative of offering unlimited free viewing of video content on the Eros Now app. This service will be made available to BSNL subscribers by end of January 2019.

  • 36% Netflix originals to be non-English

    36% Netflix originals to be non-English

    MUMBAI: Netflix has realised that if it wants to be a global leader, it can't do so by expecting just it's English content to fly high. According to the latest report from Ampere Analysis, the company is eying local content highly in Europe and Asia with a focus on non-English originals.

    The streaming platform has added eight and nine million subscribers respectively between 2017 and 2018 in these markets. Encouraged by the success of hits like Dark from Germany and Sacred Games from India, Netflix announced 24 new titles for Europe in Q4 2018.

    Investment in local language content not only helps subscriber growth but also throws competition to homegrown rival fight by captivating users with high-quality international productions. Elite, Narcos and Sacred Games – all these series have been adored in both native and English language audiences which shows how the international productions serve double purpose. The report says 36 per cent of Netflix’s upcoming originals will be non-English, and 46 per cent will originate from outside the US and Canada.

    The streaming giant is currently producing new content in 25 countries, with 133 titles originating outside of its home market North America. Netflix is heavily focused on specific markets, with the top two international producers of the UK and India accounting for 32 per cent of international productions, and the top five accounting for 56 per cent.

    Moreover, it is rapidly increasing production in key markets across Asia and Europe and the markets with past hits are getting more importance. The UK has added 10 titles so far in Q4 2018 followed by eight in India.

  • Viu India content head Bimal Unnikrishnan steps down

    Viu India content head Bimal Unnikrishnan steps down

    MUMBAI: Viu India vice president content Bimal Unnikrishnan has resigned. He joined the organisation last July to focus on driving a strong content-led value proposition for consumers, as well as strengthen the original content library for the OTT platform.

    The senior media professional has more than two decades of experience in the direction & programming division at media companies. Prior to Viu, he worked in media companies such as Sony Entertainment Television and Reliance Big Magic.

    Recently, Viu’s chief marketing officer Shantanu Gangane left the organisation. Viu is an OTT Video service by PCCW and Vuclip available in 15 markets.

  • Spencer Neumann appointed Netflix CFO

    Spencer Neumann appointed Netflix CFO

    MUMBAI: Spencer Neumann will be joining Netflix as chief financial officer, the company has confirmed. Before this, Neumann was CFO of Activision Blizzard and is also equipped with experiences from senior positions at The Walt Disney Company.

    Neumann will succeed David Wells who served as CFO since 2010.

    On Neumann’s appointment, Netflix CEO Reed Hastings said, “Spencer is a stellar entertainment executive and we’re thrilled that he will help us provide amazing stories to people all over the world.” For the departing David Wells, he said, “I also want to again say thank you to David Wells, on behalf of the company and our shareholders, for his invaluable contributions at Netflix over the past 14 years.”

    Neumann, describing his excitement said, “Netflix is a singular brand, and I’m excited and honoured for the opportunity to work with the Netflix team and all of our stakeholders to build on the company’s exceptional track record of success and innovation.”

    With increasing responsibilities at The Walt Disney Company, Neumann has also served in a number of positions for the company. He was the CFO and executive vice president of Global Guest Experience of Walt Disney Parks and Resorts, from 2012 until May 2017.

  • Catch the digital premiere of mega-starrer Thugs of Hindostan only on Amazon Prime Video

    Catch the digital premiere of mega-starrer Thugs of Hindostan only on Amazon Prime Video

    Stream the latest action-packed feature film Thugs of Hindostan now on Amazon Prime Video. Starring Amitabh Bachchan, Aamir Khan, Katrina Kaif and Fatima Sana Shaikh in the lead, this gripping entertainer is a story about one man’s love for his nation and another’s love for power; filled with edge-of-the-seat thrills and an adventurous war on the seas. Prime members can now watch this epic tale, right after its theatrical release, on Amazon Prime Video starting today!

    Amazon Prime Video has the largest selection of latest & exclusive movies and TV shows, stand-up comedy, biggest Indian and Hollywood films, US TV series, most popular Indian & international kids’ shows, and award-winning Amazon Prime Originals, all available, ad-free, with a world class customer experience. Besides Kannada, the platform also includes titles available in Hindi, Marathi, Tamil, Telugu and Bengali.

    To watch Thugs of Hindostan and newest releases in Hollywood & Bollywood, the latest US TV shows, kids’ favorite toons and Amazon Prime Originals, please visit www.PrimeVideo.com or download the Amazon Prime Video app today and sign-up for a Prime membership only at Rs 999 annually or Rs 129 monthly.

