Category: Over The Top Services

  • #13thKiTayyari CAMPAIGN UNITES INDIA’S GEC LOVERS; ZEE5 RECORDS A MASSIVE 134% MoM GROWTH IN VIEWERSHIP

    #13thKiTayyari CAMPAIGN UNITES INDIA’S GEC LOVERS; ZEE5 RECORDS A MASSIVE 134% MoM GROWTH IN VIEWERSHIP

    Earlier this month, ZEE5, India’s Entertainment Super App, brought another reason to cheer for the app’s users with the announcement of new episodes and new content after the lockdown put a pause on fresh content. ZEE created a well-designed curiosity building campaign with #13thKiTayyari, unveiling the fresh episodes of much-loved TV shows across Zee channels on July 13, 2020, which was well received by every Indian. The campaign’s message reveal and the subsequent premiere of the new episodes were welcomed by the free users, as ZEE5 recorded a monumental increase of 134% MoM video views.

    thumbnail_0d307170-6898-4ebd-aa9b-9008910ea4ed (1)  4 Zee TV Reveals (tweet + creative)

    Not only has ZEE5 witnessed a significant increase in MoM video views but, it has also strengthened its illustrious advertising brand roster. In the last three months, the following brands have used ZEE5’s platform to reach out to their TG in the most effective manner.

    ·         Dabur India (Dabur Honey)

    ·         Adani Wilmar (Fortune)

    ·         Colgate Palmolive (Colgate Swarna Vedshakti)

    ·         Mondelez (Cadbury Dairy Milk)

    ·         Think & Learn (Byjus Learning App)

    ·         Guassian Networks (Adda52.com)

    ·         RummyCircle (Playgames 24*7)

    ·         Wipro (Wipro Softouch)

    ·         SBI (State Bank of India)

    With the new additions, the viewership numbers have surged with regional shows particularly gaining more popularity. The views for TV shows increased by 136%, Movie views went up by 22%, and Live TV saw a 10% surge post the updates. Shows like Pavitra Rishta, Kundali Bhagya, Chembarathi, Kumkum Bhagya among others have seen a significant uptick in the viewership during this period. The growth has been observed across the various regional languages that ZEE5 offers with Marathi, Malayalam, Bengali, and Hindi especially recording a massive surge in viewership.

    ZEE5 is becoming a digital video platform of choice when it comes to consuming content across languages and genres. Recently, the Entertainment super-app launched its most awaited ZEE5 Club pack @ ₹365/year. Now, users can enjoy some of Zee’s popular TV shows before telecast on Television, making anytime a new prime time for consumers to catch up on their favourite shows.

  • Boundless Media mini-series explores mental health issues during Covid2019

    Boundless Media mini-series explores mental health issues during Covid2019

    MUMBAI: As mainstream entertainment took a hit during lockdown, it opened up the doors for smaller production houses to experiment and provide content to hungry audiences. Production house Boundless Media came up with two new mini-series Objectified and Unseen exploring the darker side of the pandemic and mental health issues.

    “Our aim is to spark a conversation about mental health and what people are going through in this pandemic. We want this series to be relatable and reach as many people as possible,” says Boundless Media founder and creative producer Natasha Malpani Oswal.

    She explains, “As creators, we are not only thinking of what is happening in India but what is happening at a global scale digitally. We are working on stories that could travel. We are especially targeting Gen Z and millennials because they are mostly online and digital-first. We are on the lookout for creative talent.”

    While Objectified is a mixed media animation series that brings household objects to life, Unseen is a darker, riveting series of four ordinary people in an extraordinary situation that explores mental health, grief and anxiety. The creative house is looking at more short films and animation content.

    Oswal mentions that everything from casting, scripting, direction and editing has been done staying at home. The series is shot at the respective home of the actors.

