Category: Over The Top Services

  • BBC Studios Asia Pacific appoints Cheryl Png, Stanley Fernandes to head South Asia distribution

    BBC Studios Asia Pacific appoints Cheryl Png, Stanley Fernandes to head South Asia distribution

    MUMBAI: There are some top-level changes at BBC Studios' APAC team. Cheryl Png has been promoted to VP, Distribution, South East Asia and Stanley Fernandes has been promoted to VP, Distribution, South Asia. 

    This will see both Png and Fernandes working across Affiliate Sales, Digital Sales, and Content Sales, in a more integrated and geographically-focused approach to our distribution business in these territories. Previously Png headed up the Affiliate Sales business for the South East Asia region, while her counterpart Fernandes led Content Sales for South and South East Asia.  They will also oversee new revenue opportunities for the distribution business, in a more holistic offering to the client.

    BBC Studios South & South East Asia SVP & GM Ryan Shiotani said: “I’m delighted to be able to promote Cheryl and Stanley, who are first-class commercial leaders, with a passion and knowledge for BBC Studios content.  This new approach also puts the focus on our valued clients, offering them an integrated content distribution service in the hands of their local experts.”

    In addition, Sweta Sriram has been promoted to Manager, Content and Brands for the South Asia region, working to Fernandes.

  • VOOT skill introduced on Alexa

    VOOT skill introduced on Alexa

    MUMBAI: India’s second largest premium AVOD platform by Viacom18 has always created high engagement and interactive experiences through its diverse and immersive content slate. Adding to this, to amplify the reach of its content, VOOT has now introduced the all new VOOT skill on Alexa for Amazon’s range of Echo devices with screen – the Amazon Echo Show, NEW Amazon Echo Show 8 and Amazon Echo Show 5.

    Enhancing discoverability and convenience, users can now activate and enable the skill on any Amazon Echo Show smart speaker with simple voice commands. So now an Asli Fan of Bigg Boss on VOOT only needs to say “Alexa, watch Bigg Boss on VOOT” to enjoy the national phenomenon.

    VOOT, AVOD Business Akash Banerji, Head said, “At VOOT we have been committed to creating highly interactive and engaging experiences for our users. We’re constantly driven to exceed our efforts beyond industry standards and benchmarks set by ourselves. We have wide ranging, language agnostic content like Bigg Boss Hindi, Feet up with the Stars, Silsila, Bigg Boss Kannada, Bigg Boss Marathi, Kodeeswari Tamil and many more; and now the all new VOOT skill on Amazon Alexa allows us to make it easier and more convenient for our customers to access their favourite content, in a highly technology forward and futuristic environment.”

    “Entertainment is one of the most popular categories on Alexa and we’re very excited that the VOOT Alexa skill is now available for customers,” said Amazon India Alexa Skills and Voice Services Country Manager Dilip RS. “VOOT is extremely popular for some of their flagship shows such as Bigg Boss, Feet up with the stars and a host of regional content. With the new VOOT skill, customers are just an utterance away from enjoying their favorite shows, giving them even more choices for engaging content.”

    With the VOOT skill now on Amazon Echo Show, NEW Echo Show 8 and Echo Show 5, your favorite entertainment needs and best of shows like Bigg Boss, Splitsvilla, MTV Hustle, Kodeeswari Tamil and more are just a conversation away with Alexa. So, enjoy the new enthralling VOOT experience on the Echo Show range of smart displays that come with HD screen and premium sound.

  • Disney+ stays put on subscriber guidance despite overwhelming response

    Disney+ stays put on subscriber guidance despite overwhelming response

    MUMBAI: There was a widespread high expectation for Disney+ and the streaming service had more than 10 million sign-ups by the end of first day. Within a few months of its entry, Disney+ acquired 28.6 million paid subscribers surpassing all previous estimates. Although the media conglomerate seems excited with the positive response, it is not changing the guidance currently.

    “We’re just beginning there, and I think it's just premature for us to take our guidance up. What we do know, of course, is that we have reached a number in the United States that since you did the math that would suggest that we're at the number that we predicted we would be in year five, just after a very short period of time, and I don't know whether that is a statement about the total available market or the quality of the product or both, or the price. It is just the way I think a number of factors that I've touched upon, and I just – I'll go over them one more time,” Disney chairman and chief executive officer Robert Iger stated in an earnings call.

