Category: Over The Top Services

  • Netflix CEO Reed Hastings on competition and content creation in India

    Netflix CEO Reed Hastings on competition and content creation in India

    MUMBAI: With Amazon flexing its muscle and soon to be Disney-owned Hotstar in the fray, the Indian OTT market is super competitive and exciting, feels Netflix CEO Reed Hastings. "There is also lots happening on Amazon, and on Hotstar, which is now going to be owned by Disney… It's a super competitive, exciting market,” he was quoted as saying by news agency IANS.

    One of the hallmarks of the Indian market, Hastings highlighted, is the ongoing telecom revolution triggered by Mukesh Ambani’s Reliance Jio. According to him, there is "nothing more impressive in the world than what Reliance Jio has done in the past four years in India" to democratise internet accessibility.

    The streaming giant’s boss is of the opinion that these are good times for Indian content creators.

    "If you were an Indian content creator (earlier), there were very few places to go, and now there are many places to go. So, people are pouring in. There are amazing amounts of stories that are coming up,” he said.

    The 58-year-old is pleased with his company’s performance in India.

    "There has been tremendous traction… Everyone has been talking about Lust Stories and Sacred Games. We have Delhi Crime coming out this week. So, there's lots that's happening on the original front,” he added.

    Hastings pointed out that the Indian market has room to do different kinds of stories.

    "We try to tell the best stories we can. Sometimes they are ready, sometimes they take longer. It really varies by that. There are so many streaming services, but if you think about how many networks there are on cable in India, there are way more than 34. I think there's a lot of room to do different kinds of stories," he stated.

    Hastings also commented on the self-regulatory Code of Best Practices that Netflix and others have signed.

    "None of us want strict government regulation on content. We can be flexible and can protect creative freedom a little better if we are a little bit proactive," he explained.

    On the online censorship front, there is not much activity, Hastings noted.

    "It's just before the elections. We are hoping the talk moves on because it's a challenging time to talk about anything like that. So in general, people around the world…and I am talking about adults, not children, want to watch what they want to watch, and the Internet represents that freedom,” he said.

  • MX Player’s Gautam Talwar on content plans and digital measurement currency

    MX Player’s Gautam Talwar on content plans and digital measurement currency

    MUMBAI: The latest OTT entrant Times Internet-owned MX Player recently entered the space with five original series on the back of an ad-supported business model. To keep consumers engaged, it aims to launch five to six shows each quarter. While the platform is already working closely with advertisers, it will also venture into branded content soon.

    In an interaction with Indiantelevision.com, MX Player chief content officer Gautam Talwar spoke about the content strategy, initial audience response and content consumption trend on the platform. Talwar also expressed his views on industry issues such as the need for unified measurement, the possibility of consolidation in the OTT space.

    Edited excerpts:

    You started the journey with 5 series. How many shows do you plan to have in your library towards the end of the year?

    I think the aim is to have at least 5-6 shows every quarter. That means we will be able to launch 1-2 shows every month. We reach out to a very wide cross section audience of India and the only way to cater to such diversity is being able to meet the diversity of content preference as well. So, we intend to have about 25-30 originals during the course of the year. 20-25, I would say to safely put it.

    How often do you plan to refresh your library?

    We will be launching a huge slate of originals and in terms of licencing and curating content we have already over 100,000 hours of content. That is constantly being refreshed in any case. On Sunday, we had the Radio Mirchi Music awards. So, whatever are the big things that we get, we refresh on a regular basis. But the refreshment will largely be driven with the kind of originals that we are trying to launch as well.

    In this one month, which shows have got high traction?

    That’s a very tough question to answer because with the diverse market and audiences, the shows have got different expectations. For all different shows we have different expectations, different benchmarks. Some would garner watch time, some would bring new audiences, some would deliver spike in participation. We have launched around 3 Hindi shows Hey Prabhu, Aafat and Im Mature. They have driven traffic in users and they have really exceeded our expectation and benchmark both. All three of the shows have done exceedingly well for us. The interesting part is that we got a huge spike in the female participation of the platform. That has gone up significantly since launch I think specifically because of Aafat.

