Category: Over The Top Services

  • ZEE5 announces Blockbuster February; unveils Originals’ line-up for global audience

    ZEE5 announces Blockbuster February; unveils Originals’ line-up for global audience

    MUMBAI: ZEE5 today announced a lineup of Star-Studded Originals for February for its global audiences. Ranging from a procedural crime thriller to a high suspense drama, the content line-up promises a riveting and high-octane month for South Asians audiences across the globe.

    The Final Call: premiering on 22nd February stars Arjun Rampal, in his digital debut, as a suicidal pilot on duty. Based on Priya Kumar’s book, ‘I will go with you, this gripping thriller also stars Sakshi Tanwar and Jaaved Jaaferi.

    Abhay: Kunal Kemmu in his digital debut plays an investigative officer who solves bone chilling murder cases while dealing with his own personal demons, in the first procedural format crime thriller Abhay which premiered on ZEE5 on 7th February

    Sharate Aaj: ZEE5’s biggest Bengali Original yet, Sharate Aaj, debuts on February 21st and stars well known Bengali actor Parambrata Chattopadhyay. Shot completely in London, the show traces the lives of a close-knit Bengali community getting set to celebrate Pujo while being hit by a terror attack conspiracy.

    Also lined up for February are Tamil originals like D7 and Kalavu, Malayalam originals like Mirror and Aarpoo as well as Marathi original Sex, Drugs and Theatre. While ZEE5 Originals, Rangbaaz and the Marathi show Date with Saie are now also available in Tamil, Telugu, Bangla, Kannada, Marathi and Malayalam.

    “We’re constantly working to layer our offering with a range of high- octane Originals, handpicked movies and our ever-popular TV Shows, across languages and genres for our global audiences. We’ve got a tremendous response for ZEE5 especially in Bangladesh, Sri Lanka and Pakistan. With such a fabulous lineup of shows, we’re looking forward to replicating this success very soon across other markets too.” said Archana Anand, Chief Business Officer – ZEE5 Global

    With over 1,00,000 hours of Indian TV Shows, Movies, News and Videos, ZEE5 offers the largest bouquet of content across 12 languages to South Asian audiences across the globe. ZEE5 also offers 60+ popular Live TV channels, including ZEE’s best loved channels.

    ZEE5 is available on Google Play Store, iOS App Store, www.ZEE5.com as well as on Samsung Smart TVs, Apple TV, Android TVs and Amazon Fire TV.

  • ZEE5 and Gaana partner to offer free subscriptions to users entertainment

    ZEE5 and Gaana partner to offer free subscriptions to users entertainment

    MUMBAI: In an industry-first initiative, ZEE5, India’s largest multi-lingual OTT platform, and Gaana, the country’s favorite music streaming service will be offering each other’s users free access to their platforms. Users of both the platforms will benefit from the rich content library of ZEE5 comprising movies, original shows, and tv shows and the vast of Gaana’s music library of more than 30 million songs.

    ZEE5 will bundle a month’s subscription of Gaana with its own monthly subscription and Gaana’s subscribers can also avail ZEE5 for free.  Zee5 and Gaana would be promoting this limited-period offer on their platforms as a part of a joint campaign.  

    Manish Aggarwal, Business Head, ZEE5 India, said, “OTT as an entertainment option is mostly consumed by people on the go. This, combined with seamless music experience, will make the subscriber’s travel experience just perfect. We are establishing ZEE5 as the go-to destination for digital entertainment and associating with Gaana will give audiences yet another reason to subscribe to the platform.”

    Prashan Agarwal, CEO, Gaana, “We have always strived to add incremental value to the lives of our subscribers. Associating with ZEE5 is a win-win for our 80 million strong user-base and Zee5’s rapidly increasing viewership as they’ll now be able to experience  double entertainment while subscribing to a single service.“

    With over 3500 films, 500+ TV shows, 4000+ music videos, 35+ theatre plays and 90+ LIVE TV Channels across 12 languages, ZEE5 truly presents a blend of unrivaled content offering for its viewers across the nation and worldwide. With ZEE5, the global content of Zindagi as a brand, which was widely appreciated across the country, has also been brought back for its loyal viewers.