    While Disney projected between 60-90 million global subscribers by 2024, it counted on two-thirds of that from subscribers outside the United States. As the streaming service has not been launched in most of those markets, Iger said it is more of a challenge to launch in those markets and needs more marketing efforts. Although the interest in streaming is not as high as US in those markets, he mentioned that these markets have been seeded with streaming.

    The platform saw 50 per cent of subscribers signing up directly while Verizon partnership made way for 20 per cent subscribers. Rest of the subscribers came from other services including Apple, Google, LG, Microsoft, Samsung, Sony and Roku. Moreover, the bundle with ESPN and Hulu was very helpful in terms of lowering churn rates.

    “The fact that the ARPU by the end of the quarter was $5.56 on a $6.99 subscription suggests that while there were discounts in the market in the packaging that existed enabled consumers to buy in at lower prices. We did extremely well, basically with the Direct-to-Consumer Package,” Iger added.

    As Igers shared, users have adored the  offering of classic movies and shorts from the studio including Moana and Frozen, Disney Channel series like Hannah Montana and The Suite Life of Zack & Cody, recent theatrical releases like The Lion King. Along with old library, subscribers have shown interest to growing slate of original content especially The Mandalorian which has “quickly become a bonafide hit and a cultural phenomenon”.

    “We know there is great anticipation for the substantial array of Baby Yoda consumer products hitting the market in the coming months. We'll continue to add high quality content to the service that includes Frozen 2, and Episode 9, The Rise of Skywalker. Many of you probably saw our Super Bowl spot featuring three original new Marvel series for Disney Plus. Loki, The Falcon and the Winter Soldier, which will premiere on the service in August and Wandavision, which will debut in December,” Iger stated.

    However, the trajectory in terms of investment in original programming on the service is roughly the same as it would have been or as was before the launch. The company has not brought significant change in the investment.

    Although Disney is working up a plan to take its other streaming service Hulu internationally, it has decided that the priority needs to be Disney+. It is going to be launched cross multiple territories in Western Europe, and India on 29 March. Following that, it is going to continue to roll out across the world going into 2021 including Latin America. Hulu’s international expansion will come right after or soon after that.

  • Solo video viewers on the rise in India: Ampere Analysis research

    Solo video viewers on the rise in India: Ampere Analysis research

    MUMBAI: Going solo! That’s something Indian streaming services have been working hard to get viewers to do with their video apps – especially in a mobile-first country like India.

    Apparently, it seems to be working, according to a new research report put out by UK research firm Ampere Analysis, late last month.

    It stated that 15 per cent of viewers in India went in for solo viewing of video content in Q3 2019-2020 as against 10 per cent in Q1. While 50 per cent growth in two quarters will have the streaming service heads grinning in glees, the Indian consumer has some way to go before reaching the high solo viewing habits of those in Europen markets.

    In Sweden, for instance 45 per cent of internet users watched video and TV alone in Q3 2019, up from a little over 40 per cent in Q1; in Denmark, the figure went up to 35 per cent in Q3 2019 from 30 per cent in Q1-2019. The Netherlands had a smarter jump growing from 25 per cent in Q1 to 35 per cent in Q3. The UK shares similar numbers.

    The research revealed that solo viewing is high in markets where OTT usage is high clearly indicating that video on demand content is driving this behaviour. Research also showed that these viewers believe that family viewing is no longer important.

    This trend will only gather momentum as existing leaders like Netflix, Amazon Prime, Hulu and new streamers like Disney+, Peacock, HBO Max, and other country players like Hotstar, Zee5, Voot, SonyLiv aggressively roll out and push their offerings globally and localise content.

    The trend must specially give some satisfaction to Star India and Disney APAC big boss Uday Shankar. It was in 2015 that the network had launched its Hotstar  “Go Solo” campaign.

    “We were talking to young Indians, who prize individuality and non-conformity. Those who weren’t satisfied with the traditional viewing in India, sitting around a living room TV set, watching a channel that someone else had chosen,” the network says.