    For regional shows, we have also got good traction. The interesting part is that Famously Filmfare in seven languages, Lots of Love is in Tamil and Telugu. So, what we have done is we activated a regional basis also.

    Can you share the significant content consumption trends on your platform?

    I won’t be able to give any specific number but from the trend point of view, three key points are interesting. I think one is the fact that we have got a huge amount of participation from non-metro audiences. Apart from the top 8 metros which have also brought significant contribution, the non-metros have shown us a very significant spike in viewership. That’s one key content consumption trend for us.

    The other interesting point is that a very large part of our audiences are actually newcomers in the age group of 18-35 as well. That’s the other interesting part.

    Most people who are coming in are actually completing shows. Even on Twitter or other social media, the largest question asked are when is season 2 of Hey Prabhu, Im Mature launching. These are the content consumption trends we are looking at.

    You have offline download capability also. Do audience stream more or prefer downloading?

    Downloads have been activated for originals only when we launched. It’s a new feature. It all comes down to saying that because of the interesting content we put up, both the numbers are looking good. The actual number of who want to stream and want to download has increased. We don’t have downloads for all. Some of the licenced content cannot be downloaded. Only a fraction of the library, specifically the originals, are available for download.

    How many advertisers do you currently have on board?

    MX Player has been with the advertising community for very long time. We maintained those relationships and they are coming on to the streaming platform as well. So it’s been a healthy growth I would say, in terms of getting the advertisers on board.

    We will be launching our first ever branded content. By the end of this month, we will be doing a show called Love Ok Please and that has been sponsored by a brand called Too Yumm.

    Can you throw more light on your content strategy?

    We formed a content strategy sometime ago. A lot of our shows are going to be catering to the heartland of audiences. We are going to be targeting the metro audiences. Because of the depth of distribution of MX Player, it is extremely critical that we kind of get shows for all kind of audiences, even all kinds of genres as well. We just started and we have to go a long way to ensure that. But the interesting part is that, from our perspective, I think one thing that we would like doing within this year is probably getting interactivity built into the content as well.

    What’s your take on the need for unified currency for digital measurement?

    We have been hearing about EKAM for a very long time. I think it's about time we get an independent medium to give authenticity that is required for advertisers to make sure that data being pulled out of all private OTT platforms has got a common currency. Once we get a common currency, we think advertisers will be at least clear about the value OTT players bring to the table, therefore, whatever the advertising rate that are being asked for has some amount of justification. I am sure over a period of time, as an industry we will come together for that level of third party measurement for all OTT players.

    Do you foresee consolidation in the OTT space?

    I think there will be some sense of consolidation. It is an extremely difficult business, it’s not only about content but also product, streaming, technology and engineering. You need a lot of things to get an OTT platform going. I think all players are not necessarily good at all things. I think it’s very important to get all parts of the puzzle right and also it requires deep pockets to make sure that do you have the strength and the will to make sure you last in the content business.

  • Hotstar to disrupt online video subscriptions with Hotstar VIP

    Hotstar to disrupt online video subscriptions with Hotstar VIP

    MUMBAI: Hotstar, India’s leading video streaming platform, launches ‘Hotstar VIP’ – a subscription that offers audiences the best of content at just INR 365 per year. The new subscription plan gives audiences the choice to watch exclusive new content under the Hotstar Specials label, their favourite Star network serials  before television at 6 a.m., and the best of live sporting action, including VIVO IPL, ICC Cricket World Cup, Premier League and much more.

    Speaking about the launch of ‘Hotstar VIP’, Varun Narang, Chief Product Officer, Hotstar, said, “It is our endeavour at Hotstar to delight customers with content that they resonate with, at the same time give them the power of choice at an affordable cost. Hotstar VIP is aimed at providing users accessibility – be it with the  introductory price or the ability to watch exclusive new shows in multiple regional languages. It is a value proposition built with the Indian audience at the heart of it.”

