Category: Over The Top Services

  • Likee collaborates with ShemarooMe’s chat show ‘Likee Stars with Priya Raina’

    Likee collaborates with ShemarooMe’s chat show ‘Likee Stars with Priya Raina’

    MUMBAI: Likee, the pioneering global short video creation platform from Singapore based BIGO Technology has collaborated with ShemarooMe, a video streaming OTT platform launched by India’s leading content powerhouse Shemaroo Entertainment Limited, to create a unique chat show ‘Likee Stars with Priya Raina’. The chat show will be hosted by Indian television actor, host and comedian Priya Raina and feature prominent Likee influencers as guests.

    As part of the promotion, Likee has launched the #Digitalstarshow campaign (from 16th Jan – 20th Jan) wherein Likeers can share the trailer video of their favourite Likeers on Instagram with the hashtag #Digitalstarshow and tag the Likee influencer and Likee in the post. This will give them an opportunity to be one of the 5 lucky winners and get Beat’s earphones and Likee-Shemaroo co-branded T-shirts. 

    The show, ‘Likee Stars with Priya Raina’, centres around the theme of women power and will have prominent Likee influencers including Tanya Sharma, Kreetika Sharma, Riya Subodh, Sana Khan, Anmol Rodriguez and Megha Prasad in attendance as guests.  What sets this chat show apart is that each episode has a different feel to it. Moreover, there are interesting segments such as chit chat, Make Up or Break Up and Dare in One Minute in each episode.

    This collaboration is in line with Likee’s commitment to provide youth-oriented quality content. It will provide Likee influencers an exciting opportunity to interact and engage with the audience on a larger platform, while also giving the viewers a chance to win some goodies.

    Likee is available in different Indian languages like Hindi, Tamil, Marathi, Telugu, Gujarati, Bengali, Kannada, Malayalam and Punjabi. In 2019, Likee had also won the Guinness World Record for creating the 'Largest online video album of people waving a flag in India' during its 'No matter where I am, #IAMINDIAN' campaign. The campaign saw more than 1 lac Indians participating in celebrating India's 73rd Independence Day. In the recent App Annie’s year-end report on app trends for 2019, Likee has emerged as No. 1 in the breakout category and is also the 7th most downloaded app in 2019.

  • Netflix reports good topline growth, international subscriber additions in Q4

    Netflix reports good topline growth, international subscriber additions in Q4

    MUMBAI: Despite missing out on domestic subscriber addition for two consecutive quarters, streaming colossal Netflix beat its forecast for overall subscriber additions for the fourth quarter of 2019. The company also beat on the top and bottom lines for the quarter.

    The streaming giant witnessed a net addition of 8.76 mn paid subscribers globally including 420,000 streaming customers addition in the U.S. and 8.33 million overseas in the year-end 2019 quarter. Netflix reported $5.47 bn revenue for the quarter while earnings per share (EPS) for the same quarter amounted to $1.30.

    “We generated Q4-record paid net adds in each of the EMEA, LATAM and APAC regions, while UCAN paid net adds totaled 0.55m (with 0.42m in the US) vs. 1.75m in the year ago quarter. Our low membership growth in UCAN is probably due to our recent price changes and to US competitive launches. We have seen more muted impact from competitive launches outside the US (NL, CA, AU). As always, we are working hard to improve our service to combat these factors and push net adds higher over time,” the company said in a note to shareholders.

    The company ended 2019 with 167.1 million streaming customers worldwide including 61 mn in the U.S. and 106 mn internationally. For the first quarter of 2020, Netflix forecast global paid net adds of 7.0m vs. 9.6m in the first quarter of 2019, which was an all-time high in quarterly paid net adds. According to the company, the forecast reflects the continued, slightly elevated churn levels it is seeing in the US.

