Category: Over The Top Services

  • Karan Bajwa is new Google Cloud Asia Pacific chief

    Karan Bajwa is new Google Cloud Asia Pacific chief

    NEW DELHI: Google Cloud has elevated Karan Bajwa, who currently leads Google Cloud in India, as the company’s new leader for Asia Pacific. Bajwa will lead all regional revenue and go-to-market operations for Google Cloud, including on Google Cloud Platform (GCP) and Google Workspace from today. 

    He succeeds Rick Harshman who leaves the organisation for a new opportunity. Bajwa is currently based in Gurgaon, India, but will relocate to Singapore in 2021. He will also continue to lead Google Cloud in India until a new senior leader for the business is appointed. He will report to Google Cloud president of sales Rob Enslin.

    “Since Karan joined us in March 2020, Google Cloud in India has grown from strength to strength. He’s advanced the digital transformation journeys of many large Indian organisations across industries and successfully expanded our partner community. He brings tremendous management and sales experience with him to this regional role, and we’re thrilled to have him at the helm of our APAC business,” said Enslin. 

    “With the disruptions of 2020 behind us, a true test of 2021 will be how companies replatform and build on the cloud not only for resilience but agility and innovation, and I’m excited for the opportunity to lead Google Cloud’s business in APAC to maximise this next phase of growth,” said Bajwa. 

    Google Cloud is on a strong growth trajectory within Asia Pacific and counts ANZ Bank, Lendlease, Optus, Sharechat, Tech Mahindra, L&T Finance, Wipro, Samsung Electronics, Foxconn, Kia Motors, Go-JEK, Tokopedia, and XL Axiata as customers to name a few. The company has also invested in technical infrastructure in the region, having launched its GCP regions in Jakarta and Seoul last year, with planned expansion to Delhi and Melbourne in 2021.

    Bajwa has nearly 20 years of experience and has worked across multiple technology companies such as IBM, Cisco, Microsoft, and IBM. 

  • MX TakaTak announces Rs 100 crore creator fund

    MX TakaTak announces Rs 100 crore creator fund

    New Delhi: MX TakaTak, a popular short form video platform, has shown huge growth in terms of users, usage time and its large community of content creators amongst other metrics. It has now announced a new initiative for creators – the MX TakaTak creator fund to encourage India’s talented and innovative set of established and emerging creators to create engaging, impactful and inspiring content on the platform. The fund will deploy one billion rupees (Rs. 100 crore) for creators. In a promise to support its existing creators as well as to encourage new creators with impactful content ideas, the fund is meant to help them use their creativity to build an exciting career. The fund will support creators of all sizes and backgrounds, rewarding the passion and creativity they put into inspiring, engaging and entertaining the community on MX TakaTak. 

    It will be open for all Indian citizens and those creators who consistently post original videos or have unique ideas for content across various categories such as education, tech, sports, art, entertainment, fashion and makeup, travel and photography etc. Once selected in the fund, the creators will receive regular rewards for their content based on various performance criteria such as uniqueness of their content, authenticity, views, engagement, followers etc. In addition, a select few aspiring creators with story ideas that make a social impact will receive a start-up fund to support the start of their journey on MX TakaTak. The guidelines of the fund are available on https://mxtakatak.com/creator-fund. 

    MX Player CEO Karan Bedi said, “The MX TakaTak Creator Fund is a way to give back to millions of people who bring their ideas into videos as well as to inspire other digital enthusiasts. Millions of users upload videos daily on the MX TakaTak App. We were thrilled to see the amount of creativity and hard work that our users put into bringing their dreams alive and into a video. We hope that the creator fund will not only reward them but also inspire them to continue creating impactful content, build an inspiring digital career, and help give back to the society that we all benefit from.”

    He further added saying, “The short format video ecosystem is fast evolving and we’re delighted to have emerged as the market leaders in this category. Home to 70 million monthly active users and with over 10 million unique content creators, we are the preferred platform of choice for both the users and creators; we aim to further scale this in the new year.”

    Through the MX TakaTak creator fund, creators will realize additional earnings to remain committed and connected to their audience, thereby creating great quality content.

  • Myleeta Aga quits Netflix

    Myleeta Aga quits Netflix

    KOLKATA: Following an internal realignment of the southeast Asia and Australia content teams, Myleeta Aga has moved on from Netflix. Aga joined the streaming service in 2019 after a decade-long stint at BBC Studios.