    Availability: The ZEE5 App can be downloaded from Google Play Store http://bit.ly/zee5 and iOS App Store http://bit.ly/zee5ios. Also available at www.zee5.com, as a Progressive Web App (PWA), and on Apple TV and Amazon Fire TV Stick. ZEE5 also supports Chromecast.

    ZEE5 offers a freemium pricing model with both free and paid premium content (including Originals) to cater to a mix of audiences. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content with  Rs.99/- for 1 month and Rs.999/- for a year. Gaana’s premium plan ‘Gaana+’ offers subscribers ad-free access to India’s largest collection of songs on their Android and iOS devices in HD quality. It is available at Rs. 99 for 1 month and Rs. 499 for a year.

  • Voot’s target is the entire 250-300 million video viewer base: Akash Banerji

    Voot’s target is the entire 250-300 million video viewer base: Akash Banerji

    MUMBAI: When digital platforms emerged, long-form content got a boost. But given today’s limited attention span of people, short form content is also in vogue. Spotting the need, media conglomerate Viacom18’s digital arm Voot has forayed into original short films segment. The OTT platform has come up with 12 short films under Voot Originals 'SHORTCUTS' label produced by Viacom 18’s in-house digital-focused studio Tipping Point.

    Five short films Derma, Googly, Joy Ride, Bauma and Chacha and Cheetah’s Trip already went live on 8 February. Four other short films – Glitch, Grey, Aun and Teaspoon will go live on 15 February which will be followed by Maya, On the Road and Red Velvet on 22 February. All the content pieces will be available for free for consumers since Voot till now works on AVOD model only.

    Talking about the new property, Viacom18 Digital Ventures marketing and partnerships head Akash Banerji said that any decision to keep them behind a paywall will be taken later. Earlier Viacom18 group CEO Sudhanshu Vats said it is working on Voot’s premium model.

    “We still believe and are strongly of the opinion that this country with the kind of appetite it has to watch content, is still very clearly in the category creation phase at this juncture and this category creation phase is very important to make content available and accessible in the most hurdle free manner. Hence, content that is free on AVOD platform is very surely here to stay and we will continue to double down our efforts on that,” Banerji also added.

    On the sideline of the launch, he spoke to Indiantelevision.com on several topics including marketing and the target audience of the new label, the platform’s ambitious plan for 2019 and other industry issues. Here are the edited excerpts from the interview:

    What is the target audience of the new short films?

    Gone are the days, when you will define this target audience based on certain demography, geography or gender. We are targeting the entire 250-300 million odd video viewer base in this country that has a huge appetite to watch great storytelling. We are a story-first OTT brand, we are not an 18-24 age first brand, male first brand, we clock close to 7-10 billion minutes of watch time. That certainly can’t come in on the back of a certain TG. We believe in scale.

    Will digital dominate your marketing effort?

    We are also going to do outdoor marketing for this specific content piece. What it allows us to do is to drive immediate perception and draw the attention of the consumers that is supposed to drive a lot of awareness and consideration. On digital, the focus will be to drive conversions to our platforms. It is going to be a blend of outdoor, networks promotion along with huge focus on digital.

    Why did you pick up this genre? Did you notice any particular trend?

    We are not a copier of a trend, we are a trendsetter. Not everything that’s out there needs to be replicated by us. Our bigger focus is always to create such interesting things so that it gets copied by others. We believed that we have a vast library of long-form content on our platform. That has a huge advantage because on the back of that we get massive watch time. This made us the number one OTT platform in the country with respect to the average time spent per day per viewer which is close to 50 minutes. We also believe this is a fast world where a consumer may not have all the time in the world to watch longer form content and to stay committed to a content piece that is episodical. Hence, we are experimenting with this format which is not the episodic but standalone content piece but also snacky in nature so we are able to get that kind of consumers whose behaviour and need may be very different from the kind of consumer we may have acquired before.