    “She is always on top of news and opinion articles, yet I have never seen her hold a physical newspaper,” Uday is quoted as saying on the Star website, referring to the young women in India who are changing how they consume media. "Her daily dose comes exclusively from the digital universe. She is a voracious consumer of movies and drama; yet goes to theatres more for fun than for creative consumption. Fixed schedule programming sounds as bizarre to her as silent movies to us.”

    With Disney announcing the launch of Disney+ as a tab on Hotstar by March 2020, this solo viewing trend can only head further northwards.

  • Disney+  launch on Hotstar  during IPL 2020

    Disney+ launch on Hotstar during IPL 2020

    MUMBAI: Come the IPL in end March 2020, and Hotstar subscribers will be able to get access to the Disney+  app which has managed to attract 28.6 million subscribers in a short period since launch last year.

    Speaking at an investor earnings conference call after announcing the first quarter results ending 28 December 2019, The Walt Disney Co chairman  & chief executive officer Robert A. Iger said that Disney + will be bundled with Hotstar and sold as a product on 29 March at the beginning of the IPL season.  He refused to reveal the price points it will be launched at, although he acknowledged it will be tailored to the market.

    Said he: “We will be rebranding our existing Hotstar VIP and Premium subscription tiers to Disney Plus Hotstar. Assume that one will be more premium and will include the entire library plus original programming, and the other one will bemore basic that will only have the library and not the original programming. It will be launched at a peak period – that is the IPL cricket league. We will be taking advantage of the presence of Star in the market and the millions of subscribers that they have; we take advantage of the sports tie in. And we will be using the interface and technology that includes the billing that already exists (in Hotstar).  The launch of the service – we believe – (is) under very optimal circumstances.”

    He also told analysts that Disney's next priority is to launch its streaming service in western Europe on 24 March with debuts expected in the UK, France, Germany, Spain Italy, Switzerland, and Austria. Markets like Belgium, the Nordics, and Portugal will follow in the summer. " In December we signed a deal with Canal Plus, the leading pay TV provider in France," he said. "We're currently in talks with several other potential distribution partners throughout the region."

    Iger admitted interest in streaming across the world in international markets is not as high as in the US. “We have a marketing challenge to launch in those markets. Not that those markets have not been seeded with streaming. But we have to yet to launch there,” he said.

    Iger has been accelerating the launch of Disney+ globally, following the rapid uptake of it in the US. Markets like Australia, New Zealand and Peurto Rico followed a week later.

    Earlier expectations were that Disney+ would launch in India after the IPL, and it would launch in Europe much later.

    It may be recalled that Disney APAC president Uday Shankar had, earlier this year, been mandated to steer Hotstar, leaving K. Madhavan in charge of the TV business. Now we know why: to meet the early launch date of Disney+ on Hotstar.

    (updated at 10:19 am)

     

  • Jio Studios, Vishesh Films ropes in South actress Amala Paul, Tahir Raj Bhasin and Amrita Puri  for their first web series

    Jio Studios, Vishesh Films ropes in South actress Amala Paul, Tahir Raj Bhasin and Amrita Puri for their first web series

    MUMBAI: Jio Studios and Vishesh Films have roped in south actress Amala Paul, Tahir Raj Bhasin and Amrita Puri for their first collaboration in the digital space. The web series is being directed by Pushpdeep Bhardwaj.

    The show revolves around the relationship between a struggling filmmaker and a top female actor of the 70s. While Tahir will play the upcoming filmmaker, south sensation Amala Paul will essay the role of the superstar. The show also marks Amala’s Hindi debut.

    Talking about the show, Mahesh Bhatt says, “I trust the magic of a new beginning in the digital world. Our first web show goes on floors with Amala, Tahir and Amrita, and our talented director Pushpdeep Bhardwaj.”

    The filmmaker also tweeted a photograph of himself along with the actors. He wrote: “The magic of a new beginning! Our first web show, a dramatic love story goes on floors. Take a look at our wonderful cast @Amala_ams @TahirRajBhasin @_Amrita_Puri & Dir @PushpdeepBhardw @jiostudios @VisheshFilms.”

    Director Pushpdeep Bhardwaj wrote, “To new beginnings! Commencing my digital debut with jiostudios visheshfilms web series, a dramatic love story set in the 70s. @MaheshNBhatt @Amala_ams @TahirRajBhasin @_Amrita_Puri.”