    She was mandated to head content operations for southeast Asia and Australia. “It’s been an amazing year! I am proud of the work that our team has done, putting Southeast Asia and Australia on the map for Netflix, and showcasing the phenomenal potential of the creative community across these countries to audiences at home and around the world. I believe in the power of great stories, and I am confident in the success that lies ahead,” she said as quoted by Variety.

    According to the report, Seoul-based Kim Minyoung will oversee content planning in the region. Aga’s departure is a result of Netflix’s country-specific focus in the region, rather than having a centralised control. The platform has also thanked Aga for her contributions.

  • Amazon Prime Video releases new character looks for its biggest political drama ‘Tandav’

    Amazon Prime Video releases new character looks for its biggest political drama ‘Tandav’

    New Delhi: After creating a storm with its first teaser, the Amazon Original series Tandav is all set to introduce us to the phenomenal cast of this riveting political drama. Amazon Prime Video today unveiled some exceptional character looks of the ensemble including Saif Ali Khan as Samar Pratap Singh, Dimple Kapadia as Anuradha Kishore, Sunil Grover as Gurpal Chauhan, Mohd. Zeeshan Ayyub as Shiva Shekhar and Kritika Kamra as Sana Mir.

    Never seen before in such a staggering avatar, the posters truly uncover the powerful roles that every character entails in the upcoming gripping story. The nine-episode series marks the creator and director Ali Abbas Zafar’s exciting debut in the digital streaming world and will rest assured leave the audience astounded.

     

     

    Set in the capital city of the world’s largest democracy, Tandav will take viewers inside the closed, chaotic corridors of power and uncover the manipulations, charades as well as the dark secrets of people who will go to any lengths in pursuit of power. The series will be available for Prime members in India and in more than 200 countries and territories from 15 January onwards.

  • 2020 and the debate of TV vs digital video

    2020 and the debate of TV vs digital video

    MUMBAI: It’s been two decades since I have been listening, participating and speaking about the great inflection point in digital in India. Every five years with some growth in consumer usage of the internet, adoption of platforms and growing online shopping, the claim used to only add fuel. Further to tons of VC money going into start-ups, every third person used to say “Digital Inflection Point” has truly arrived in India.

    So, I am kind of tired of this whole story, but wait… 2020 has been that year when the digital inflection point truly arrived. I say it with total conviction, data points and authority as a media agency head, based on what I am seeing on the ground and how clients have responded to the turning landscape and massive consumer behavior changes happening around us.

    VCs invest in ideas for the future and 90 per cent of them fail but the ones that stick, address the growing need when the inflection point arrives, solving a problem and making the business viable because the business has a purpose. Purpose of disseminating information or spreading joy through entertainment or enabling healthcare in remote places or bringing education to people’s homes or even making financial transactions simpler.

    This would not be possible without the technology that could back the high-speed internet required for addressing any of the purposes I have mentioned above. India as a country still has affordability issues. So,  when the high-speed internet became affordable, consumer intent naturally swayed towards cheaper options, making viewability of content agnostic in nature.

    That is the only true reason why I believe that the inflection point has arrived and it’s here to not just stay but grow exponentially. Now how does that translate to comparing digital video to TV?

    TV is known as the idiot box and it will continue to be one. Mobile will be known as an idiot brick, but these idiotic products are the only mediums that enable communication with the latter being a two-way mechanism of communication at the highest levels.

    Indians have consumed AV since the early fifties  through movies, which was later followed by terrestrial TV, then the VCR wave settled in with cable TV from early nineties. Indians are emotional and therefore anything that brings in emotional highs has always worked, which is why entertainment as an industry is so large in India. Naturally, the progression would be towards affordable consumption, and high-speed internet did just that. It enabled consumption of the ever-growing content from emotional to comedy to dramatic to romantic to edgy to sexual to the next level. Add to that social media, where you could be a star with millions of followers generating income for the content you create, made the medium even more adoptable for creators and stickier for the consumers.

    We haven’t even spoken about cricket here!

    Add to that the pandemic in 2020, every aspect of consumption soared, and India’s favorite pastime now made its entry into the idiot bricks or what we call mobile phones. Everything changed and I am going to quickly explain how the growth of mobile internet actually grew the market and did not take away the share from TV.

    I recently met an MD of a very large financial institution with my team and we started talking about how OTT is taking away the share from TV in terms of reach and I begged to differ with him because the data that I am narrating shows that not only has TV grown in size and consumption, but digital video has also in fact created newer audiences, thereby breaking the myth of OTT taking over TV in the future.