    How does the year 2019 look like for Voot?

    Maddening, crazy and exciting. We are doubling down our efforts in terms of blockbuster content, hero content pieces that are supposed to drive massive acquisition for us. We are doubling down our strategy to go very deep in vernacular markets because at Voot if we are seeing 3x growth in Hindi content, vernacular content gives us 6x growth. There is a huge demand but the supply still is actually limited. By partnering and collaborating very closely with Viacom18 network whether it’s Colors Kannada, Colors Marathi, Colors Bangla, we can very clearly unlock the little need that’s there. The other big thing which we will continue to do is invest heavily in the product experience. In today’s world, a great piece of content may not be enough to get sticky consumers or to drive retention. What is equally important is to double down on the product experience so that consumers are able to discover the content of their choice without thinking about technical issues.

    Voot’s UK launch was supposed to take place last November. If you could share the update..

    We are getting a firmer date. Between this month or next month at best we will be doing a big press announcement. Formally the international launch will start off and we are closer than ever to launching into the UK market.

    Will OTT platforms be benefitted from TRAI’s tariff order?

    It remains to be seen how consumers eventually respond to this tariff order, whether it finally ends up changing their deep habit of having access to 300 or 400 odd channels suddenly overnight. These are TV watching and having access to so many different channels is a long form habit that has developed over the years. And it would be naive on our part to start thinking and predicting that it will change and OTT platform per se will start building quick result out of it. The only thing that we need to be clear of and that we are preparing for if this change happens, we should be ready to give an equally good experience to a lot of new consumer acquisition that will happen on OTT. As a network, our ambition, of course, will be very to ensure that the watch time and the consumer size and the scale do not go down at a network level and only keeps growing up.

  • Eros Now’s Original Web-Series Smoke Nominated at the Prestigious South by Southwest® (SXSW®) Film Festival 2019

    Eros Now’s Original Web-Series Smoke Nominated at the Prestigious South by Southwest® (SXSW®) Film Festival 2019

    MUMBAI: Eros Now, the cutting-edge digital over-the-top (OTT) South Asian entertainment platform owned by Eros International Plc, a Global Indian Entertainment Company, announced today that its original web-series Smoke, which was released on October 26, 2018, has been nominated by SXSW Film Festival 2019 in the ‘Title Design Category.’

    The 2019 SXSW Film Festival celebrates the convergence of the interactive, film, and music industries.  As an essential destination for global professionals, the event features sessions, showcases, screenings, exhibitions, and a variety of networking opportunities. South By Southwest dedicates itself to honoring individuals and companies that create the most innovative, creative, and inspirational work in their respective fields. The festival is scheduled to take place between March 8 – 17, 2019. The crime-drama series – Smoke is contending with the likes of Aquaman, Black Panther, Deadpool 2, Spiderman Homecoming, Mowgli, Sacred Games, amongst othersunder the Title Design Category. 

    Commenting on the nomination, RidhimaLulla, Chief Content Officer, Eros Group said, “We are delighted for this significant recognition at prestigious SXSW 2019. The nomination of Smoke at SXSW Film Festival 2019 supports Eros Now’s endeavours to offer innovative and path breaking content for its global viewers. The powerful performances by the actors, along with the skilful writing and direction makes it a strong contender for the award.”

    Smoke was the first and only Indian original web-series that was premiered at MIPCOM 2018, Cannes, under the ‘Made in India Originals’ category. The 11-episode series garnered rave reviews from the audience with an 8.9 IMDB rating. The series is directed by Neel Guhaand features India’s finest actors such as KalkiKoechlin, Jim Sarbh, GulshanDevaiah, MandiraBedi, Neil Bhoopalam, AmitSial, Satyadeep Mishra and the late Tom Alter.
     

