Category: Over The Top Services

  • Disney+ Hotstar to stream Coldplay live in Ahmedabad on Republic Day

    Disney+ Hotstar to stream Coldplay live in Ahmedabad on Republic Day

    MUMBAI: Brace yourselves, Coldplay die-hards and Insta-story enthusiasts alike!

    The gods of stadium rock are descending upon Ahmedabad, and this time, you won’t need to sell a kidney—or fight bots online—to snag a ticket. If you’ve been crying your eyes out because your name didn’t make it past the virtual queue, wipe those tears because Disney+ Hotstar has your back.

    This Republic Day, as the nation waves its tricolour, you can sway to the cosmic vibes of Coldplay’s Music of the Spheres World Tour right from your couch. Yes, live, straight from Ahmedabad’s grandest stadium to your screen. Fire up the popcorn (and maybe your Hotstar subscription), because this isn’t just a concert; it’s a galaxy of magic, melodies, and Chris Martin’s moves delivered to your doorstep.

    So, whether you’re a bona fide Coldplay disciple or just there for “fixing your feed”, 26 January is about to be unforgettable. And who knows? Maybe your live-streamed “Yellow” moment will shine brighter than any stadium seat ever could.

    Your ticket to a world-class concert, minus the travel.

    Disney+ Hotstar combines its cutting-edge streaming technology with unmatched reach to bring every note, every beat, and every Chris Martin smile right to your screen. And the magic doesn’t stop there. Fans will also enjoy exclusive behind-the-scenes glimpses of the band, creating a truly immersive #ParadiseForAll.

    JioStar – sports CEO, Sanjog Gupta shared, “At Disney+ Hotstar, we have revolutionised India’s entertainment and sports consumption by captivating viewers with unparalleled immersive experiences and consistently delivering value to our partners, advertisers and audiences. Our partnership with Coldplay reflects our commitment to bringing iconic cultural experiences to audiences nationwide. By leveraging our advanced technology and unmatched reach, we are breaking the barriers around privileged access to premium entertainment, and making it available for all, fostering a shared celebration across the country.”

    But wait, is it Coldplay without a little personal touch? In a heartfelt message, lead singer Chris Martin said, “Namaste to all our friends in India. We’re thrilled to share that on 26 January, our show from Ahmedabad will stream live on Disney+ Hotstar, so you can watch it from anywhere. We’re excited to visit your beautiful country. Sending lots of love!”

    The Music of the Spheres World Tour has already earned the title of the highest-grossing rock tour of all time. Known for its fusion of music, sustainability, and creativity, the Ahmedabad leg promises a spectacular celebration of sound and visuals. From sustainability initiatives to ground-breaking production values, the tour is a testament to Coldplay’s enduring legacy.

    Why is this a game-changer for brands? Disney+ Hotstar transforms live events into powerful branding opportunities. From pre-show sponsorships to exclusive fan contests and post-concert highlights, brands can connect with millions of engaged viewers while capitalising on Coldplay’s universal appeal.

    Presented in partnership with Cisco, this live-stream event proves that digital platforms can go beyond mere streaming—they can create experiences that resonate deeply.

    Ready to celebrate Coldplay like never before? Get your streaming set-up ready, grab your friends, and prepare to sing along to hits like Paradise and Fix You. After all, why should Ahmedabad have all the fun?

    Mark your calendars: 26 January 2025, Live on Disney+ Hotstar.

    Will you tune in to make your Republic Day extra special? Let the countdown begin!

  • Kiran Mani-speak about  Indian OTT at the India Digital Summit

    Kiran Mani-speak about Indian OTT at the India Digital Summit

    MUMBAI: During the India Digital Summit, Kiran Mani, CEO – Digital at Jio Star, spoke compellingly about the urgent need for the over-the-top (OTT) industry to embrace multiple economic models beyond the traditional revenue streams of advertising and subscription. Engaging in a lively fireside chat with Ashish Pherwani of EY India, Mani underlined that sustainable storytelling in the digital age hinges on innovative business strategies.     

    “If you want to justify the economics of storytelling, it has to follow more economic models,” Mani stated, emphasising that a reliance solely on advertising is inadequate. He expressed optimism about the growth potential of both advertising and subscription revenues in India due to robust economic tailwinds. However, he also noted that the true potential of the subscription market has yet to be realised. 

