Category: Over The Top Services

  • Battery Ventures invests sizeable sum in enterprise software  firm Signiant

    Battery Ventures invests sizeable sum in enterprise software firm Signiant

    MUMBAI: Intelligent file transfer software  company Signiant has got a shot in the arm with technology-focused investment firm Battery Ventures investing a sizeable sum in it.  (Signiant called it “ a majority growth investment” though terms were not disclosed as the firm is  private.). 

    Signiant’s innovative technology allows large media files—from movies and TV shows to sports and news content—to move through the media supply chain quickly and securely, regardless of where the files are stored. The core technology is becoming more critical as media companies increasingly produce rich, effects-laden content for distribution across a range of online streaming platforms, often involving creators and vendors in multiple locations. From its key position at the foundation of the media tech stack, the company is now expanding the functionality of the file transfer SaaS platform into adjacent media services.  

    Signiant’s flagship products are used by some of the world’s largest media and entertainment companies in sectors such as post production, professional sports, gaming, and broadcast/cable TV. Customers include large companies such as NBCU, Warner Bro Discovery, Ubisoft and the National Hockey League, as well as many smaller companies throughout the global media ecosystem. 

    “We are thrilled to partner with Battery, a firm with a long history of scaling enterprise SaaS businesses, to begin writing the next chapter of the Signiant story,” said Signiant chief executive Margaret Craig. “Both the company and the media industry are at inflection points. We feel our solutions are uniquely suited to meet the current moment in media and entertainment, which demands the type of efficiency and fast time-to-value that only a modern multi-tenant SaaS platform can deliver.” 

    Signiant will use the investment from Battery to fund product development and go-to-market activities, as well as potential future acquisitions in the media technology space. The company previously completed two add-on acquisitions which expanded Signiant’s product footprint. The company remains committed to pursuing future acquisitions to better serve its customers.  

    “As the production of media content becomes more specialised and complex, owing to advancements in video and sound quality, and fancy visual effects, it means media files have gotten larger and more difficult to move around and track,” noted Battery Partner Dave Tabors. “In our view, Signiant has cracked the code on how to tackle this problem, building a robust SaaS business to facilitate the transfer of these files in a secure way. And we see the opportunity to grow the company’s market even more.” 

    Added Roland Anderson, a Battery principal: “Signiant’s solutions, including its Media Shuttle product—which uses a proprietary protocol to move files over any IP network, between both public cloud and on-premises storage locations–are high-quality and extremely sticky among its customers. We’re excited to work with the company to fuel further growth, both organic and through potential acquisitions.” Both Tabors and Anderson are joining Signiant’s board. 

    Pharus served as exclusive advisor to Signiant on the transaction and Mintz Levin acted as counsel to the company. 

  • Vi Movies & TV adds Lionsgate Play

    Vi Movies & TV adds Lionsgate Play

    MUMBAI: There was a gap in the entertainment offerings that mobile telco Vi was giving to its subscribers under its Movies & TV section: that of certain Hollywood titles.

    Now that gap has been filled with its partnership with Lionsgate Play to make its slate of films like John Wick, The Hunger Games, and Saw, alongside standout titles such as Past Lives, Tokyo Vice, Paris Has Fallen, Normal People, Operation Fortune, Plane, Hitman’s Wife’s Bodyguard, The Iron Claw, The Beekeeper, Arcadian, and more available to subscribers, apart from award shows like the Primetime Emmy Awards, Golden Globes, Critics’ Choice, and BAFTA Awards,.

    The Vi movies and TV section  has a wide selection of content, ranging from Disney+ Hotstar, SonyLiv, Zee5 to Fancode for sports as well as regional content from Sun Nxt ManoramaMax, Nammaflix, Klikk and Chaupal. It also offers 300+ Live TV Channels including 30+ live news channels.

  • Samay Raina’s  India’s Got Latent OTT races up the download charts

    Samay Raina’s India’s Got Latent OTT races up the download charts

    MUMBAI:  Some people know him for popularising chess to the masses, Others know him as one of the most popular comedians in India but Samay Raina is now also an entertainment-preneur – making a business out of his entertainment.

    Six months ago, Samay created a show on YouTube called India’s Got Latent. The show allows people to showcase their  talent or skill in front of a panel of judges curated by Samay Raina. Not another talent show? Hasn’t viewer fatigue set in?