  • Times Internet’s 2nd OTT bet with revamped MX Player

    Times Internet’s 2nd OTT bet with revamped MX Player

    MUMBAI: Another ambitious player with deep pockets is set to enter the burgeoning OTT space in India. Times Internet is going to launch a revamped version of MX Player on 20 February. Sources close to the development revealed the information to Indiantelevision.com. Reportedly, Times Internet invested more than Rs 1000 crore to acquire majority stake in the Seoul-based local video player.

    With this launch, Times Internet will bet in the OTT segment for the second time. Earlier, in September 2016, the company had pulled down the shutters on its video OTT app Box TV. Soon after it bagged the MX Player deal.

    Like many other OTT platforms, MX Player also wants to tap the millennial audience, the age group of 18-35. Despite the mushrooming digital platforms and abundant content, young India is hungry for more which makes the play easier for new entrants.

    “We are understanding their specific need states and making sure that the programming is aligned to satisfying those need states via our original programming and curated licensing strategy,”  MX Player content head Gautam Talwar said in an interaction with Indiantelevision.com earlier. He also added that the OTT platform will enter the market with at least five to six premium shows.

  • Eros Now aims to accelerate subs addition within millennial, post-millennial audiences

    Eros Now aims to accelerate subs addition within millennial, post-millennial audiences

    BENGALURU: The Sunil Lulla-led Eros International Media Ltd (Eros) reported higher revenues on more film releases and a slight decline in profit after tax for the quarter ended 31 December 2018 (Q3 2019, quarter or period under review) as compared to the corresponding year ago quarter (Q3 2018). 

    Eros released 25 films and 3 Eros Now original series in Q3 2019 as compared to just four films in Q3 2018. Twenty three of the releases in Q3 2019 were small budget, while two were medium budget films as compared to four small budget films in Q3 2018. Further, in Q3 2019, six of the releases were Hindi, two were Tamil/Telugu and the rest (17) were regional films. In Q3 2018, Eros released three Hindi movies and one regional movie.

    Eros’s revenue streams have undergone a marked shift in contributions to overall revenue over time. The percentage of theatrical revenues has come down, while television plus others and overseas has gone up.  For fiscal 2018 (year ended 31 March 2018, FY 2018), Eros had reported 42.8 percent of revenue from theatrical releases, 46.3 percent revenue share from television and others which included revenue from digital platforms and 10.9 percent from overseas.  For Q3 2019, the company has reported 24.6 percent, 52.4 percent and 23 percent contributions from theatrical releases, television and others, and overseas respectively.

    Eros has projected rapid growth in paid subscribers for its digital platform ErosNow at the end of fiscal 2019 (year ending 31 March 2019) at 16 plus million as compared to 13 million at the end of Q2 2019. The company is banking on its long standing and exclusive partnerships with major Indian telecom and mobile data players – Jio, Airtel and the merged Vodafone-Idea to add more paid subscribers to ErosNow.

    Company speak

    Eros executive vice chairman and MD Lulla said, “We are pleased to announce strong results during the quarter, delivering 62.1 percent total income growth and consistent profits. Our focused approach of choosing a balanced slate spanning genres, languages and budgets, continues to deliver positive results. During the quarter, we released a total of 25 films and three digital series, comprising of an interesting mix of genres ranging from comedy to horror and crime thriller, which received encouraging responses. The theatrical slate included the critically acclaimed Tumbbad, Boyz 2 (Marathi), Mumbai Pune Mumbai 3 (Marathi) and our twin Telugu releases Amar Akbar Anthony and Savyasachi amongst others. A strong slate of overseas releases of Andhadhun (Hindi), Helicopter Eela (Hindi) and Namaste England (Hindi) further supported performance during the quarter.