    “Many media companies and tech giants are launching streaming services, reinforcing the major trend of the transition from linear to streaming entertainment. This is happening all over the world and is still in its early stages, leaving ample room for many services to grow as linear TV wanes. We have a big headstart in streaming and will work to build on that by focusing on the same thing we have focused on for the past 22 years – pleasing members. We believe if we do that well, Netflix will continue to prosper,” Netflix added. 

  • Abundantia Entertainment, Crypt TV partner to drive Indian horror content in 2020

    Abundantia Entertainment, Crypt TV partner to drive Indian horror content in 2020

    MUMBAI: If there is an unexplored genre in the Indian content space, it is definitely the horror genre. While movies like Stree and shows like Ghost Stories have attempted to change the space, there is room for more.

    Vikram Malhotra-headed Abundantia Entertainment is now focusing on the gap by forging a partnership with US-based Crypt TV. Under the collaboration, the partners will focus on creating new intellectual properties (IP) in India along with exporting Crypt TV’s international shows to be remade in local languages.

    Crypt TV CEO Jack Davis depicts the partnership as a goal to bring Crypt’s understanding of the genre in the country and mix it with Malhotra’s expertise of storytelling in different formats. For Abundantia, the partnership drives content strategy for 2020 and beyond.                                                         

    There is an active pipeline of digital content creation at Abundantia. Malhotra said, “We have our main feature film business, we have our streaming TV business that we are already creating content in but now the strategy is to focus on our new vertical ‘Psych’ and our largest manifestation of that in terms of the alliance with Crypt is our big drive moving forward. There is work already under development for both under feature and TV. One of the things that both the companies are aligned on is for stories to find their ways and platforms. Rather than force-fitting their content we will go where our audience is.”

    Crypt is known internationally for creating short-form horror videos such as SunnyFamily Cult, Ghosted, The Birch, and The Look-See for Facebook and YouTube. Crypt’s entry into the Indian market will be driven by creating feature films and long-form streaming content. Abundantia has made superhit movies like Airlift and Toilet: Ek Prem Katha and also web shows like Breathe in India.

    “Abundantia has always been paramount to understanding the progressive evolving Indian audience. We identify this genre containing significant native demand where the young audience is considered. We reciprocate Crypt’s understanding of this genre, their expertise in it and their belief in India and its size. So, the whole idea is taking our local context, our experience in telling stories out of India and match and marry that with the expertise that Crypt TV brings in of telling scary stories and to create locally relevant and contextually heavy insight-driven stories,” says Abundantia Entertainment CEO Vikram Malhotra.

    Davis who is ecstatic to partner with Abundantia hopes to create local stories and local versions of the characters and new stories that usually start local but end up becoming so successful that they become international themselves.

    “In India, there is an unbelievably rich tradition and passion for telling stories and there is a long history of unbelievable respect for storytellers, fantastic actors and directors. Earlier there was a barrier in the media industry. It was fragmented. That has changed now because of the streamers. It means new opportunity here in India. Also, combine the internet connectivity with the rich history and there is ample space for scary,” states Davis.

    While there is a surge of horror content in India, the challenge is to make it mainstream entertainment medium. Malhotra, who holds a track record of success and telling stories in TV and movies, believes that the best way to command the attention of potential and existing audience is to create stories that people relate to. They should able to see themselves or the people around them in that story. Today it’s not only about 2 hours or 10 minutes of consumption it’s also about what people take back and talk amongst themselves.

    “Nothing is driving my interest in the region besides respect for the stories here and the fact that I have found the right partner in Vikram. I am sure more people would want to invest in Crypt by seeing what we are doing in India. Our decision to come here is not at all based in the investors but because of the stories we can create,” Davis sums up.

    When asked about the change from creating content for movies to now creating it for web, Malhotra said, “Fundamentally what every Indian is looking for is entertainment that is intellectually stimulating. It could be scary entertainment or it could be a slice of life entertainment, but one of the things that we have seen consistently is that irrespective of the duration and manner of that story, what connects is the character and the emotion. When you are doing long format episodic content your ability to connect is that much higher. Therefore, the pressure to deliver is also higher.”