    But, wait, India’s Got Latent is not just another talent show. For one,  it’s totally irreverent as far as its contestants, judges and special guests are concerned. Then it’s ticketed and the  live audience pays Rs 2,000 to just get in. Other talent shows decide the winner based on who gets the highest score. But not on Samay’s India’s Got Latent.  Contestants/participants score themselves individually  before they strut their stuff on stage. Then it’s the turn of the judges.  If the contestant’s  scores matches with the score given by the jury  he or she is the winner. and goes home with a cash prize of Rs 1 lakh, which is given by the sponsor of the episode.
     

    India's Go Latent

     

    The show combines humour (it’s very north Indian and we’d say GenZ, full of free flowing cuss words and double entendres) with a talent showcase giving an opportunity to common-as-garden individuals to present their talents.

    This unique show became viral like no other IP on YouTube, and it has been attracting subscribers like flies to a honeypot. The number has reached 6.7 million subscribers at the time of writing.Each episode is doing an average of 25 million with the recent ones clocking 30 plus million views.  

     

    So strong is the pull, that Samay has dared to make bonus episodes available on membership (a monthly subscription to its YouTube channel). Estimates are that he has close to 500,000  paid subscribers coughing up Rs 60 each a month which gets him about Rs 2 crore a month, deducting YouTube fees.

    India’s got Latent has become so popular not only on YouTube free and membership that it has encouraged Samay Raina to create a streaming app. Yes, a streaming app, and he announced on his Instagram handle that it’s there for downloading.  

    Samay Raina unflitered us tour

    He also said he’s got more – many more  IPs  in production – a poetry show and a rap competition which will be available on a monthly subscription of Rs 59. There will be some other services available including tickets to his shows in the app. At the time of writing, India’s Got Latent had reached amongst the top 50  downloaded apps in the country on the Google Playstore and at No 1 on the Appstore. That too within a day of its introduction on the two stores.

    Not just that. Samay has a north American tour Samay Raina Unfiltered planned between February and March first week with 10 shows  each planned for Canada and the US. Tickets for these are  already on sale online and they are selling out fast.

    Clearly, this is one social media sensation who is taking advantage of the right samay (time) and cashing it in. 

  • Shobit Arora rejoins Network 18

    Shobit Arora rejoins Network 18

    MUMBAI: A group sales head at CNBC TV18, CNN18 and CNBC Awaaz for the northern region for nearly two years in 2019. Now Shobit Arora has come back to his alma mater as national head connected TV for the same three channels -building them across streaming devices and platforms.

    Shobit who believes heavily in education earned his BA and MA in economics from Guru Nanak Dev university, and followed those up with his MBA in finance from IIPM. He then joined Bennett Coleman & Co where he worked for nine years rising up to become manager. 

    What followed was his transition to TV with stints BTVi as senior manager  north sales (2017-2019, CNBC TV18 (2019-Dec 2020) and India Today  (AGM- connected TV, April 2022-August 2023.

    Shobit then made a surprising move by joining Oracle as a senior enterprise account manager for a short period of six months. After that, he rejoined  India Today as DGM -connected TV (February 2024-December 2024), following which he got the call from Network18 to head the national connected TV business for the three channels.

    Shobit likes to keep himself updated on new tech and has done a smorgasbord of courses: Linkedin Learning’s CMO Foundations Measuring Marketing Effectiveness RoI, NIIT’s Google Adwords Certification, Digital marketing workshops and Oracle Cloud Infrastructure 2023 AI certified Foundations Associate course.

    All these should come handy as he takes the three channels he has charge of into new frontiers.

  • 2025: Will it be the year of cloud repatriation?

    2025: Will it be the year of cloud repatriation?

    MUMBAI: After less than two decades of buzz around the cloud and the one way transitions, the return journey has commenced !!

    One can debate and contest this statement but cloud repatriation is surely going to be the consideration in 2025 extending the era of technological reforms!

    Analysing the cloud-environment based designs, consistently catalysed by consultants and evangelists of the board room, I had always been an edge professional wondering and unconvinced towards fitment of it for all solutions.

    Having said that, I do believe that the proposition, ever since public cloud came into our lives, was the driver for many innovations and initiatives no doubt (SaasS, PaaS, IaaS etc are terms given birth by cloud tech).

    However, after dominating the infrastructure design principles over a period,  the public cloud has found as its competition, the traditional on-premise environment that can safely be called private cloud that it always was.

    My simple analysis goes onto conclude that pubic cloud certainly is the solve for a business with dynamic workload and for big data compute environment; additionally, it helps business for faster go to market (GTM)  goal besides not worrying about managing tech talent.