  • Hotstar adds offline watching feature for premium content

    Hotstar adds offline watching feature for premium content

    MUMBAI: Hotstar, the leading streaming platform of India has now made the option of offline viewing available for its premium content. While the in-app download feature on rival platforms like Amazon, Netflix has been well received, Star India’s digital arm restricted the download feature to only non-premium and old content.

    The facility is available now for both Android and iOS users. It has also enabled support for watching videos in 18:9 aspect ratio, which most of the modern full-screen phones offer. However, it is not clear if the support is also available for premium users.

    “Now you can download and watch offline most of your favourite premium shows like Game of Thrones, Friends, Big Bang Theory and many more,” Hotstar Android app changelog noted on Google Play.

    Hotstar users will have the option to choose between low, medium, high and full-HD quality to download. However, downloaded premium content on the app will expire within 7 days of the download or 48 hours since the user starts watching it.

    Among the number of OTT platforms in India, Hotstar is way ahead in the race. Even streaming giant Netflix admitted that YouTube and Hotstar are till now leaders in the Indian market.

  • Using technology to help people connect to faith: Shemaroo’s Hiren Gada

    Using technology to help people connect to faith: Shemaroo’s Hiren Gada

    MUMBAI: Despite the fast-paced lifestyle most Indians never get disconnected from their faith. Early mornings at many homes would mean turning on some devotional content on TV. But it isn't a category that attracts content creators. Shemaroo Entertainment found the need gap long ago and started exploring the opportunity. Now, devotional content from the house is gradually increasing with a presence across digital and television mediums.

    With the aim to connect people to their faith, Shemaroo Entertainment has experimented with several kinds of content including live streaming from religious places. Moreover, to strengthen the presence across mediums, it has launched two apps and tied-up with major DTH platforms and telco operators. Shemaroo Entertainment CEO Hiren Gada in an interaction with Indiantelevision.com shared the reasons for focusing on the segment, marketing strategy and upcoming actions in 2019.

    Excerpts:

    Why have you started focusing on devotional category highly?

    Many years ago when we looked at the audio-visual medium and the needs of the consumers that it can actually fulfill – films and entertainment and then news came immediately to mind. Then we saw there are many more needs audio-visual medium can fulfill and when we saw different kind of categories which have a wider mass consumption, devotion came as a very strong one. The need for devotion in India is strong in multiple pockets. That’s why we thought that if we have to look at the categories beyond films and entertainment genre, devotion is a very strong area to look at. When we were doing all of this we also saw how technology is making devotion more accessible to common man. Technology is helping them access devotional needs in an easier, better and faster way compared to what it was years back. Digital media is acting as an enabler for common mass. All these factors have given us thought that this is a category we should explore much deeper.

    Does young India watch devotional content? What’s your strategy to attract them to this particular category?

    I would answer it in two ways. If you look at the life journey of any Indian, there are so many exposures to devotional aspects right from childhood. In youth age, people may get a bit disconnected, they may be a bit rebellious also. Further, as they progress, the devotional journey continues. We as Indians are always seeking to reach the higher, deeper meaning of life. There is absolutely no denying that. In every religious festival, youth participates actively.

    The second aspect is how we are making the content available and accessible. We are doing it through the gadgets of the youth that is the mobile. It’s about connecting people to their faith and using technology to make that connection happen.

    We have recast a lot of traditional bhajans with a youthful flavour, in more modern music setting with more modern sounds. The fundamental character of bhajan is not being changed but is presented in a more youthful setting. For some of the bhajans, we have created very good videos. These are the ways to connect to the youth where they can find content suitable to their taste.

    Do you have plans of launching any other app other than the existing ones (Bhakti, Ibaadat)?

    We will expand to other faiths also. At this point, between these two we are covering more than 90 per cent of India’s population. Our focus is also to go deeper and add more and more new aspects, new features. If I have to look beyond apps, today whether it is on YouTube, DTH, we have worked with all the other faiths.

    If you could share more details about DTH services…

    Currently, we are running 24/7 services across four major DTH platforms which are Tata Sky, Dish TV, Airtel, d2h. One service is for Hindu, another for Islamic. Also, we just recently launched our service on InCable. These are all essentially premium paid ad-free services with different monthly payment ranging between Rs 40 to 60 per month. We do the entire programming curation, scheduling.

    What are the plans for OTT consumers? Do you have a plan to strike a deal with any platform?

    At this point, we are planning to put it on our upcoming Shemaroo Me platform. Exclusivity is one aspect, the other aspect is that you know devotion is a non-entertainment category. Most of these platforms are on the entertainment side. So it’s not a mandate of most of the platforms to take up devotion as content or services. In that sense, most of them are not looking at a devotional category.