    To illustrate this point, Mani provided striking statistics indicating that while India boasts a massive 700-million OTT viewership base, the actual number of subscriptions currently stands at around 60 to 70 million. He attributed part of this gap to challenges in the payment gateways available in India, stating, “Payment gateways are built for transactions, not for mandates,” which hinders the ability for consumers to engage in subscription models effectively.

     Mani highlighted the extraordinary success of Jio Cinema Premium, which gained an impressive 20 million subscribers in record time. This achievement was largely driven by the platform’s disruptive pricing strategy of just Rs 29, which strategically bypassed middlemen to reach consumers directly. He commented on existing subscription models, saying, “A one-size-fits-all subscription, saying that you can eat all the menu items in a buffet for a fixed price, has its limitations.”

     Drawing on his previous role at Google, Mani criticised the outdated methods commonly used in the advertising sector, which he argued are overly reliant on gut feelings rather than data. “We’re still at the early stages of adopting a data-driven approach to consumer targeting,” he acknowledged. “Once we fully embrace it, we’ll realize we’ve been overspending money in cities while neglecting smaller towns.” Mani assured attendees that the future of advertising will be marked by continued growth and the need for more informed marketing decisions.

    He further pointed out the ineffectiveness of a one-size-fits-all advertising model, stating that platforms which focus solely on brand advertising have specific limitations. “What we offer our advertisers is a dual approach. We say, yes, we are a mass-reach platform, and we will always get you the reach, but we also offer a premium reach platform,” he said.

    As Jio Star—formed from the merger of Star India and Viacom18—continues navigating the rapidly expanding digital ecosystem, Mani noted an exhilarating convergence of connectivity and creativity. “India today is a billion-screen connected audience,” he emphasized, highlighting how various content segments—sports, entertainment, short-form content, and gaming—are flourishing. He credited the influx of venture capitalists into nearly every area of this ecosystem as a testament to the ongoing growth.
     

    Mani Kiran

    Mani also pointed out the seismic shift in the media landscape, noting that digital has recently overtaken television to become the largest segment of the Indian media sector. “There are 325 million households in India, yet the number of households actually paying for digital content remains below 15 million,” he stated, raising important questions about whether digital will ever become a mass product or if subscription models will be left behind compared to traditional TV.

     The CEO was particularly encouraged by the emergence of audiences from Tier 2 and Tier 3 towns, many of whom are gaining access to content for the first time through affordable devices costing less than Rs 5,000. He remarked on the impact of live-streaming events like the IPL on JioCinema, stating, “We saw six million viewers who were previously content-dark join our platform.” This underscores how OTT platforms are unlocking a broader content segment in terms of both depth and reach.

     Mani elaborated on the necessity for subscriptions to adopt sustainable economic models, stressing that “advertising alone cannot support premium content or great storytelling.” He urged industry stakeholders to unlock better economic models while ensuring sustainability for everyone involved. He asserted, “The digital ad market in India is now valued at $9 billion.”

    He elaborated further on the complexities of advertising, stating, “Advertising is about reaching consumers and delivering value. Our role is to ensure advertisers see impactful returns.” With an expanding middle-class consumer base, Mani believes India’s advertising market will surely grow. Nonetheless, he cautioned that the market still operates with outdated practices, such as generic solution models that fail to meet diverse audience needs.

    A noteworthy point in Mani’s discussion was the evolving nature of storytelling in Indian entertainment. He mentioned that narratives are transitioning from “Shiksha” (education) and “Sushil” (docile) to “Saksham” (empowerment) and “Swabhiman” (self-respect), reflecting broader societal progress in India.
         
     Multi-lingual content also emerged as a focal point, especially in sporting and international contexts. Mani proudly remarked on JioStar’s multilingual broadcast of the Olympics, which garnered a seven-fold increase in viewership, adding, “Hindi is now the number one language for Hollywood viewership in India.”      

     When prompted about his investment priorities, Mani chose to invest in platforms over content production or e-commerce, stating, “Platforms scale creativity and monetization like nothing else.” He underlined the transformative power of connectivity in driving the next wave of growth.

     In concluding his remarks, Mani addressed the collective responsibility of the media and tech industries. “As content creators, we must prioritize sustainability in storytelling,” he urged. “For me, I owe it to you all to build a platform where monetization models extend beyond just advertising or subscriptions.”