    However, the much significant parameter of costs does get a beating if we compare that with on prem/private cloud operations. The pronounced plus of public cloud being ‘pay per use’ promise is limited just for compute services but bigger overheads, 

    particularly ingress and  egress costs, more relevant for media industry, simply make an on-prem solution the big winner.

    This aspect practically locks the customer to a specific cloud too unfairly. On this the on-prem models come out with edge (pun intended :-)) over public cloud models.

    The other aspects of data security and  control and finiteness of costs and capacity besides latency/performance issues, add to the relative merit points in favour of the on prem cloud model.

    So, as we step into yet another exciting year, technocrats and businesses would actively adopt the hybrid approach with a mix of cloud plusses and  on-prem benefits,  working with the balance of scalability and flexibility at cloud while keeping critical and  heavy data (video media industry) and bespoke applications in their own infrastructure.

    This said, cloud repatriation is a phenomenon that is indeed live and would weigh in more and more in the days to come …  unless the big public cloud providers revisit their commercial model with yet another innovation.

    Wishing all a tech-citing and glorious year 2025 !!

    (The article has been reprinted from Rajat Nigam’s post on Linkedin after informing him. He is the  transition CTO of JioStar. The views expressed here are entirely his own and have nothing to do with his organisation – JioStar= where he works as a professional. Also indiantelevision.com need not subscribe to these views )
     

  • Stuart Barnes quits Vimeo; joins Yospace as VP international sales

    Stuart Barnes quits Vimeo; joins Yospace as VP international sales

    MUMBAI: Stuart Barnes has been quite a mover and a shaker in the sales world of streaming video. Now he’s moving again. Back to (category leader in dynamic ad insertion) Yospace as VP of international sales in January.

    Says Stuart: “Yospace was where I started my video journey some 20 years ago and I’m looking forward to coming full circle!”

    Indeed he did. For nearly five years between 2003 and 2008. He then joined Bauer Media for another couple of years leading the Yospace product portfolio after it was taken over. Then followed a long journey of more than nine years at Brightcove – which was taken over by Bending Spoons recently – where he rose to become vice-president  new business sales, North America based in New York.

    Initially, he began working for Brightcove in London as regional sales director, northern Europe but he was steered to the US with American market responsibility and he stayed put with the company in New York as vice-president sales, account management, north America for six years.  He finally .moved back to the UK last year as vice-president sales and account management EMEA for BrightCove.

    But he decided to go back home to Yospace when the opportunity came calling.  At Yospace, Staurt is looking forward to working with CEO Tim Sewell  and the team there. 

  • Kuku FM partners with HubHopper; adds 21,000 new shows to its library

    Kuku FM partners with HubHopper; adds 21,000 new shows to its library

    MUMBAI: If you are an audiophile and you prefer listening to podcasts and shows rather than holidaying and partying, then come 1 January 2025, you should grab  your headset and your phone and lean back and sign into KukuFM.

    The audio hosting and distribution platform has partnered with another audio platform HubHopper and is offering its three million subscribers the latter’s 21,000 new shows across 30,000 plus hours of premium content at no extra cost (in a dedicated section featuring the new shows).

    A press release issued by Kuku FM  mentions that this integration means its library rivals even leading OTTs operating in India and is the largest audio catalogue  in the country.

    Listeners can chose from spirituality (Sadhguru, Osho and Jay Alani) to fiction to history  to business in various languages including English, Arabic, Hindi, Tamil Telugu, Kannada and Malayalam. Shows from NDTV are also available on the platform.

    Kuku FM co-founder Lal Chand Bisu pointed out that Indians prefer getting unmatched value for the money they are spending.  He added: “As our revenues doubled last year, driven by subscriptions, we’re poised to continue this momentum into 2025 with this enriched offering. By adding the shows, we’re not just growing our library but building a platform that resonates with diverse audiences—from native speakers across India to Indians abroad seeking high-quality content in their languages. This collaboration elevates our reach and engagement to new heights.”
     

  • Streaming platform ShortFlix and News 7 Tamil partner for program

    Streaming platform ShortFlix and News 7 Tamil partner for program

    MUMBAI: OTT short-format show platform ShortFlix has tied up with Tamil news channel News 7 Tamil to create a mutually-beneficial partnership aimed at building content and enhancing viewership.

    As part of this initiative, News 7 Tamil’s entertainment segment will feature a new 30-minute show titled News 7 Tamil’s Short Cuts, powered by ShortFlix.