    What will be your marketing strategy?

    We have two or three agencies working for us whereas Ogilvy is our main agency who created the basic template for the new Shemaroo visual identity. There is one more agency we worked with for some of the specific creative. We have very strong in-house teams too. The entire social media is handled by the in-house team. We have a very strong in-house promo creation team. They have done some very fantastic promo and tailors.

    In terms of overall marketing, we do it in two or three ways. On social media, we have a very strong presence itself on Facebook, YouTube.  There are YouTube channels which have more than 2 million subscribers. Apart from that, DTH is where consumer is also present and we also promote services. Then there is b2b which is through sending a lot of newsletters, PR to various b2b constituencies whether on corporate, regular media, digital media side, telcos. We also have a very strong presence through the telco platforms and are working very closely with them.

    How does this category contribute to overall revenue?

    It’s till now relatively nascent and small. In terms of overall monetisation, film is a very large category. Film is overall 80 per cent of our business. Devotion as a category contributor would be single digit per cent, less than 10 per cent.

    Which are the new initiatives you are planning to take up this year?

    There are very exciting plans. The whole Kumbh Mela is starting this month, there are lot of activities we have planned for Kumbh Mela in multiple ways. More importantly, we are focusing on giving the audience a fantastic experience both on television and digital medium.

    We will have Shemaroo Me OTT launch where devotional will be a part of the content categories and then there are 3-4 other different activities planned out. Plans for the second half is yet to be chalked out.

  • OTT platforms may soon adopt self-censorship

    OTT platforms may soon adopt self-censorship

    MUMBAI:  Leading OTT players clearly don’t want the government interfering with their content or creating rules like broadcast. So, Netflix, Hotstar, Reliance Jio and some other streaming services may soon adopt a voluntary censorship code.

    As part of the code, the platforms will remove content that has been banned by the courts and that disrespects the national flag, emblem, hurts religious sentiments or promotes violence or terrorism against the country, or even shows children in sexual acts. These are codes that even the broadcast industry follows.

    Economic Times citing sources reported on the self-censorship initiative. However, tech companies including Amazon, Facebook and Google are unlikely to sign up for the code as this move of could set an example of how to regulate internet and meddle with creative freedom.

    The code is likely to include a “redressal mechanism” allowing the users of the streaming platform to issue complain in case they think that the over-the-top (OTT) services have violated the code. Eventually, this mechanism may transform in an “adjudicatory body” that will resolve the complaints filed by the customers.

    According to the report, ZEE5, Times Internet, Eros Now and AltBalaji are in favour of the code and the Internet and Mobile Association of India (IAMAI) is facilitating the process. It also added that the players who don’t think it as a very wise step opine it would lead to an unnecessarily nervous environment and validates the government’s point of view that the internet needs regulation.

    Allegedly, the whole process has been opaque and closed-door while content creators have not been included in the discussions. The opposition group to the court also believes the process has been swayed by companies that want OTT companies to be at a more level playing field with broadcasters.

  • JioCinema, Disney India strike content partnership

    JioCinema, Disney India strike content partnership

    MUMBAI: That latest OTT partnership is that of JioCinema, a digital app from Reliance Industries Ltd (RIL) with Disney India. Under the partnership, the app will host a dedicated Disney branded section on the homepage for the first time ever. Jio users now will get access to stories from the biggest brands in storytelling including Disney, Pixar, Marvel, and Lucas Film.

    Along with these famous stories, Jio users will be able to access a large number of international as well as locally created content through this association. Moreover, the app also brings in a unique character customisation option where fans can choose from their favourite Disney, Marvel, Pixar or Star Wars character such as Mickey Mouse, Captain America, and Lightening McQueen and browse the entire range of content available on that character.

    Kids will definitely enjoy JioCinema more than ever as it is now home to heart-warming stories of Disney like The Jungle Book, The Lion King and the ever-so-popular tales of Disney Princesses like Cinderella, Snow White and the Seven Dwarfs, Sleeping Beauty and more. Even superhero fans are in for a treat with movies like Iron Man, Captain America: The First Avenger, Thor along with animated series such as Guardians of the Galaxy, Avengers Assemble.

    It is obvious that the partnership will increase the width of content on the platform enormously. All telco players are increasing their content play by striking deals with large content creators as well as by investing in original content.