    "In this quarter, we released three original web series – the crime thriller Smoke, the entertaining and quirky Date Gone Wrong and the fun-series Paisa Fek Tamasha Dekh on ErosNow, which received positive audience ratings and were equally applauded by the critics. We are committed to bring fresh and engaging digital content targeted primarily to the millennial audiences on the ErosNow platform, and have an exciting pipeline of original content lined up for the upcoming quarters. We are confident with our exciting content offering the pace of subscriber addition for ErosNow will further aaccelerate

    "As we look ahead, we have a compelling film slate which includes Saif Ali Khan starrer Kaptan, the trilingual remake of Haathi mere Saath, Kaamiyab, Ticket to Bollywood, and a host of regional releases. In addition, we have a host of remarkable originals such as Dashavtar, Ponnyin Selvan, Flesh, Bhumi coming up on ErosNow, that we look forward to releasing in the upcoming quarters.”

    Let us look at the numbers reported by Eros

    Eros reported a 52.9 percent jump in operating revenue for the quarter ended 31 December 2018 (Q3 2019, period or quarter under review) at Rs 292.88 crore as compared to Rs 193.51 crore in the corresponding year ago quarter (y-o-y comparison). Profit after tax (PAT) and total comprehensive income (TCI) for the period under review fell 7.4 percent and 58.9 percent (more than respectively) respectively y-o-y. Total income increased 62.2 percent y-o-y in Q3 2019 to Rs 332.28 crore as compared to Rs 201.97 crore in Q3 2018. PAT in Q3 2019 was Rs 62.19 crore as compared to Rs 67.16 crore in Q3 2018. TCI in Q3 2019 was Rs 23.06 crore as compared to Rs 56.16 crore in Q3 2018.

    Eros reported 107.9 percent y-o-y increase in total expenditure in Q3 2019 at Rs 255.42 crore from Rs 122.86 crore in Q3 2018. Films rights costs including amortisation costs increased 101.3 percent y-o-y to Rs 145.51 crore from Rs 72.30 crore in the corresponding quarter of the previous fiscal. Employee benefits expense in Q3 2019 declined 11.2 percent y-o-y to Rs 12.56 crore from Rs 14.14 crore in Q3 2018.

    Finance costs reduced 13 percent y-o-y in Q3 2019 to Rs 15.95 crore from Rs 18.33 crore in the previous year’s corresponding quarter. Other expenses in the quarter under review more that quintupled (increased by 402.2 percent) y-o-y in Q3 2019 to Rs 77.54 crore from Rs 15.44 crore in Q3 2018.

  • Twisted tales and edgy ends, VOOT Originals, ‘SHORTCUTS’ launches 12 must watch stories

    Twisted tales and edgy ends, VOOT Originals, ‘SHORTCUTS’ launches 12 must watch stories

    MUMBAI: A tattoo that changes a regular man’s life, a mundane twist of the tap that spirals a boy in his past and a dead husband’s eyes that continues to suffocate a troubled wife, the 12-brand new short films by VOOT Originals ‘SHORTCUTS’ will challenge your imagination. Produced by Tipping Point (A Viacom18 Studios Production) an array of intense and off-beat thriller dramas is all set to give you a paraphernalia of emotions. Spread across multiple genres of drama, adventure and mystery with varied plots set across India, Voot will be your go-to entertainment destination for a rush of raw and edgy content.

    An ensemble cast featuring, Barun Sobti, Mona Singh, Akshara Hasan along with directors such as Debatma Mandal and Vikas Chandra, VOOT is sure to entertain viewers from all over India.

    Speaking about Shortcuts, Akash Banerji, Head Marketing and Partnerships, Viacom 18 Digital Ventures said “At VOOT we have been focused on providing high decibel engagement and an immersive content experience to our users.  VOOT Original Shortcuts Produced by Tipping Point allows us to leverage synergies and add to the content diversity of VOOT. We are sure that the distinctive narrative and unique storytelling is sure to intrigue audiences and gather significant interest.”