    The program is set to showcase curated short films and exclusive content from ShortFlix, offering viewers a blend of storytelling and entertainment. Simultaneously, ShortFlix will gain access to News 7 Tamil’s vast global audience, expanding its reach and engagement.

    Said ShortFlix founder Bharanidharan:  “News 7 Tamil, a trusted name in Tamil media. This collaboration not only allows us to bring our unique content to a larger audience but also reinforces the importance of short-format storytelling in today’s fast-paced world. We believe this synergy will set new benchmarks in the OTT and broadcasting industries.”

    News 7  senior strategic advisor sales & marketing Shyam emphasised the mutual benefits of the alliance.

    “At News 7 Tamil, we constantly strive to innovate and deliver value to our audience. Partnering with ShortFlix enables us to diversify our entertainment offerings while supporting emerging creators in the short-film ecosystem,” he said. “This collaboration is a perfect example of coopetition—where two entities come together to achieve shared goals and elevate the overall experience for viewers globally.”

     

  • Manish Kalra departs from Zee5 as chief business officer

    Manish Kalra departs from Zee5 as chief business officer

    MUMBAI: Manish Kalra, who led Zee5 over the past five years, first domestically and then in a global position, has abruptly stepped down from his role as chief business officer for India and global markets.

    Manish had initially been given charge of the streamer’s advertising video on demand product in 2020. Eight months into the job,  and he was given a bump up as Zee5’s business head for the domestic market (both AVoD and SvoD), a position he held until September 2024 when Archana Anand, the global head quit, and he was given additional responsibility for her portfolio.

    Zee5 had recently broadened Manish’s mandate, entrusting him with overseeing the platform’s business across global markets. This role involved fostering strategic partnerships, enhancing audience engagement, and positioning Zee5 as a prominent player on the global streaming stage. Company sources confirmed Manish’s resignation, and that an internal leader has been assigned to oversee the transition. He would be serving his 90 day notice period at Zee is what sources say. 

    Manish  joined Zee5 in May 2020 and brought over two decades of experience in online business and marketing. Before his time at Zee5, he held leadership roles at renowned organisations, including Amazon, MakeMyTrip, and Dell. His strategic vision and business acumen have been pivotal in steering Zee5’s growth.

    An alumnus of XLRI, Jamshedpur, where he earned his MBA, Kalra also holds an engineering degree from Punjab Engineering College, Chandigarh. His professional journey exemplifies a strong foundation in strategic planning and execution across industries.

    Under Kalra’s leadership, Zee5 made significant strides in audience engagement. His efforts helped the platform cement its position as India’s homegrown streaming giant with a growing international footprint.

  • OrangeGlobal Stories names Pranay Naigaonkar as head of production

    OrangeGlobal Stories names Pranay Naigaonkar as head of production

    MUMBAI: In the ever-evolving world of entertainment, where OTT is the reigning king, a seasoned maestro steps into the spotlight.

    Pranay Naigaonkar, the creative mind behind the acclaimed Hungama Music Bus (2020), has traded the bustling corridors of Neeraj Roy’s Hungama for a new adventure at OrangeGlobal Stories Pvt. Ltd.

    Taking the reins as head of production at this emerging audio OTT platform, Naigaonkar is poised to orchestrate a new symphony of innovative content. His move signals a bold chapter for both the veteran producer and OrangeGlobal Stories, as they aim to redefine the audio storytelling landscape.

    In his new role, Naigaonkar will oversee the development and production of original audio content, aiming to enhance the platform’s offerings and engage a diverse audience. His appointment comes as OrangeGlobal Stories plans to invest $36 million in marketing and digital promotion over the next three years, signalling a significant expansion in the audio entertainment industry.

    Naigaonkar’s career in the entertainment industry has been marked by a commitment to quality and innovation. His work on ‘Hungama Music Bus’ showcased his ability to produce engaging audio content that resonates with listeners. At OrangeGlobal Stories, he is expected to leverage this expertise to develop a diverse range of audio web series and stories, catering to the evolving preferences of a global audience.

    OrangeGlobal Stories, founded in 2024, is dedicated to revolutionising the audio OTT space with immersive storytelling experiences. The platform offers a wide array of audio content, including web series and stories, designed to captivate listeners across various demographics. citeturn0search6

    The company’s substantial investment in marketing and digital promotion underscores its commitment to becoming a leader in the audio entertainment industry. With Naigaonkar at the helm of production, OrangeGlobal Stories is poised to deliver high-quality content that meets the growing demand for on-the-go audio entertainment.