    She says, “Filming at home is quite challenging. When you shoot a series, we scout for location, art direction, check the lighting and the overall look and feel. But here the series has been shot with natural light and art direction was done over a call with actors. They were also multi-tasking, we did a lot of rehearsals, we prepped their houses and actors also cooperated with shot taking. It was a learning experience and it pushed us to be more creative.”

    Oswal also points out that a lot of cordination took place between actors and the Boundless Media to ensure proper surrounding and to maintain the quality of show.Actors took help from members at home while directors guided them to take proper angle, location and shot.

    The series will be available on YouTube.

  • Voot Select takes its premium content to regional audiences

    Voot Select takes its premium content to regional audiences

    KOLKATA: Fulfilling every entertainment need of its diverse and multi-cultural userbase, Voot Select is all set to make its regional content slate more dynamic and relevant to its audience with the launch of its Originals – Asur, Marzi, The Raikar Case and Illegal in Kannada. Furthering Viacom18’s existing content proposition in the  the Kannada market, Voot Select’s new language play will enable viewers to enjoy the platforms’ incredible Hindi original content in their local language and overturn the language barrier.

     While Asur, The Raikar Case and Illegal are all live on the platform, and will be followed by Marzi.  Apart from this, the subscribers will also get exclusive access to popular Kannada movies like Bell Bottom, Ayogya, Kirik Party and other movies like Thrayambakam, Eedhiga Bandha Suddhi, Dayavittu Gamanisi, Theory, Alamelamma on Voot Select.

    Commenting on the new offerings, Voot Select head  Viacom18 Youth, Music, and English Entertainment head Ferzad Palia said, “When we launched Voot Select, the idea was to share compelling stories with the audience all over the country. The appetite for regional content consumption is huge and by making Voot Originals available in Kannada, we are not only expanding our reach but also adding to the content experience of our audiences in Karnataka.  We as a network already have a strong presence in the Kannada market with Colors Super, Colors Kannada Cinema and  Colors Kannada with its content available 24 hours on Voot Select. With this move, the viewers can now access its premium Originals and movies in the language of their comfort and choice.”

    With the introduction of this language proposition, Voot Select has opened a myriad of opportunities for the regional markets. With the most compelling stories and top notch premium content, the Kannada speaking audience can surely look forward to some of the finest content in their own language. Voot Select’s premium content will soon launch in multiple languages including Tamil, Bengali, Marathi and Telugu.

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  • Netflix’s ‘Indian Matchmaking’ shows content is the best marketing tool for OTT platforms

    Netflix’s ‘Indian Matchmaking’ shows content is the best marketing tool for OTT platforms

    KOLKATA: A week after Netflix dropped Indian Matchmaking, Mumbai-based matchmaker Sima Taparia had her face splashed on memes and posts on social media. Unlike its reality TV breakout hits Love Is Blind and Too Hot To Handle, Indian Matchmaking does not show a liberal dating culture setup or deep connection of love. Instead, it promotes the Indian arranged marriage trope. 

    Media, content creators and millennials across the globe have expressed their views and written official reviews about the latest trending show. While some think we can’t hide bitter truths for long, some are of the view that Netflix should not have promoted such a tainted social system. The appearance of colourism and casteism has made it receive a fair amount of backlash.

    “While the show normalises patriarchy and racism, the reason why we are hooked (including those of us who are outraged by it), from my observation, is because Indian Matchmaking gives us an opportunity to project our ideals and ‘wokeness’ on the back of the show. Screenshotting problematic statements and uploading it on my Instagram stories is a part of my ‘full watching experience,’” says Dentsu Webchutney creative director Binaifer Dulani.

    The trend again establishes a cliched notion that content is the biggest marketing tool for OTT platforms. The appealing shows broaden the appeal of the platform and help to grow a diversified following. And obviously, content travels globally. The show was not an Indian original from Netflix but it has received a great response from the country. As on Thursday morning, it was trending as the number one show in the country. Oddly, its local originals have not been able to create any buzz lately. 