    A key feature of the Hotstar VIP service is ‘Hotstar Specials’ – a label that will bring bold & authentic stories made by the biggest storytellers of India to crores of consumers across India. The launch of Hotstar VIP coincides with the release of the first Hotstar Special ‘ Roar of the Lion’, a story on Chennai Super Kings amazing comeback under the leadership of M.S.Dhoni. This show will be followed by Criminal Justice, City of Dreams, Hostages and many more shows under the Hotstar Specials label.

    For the first time ever, an OTT platform will allow customers to have a  ‘pay by cash’ option. This is being done as a test initially,  where users can subscribe to enjoy the Hotstar VIP benefits immediately with cash to be collected from their doorstep in the next 48-72 hours. Adding another layer of convenience for customers, the platform will now allow phone number logins.

    Existing subscribers of Hotstar All Annual Sports plan will automatically be upgraded to Hotstar VIP, on a complimentary basis with no additional charge,  and can also enjoy access to Hotstar Specials and Star serials before TV. Hotstar Premium subscribers can avail of the benefits under Hotstar VIP  along with the latest American shows, blockbuster Hollywood movies and award-winning content from International studios.

  • Netflix declines being part of Apple TV service

    Netflix declines being part of Apple TV service

    MUMBAI: Streaming giant Netflix will not make its content available on Apple’s upcoming video offering. The latter is expected to introduce its video-streaming services on 25 March ramping up the competition in streaming business.

    “We prefer to let our customers watch our content on our service,” Netflix CEO Reed Hastings told as quoted by the Reuters. “We have chosen not to integrate with their service,” he added.

    Till now, Netflix has not adopted the most recent revamp of Apple's TV app for iOS. According to media reports, Netflix chief content officer Ted Sarandos said that their intentions have been moving away from the App Store subscription fee defending the decision not to adopt. He also added that Apple TV was not an important source of revenue for the OTT platform.

    The new service from Apple may have original content as well as resell subscriptions from CBS Corp, Viacom and Lions Gate Entertainment Corp’s Starz among others.  With entry of apple, the upcoming launch of Disney’s streaming service, Netflix is about to face tough challenge in near future.

  • Vodafone Idea & Zee Entertainment add a new dimension to content partnership

    Vodafone Idea & Zee Entertainment add a new dimension to content partnership

    MUMBAI: Vodafone Idea Limited, India's leading telecom operatorandZee Entertainment Enterprises Limited (ZEEL) announced a strategic partnership today for ZEE5 – the fastest growing OTT platform in the country. Under the strategic partnership, aimed at driving the growth of digital ecosystem in India, the content portfolio of ZEE5 will be available to Vodafone Idea customers on Vodafone Play as well as Idea Movies & TV app.

    Customers of Vodafone Idea can now enjoy the entire content catalogue of ZEE5 thereby providing a seamless viewing experience via multiple devices.The association between the two industry leaders will help create a beneficial ecosystem for viewers that will drive the growth of video viewing in smaller cities and towns in times to come. The content of ZEE5 can be accessed by customers through Vodafone Play or idea Movies & TV app. The ZEE5 content is available across 12 languages like English, Hindi, Bengali, Malayalam, Tamil, Telugu, Kannada, Marathi, Oriya, Bhojpuri, Gujarati & Punjabi across genres like Kids content, Cineplays, Live TV and Health and Lifestyle content.

    Commenting on the partnership, Avneesh Khosla, Operations Director – Marketing, Vodafone Idea Limited said, “Our customers are constantly seeking rich and diverse content options and we aim to provide enriched entertainment to our customers by offering high quality content on Vodafone Play and Idea Movies & TV. We are happy to partner with ZEE5 and bring their library of content to our customers. Our insights on customer preferences, salience and relevance along with ZEE’s deep understanding of the Indian content viewership habits are being brought together through this partnership. We are happy to offer the entire catalogue of ZEE5 along with 2 exclusive channels to our customers as an introductory offer.”