    Director Pushpdeep Bhardwaj wrote, “To new beginnings! Commencing my digital debut with jiostudios visheshfilms web series, a dramatic love story set in the 70s. @MaheshNBhatt @Amala_ams @TahirRajBhasin @_Amrita_Puri.”

    Expressing his excitement Tahir tweeted, “Super excited about kick starting this series based on a dramatic love story set in 70s Bollywood with @Amala_ams @_Amrita_Puri @MaheshNBhatt & Dir @PushpdeepBhardw @jiostudios @VisheshFilms @JioCinema.”

    Amala wrote, “And we roll! Excited to be a part of this journey with the perfect recipe for a dramatic love story set during the 70s Bollywood, what more could have I asked for my Bollywood & digital debut @TahirRajBhasin @_Amrita_Puri @MaheshNBhatt @PushpdeepBhardw @jiostudios @VisheshFilms.”

    Amrita said, “Best start to 2020! So thrilled to be part of this dramatic love story. Playing out my dream of being part of 70s Bollywood era Dir by @PushpdeepBhardw with @Amala_ams @TahirRajBhasin @MaheshNBhatt. @jiostudios @VisheshFilms @JioCinema

  • SonyLIV on-boards Saugata Mukherjee; strengthens its focus on Hindi original content

    SonyLIV on-boards Saugata Mukherjee; strengthens its focus on Hindi original content

    MUMBAI: Sony Pictures Networks India have on-boarded Saugata Mukherjee as Head – Original Content, Digital Business. In his new role, Saugata will be spearheading the Hindi original content initiatives for SonyLIV and expand the footprint of the platform. Prior to this, Saugata was working with Hotstar as Head of Development and Creative | Editor – Hotstar Specials.

    With a career spanning over 15 years, Mukherjee has held key leadership positions across broadcast and digital, creating and curating new content. He was associated with Star TV since 2013 as Vice President, Head of Commissioning where he acquired, incubated and produced new shows for the network. He was eventually elevated as Editor – Content Studio, where he was responsible for content acquisitions, development and strategy. He moved to Hotstar in 2018 where he was leading the content strategy and production for the platform.

    At SonyLIV, his role will be crucial in curating and scaling up the original content library. Mukherjee also holds experience in publishing, having worked in editorial roles at HarperCollins, NIIT, A. M. Health Company, Rupa & Company besides Pan Macmillan India in the start of his career.

  • MX Player adds gaming to its offerings

    MX Player adds gaming to its offerings

    MUMBAI: MX Player brings users a new flavor of entertainment by adding gaming to its existing offerings. The platform has announced its in-app gaming feature that hosts 9 hyper casual, easy to learn HTML 5 Games which viewers can enjoy even without data or internet access on android phones. The games currently available on the platform are Airlift, Arrow Master, Jump Jump, Flap Up, Candy Mash, Bubble Blast, Street Racer, Slide & Glide and Plus Minus

    Having launched earlier this year with the promise of providing ‘Everytainment’ – the platform is emerging as the one stop shop for all things entertainment with its best in class offline video playing capabilities, critically acclaimed Original Series, a large online streaming repository of over 200,000 hours of premium content, 20 Million songs powered by Gaana, and its latest addition: gaming.

    The app is further enhancing the platform experience by introducing a loyalty program that rewards its core users with ‘MX Coins’. Through this virtual currency, MX users will now get various benefits like Access to premium content;  Exclusive benefits and discounts on some of the leading brands like PayTM, Myntra, Oyo, Fasos, Box8, Grofers, Zivame, Cult.fit, ixigo, Zoomcar, 1mg, easemytrip and many more and  Participation in game tournaments with the opportunity to win real cash!

    MX Player CEO Karan Bedi said, “Our vision is to fulfil every entertainment need of our user base and adding gaming as a feature to our platform is yet another step in that direction. We are constantly striving to push the envelope – be it with our selection of originals, our curated library of diverse premium content, by integrating audio music and now gaming – we are remaining true to our vision of everytainment. With this move, we want to engage with the nearly 300 million online gamers in India, while also giving our existing users an engaging and fresh experience. By the end of the financial year we will have at least 30 games live on our platform”

    MX Player COO Vivek Jain said, “Our customers are overwhelmingly telling us that they want more entertainment use cases in the app. We are humbled by the rate at which video streaming and audio music is being adopted. We are very bullish about the gaming industry in India and expect it to exceed $5 Billion by 2022. We will continue to invest in not only building more India specific games but also in building new and innovative platform features on top of gaming like tournaments, 1-on-1 battles & various social features to make the experience more engaging.” 