    “For an OTT player, there are two kinds of products, the tech platform and the content it hosts. And irrespective of the business category, the rules stay the same. No matter how buzzworthy the marketing campaign is, if the product lives up to it, it takes it notches higher. The show almost immediately opened up an undercurrent of conversation and everyone wants to be in on the memes they scroll past. This need for belongingness is a big driver for subscriptions. And a good marketing strategy would only add to it by evolving and capitalising on this wave,” Dulani adds.

    “As the OTT market matures, we would begin to see genre-specific specialised platforms emerge, and so a distinct image. However, as of now most OTT platforms are generic entertainment service providers with content driving their imagery. New content campaigns become their marketing drive to recruit new subscribers and segments,” says Brand-nomics managing director Viren Razdan. 

    The audience has always perceived Netflix as a progressive, socially-aware platform and the platform has always been aware of its take on sensitive issues.

    Dulani adds, “Funnily enough, Netflix has managed to create this persona where you feel it thinks like you and is secretly laughing at some of the catchphrases with you (in spite of the ‘Netflix, what is this trash’ comments). Perhaps because Netflix manages to play the role of creator and spectator seamlessly. Through its owned content on social, it’s part of the Indian Matchmaking meme culture, like the rest of the internet.”

    “However, I feel that all content creators, advertisers and OTT platforms should further content that shows a world that’s more equal and questions problematic norms rather than glamorising them. I strongly believe that time and money should be invested in the pursuit of that versus clickbait. We carry this responsibility together,” she points out.

    Razdan says that in the new scenario, with movie halls going out of the social scene for a while, new releases lining up on OTT platforms are going to create the new blockbuster labels of content viewing.

    For now, Indian Matchmaking, though not made in India, has created all sorts of criticism on social media and has only served to spread the name of Netflix. Despite the negative comments, it could work well in getting more subscribers as Netflix targets India with new lower-priced plans.

  • Etisalat goes live with cloud OTT service using Synamedia’s Infinite Platform

    Etisalat goes live with cloud OTT service using Synamedia’s Infinite Platform

    KOLKATA: Synamedia today announced that UAE’s largest operator, Etisalat, has launched SwitchTV, a new direct-to-consumer (D2C) service based on Synamedia’s Infinite cloud TV platform and its end-to-end video network portfolio.

    Etisalat, the leading telecommunication operator in emerging markets, chose to work with Synamedia because its technologies provide the flexibility, security and agility needed to support, monetise and scale a multi-screen service with both free and premium live TV channels, catch-up and on-demand. Of particular importance is Synamedia’s private CDN, allowing Etisalat to leverage its infrastructure and private cloud solutions to deliver content to large audiences.

    With Infinite, Etisalat can process, secure, distribute and monetise video to all consumer devices. Benefits include the flexibility to offer a choice of SwitchTV subscription packages and different movie rental models. Users can also enjoy a personalised viewing experience, making it easy to find their favorite content and deepening their engagement. With Synamedia’s cloud DVR solution, viewers can record programs in the cloud and watch them on any of their devices. Synamedia also supports Etisalat’s multi-language requirements with channels offering Arabic, Western and Asian content.

    In addition, Etisalat is deploying Synamedia’s end-to-end video network to reduce latency at every stage of the video workflow – from encoding through to the CDN and player – while also minimising bandwidth requirements. This ensures that SwitchTV gives viewers a highly reliable, consistently high-quality viewing experience with no interruptions or buffering.

    Infinite is pre-integrated with Evergent’s market-leading global revenue and customer lifecycle management platform, giving Etisalat the advantage of a comprehensive carrier-grade subscriber management solution. The integration with Evergent’s multi-tenant platform made it easy to launch SwitchTV and grow the business with targeted promotions, advanced product and offer management and bundling with other Etisalat services.

    "The SwitchTV OTT service represents a step change for the residents of UAE," said Yves Padrines, Synamedia CEO. “Thanks to our comprehensive solution, Etisalat has a flexible offering that appeals to a broad range of audiences – from those looking for free programs, to those wanting premium live experiences or to rent movies. Users have started downloading the apps and feedback on the quality of experience and features is extremely positive.”