    Commenting on the launch, Ajit Andhare, COO, Viacom18 Studios said “The purpose of Tipping Point is to tell edgy, provocative stories and narratives missed out in the mainstream. These are targeted for personal consumption on a mobile or a tablet. Our maiden production for VOOT in the form of 12 exciting short films seeks to make a big impact amongst digital viewers with this eclectic bunch of stories”

    The opening set of ‘SHORTCUTS’ will showcase Derma, Googly, Joy Ride, Bauma and Chacha and Cheetah’s trip starting 08th February 2019 followed by Glitch, Grey, Aun and Teaspoon going live on 15th February. The third tranche of short films on Voot will showcase Maya, On the Road and Red Velvet on 22nd February 2019.

    Here’s a quick introduction to the first set of stories releasing on 08th February:

    · DERMA – The story of a man whose life turns upside down after he gets a tattoo made by a mystical man in the mountains.  The intriguing saga is a unique take on the circle of Karma.

    · JOYRIDE – A road trip that takes Raunak amid the wilderness on an unusual road trip, ignoring the perils of a menacing folktale as challenged by his friend. What follows is an extraordinary tale of the unforeseen.

    · BOUMA (Bengali) – Set in the heart of Kolkata, Bouma is the story of a middle-aged couple in the 1960s, living their mundane lives. A nagging husband is diagnosed with cancer and the wife agrees to donate his organs to his scientist friend after he dies. What she does with her husband’s still-conscious head after death culminates to a climax, which is both funny and dark.

    · Chacha and Cheetah’s trip will take the protagonists on an adventure of a lifetime. It is a story of two marijuana enthusiasts who after smoking the mythical and legendary windmill joint take an unusual trip.

    ·         Ishq Ki Googly – A story of a husband who plans to murder the illicit lover of his wife, but things go bizarrely out of plan, thereby compelling him to play this game of love.

    · Teaspoon – Series of incidents become ingredients for a Molotov cocktail that leads to a disturbing end.

    · Red Velvet – What happens when unusual incidents take place at a household when a ten-year-old boy enters home.

    · On the Road – A story with unusual coincidences happening on a night drive of Aravind on the way home.

    · AUN A(U)N USUAL DAY – Aun details the problem faced by a photographer against a tribal man who lacks wisdom due to the dearth of human interaction.

    · Maya – Maya is the story of a young independent working woman living in Mumbai with her mother, who suffers from incontinence.

    · Grey – A unique take on a murder, investigation between an autistic man and an inane cop.

    · Glitch – An interesting tale of time traveling.

    Launched in May 2018, ‘Tipping Point’ is the digital Content brand of Viacom18 Studios that focuses on creating contemporary, engaging and path breaking, content for online audiences. The brand extends the Viacom18 Studios’ ethos of unconventional narratives with a host of web series, short films and non-traditional formats.

  • Zee5 launches procedural format crime thriller ‘Abhay’

    Zee5 launches procedural format crime thriller ‘Abhay’

    MUMBAI: ZEE5, known to present great content across genres, launched Abhay – one of the first procedural format crime thrillers, a genre not explored in the OTT space yet. Produced by B.P. Singh’s (popularly known for the famous crime TV series CID) Fiction Factory Productions, the series marks the digital debut of popular actor Kunal Kemmu who essays the role of SP Abhay Pratap Singh. The crime thriller premieres on 7th February, with two episodes unfolding each month, disrupting the traditional binge viewing habit of content on OTT platforms.

    Inspired by real events, Abhay follows the inverted detective format of storytelling. In his digital debut, Kunal Khemu plays an investigative officer who solves bone chilling murder cases while dealing with his own personal demons.

    Speaking on his digital debut, Kunal Kemmu said, “It’s exciting to explore new formats and push your boundaries as an actor, and Abhay had it all. I am an avid consumer of long format web series like everyone else, and hence I know that a series such as Abhay has all the ingredients that the OTT viewer is looking for. Very excited to partner with ZEE5, given the content that they have produced and are planning to do in the coming months and I look forward to reach out to the audience with this action-packed concept.”