  • ZEE5 records peak DAU base of 11.4 mn in December 2019

    ZEE5 records peak DAU base of 11.4 mn in December 2019

    MUMBAI: ZEEL's (Zee Entertainment Enterprises Ltd) digital venture ZEE5 has recorded a peak DAU (Daily Active Users) base of 11.4 million in December 2019. Along with more users flocking towards the platform, the engagement has also gone up to 140 mintues watch time every month during the third quarter. The media conglomerate has revealed the statistics in its third-quarter result. 

    During the quarter, ZEE5 ramped up its quantity of content, updated user interface and widened the distribution. The platform launched 26 original shows and movies, of which 14 were in regional languages. Moreover, a refreshed ZEE5 Progressive Web App (PW A) was released in December to enable a seamless user experience on mobile web.  The launch led to improvement in user engagement metrics across all parameters.

    Content slate for the quarter:

    After the success of the first season, the second season of Rangbaaz was premiered in December. The show was an instant success, garnering the highest video views and viewers on the day of launch for any show. Digital premieres of movies like Jabariya Jodi, Judgemental Hai Kya, Dream Girl, Saandh ki Aankh brought new users to the platform. In the regional space, Kaale Dhande in Marathi, God of Dharmapuri in Telugu and Karoline Kamakshi in Tamil were critically acclaimed and received positive reviews from users.

    Partnerships forged in the quarter:

    During the quarter, ZEE5's partnership with Tata Sky Binge and IRCTC went live, accelerating subscription growth. ZEE5 is the only OTT platform integrated with IRCTC. To leverage the rapidly growing penetration of smart TVs in India, ZEE5 has inked deals with leading smart TV brands for placement of hotkey on their remotes.

    International expansion:

    ZEE5's international expansion is seeing initial signs of success in the APAC and MENA regions which has close affinity to Indian content. A mix of high-decibel marketing campaigns along with partnerships with local telecom operators in key target markets like Bangladesh, Sri Lanka, UAE, among others is helping increase the platform's reach.

    “We also continue to invest in original content for ZEE5, to create a rich content library that will make it a really compelling offering for consumers,” ZEEL MD and CEO Punit Goenka said.

  • Voot to soon launch premium SVOD Voot Select

    Voot to soon launch premium SVOD Voot Select

    MUMBAI: Tiering is coming to the OTT ecosystem in India. AVOD, SVOD, premium SVOD is the direction it seems to be taking. Following in the footsteps of Hotstar which launched its VIP service earlier this year, Viacom18, India’s fastest growing entertainment network  has announced its second subscription video on demand service called Voot Select.  Pricing was not revealed in the announcement sent out a short while ago.

    To be helmed, by Ferzad Palia head –youth, music and English, Voot Select will give users access to diverse multi genre marquee content experiences which includes exclusive originals.

    Says Viacom18 Group CEO & MD Sudhanshu Vats: “The video on demand market is the fastest growing segment in the media and entertainment sector today.  Subscription led business models are going to be the next big growth drivers in the years to come. Having established Voot as India’s second largest premium AVoD platform, we think the time is apt for us to unveil our premium subscription offering, Voot Select.  The new premium offering will bring more bespoke content to our always-on viewers.”

    Adds Viacom18 Digital Ventures COO Gourav Rakshit:  “With Voot, the successful launch of Voot Kids and now Voot Select, our aim is to build a versatile and immersive digital ecosystem that will add value to our users. The new offering will provide them with differentiated content experiences across genres and segments. Currently in its final leg of testing, the all new Voot Select once live will see many untapped genres being made available for our users to experience and enjoy.”

    An exclusive logo has been designed for Voot Select that reflects the company’s commitment to providing exclusive content and quality entertainment for subscribers. “Minimal, premium, and contemporary, this wordmark distinguishes itself from the mother brand through its form, while being intimately connected with the core brand ethos through subtle gradients and rounded edges. It is a visual translation of the brand proposition to provide the best digital content for a discerning audience,” says the release.