    Speaking about the association, Tarun Katial, CEO, ZEE5 India said, “ZEE5 and Vodafone Idea lend themselves to a complementary partnership. Having established ourselves as the fastest growing OTT platform in India with the largest repertoire of content, we have attracted subscribers across geographies and demographics. We have an ambitious growth plan charted out for us and through this partnership with Vodafone Idea, India’s largest telecom company, we will leverage synergies between the brands and further bolster our presence across the country.”
     

  • Netflix announces the date and releases the trailer for its new Marathi film, 15 August

    Netflix announces the date and releases the trailer for its new Marathi film, 15 August

    MUMBAI: After receiving a hugely positive response on its first regional title Firebrand, Netflix today launched the trailer of its upcoming licensed original Marathi film, 15 August. Produced by veteran Bollywood actor Madhuri Dixit Nene and her husband, Dr. Shriram Nene, the film is all set to release on the service across 190 countries on March 29, 2019.

    Set in a Mumbai chawl, the film follows the course of a series of zany mishaps that occur on a single day, as its residents prepare for the Independence Day flag-hoisting ceremony. The film revolves around how the course of the day unfolds on a not-so-typical Independence Day – when a lover, in his quest to win over his beloved, ends up creating complete mayhem, compelling all the residents to unite and help him out of his mess. The film beautifully highlights what independence, love, and affection mean to the residents of the colony. This slice-of-life Marathi film delves into the real struggles of the Indian urban middle-class India and, in a soaring climax, shows us how love ultimately sets us free.

    On donning the producer’s hat, Madhuri Dixit Nene says, “There’s always been a part of me that wanted to create and back meaningful films, and there couldn’t be a better starting point for me than 15 August. This is an endearing, relatable story that has been brought to life beautifully by the talented Swapnaneel Jayakar and actors Rahul Pethe, Mrunmayee Deshpande, and Adinath Kothare.”

  • ZEE5 and Nestaway partner for an exclusive offer

    ZEE5 and Nestaway partner for an exclusive offer

    MUMBAI: ZEE5, India’s fastest growing OTT platform, and Nestaway Technologies, India's largest managed home rental network, announced their partnership to offer a bespoke gift of ZEE5 premium subscription to Nestaway Assure customers. Nestaway Assure is India’s first professional home maintenance subscription service, which aims at making the living experience in a rental house stress-free. This offer is available for all Nestaway customers who choose to avail Nestaway Assure services. 

    Manish Aggarwal, Business Head, ZEE5 India, said, “Over the past year, we have been able to grow our subscriber base via associations with like-minded partners and brands. We see great synergies between the Nestaway customer and ZEE5 viewer. We are confident that they will enjoy the rich content repertoire and seamless viewing experience that ZEE5 offers today.”

    Speaking on the partnership, Chirag Heda, Head of Customer Experience, Nestaway,said, “At Nestaway, our key focus is to eliminate the inconveniences in day-to-day living. Through Nestaway Assure, we help remove the uncertainty &hassles in home maintenance through proactive house checks & regular deep cleaning. We are extremely glad to be partnering with ZEE5 for the same and hope to bring their incredible on-the-go entertainment experience to all our valued customers. In the next few months, we will also launch Assure across 10,000 houses outside our own Nestaway network.”

    Nestaway Technologies was started in 2015 and has more than 55,000 tenants and 25,000 homes in their network. Nestaway till date has raised $94.2 million in funding by investors such as Tiger Global, IDG Ventures, Ratan Tata, Yuri Milner, and Goldman Sachs. With the acquisition of Zenify in May last year Nestaway also entered the family rental solution business. Nestaway has its presence in 12 cities – Bengaluru, Gurgaon, Hyderabad, Noida, Pune, Delhi, Ghaziabad, Greater Noida, Faridabad, Navi Mumbai, Thane and Mumbai and is planning to launch in ten other cities including Mysore and Chennai soon.