    Manish Aggarwal, Business Head, ZEE5 India said, “This is the first time that a procedural format crime thriller has been explored in the OTT space and having a stalwart like B.P. Singh as the series director of Abhay makes it perfect.  Right at the outset, ZEE5 had endeavoured to offer viewers exciting and relatable stories from across the country, and Abhay is testimony to this. Crime thrillers are a favourite especially with the male audience and is a genre that appeals consumers across pop strata. I am confident that Abhay will be one of the most talked about shows among OTT viewers.”

    B. P. Singh, Producer, Fiction Factory Productions said, “Abhay is a unique thriller, where Kunal plays a cop who can go to any extent for solving his case and facing multiple problems at the same time. We are glad that ZEE5 has given us the opportunity to experiment sensitive crime subjects on the digital platform. The ZEE5 team was enthusiastic and with Abhay, they are setting new standards in digital programming. The audience will surely love the storyline and get goose bumps as the show progresses.”

    Aparna Acharekar, Programming Head, ZEE5 India said, “Quality shows backed by compelling stories have been the major contributors for ZEE5’s content growth. Abhay is a unique offering to our viewers which explores crime, action and entertainment. We are certain that the audience will enjoy this latest ZEE5 Original.”

    Elnaaz Norouzi who plays Natasha, says, “It was a great experience working with B. P. Singh Sir and Kunal. I hope that the audience appreciates the shades of my character and enjoys the show as much as we did making it. Playing Natasha is quite challenging and that’s what’s exciting me the most.”

    With over 3500 films, 500+ TV shows, 4000+ music videos, 35+ theatre plays and 90+ LIVE TV Channels across 12 languages, ZEE5 truly presents a blend of unrivalled content offering for its viewers across the nation and worldwide. With ZEE5, the global content of Zindagi as a brand, which was widely appreciated across the country, has also been brought back for its loyal viewers.

    Availability: The ZEE5 App can be downloaded from Google Play Store http://bit.ly/zee5 and iOS App Store http://bit.ly/zee5ios. Also available at www.zee5.com, as a Progressive Web App (PWA), and on Apple TV and Amazon Fire TV Stick. ZEE5 also supports Chromecast.

    Pricing: Freemium pricing model with both free and paid premium content (including Originals) to cater to a mix of audiences. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content using the limited period special subscription offer – 99/- for 2 months and 499/- for a year. Offer valid till 31st October.

  • Bob Iger on Disney’s bid to conquer streaming business

    Bob Iger on Disney’s bid to conquer streaming business

    MUMBAI: The Walt Disney Company (Disney) is gradually changing the focus of its business. Despite having a strong revenue-generating traditional media business, the company is set to make a splash in with high-profile entry into the streaming era. While the newly created direct-to-consumer segment of the business remains the immediate top priority, the entertainment giant is focusing on both programming and technology to differentiate itself in the high-stakes battle.

    The media conglomerate launched its audacious digital venture last April with sports streaming service ESPN+, which now has two million paid subscribers. Disney CEO and chairman Bob Iger said in an earnings call after Q1 results that from the nine-month journey of ESPN+, Disney has learned that BAMtech platform is capable of handling not only scale in terms of live streaming simultaneously but a substantial number of transactions in a very short period of time. Having fortified its base for the upcoming Disney+ service, the Bob Iger-led company seems confident about the streamer’s success.

    Disney is aiming to pump in serious amounts of cash to produced exclusives for its upcoming streaming service, Disney+.

    Iger told investors that Disney intends to relinquish $140 million (current rate) year over year in licensing revenue to provide the content it has currently licensed to Disney+. Captain Marvel will be the first Disney movie that the entertainment behemoth will entirely hold back from its licensee partners. The move is in line with Disney’s 2017 announcement of ending the practice of licensing its films to platforms like Netflix.

    Iger also revealed that teams of many Disney sub-brands are producing content with Disney+ in mind.

    “We have a number of creative engines across our company, many of which are dedicating their time and talents to develop content for the Disney+ platform,” Iger told investors.