    Key Points:
    * The OTT industry needs to diversify its economic models beyond traditional revenue streams of advertising and subscription.
    * Relying solely on advertising is insufficient for building a sustainable OTT ecosystem.
    * The true potential of the subscription market is yet to be unlocked.
    * Payment gateways in India are built for transactions, not for mandates.
    * A data-driven approach to consumer targeting is necessary for effective advertising.
    * A one-size-fits-all approach is ineffective in advertising.
    * The digital ad market in India is valued at $9 billion.
    * Advertising is about reaching consumers and delivering value to advertisers.
    * Sustainable economic models are necessary for the OTT industry.

  • Zeel’s CTPO Shiva Chinnasamy asked to look after Zee5 as CBO

    Zeel’s CTPO Shiva Chinnasamy asked to look after Zee5 as CBO

    MUMBAI: Five months ago Zee Entertainment Enterprises Ltd (Zeel) announced the appointment of former Amazon, Tesco and Google engineering executive Shiva Chinnasamy as the chief technology and product officer of the company. 

    Last month Zee5 chief business officer -domestic and global – Manish Kalra  decided to put in his papers at the company after a near five year stint.

    Seeing the performance  of Shiva, the dynamic tech and business executive,  over the past five months, the company has decided to appoint him as the CBO of Zee5 as well starting the new year. Apparently, he has come in as a replacement for Manish Kalra.

    Disclosing this on Linkedin Shiva said he had been entrusted with – and given – the responsibility of Zee5’s business “P&L, operations and growth.” 

  • Prasar Bharati’s Waves OTT now on Jio Stores, expanding Indian content access

    Prasar Bharati’s Waves OTT now on Jio Stores, expanding Indian content access

    MUMBAI: In the bustling streets of Mumbai, where skyscrapers narrate tales of ambition, one name consistently towers above the rest—Mukesh Ambani.

    The maestro of business expansion has struck again, this time joining forces with Prasar Bharati, India’s cherished custodian of cultural narratives.

    In a move that seamlessly blends legacy with technology, the public broadcaster’s OTT platform, Waves, now graces the Jio Store shelves, promising a cinematic journey through India’s heart and heritage.

    Imagine the allure: archives of Doordarshan’s golden era, the timeless melodies of All India Radio, and an array of fresh originals—all a tap away for millions of Jio users. This partnership isn’t just about streaming content; it’s a bridge connecting India’s storied past with its digital future, hand-delivered by Ambani’s ever-expanding empire.

    Is there a realm Mukesh Ambani doesn’t touch? It seems unlikely, as Jio continues to rewire how India consumes entertainment, one milestone at a time.

    Since its launch, Waves has rapidly garnered attention, amassing over one million downloads and positioning itself as a premier destination for Indian audiences. With this collaboration, Waves takes a strategic leap to become accessible across all Jio devices, leveraging the telecom giant’s expansive reach and connectivity.

    Imagine how India’s rich cultural tapestry can now reach every corner of the nation? With Waves on Jio Stores.

    Waves offers something for everyone:

    . Original Content: Explore new fiction and non-fiction programming.

    . Legacy Programming: Rediscover classic shows from Doordarshan archives.

    . Live Events: Stream real-time happenings from across the nation.

    . Gaming and E-Commerce: A unique blend of entertainment and interaction.

    . Nostalgia Features: Enjoy photo albums and magazines highlighting India’s heritage.

    This diverse lineup ensures that Waves caters to audiences of all ages and preferences. As the platform grows, its popularity underscores a collective demand for authentic Indian storytelling.

    Prasar Bharati CEO Gaurav Dwivedi expressed his optimism about this partnership, “We are thrilled to take Waves to the next level by making it available to Jio users. The platform has already received a fantastic response, and with Jio’s vast subscriber base, we are excited to introduce our diverse and compelling content, which includes – Nostalgia, Live Channels, Magazines, Photo Albums, etc., to even more homes.”

    A Jio spokesperson added, “We are excited to partner with Prasar Bharati to offer Waves to our users. This partnership offers a wider content offering to audiences at large and ensures that they are able to choose from the best.”

    Why does this partnership even matter?

    The inclusion of Waves on Jio Stores signifies a blending of modern technology with the cultural essence of India. It underscores Prasar Bharati’s mission to preserve India’s heritage while ensuring it resonates with contemporary audiences.

    From classic TV dramas to innovative new content, Waves aims to deliver a robust digital entertainment experience that celebrates India’s diversity.

    Are you ready to surf India’s cultural treasures with Waves?