    With over 3500 films, 500+ TV shows, 4000+ music videos, 35+ theatre plays and 90+ LIVE TV Channels across 12 languages, ZEE5 truly presents a blend of unrivalled content offering for its viewers across the nation. With ZEE5, the global content of Zindagi as a brand, which was widely appreciated across the country, has also been brought back for its loyal viewers.

    Pricing: Freemium pricing model with both free and paid premium content (including Originals) to cater to a mix of audiences. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content with – 99/- for 1 month and 999/- for a year. Subscribers can avail a 50% cashback on the above-mentioned price by paying through Paytm.

  • The digital content boom – trends in 2019

    The digital content boom – trends in 2019

    When is the last time you followed a full show on TV? With the advent of digital streaming platforms, it’s something that is hard to recall for most people. There was a time when having access to digital content in itself was exciting. But in this user-driven world and the dynamics that come with it, we are now way beyond that. The way audiences consume videos is changing at a fast pace, with new technologies and constant innovations being introduced in the same year. With every new invention comes the scope for innovation, and the subsequent need to make this new concept more user-friendly. Some brands have perfected the art of researching resulting in their products to become an instant hit! Others have taken a different route, that of almost dropping a new interface out of thin air and then tweaking it according to ‘what users want’.

    Either way, it’s bound to always be about the users, who just seek something ‘new’ every time they log in an entertainment platform through their phones. Either through content or through experience, users today are looking for something fresh and novel in terms of either content or experience, and are quick to reject contents or platforms that offer none. Considering the same, here’s a look into what you can expect in 2019 from the most favoured form of content consumption:

    Brand videos backed by purpose

    People are more aware than ever before, and they don’t hesitate to voice themselves online. With the rise in the number of mediums to express oneself, you can talk about current issues on your status, an Instagram story, a twitter poll or even a GIF. Videos, have the ability and the capacity to showcase issues more than most other mediums. Brands are noticing the kind of impact videos with a purpose have on their audiences, and there is a large scope for worldwide discussions to arise from the same. Businesses see the scale and impact caused by videos of this kind and aim to define their stance and responsibilities through them. Be it campaigns to save water, or on global warming or the right to vote, video content with current relevance strikes a chord with audiences and is here to not only stay, but to grow.

    Device compatibility a necessity

    Smartphone penetration is increasing at a speed never imagine before and video content accounts for the highest amount of data consumption. Having access to internet data and Wi-Fi almost everywhere we go has facilitated the increased use of mobiles to consume video content. But times have moved beyond when it used to be a thrill just to be able to watch video content on your phone. Now, it is all about making that viewing experience even better, by way of customisation or the norms that define comfort. Platforms such as Instagram’s IGTV have already accommodated and steered this trend, by making it exclusively for vertically-shot videos that are full-screen. Smartphones are also where people are most open to watching ads. According to a survey by data analytics company MoMagic Technologies, 40 percent of Indians prefer to watch video, even advertisement videos on their mobile phones over other platforms.

    Bigger role to play for regional language content

    The surge of digital content in the past few years has opened up many avenues, a major one of which is for vernacular languages to break into the mainstream. This is thanks to the wider reach of online streaming to consumers from regions other than Tier I cities. A 2017 report by KPMG and Google, found that there were 234 million internet users consuming content in Indian languages and 175 million English users in 2016. The report further stated that the period between 2016 and 2021 will see 9 out of 10 new internet users using local languages. Platforms such as Voot and Hoichoi already have a wide user base, leading the way for vernacular languages to be at par with the rest.

    Better content value and storylines

    Gone are the days when the “Big Screen” was seen as graduating from the “Small Screen”. With great storylines compelling audiences to get hooked onto shows on OTT platforms, native content is becoming increasingly popular. Both well-known as well as newcomer actors, directors and icons are getting more and more involved with shows and movies online, a thrill for audience thanks to engaging storylines and better production values. The focus is shifting from the “who” to the “what”, and overall quality is taking precedence. This is something that we can expect to see more of on OTT/streaming platforms in the rest of 2019.