  • Apple TV Plus unveils release dates for originals

    Apple TV Plus unveils release dates for originals

    MUMBAI: Upping the ante in streaming and content services, Apple TV plus announced the premiere dates of its Originals including Steven Spielberg’s Amazing Stories, which is a sci-fi anthology that is scheduled to be released on 6 March 2020, Variety said in its report.

    The premium smartphone maker last year in November had rolled-out the streaming service in India at Rs 99 per month. It has planned programming of original shows and movies with prominent Hollywood/foreign filmmakers to create content.

    Variety quoting Apple TV Plus’ head of development Matt Cherniss said: “Amazing Stories is a beloved show that has captured our imaginations, and we couldn’t be more excited to share its next thrilling iteration with a global audience of all ages on Apple TV Plus.”

    Amazing Stories is a reimagining of the original series that was first telecasted in 1980. It’s produced by Universal Television and Amblin Television, along with Spielberg, Kitsis, Frank and among others as executive producer of the show.

    Meanwhile, another series ‘Defending Jacob’ starring Chris Evans and Michelle Dockery will be released on April 24. It’s a fictional crime thriller plot based in the small town of Massachusetts. Similarly, another series Home Before Dark, a story about child journalists to premiere on April 3.

    Apple last year in March unveiled its plan to come up with the streaming and content service to take on the two over-the-top giants, Netflix and Amazon Prime Video. This series can be viewed on the recently purchased Apple devices such as iPhone, iPad, Mac, and iPod free for one year.

    In the non-fictional category, documentary series ‘Home’ that focuses on the world’s most innovative will be released on April 17. Apple TV plus to also broadcast a series from United Kingdom called Trying on May 1. The show is all about growing up settling down and finding someone to love.

  • Audience open to stories that push imagination: Amazon Prime Video’s Vijay Subramaniam

    Audience open to stories that push imagination: Amazon Prime Video’s Vijay Subramaniam

    MUMBAI: The steaming boom in India has unleashed the creativity of storytellers across the country. While several barriers to freedom of storytelling have disappeared with the entry of the over-the-top (OTT) platforms, a considerable expansion in content themes is noticeable too. Hence, streaming services have led to an evolution in consumers’ content preference and taste along with their viewing habit. Amazon Prime Video India content director and head Vijay Subramaniam says on a happy note that people are definitely open to stories that push their imagination.

    “Everybody is hungry for a compelling fresh take on stories. People are definitely open to stories that push their imagination, that are smart, that are authentic. These are things that people really care about. You look at the success of Four More Shots Please, truly authentic, feminine gaze about women, unashamedly front and center. So I think it's great validation and understanding that customers are open and keen on embracing this kind of story,” Subramaniam shares during a conversation.

    Subramaniam says that 2019 was mounting in terms of film content too as there were lots of big films, in the various languages, not just in Hindi. He also adds that it’s very encouraging to see creators and producers getting more ambitious with the kind of stories they want to tell cinematically, and that's good for customers, whether they are watching it in theatres or own devices. He thinks it is equally encouraging to see high concept stories winning the other end of the spectrum which allows producers to think on both ends of the spectrum.

    “2019 was interesting (for Amazon Prime Video). The ramping up content takes some time and I think in 2019, we were able to come close to a full suite when it came to our films. We will be committed to expanding the overall coverage by adding four more Indian languages Malayalam, Kannada, Gujarati and Punjabi. I think our selection in the film when it came to Hindi, Tamil, Telugu besides Hollywood, we were able to take it up a few notches whilst getting started on the other four languages,” he comments.

    He also mentions that it was the first year for Amazon Prime Video India to put returning seasons of the shows including Comicstaan Season Two and Inside Edge season Two. The returning seasons and putting up content more frequently helped in lot of learnings. According to him, 2019 has prepped them well for next few years and helped them to improve some of the processes including how they go about bringing content to customers, marketing along with other elements.