     

  • Hari Om OTT offers free subscriptions at Maha Kumbh Mela 2025

    Hari Om OTT offers free subscriptions at Maha Kumbh Mela 2025

    MUMBAI: Amidst the sacred chants, the rhythmic clang of temple bells, and the timeless ritual of dipping into the holy Ganges, a new chapter in India’s devotional journey is being written.

    What began decades ago with Doordarshan bringing the Maha Kumbh into Indian living rooms has now evolved into a digital revolution.

    Have you ever wondered how ancient traditions meet modern technology? Hari Om, India’s first devotional OTT platform, is stepping into this celestial spotlight, offering free subscriptions to all attendees of the Maha Kumbh Mela 2025.

    Set against the backdrop of Prayagraj’s historic ghats, this Maha Kumbh is unlike any other. Held after an extraordinary 144-year gap, thanks to a rare planetary alignment, the gathering promises to be one of the largest spiritual congregations in human history.

    Hari Om’s initiative ensures that even those unable to attend can virtually partake in the grandeur, bringing the soulful experience of India’s most cherished spiritual festival to screens worldwide.

    As the world converges in Prayagraj from 13 January to 26 February 2025, Hari Om OTT promises not just to connect hearts, but also to bridge tradition with technology, making the divine accessible to all.

    Hari Om strives to connect India’s rich spiritual heritage with today’s tech-savvy audience. The platform features over 20 devotional shows, including popular titles like Shri Tirupati Balaji, Mata Saraswati, Jai Maha Lakshmi, and Jai Jagannath. Beyond streaming, it offers a comprehensive devotional experience, with features such as:

    . Video and audio bhajans

    . Animated devotional stories

    . Live aartis from prominent temples

    . Prasad booking services

    .  Donation options

    . Spiritual podcasts

    This user-friendly platform aims to be a one-stop destination for spiritual engagement, bringing devotion closer to the hearts of millions.

    Hari Om founder, Vibhu Agarwal shared his excitement about the initiative, “We are thrilled to associate with India’s biggest festival, the Maha Kumbh Mela 2025. Devotees attending the Kumbh often seek cultural and religious content to preserve the essence of Sanatan Dharma. As a token of appreciation, we are offering free subscriptions to our platform, giving back to those experiencing this monumental cultural event in our country.”

    Wouldn’t it be amazing to explore devotional shows and live aartis right from your device while participating in such a massive event?

    The Maha Kumbh Mela exemplifies India’s spiritual and cultural richness. Hari Om’s partnership with the festival showcases how technology can enhance the traditional experience. The OTT platform enables devotees to carry the essence of the Kumbh back home, with its 24/7 access to prayers, bhajans, and stories of divine deities.

    As millions gather on the ghats of Prayagraj to celebrate the Maha Kumbh, Hari Om is poised to become an integral part of their spiritual journey. This initiative highlights how faith, tradition, and technology can come together to create meaningful experiences.

    Would you like to explore the divine at your fingertips? The Maha Kumbh and Hari Om make it possible.

  • MPA Report: APAC video market to hit $165B by 2029;  streaming set to dominate

    MPA Report: APAC video market to hit $165B by 2029; streaming set to dominate

    MUMBAI: To use a cricket analogy, television is going to go  even  more on the backfoot while online video shall come charging down the pitch to hit revenues out of the park. 

    That’s the latest prediction of Singapore-based  Media Partners’ Asia (MPA) in its  2025 report, outlining transformative trends in the Asia-Pacific (APAC) video and broadband industry.

    Among its key findings and predictions are:

    Industry growth & transition
    * Market Expansion: APAC video revenue is projected to grow by $16.2 billion, reaching over $165 billion by 2029 (CAGR: 2.2 per cent).
    * Online video explodes: Online video revenues projected to climb from $64 billion in 2024 to $89 billion by 2029, marking a 40 per cent increase. Gap with the US (at $140 billion in 2029) will have narrowed. 
    * Traditional TV contracts:  In contrast, traditional TV revenues are expected to shrink by $8 billion during the same period.
    * Streaming overtakes TV: Streaming revenues will surpass traditional TV by 2027, with their industry share rising from 44 per cent in 2024 to 54 per cent  by 2029, led by India and China.
    * Subscription video on demand (SVOD) services are expected to grow their share of the Asia-Pacific (APAC) video industry’s revenue from 44 per cent in 2024 to over 54 per cent by 2029.