  • EPIC On offers motion comics, podcasts, e-books, games and more for audience

    EPIC On offers motion comics, podcasts, e-books, games and more for audience

    MUMBAI: After showcasing EPIC Channel’s acclaimed content library and original stories, IN10 Media’s premium streaming platform will go beyond long and short-form video content. EPIC On is all set to add a mixed bag of content formats for the discerning audience in the new and revamped avatar. From Graphic Motion Comics, Podcasts & Audiobooks, E-books, Gaming, Trivia, Interactivity and more will be available along with the primary offering of premium long-form video content. Simultaneously, the platform is gearing to ramp up its enviable video library through originals, acquisitions, licensing, and partnerships in regional languages along with its core offering of Hindi-language content.

    With this move, IN10 Media aims to further strengthen the positioning and promise of the EPIC brand as India’s Storytellers, and expand the reach of its brand message to include audiences that consume content in regional languages, and in formats other than video.

    IN10 Media managing director Aditya Pittie said, “Within a remarkably short period of time since the digital explosion, driven by extremely affordable data, the range and magnitude of content available for consumption has grown exponentially. So has the various ways in which it can be consumed, and offerings can no longer be about just volume, but also variety. Content delivery in the most appropriate format and language, along with robust distribution will define the success of OTT platforms this decade and EPIC On is ready for this new innings.”

    The platform also hinted at announcing some marquee originals and partnerships in the coming weeks.

  • Budget 2020 proposals offer few benefits to M&E industry: EY India

    Budget 2020 proposals offer few benefits to M&E industry: EY India

    MUMBAI: As always, the industry's hopes from union budget 2020 were high. According to a report from EY India while the budget proposals offer few benefits to the industry, some of the changes may have a material impact which will need to be assessed.

    “The budget proposals will provide relief to the foreign companies earning income such as license fees from making compliances in India, provide clarity and do away with avoidable tax litigation through reduction in withholding tax rate for technical fees as well as withholding tax provisions for e-commerce operators. New media and digital business qualifying under start up incentives will get additional impetus from the measures proposed. Reduction in newsprint import duties will help print industry which is going through a tough business cycle. Tax amnesty scheme for resolution of pending litigation offers an opportunity to reassess the tax game in the country,” the report adds.

    The report states that the proposed alternate personal tax regime will be relevant to mass employment by the industry in its content production processes, however, it is difficult to determine whether the regime will provide a material differential cash surplus to the employed.

    It also adds that expansion of domestic tax regime will lead to tax uncertainty for foreign companies with no resource to any credible advance ruling mechanism which will allow them to understand their tax position upfront.

    “Removal of exclusion relating to theatrical receipts would certainly put pressure on the finances of the film businesses with a 10 per cent withholding tax rate and increase their compliance burden. The uncertainty attached to film business certainly makes a strong case for a rate much lower than applicable 10 per cent withholding tax rate. Increase in import duties will lead to increased cost for businesses,” it adds.

    Key impacts:

    ·  Withholding tax rate on “fees for technical services” reduced from 10 per cent to 2 per cent, reducing potential litigation on withholding tax rate on content production services and certain other services which do not qualify as “professional services”.

    ·  Exclusion of consideration from “sale, distribution or exhibition of cinematographic films” removed from “royalty” definition that may make theatrical and other receipts from exploitation of cinematographic films taxable and subject to withholding tax at 10 per cent.

    ·  Expansion of domestic source rule will bring to tax income of a nonresident from (i) advertisements targeted at a customer located in India

    (ii) sale of data collected from a person in India and (iii) sale of goods or services using data of customer located in India.

    ·  The list of services subject to Equalisation Levy provisions remain unchanged.

    ·  Exemption provided to non-residents earning royalty and fees for technical services from the requirement of filing a return of income, subject to fulfilment of stated conditions.

    ·  Relief provided d to the print industry by reduction in customs duty on newsprint and paper.