    “Many are the same innovators driving the prolific success of Disney, Pixar, Lucasfilm, and Marvel. We look forward to leveraging National Geographic for even more content on Disney+,” he added

    Apart from Disney+ and ESPN +, the company will soon own a majority stake in the very popular over-the-top platform Hulu post its acquisition of 21st Century Fox closes. With just 30 per cent stake in Hulu, Iger thinks it’s premature to discuss its business prospects for now. The veteran executive, however, stated that Disney would look more aggressively at some international rollouts of Hulu.

    While competitors are looking at bundling services on one platform, Disney has preferred segregation so far.

    “Ultimately, our goal would be to use the same tech platform to make it easier for people to sign up for all three should they want to, same credit card, same username, same password, et cetera, but give the consumer the kind of choice that we think consumers are going to demand more and more in today's world,” Iger remarked.

    He also mentioned that if a consumer wants to subscribe to two or three platforms together, Disney will probably offer a discount to them. On the other hand, having three different platforms will enable them to attract subscribers who only want to consume a particular type of content, for example, sports.

    It’s evident from the fortunes of other OTT platforms that making profits in the streaming business at the moment is a long shot. Investors of Disney are also expecting the costs in streaming business to pressurize total revenue.

    Talking about making Hulu’s business profitable, with its good subscriber base, Iger said that there is enough opportunity in media businesses citing the example of streaming giant Netflix.

    “We think there's huge potential for Hulu to grow as well as for the other services to grow and plenty of room for other entrants in the marketplace. But we aim to take advantage of, on the Disney and ESPN side, our brands and that expertise,” he added.

  • ZEE5 gallops to the top in Bangladesh, Sri Lanka and Pakistan

    ZEE5 gallops to the top in Bangladesh, Sri Lanka and Pakistan

    MUMBAI: Just a month after launching its campaign #Sharethelove for Pakistan and Bangladesh, ZEE5 summits the charts to become the No. 1 entertainment platform in both Bangladesh and Sri Lanka, and No.2. in Pakistan*. With this quick climb up the charts, ZEE5 becomes the fastest growing OTT platform across these markets, and as Amit Goenka, CEO, ZEE International and Z5 Global puts it “We intend to replicate this winning streak across the globe.”

    ZEE5 offers 1,00,000 hours of Indian Movies, TV Shows, News, Videos and a slew of exclusive Originals, across 12 languages – English, Tamil, Hindi, Malayalam, Telugu, Kannada, Marathi, Bengali, Oriya, Bhojpuri, Gujarati and Punjabi, along with 60+ Live TV channels. It offers audiences in Pakistan and Bangladesh a range of relevant content including Hindi and Bengali originals like Rangbaaz, Kaali and the upcoming Sharate Aaj, original movies like Aranyadeb and Tigers and digital premieres like Namaste England.

    ZEE5 also offers a range of Tamil content to Sri Lanka, including popular shows from ZEE Tamil like Sembaruthi, Yaaradi Nee Mohini, Poove Poochoodava etc. and ZEE5 Originals like Sigai, Kallachirupu and America Mapillai. Also available is the upcoming Tamil Original movie – D7, along with a range of content dubbed in Tamil, including recently launched Original, Rangbaaz. 

    Amit Goenka, CEO, ZEE International and Z5 Global said, “Bangladesh, Pakistan and Sri Lanka are high priority markets for us as we start our phased rollout globally, given the huge affinity for our content in these markets. Becoming the No.1. platform in these markets in such a short period of time is great news, and we’re extremely happy to see such a strong response for ZEE5 here”

    Archana Anand, Chief Business Officer- ZEE5 Global said, “We are beyond excited to get to this leadership position so soon into our launch. This only reaffirms our decision to prioritize these markets. We’ve also closed out some huge business partnerships which we will shortly announce. It’s heartening to see ZEE5 win over hearts, one country at a time.”

    The ZEE5 App can be downloaded from Google Play Store or iOS App Store and can be accessed by visiting www.ZEE5.com. ZEE5 is also available on Samsung Smart TV, Apple TV Android TV and Amazon Fire TV.