    Revenue drivers & contributions
    * Key markets: India, China, and Japan will drive 64  per cent of the growth, with India alone accounting for 26 per cent.
    * Content growth: User-generated content (UGC) and social video platforms will lead, contributing $10.7 billion in new revenue. SVOD ($8.4 billion) and premium AVOD ($5.0 billion) follow closely.
    * Advertising leadership: Advertising will account for 65 per cent  of online video revenue growth, increasing its share of total video revenue from 52 per cent in 2024 to 54 per cent by 2029. Premium ad-supported video on  demand platforms driving growth.

    Shifting dynamics
    * SVOD boom: Subscriptions are set to rise from 644 million in 2024 to 870 million by 2029, driven by sports, Asian entertainment, and US content.
    * Connected TV surge: Penetration will exceed 85 per cent  in developed markets like Australia, Korea, and Japan by 2029, with notable growth in India, Indonesia, and Thailand.
    * Local players gaining ground: Global giants like YouTube, Netflix, and TikTok, which held 67 per cent market share in 2024, will see this decline to 62 per cent by 2029 as regional platforms strengthen.

    Vivek Couto, Executive Director at MPA, stated, “The APAC video market is undergoing rapid transformation, with streaming driving deeper engagement and improved monetisation. However, the decline of traditional TV and challenges in local streaming profitability are pushing the industry toward consolidation, particularly in markets like India, Japan, and Southeast Asia

  • ThuDo Multimedia welcomes Yeeshu Baijal as country director

    ThuDo Multimedia welcomes Yeeshu Baijal as country director

    MUMBAI: Two decades – long enough for a fledgling to become a master.

    For Yeeshu Baijal, 20 years have been a journey of mastering the art of broadcast, shaping trends, and redefining industry standards.

    Now, this seasoned leader steps into the spotlight as ThuDo Multimedia India appoints him as country director, entrusting him with the helm to steer their growth and innovation in the ever-evolving Indian OTT multimedia landscape.

    Baijal’s extensive career includes significant roles at leading firms such as ABV International, where he served as sales head for SAARC countries. In this capacity, he was instrumental in driving business development and establishing strategic partnerships across the region. His leadership was pivotal in expanding ABV International’s footprint and enhancing its market presence.

    Prior to his tenure at ABV International, Baijal held key positions at various organisations like TRIAX A/S regional manager; Viacom18 Media Pvt Ltd manager- network sales & development; Zee Turner Ltd area sales manager; Disney Star territory manager, contributing to their growth and success through his deep understanding of the broadcast and media landscape. His career trajectory reflects a consistent commitment to innovation and excellence in service delivery.

    At ThuDo Multimedia India, Baijal will oversee the deployment of Sigma OTT—a comprehensive solution designed to meet the diverse needs of broadcast and media operators worldwide. Sigma OTT’s suite of products addresses critical challenges, including content protection through Sigma DRM and revenue generation via Sigma Interactive, a value-added portal for broadcasters.

  • Arijit Basu joins Spotify as sales director – media, entertainment & finance in India

    Arijit Basu joins Spotify as sales director – media, entertainment & finance in India

    MUMBAI:  His new job is like music to his ears  like it was around 12 years ago.  Arijit Basu, a distinguished professional in sales and business development, has embarked on a new chapter in his career as the director of sales – media & entertainment and finance, India at Spotify. Basu brings nearly 20 years of experience to the world’s leading music streaming platform.

    Sharing his enthusiasm for the role, Basu announced on social media:”Am really excited to share that I will be starting a new position at Spotify as director of sales – media & entertainment & finance, India! Looking forward to collaborating and doing some stellar work.”

    Basu’s career is defined by a series of impactful roles that showcase his expertise in sales, business development, and digital marketing:

    * Vice-president – growth & strategy at BC Web Wise (Feb 2022 – Sep 2024): Championed growth initiatives, spearheaded digital marketing campaigns, and drove business development for two and a half years.
    * Head of business development at Arré (May 2018 – May 2021): Led strategic partnerships and sales..
    * Director – Head of sponsorship (west) at Viacom18 (Jan 2013 – May 2018): Played a pivotal role in driving sponsorship strategies for youth and English entertainment segments.
    * National sales lead for Sunburn Music Festival at Percept D Mark (Jan 2010 – Dec 2012): Contributed significantly to establishing Sunburn as a leading music festival in India.
    * Senior manager at Vh1 India (Apr 2006 – Sep 2009): Expanded the channel’s business footprint during his tenure.