    Talking about the challenges, he says that creatively still the amount of time it takes to bring a good show together remains. While he also mentions there is no shortcut for that, he adds that as people get better with craft and the whole framework of long-form, they will be able to generate things faster. They are also ramping up the content in development on their side, so the pipeline becomes fatter and content cones quicker.

    “I think, from an expansion standpoint, some of the languages we'd like to do a lot more in, is constrained by the, the dynamics of the marketplace, there's just not enough high quality content to go and acquire. And that remains, I mean, but that's also descriptive of the nature of that local market. That's something that will evolve as we show more interest and I am pretty hopeful more creators will step forward,” he adds.

    “Customers today have their specific interests. And alongside those specific interests, they have this large overlapping interest as well. So they detach when it when they need to go to their specific interest. And they reconnect when it when the interest are common. So when it comes to stand up comedy, young adults love, they have their own  different flavors, but all of them congregate to watch Family Man or War because it's broadly appealing. So it's very interesting to see that and therefore, it's important to make sure that the Thali (content slate) has enough variety in it, but at the same time that it's not for the sake of it, but because people actually have different tastes while there is something right in the middle, which is the main-course,” he brings up one of the interesting leanings from the last year.

    Amazon Prime Video is expected to release 10-12 originals in 2020. Moreover, Subramaniam says that they will continue to grow the platform’s language selection. The platform will ramp up its language catalogue in Malayalam, Kannada, Gujarati and Punjabi while they want to take up Tamil, Telugu further a few notches. The platform looks at going deeper across its content verticals whether it's films, originals or stand up comedy.  The platform promises to stay committed to continuously improving the overall customer experience including product, content, UX, UI.

    “I think for us from a content lens, it's important to continue to look at India with all of its diversity , the Indianness, the local language elements whilst telling stories that continue to, you know, remain in different spaces, bringing people together,” he states. 

  • Amazon Prime Video unveils upcoming Originals line-up for 2020

    Amazon Prime Video unveils upcoming Originals line-up for 2020

    MUMBAI: Amazon Prime Video unveils upcoming content slate with 14 Indian Original titles, including a mix of new series and returning seasons of popular Indian Amazon Originals.

    The preview video offers viewers a glimpse into 13 other upcoming titles, including new scripted series such as The Last Hour, Bandish Bandits, Dilli, Paatal Lok, Gormint, Mumbai Diaries – 26/11, fresh unscripted formats including Sons of Soil – Jaipur Pink Panthers and Comicstaan Tamil.

    The platform with already hit Originals to also come up with its consecutive seasons this year. It plans to roll-out the second seasons of Mirzapur, Four More Shots Please, Breathe and The Family Man, along with the third season of Inside Edge.

    The diverse line-up highlights the creative powerhouses behind these titles, including Kabir Khan, Ali Abbas Zafar, Nikkhil Advani, Raj & DK, Farhan Akhtar & Ritesh Sidhwani, Reema Kagti, Rangita and Ishita Nandy, Mayank Sharma, Amritpal Singh Bindra, Amit kumar and Himanshu Mehra to name a few.

    The launch of these titles were revealed during Amazon’s chief executive officer Jeff Bezos’ recent visit to Mumbai, commemorating Prime Video’s 3 years in India.

  • SonyLIV to live stream 16 simultaneous feeds of Australian Open 2020

    SonyLIV to live stream 16 simultaneous feeds of Australian Open 2020

    MUMBAI: Foraying into the New Year, SonyLIV, India’s first premium video-on-demand platform, brings a visual treat for all its tennis aficionados with the decade’s first major sporting event – Australian Open 2020. Upping its ante in sports streaming, the platform, this year, will exclusively showcase live matches from across all 16 courts starting January 20 for its subscribers. With the big three Djokovic, Nadal and Federer headlining the tournament along with youngsters like Stefanos Tsitsipas, Daniil Medvedev and Alexander Zverev, all the action will go live across 16 courts from Melbourne only on SonyLIV for the first time ever.