    "SwitchTV is a game-changer for viewers across the region.  Evergent complements the Synamedia service with pre-integrated, advanced and innovative monetisation options that contribute to a seamless customer journey. Evergent is thrilled to be part of Etisalat’s digital transformation strategy with SwitchTV," said Vijay Sajja, Evergent founder and CEO.

  • Netflix’s Rs 349 mobile+ plan not a game changer but can boost subscriptions

    Netflix’s Rs 349 mobile+ plan not a game changer but can boost subscriptions

    KOLKATA: Netflix took its first step to appear as an affordable streaming service last year with the launch of its Rs 199 mobile-only plan. Global executives have spoken of its success repeatedly and implemented similar plans in other markets. Now, it is testing a new Rs 349 plan targeting smartphone users which will allow users to stream HD.

    "We launched the mobile plan in India to make it easier for anyone with a smartphone to enjoy Netflix. We want to see if members like the added choice this offer brings. We’ll only roll it out long-term if they do,” a Netflix spokesperson clarified. 

    Experts believe it will position Netflix stronger in the competitive ecosystem given the large number of smartphone users in the country. SBICap Securities institutional equity research head Rajiv Sharma mentions that all markets or households don’t have wired broadband connection but most of them have a good smartphone and high-speed mobile data. According to him, there is a segment which has an appetite for that plan. Although it will be a niche segment to begin with, depending on the additional offerings it may make a difference, he adds.

    Sharma also says that it’s coinciding with the announcement of the 17 new originals. Hence, these fresh stories can result in a good pick-up. He mentions that the company has to monetise 17 originals by increasing subscriber base and recurring revenue.

    The Rs 199 plan, the cheapest offering from Netflix in India, comes with standard definition (SD) and only allows users to stream on their smartphones or tablets. On the contrary, the upgraded version of the mobile plan will let users to stream content additionally also on computers with HD. 

    Elara Capital VP – research analyst (Media) Karan Taurani says that this new plan which is under testing will definitely not be a game-changer like the Rs 199 plan but it is a good move from the marketing perspective. Segmentation of subscriptions into different price-points will help to communicate with different audiences. He also adds while Netflix mostly has a premium audience, if it is rolled out it will be attractive for low and mid users who have a smartphone. 

    "It’s consistent with this broad theme and goal that we have, which is seeking effective ways to make the Netflix service more accessible. And it certainly has been performing the way that we've expected, which is that it is a significant increase and acceleration in being able to add new members. But also that it's doing it at a way which is, from a revenue perspective, neutral to positive, which we think is a really great position to be in the long term for the business,” Netflix COO and chief product officer Gregory Peters commented earlier on the mobile plans.

  • Eros Now Partners with Sony India

    Eros Now Partners with Sony India

    KOLKATA: Eros Now today announced its collaboration with one of the leading and most trusted television brands, Sony India, to provide unlimited online entertainment to consumers in India. This alliance between the two renowned household brands enables a large base of existing (BRAVIA E series and newer TV models) as well as prospective Sony BRAVIA customers to access Eros Now's pre-installed app seamlessly on their smart TVs and enjoy its massive content catalogue on high definition, superior quality screens.

    Indian families have been watching television together more frequently since the coronavirus lockdown began in March. At a time when consumers are increasingly enjoying content along with their families on smart screens, this partnership caters to the demand of audiences across demographics.

    India's smart TV market has witnessed exponential growth in recent times, and it demonstrates the growing trend of co-viewing in the country. According to Counterpoint research, in 2019 India has seen a substantial 25 per cent growth in demand for smart televisions fuelled by overall industry growth of 15 per cent, to a record 15 million units per annum.