  • CES 2025: Disney reveals global AVOD streaming MAUs are at 157 million

    CES 2025: Disney reveals global AVOD streaming MAUs are at 157 million

    MUMBAI:  Guess what’s the  latest AVOD universe that Walt Disney Co’s  Disney+, Hulu, and ESPN+ operate in? 

    Well, you don’t have to guess. 

    The numbers and the methodology behind them were shared by  its division Disney Advertising president of global advertising Rita Ferro at the fifth  annual Tech and Data Showcase during the Consumer Electronics Show (CES) 2025 on 8 January in Las Vegas. 

    Ferro  revealed that Disney’s ad-supported streaming portfolio has reached an estimated 157 million global monthly active users (MAUs), including 112 million domestic MAUs (US and Canada), based on an average over the past six months.

    “Disney sits at the intersection of world-class sports and entertainment content, with the most high-value audiences in ad-supported global streaming at scale,” said Ferro. “We wanted to be the first to offer our industry greater transparency into the methodology used to estimate our engaged global ad-supported monthly active users.”

    She explained that in a landscape where no industry-standard methodology exists for measuring global streaming advertising audiences, Disney Advertising has taken a pioneering step by defining a globally consistent approach. Highlights of the methodology include:
    * Audience Definition: Ad-supported MAU  numbers are calculated from active accounts within Disney’s streaming ecosystem (Disney+, Hulu, ESPN+) that have engaged with ad-supported content for more than 10 seconds.
    * User Multiplication Factor: Each account is multiplied by the estimated number of users per account, with a global average of 2.6 users, adjusted regionally and by platform.
    * Survey Data: Estimates are based on first-party survey data representing over 13,000 individuals aged 18–64 in regions offering advertising tiers.

    Ferro emphasised Disney’s leadership in leveraging data to drive impactful results for brands. “This step underscores Disney’s commitment to intentional transparency and delivering meaningful outcomes for advertisers,” she added.
     

  • Zee5-Jio Studios join forces to launch Hisaab Barabar and Mrs.

    Zee5-Jio Studios join forces to launch Hisaab Barabar and Mrs.

    MUMBAI: Last year’s collaborations had the internet buzzing, and this year, the trend isn’t slowing down!

    Zee5, India’s beloved homegrown streaming giant, has joined forces with Jio Studios, the media powerhouse of Reliance Industries, to unveil not one but two exclusive cinematic gems.

    Get ready for a rollercoaster of emotions as Hisaab Barabar and Mrs. bring larger-than-life storytelling right to your screens.

    With Hisaab Barabar premiering on 24 January in Hindi, Tamil, and Telugu, and the release date for Mrs. just around the corner, this dynamic partnership promises to redefine entertainment for fans across India.

    Hisaab Barabar, a satirical social drama starring R. Madhavan, takes a hard-hitting yet humorous approach to the issue of financial fraud. The film follows a common man’s relentless fight to expose a corporate bank’s billion-dollar scam.

    Mrs., featuring Sanya Malhotra, explores the nuanced journey of a housewife navigating societal expectations and personal struggles, promising a poignant blend of drama and resilience.

    These films aim to elevate Zee5’s already robust portfolio of impactful and entertaining content.

    Zee5 chief business officer, Sivakumar Chinnasamy highlighted the platform’s commitment to offering premium content, “At Zee5, we are driven by the goal of providing high-quality and engaging content. Our partnership with Jio Studios brings two remarkable films—Hisaab Barabar and Mrs.—to our subscribers. These films embody meaningful storytelling that resonates deeply with audiences. We remain committed to expanding our rich content library and delivering innovative narratives.”

    Jio Studios COO & CFO, Priyanka Chaudhary added, “We’ve had an exceptional 2024 and are thrilled to collaborate with Zee5 to bring cinematic gems like Mrs. and Hisaab Barabar to audiences. Mrs. has garnered acclaim at prestigious festivals, and Hisaab Barabar delivers a bold narrative on financial corruption. This partnership marks a new chapter in delivering high-quality, engaging content to viewers.”

    With rising demand for original and diverse stories, Zee5 continues to enhance its portfolio by collaborating with leading studios like Jio Studios. This partnership underscores Zee5’s role as a pioneer in delivering premium and thought-provoking entertainment to Indian viewers.