    From the largest gamut of legendary players to some high- octane nail biting matches to a record prize money of USD 49.1 MN, there are enough and more reasons to binge onto Australian Open 2020. Not only is Novak Djokovic looking to defend his title in men’s singles, stakes are high for Serena Williams as well who bids for a record-equalling 24th Grand Slam singles title, this time. But all eyes would be on the epic clash of titles between the greats – Roger Federer and Rafael Nadal. While the former will look to continue his record beyond 20 grand slams, Nadal will go all out to come at par with the legend with 19 titles. Who will make the cut? 

    By building up further on live sports streaming, SonyLIV pushes the envelope in consumer delight by offering them the best from the tournament at one go. With 16 simultaneous feeds on the platform, subscribers will stand witness to all the action, beyond the central courts and stay updated on their favourite players on the go. 

    Home to the biggest sporting tournaments, SonyLIV has a packed calendar for fans ahead with the 16th edition of Euro 2020. Starting June 12, 20 teams will battle it out for a month across 12 cities in UEFA nations for the ultimate title. Next up is the 2019–20 UEFA Champions League with 79 teams from 54 UEFA member associations participating in the big clash. Also, in line is Olympics 2020 kicking off in Tokyo on 24 July with over 60 participants from India across 6 sports.

  • Netflix and its binge spending: $17.3 bn on content in 2020

    Netflix and its binge spending: $17.3 bn on content in 2020

    MUMBAI: Netflix is stubborn with its content spending despite being criticised often for being “irrational”. The streaming firm is sticking to its 'grow now – pay later' strategy. According to a recent estimate, the streamer will invest around $17.3 billion on content in 2020.

    In 2019, the streamer spent little up from $15 billion on content. The report by BMO Capital Markets predicts the company is on track to spend $26 billion by 2028. An increase of almost $2 billion indicates that users will not get a chance to lower their screen time from the streaming engine as most of the money is expected to go on originals.

    While the popularity of the streaming platform rose with years, the competition has also turned tougher with the entry of other deep-pocket players in the ecosystem. Apple TV+ and Disney+ launch have thrown major challenges on the unofficial streaming king. Moreover, Warner Media’s HBO Max is also going to enter the market in mid 2020.

    "Netflix remains the clear leader in the global streaming video, and we believe there is still room to grow as incremental investment points enter the story: continued international growth (particularly India and Japan), improving per subscriber leverage on content spending, and the beginning of long-promised FCF improvements," BMO Capital Markets entertainment analyst Daniel Salmon comments in the research note.

    Considerably, among the other competitors, no one is spending extraordinarily big on content like Netflix. Disney said it would spend $1 billion on original programming for Disney Plus and will have nearly $1 billion in operating expenses in FY 20 while WarnerMedia will invest up to $2 billion in HBO Max in 2020. Comcast/NBCUniversal has planned about $2 bn for its streaming service Peacock in the first two years.

    "We continue to believe the 'streaming wars' narrative is false and there will be multiple winners in global streaming and thus continue to recommend buying Netflix (NFLX), Amazon (AMZN) and Discovery (DIS) together," the note also adds.

    Netflix is upping its India game significantly as the streaming giant is ready to spend Rs 3000 crore (around $418 mn)  on Indian content for this year and the next. Netflix founder and CEO Reed Hastings spoke about the investment during a recent India visit while illustrating the country’s importance in their business.

    "We launched in 2016 and we have continued to invest. So we have a lot of content from the United States, the UK and Spain. We are developing our Indian content here,” Hastings said. "This year and next year, we will spend about Rs 3,000 crore developing content and you will start to see a lot of stuff hit the screens," he added.  

    The streaming giant is set to report its fourth quarter earnings on 21 January. Netflix reported revenue of $5.24 billion, up 31 per cent year-over-year in the last quarter.