  • WITH 18 NEW ORIGINAL LAUNCHES AND NEW ASSOCIATIONS ALTBALAJI ENDS 2018 ON A HIGH NOTE

    WITH 18 NEW ORIGINAL LAUNCHES AND NEW ASSOCIATIONS ALTBALAJI ENDS 2018 ON A HIGH NOTE

    MUMBAI: ALTBalaji, one of the leading OTT platforms under the brand Balaji Telefilms Limited, has witnessed remarkable growth in 2018. With mass engaging content to the most riveting shows, the platform has emerged as the fastest growing and most talked about OTT platform in India. This year saw, the digital platform launch 18 new shows entertaining millions across the country. Awarded as the ITA Premier Web Channel award this year, ALTBalaji established its lead in the pack with the most-binged original series over the year in addition to winning other accolades. 

    While 2018 was the year of experimentation with highly-acclaimed shows like The Great Indian Dysfunctional Family (TGIDF), The Test Case and Home, ALTBalaji’s subscriber base grew pan-India with viewers enjoying a wide range of shows. Distinctive content in the series like ‘Broken but Beautiful’ and ‘Apharan’ have not only struck the right chords for their coming of age concepts but have also recorded higher viewership and top ratings of 8.8/10 and 9.2/10 on IMDb respectively. Other shows like ‘XXX: Uncensored’ and ‘KehneKoHumsafar Hain’ scored the highest completion rates. On an average, ALTBalaji’s subscribers have spent 77 minutes daily watching these shows. Shows like Home, The Test Case and TGIDF have not only won hearts of the audiences but also garnered rave reviews from the likes of Rajeev Masand, Mayank Shekhar, Rahul Desai and many more.

    Here’s are 2018’s top binge watch shows ofALTBalaji:

    Apharan: As the show title suggests, it is all about an ‘Apharan’ (kidnapping) that goes wrong. What makes this show a standout is the fact that top cop Rudra Srivastava is forced into kidnapping a girl at her own behest, and nothing goes to plan. He finds himself in a web of lies with a lot at stake. Set in the heartland of the country, the thriller truly enthralled the audience with its 70’s style masala entertainment and its upbeat retro music.
    IMDB Rating: 9.2/10

    Broken But Beautiful: When two broken hearts, Veer and Sameera are brought together by chance, sparks fly. The two get involved in a journey that requires them to accept how broken they are and how two broken pieces can probably belong together.  
    IMDB Rating: 8.8/10

    The Great Indian Dysfunctional Family: General VikramjeetRanuat looks forward to a quiet life with his family post his accident while serving at the border. However, the re-entry of his separated brother and sister-in-law into his life changes the trajectory of his plans.
    IMDB Rating: 7.6/10 

    The Test Case: Captain Shikha Sharma gears up to serve as the first female test case in combat. The series beautifully captures her struggles and challenges and encapsulates women-power in the true sense of the term.
    IMDB Rating: 8.5/10

    Home: The series is all about a beautiful family, the Sethis, who believe in loving one another dearly. However, they are faced with a mammoth challenge with they are served with an eviction notice. The heart-warming show features a man’s fight to save his own home.
    IMDB Rating: 8.5/10

    GandiiBaat: The power-packed show has it all – the crime, the twisted relationships and erotic content. The trifecta makes this show a great tale of how crossing the fine line of going to any lengths to fulfill desire comes with its own consequences.
    IMDB Rating: 5.0 /10

    Haq Se: A modern-day story that chronicles the lives of four sisters against the backdrop of theunrest in Kashmir. It is a tale of the sisters seeking happiness and fulfillment in their lives and wanting to trulyfollow their dreams and passion. This also marked the digital debute of Rajeev Khandelwal. 
    IMDB Rating: 8.3 /10

    Hum: I am because of Us: Nothing compares to you sisters always having your back and that is the bond that the three sisters share. However, their relationship is put to test when the three arrive in the burgeoning metro of Mumbai to live their passion and follow their ambitions.
    IMDB Rating: 7.6/10

    With an end to a magnificent year, ALTBalaji has a highly anticipated line-up for 2019 across diverse genres with originals like GandiiBaat 2, KehneKoHumsafar Hain 2, Cold Lassi Aur Chicken Masala, Puncchbeat, The Verdict State Vs Nanavati and Cartel. Audiences are surely going to be entertained by a content library that is not only varied but new and captivating as well.

    ALTBalaji’s original content is available in four Indian languages which includes Hindi, Tamil, Telegu and Malayalam. Additionally it is also available in Malaysia Bahasa, Indonesia Bahasa and Arabic languages. With several strategic associations, ALTBalaji’s shows can be viewed on Amazon Fire TV stick, OLA Play, LG Smart TVs using WebOS , the MI TV Patchwall in addition to the OTT services’ mobile apps and desktop platform. Viewers can also avail the app on 5 different devices in order to make it enjoyable for the entire family.