    Virtual Reality (VR) put to better use in marketing

    Out of the many new developments in technology, VR has been talked about more than it has been implemented. The industries that VR is currently used in are limited to those such as gaming and leisure. However, there is great scope for the use of VR to heighten user interest by giving them a sense of control and involvement across industries. Somewhat like a video-game concept of controlling the story with the moves you make, interactive viewing experiences are on the rise. Digital content platforms have already begun using this tactic, the most popular of which has been Netflix’s Bandersnatch. It is an interactive viewing experience, where audiences get to choose the storyline as they watch it. This also means there are several possible endings and storylines, which piques user curiosity and engagement altogether.

    Transcripts and annotations to boost video content

    Almost all TV service providers have subtitles on their English entertainment channels, most without an option. Apart from these, even most video content platforms have their default settings as subtitles/closed captions “On”. As a result, most consumers have gotten into the habit of watching video content, whether movies, shows or music, with subtitles. Not only does this provide clarity in the AV experience, but it also helps online content be found and presented to the ‘right’ audiences. Platforms such as Google and YouTube use algorithms to track keywords, and having descriptions and transcripts embedded into the content helps build solid Search Engine Optimisation. Additionally, closed captions help when one is watching videos in a noisy environment, as well as when they want or need to watch video content on mute. In 2019, we will see brands incline towards having their content aligned for videos with sound and soundless videos alike.

  • Amazon Prime Video is India’s most-viewed OTT platform in February

    Amazon Prime Video is India’s most-viewed OTT platform in February

    MUMBAI: Amid a large number of OTT platforms, Amazon Prime Video was the most-viewed one in India for the period between 12 February and 3 March. A survey done by market research and analysis company Velocity MR has revealed the high popularity of the international player, which is leaving no stone unturned to make big fortune in the country.

    2,100 participants based in top Indian metro cities including Delhi, Kolkata, Mumbai, Hyderabad, Bengaluru, Chennai, Ahmedabad and Pune were surveyed. The findings revealed that more than 70 per cent of respondents claimed to watch Amazon Prime regularly at least once a week while 56 per cent watched Netflix and 50 per cent of them watched Star India-led Hotstar.

    According to a report by Inc42, Velocity MR managing director Jasal Shah said Amazon Prime has built its popularity on the back of its partnership with telcos which makes the service cheaper compared to other subscription based video on demand services.

    He also added that Netflix’s demand rose due to its originals. As the OTT platform has announced eight more Indian originals, the popularity is not going to fall down anytime soon. On the other hand, Hotstar’s viewership was mainly high on sports content. With IPL starting from 25 March, the viewership of Hotstar is expected to increase more.

    Among other OTT platforms, Voot had a viewership of 28 per cent, Eros Now stood with 17 per cent, ALTBalaji with 13 per cent, Viu had 9 per cent, Sun NXT had 7 per cent and TVF had 6 per cent viewership.

  • SonyLIV brings the craziest road trip of the year

    SonyLIV brings the craziest road trip of the year

    MUMBAI: The craziest road trip of the year is here! Sumeet Vyas, Maanvi Gagroo and Amol Parashar unveiled the trailer of Tripling season 2 today in Mumbai. From road trip to sibling love to crazy fights, the trailer of the show will get you nostalgic and excited all at once. After the massive success of season 1, the second season carries forward the stories of Chandan, Chanchal and Chitvan as they encounter funnier situations and explore new facets of their sibling relationship along the journey. 

    Directed by Sameer Saxena and written by Akarsh Khurana and Sumeet Vyas, the series also stars Kunal Roy Kapoor. The series trailer gives a sneak peek into the lives of the siblings grappling to manage their professional and personal encounters. Chandan who is an author now reunites with his politician sister Chanchal as Chitvan also joins in. Up against a legal tussle, all hell breaks loose when the trio embark on another road trip.

    All the episodes of the series will go live from 5th April on SonyLIV and TVFPlay.