    Under lockdown, with homes transformed into theatres, the audience can now binge-watch Eros Now's original shows, over 12,000 movie titles, music videos, short-format content Quickies and more on the Eros Now app on their Sony BRAVIA TVs most evenings, with their entire family.

    Commenting on the announcement, Eros Now CEO Ali Hussein said, "The recent surge of online video streaming on smart TVs offers a massive opportunity for leading OTT players and Smart TV manufacturers to join hands and picture a new growth story. There is a vast audience base across demographics who have now started enjoying online video content, and smart TV is boosting this habit. Thus, the partnership with Sony TV helps in further increasing the co-viewing experience in India with family-friendly video content offered on Eros Now platform becoming a growing trend and resonating across all age groups."

    Sony India BRAVIA Business head Ranvijay Singh added, "Our consumer-centric approach led us to partner with one of India's leading OTT player, Eros Now. Eros Now's massive movie library, originals and music will certainly add to the entertainment services on Sony BRAVIA smart TVs and offer wholesome entertainment to our audience seamlessly."

  • Amazon Prime Video drops the trailer for upcoming original series Bandish Bandits

    Amazon Prime Video drops the trailer for upcoming original series Bandish Bandits

    KOLKATA: – Amazon Prime Video today released the trailer of the highly awaited all-new Amazon Original Series Bandish Bandits which will be available to stream from 4 August, 2020. Produced and created by Amritpal Singh Bindra and directed by Anand Tiwari, the all-new Amazon Original Series is set in Jodhpur and tells the story of two young musicians, hailing from contrasting backgrounds. Bandish Bandits also features an exciting original soundtrack, composed by Shankar-Ehsaan-Loy, who are also making their digital debut with this show.

    Lead actor Ritwik Bhowmik said: “Bandish Bandits has been a dream in the making. Working with stalwarts such as Naseeruddin Shah, Rajesh Tailang, Sheeba Chaddha and Atul Kulkarni for my debut was one of the most fulfilling experiences of my life. Bandish Bandits is a blend of Indian traditions seeped in music that beautifully describes young love, ambition, passion and family values in a simple, yet powerful manner.”

    Lead actress Shreya Chaudhry said: “Working with Anand Tiwari has always been something I had wanted to do, so being part of Bandish Bandits is nothing short of serendipitous. I could not have asked for a better setting to work and learn more about acting, that too from some of the most talented and respected actors in India! I believe the show is a heart-warming journey of music and love and think it is something the audience would very much enjoy watching.“

    Bandish Bandits follows the story of Radhe and Tamanna. Radhe is a singing prodigy determined to follow in the classical footsteps of his grandfather. Tamanna is a rising pop sensation desperate to become India's first international popstar. Radhe's world is turned upside down when he falls in love with Tamanna. Torn between helping her achieve superstardom and staying true to his own music and his family’s legacy, will he succeed in juggling both at the risk of losing everything he has?

  • ZEE5 India appoints Manish Kalra as senior vice president and business head, AVOD

    ZEE5 India appoints Manish Kalra as senior vice president and business head, AVOD

    KOLKATA: ZEE5 has transformed the digital video entertainment ecosystem of India. As part of its strategy to drive the next stage of growth, the platform has recently made a series of senior-level appointments across verticals. In line with this, ZEE5 has hired Manish Kalra to lead their AVOD service as senior vice president and business head.

    Manish brings with him an experience of over 19 years in the online business and marketing space. He believes that successful businesses are built by teams with a solid understanding of customer behavior and has a customer-first approach.

    In his new role, he will be responsible for overall AVOD business, developing the platform and content marketing strategy including, strategy for user acquisition and retention campaigns, partnerships and alliances for distribution and consumption of the AVOD content on the platform and driving overall growth. Prior to this, over the last 10 years, he has taken up various leadership roles like CMO, CBO and CEO in various online organizations like Amazon, MakeMyTrip.com, Craftsvilla.com and Homeshop18.

    Manish holds a Master’s in Business Administration from XLRI, Jamshedpur and a bachelor’s degree in Mechanical Engineering from the Punjab Engineering College, Chandigarh.

  • Netflix’s reinvigorated strategy for the next decade & India’s growing role

    Netflix’s reinvigorated strategy for the next decade & India’s growing role

    KOLKATA: Netflix wants to be the ‘best friend’, the primary choice of streamers across the world. While the streaming rat race is picking up internationally, Netflix is moving fast and expanding its content mix. It has moved on from only focusing on scripted episodic originals to also strive to replicate the success of premium TV in unscripted content, movies and animation. This, for Netflix, is the “next decade” of opportunities.

    “We are so excited about the next decade of Netflix growth. We've definitely got a good start, but the opportunity across the next decade is just amazing for us. It's a lot international but I couldn't be more excited about it, and it will be great to have some help as we expand the globe, and I'm looking forward to that.  And to be totally clear, I'm in for a decade. And as co-CEO, it's two of us full time. It's not like a part-time deal. So it's definitely broadening the management team and help us grow even faster over the next 10 years,” Netflix co-founder and co-CEO Reed Hastings said as he named chief content officer Ted Sarandos as co-CEO.

    Is Netflix in the next ten years the same compared to the last years? Hastings said in an earnings call after Q2 results that it has got a good model for the next ten years and just need to make it better. Netflix has historically spent most of its money on content but it is also working on making the service better, more user-friendly with a smarter UI.

    “A couple of years ago, we only had a premium TV. And now to be really good in movies, to be really good in unscripted, emerging in animation, very strong in local language shows and series, I mean it's an incredible expansion that Ted has pulled off over the last five years. So think of it as just us doing more of that at a higher scale and pleasing more people,” he added. 

    Sarandos, the content king at Netflix said that if the platform aims to be the go-to destination for entertainment, it would not be a smart move to ignore the area of programming that dominates broadcast. Hence, it has been dabbling in unscripted reality. Notably, Netflix has significantly spoken more of animated content in the last one year which is the best weapon of its rival Disney+.

    Hastings said that the content team is coming up with some big bets. “We want to have so many hits that when you come to Netflix, you can just go from hit to hit to hit and never have to think about any of those other services, right? We want to be like your primary, your best friend, the one you turn to. And of course, occasionally, there's Hamilton and you're going to go to someone else's service for an extraordinary film. But for the most part, we want to be the one that just always please you with the convenience, simple and easy choice,” Hastings said.

    Despite leading the streaming revolution, competition is going to be the biggest challenge for the pioneer in the next ten years with deep-pocket rivals like Disney+, Apple TV+, HBO Max and Peacock having entered the market. Even more of the traditional networks are now pulling off content from Netflix for their digital arms causing a big dent in the library as the evergreen popular shows still attract eyeballs.

    As the US market gets overcrowded with large-scale contenders, Netflix is going to focus highly on international markets. “When I think about what our future is and I think it's just a tremendous next stage of growth that we will see mostly coming from outside the United States. So think of more and more employees outside the United States, more productions, more operations happening outside the US and hopefully, many, many more members outside the US. This is an opportunity to lean in just a little bit more, be proactive and drive a little bit more alignment across those activities where we think alignment will benefit the business and push the optimisation of those activities a little bit more,” Netflix COO and chief product officer Gregory Peters said.

    Meanwhile, Netflix has already set its eye on the largest growing OTT market – India.  It set an audacious goal of getting its next 100 million subscribers from the country. This is a tougher market to crack given the local rivals alongside Disney+ Hotstar and Amazon Prime Video. In the last quarter, it has added less than three million paid subscribers from the entire APAC region. However, despite the slow growth, Netflix is increasing investment here. A few days ago, it announced 17 new local originals. As the Netflix bosses embrace the excitement for the coming 10 years, reinvigorated content strategy and international expansion can save it from the dwindling position of once-undisputed streaming king and definitely there will more spending to get Indian audiences.