    India is the second largest television market in the world with 195 Million households of which 80 per cent are paid C&S channels, which makes it a subscription market for TV at around 156 million as per Statista. As per BARC, TV viewership grew by 10 per cent  in 2020 over 2019 (consolidated – urban + rural, Jan – Nov). India is looking at a projected revenue generation of $3 billion  from TV as an industry through advertising in FY 21.

    Despite the growth in C&S, digital advertising is going to overtake TV advertising in FY 21 with a projected revenue of $3.5 billion. As per KPMG, the 20 per cent drop from projections is largely the dismal economic situation due to the Covid 19 pandemic but what that did was to enable the massive adoption of OTT and grew the whole base of paid subscribers which will cross 40 million in FY 21 fueling the growth of digital advertising northwards.

    There are standing examples of these claims with the release of movies on OTT and its subsequent adoption, IPL on Hotstar which saw unprecedented growth reaching over 300 million handheld devices and the ever-growing connected TV story, for which Samsung is gearing up to provide solutions on advertising in the near future.

    With an average of $10 in subscriptions, we are estimating  paid subscription revenue on OTT to be around $400M which clearly indicates that consumers are willing to pay to consume more and more video content. Players to watch out for in 2021 will be YouTube, Hotstar, Instagram Reels, Netflix, Amazon Prime, Zee5, SonyLiv, MX Player, Ullu, Hoichoi and SunNext.

    If TikTok makes a comeback then it will see tremendous adoption but there are players like Josh who are taking that space up quickly, so while OTT consumption will continue to grow, social video sharing apps are also now part of the same mix when it comes to content consumption if it has to be classified as digital video.

    So, my humble submission therefore is, “inflection point” has truly arrived in 2020 and was accelerated by the pandemic, which is why in FY 21, digital advertising will overtake television advertising and while TV is seeing growth in viewership, it is declining in revenues due to the drop of 20 per cent  in advertising spends again due to the pandemic that impacted our economy on the whole. TV and OTT are parts of the same coin as heads and tails are. Hence, while we see OTT adoption is growing at a rapid pace, it will necessarily not replace TV anytime soon. OTT behavior is in silos except when on connected TVs  and television viewing is typically family driven, again a big difference in consumer behavior thus making a niche for both these mediums which is why I continue to believe that OTT as disruption has increased the overall size of audience and not taken away share from TV. Therefore, both these mediums will co-exist in India for some time to come, period!

    (The author is managing partner at DDB Mudra Group and is responsible for the media business. )

  • Eros Now partners with Applause Entertainment for Udan Patolas

    Eros Now partners with Applause Entertainment for Udan Patolas

    MUMBAI: Streaming platform Eros Now has partnered with Applause Entertainment to create a premium romantic comedy series titled Udan Patolas. The audience can look forward to a fun-filled entertaining piece of content with intense emotion and drama that will be seen on the OTT.

    Udan Patolas, is the Indian adaptation of hit Israeli series Honey Badgers from Armoza Formats, a riveting story of four friends and their aspirational journey in Mumbai. This is a tale of a strong sisterhood replete with inside jokes, emotional upheavals, and many unplanned comic moments. The Eros Now Original series is produced by Applause Entertainment in association with Sol Production and is directed by Shakti Sagar Chopra. It features Aastha Sidana, Sukhmani Sadana, Apoorva Arora, Poppy Jabbal, Tanya Kalra, Manik Singh, Rajbeer Singh, Mayank Arora, Vaibhav Talwar, and Rakesh Bedi.

    Eros Group chief content officer Ridhima Lulla said, "At Eros, our constant endeavour is to present audiences with fresh and fascinating content in varied genres. The partnership with Applause Entertainment is a step further in enhancing our robust Originals library and continue to attract audience across demographics and geographies. We have always presented Indian content internationally and with Udan Patolas we will now be showcasing an international adaptation for our viewers.”

    Applause Entertainment CEO Sameer Nair said, "We are excited to partner with Eros Now to build their slate of original content. We are glad to be able to entertain and delight their customers with two exciting series from the house of Applause, starting with Udan Patolas.

    Recently, Eros Now unveiled its strategic market expansion plan, as part of which it will add 46 new titles – comprising 33 film premieres and 13 original series – in 2021. The platform caters to 36.2 million paid subscribers and 211.5 million registered users worldwide as of 30 September 2020.

  • Netflix’s Reed Hastings skims $225 mn in stock sale

    Netflix’s Reed Hastings skims $225 mn in stock sale

    MUMBAI: Netflix co-chief executive officer Reed Hastings has collected $225 million from a stock sale, the latest in a series of such transactions the billionaire has made this year, totalling $616 million.

    A Bloomberg Quint report states that Hastings has cashed in enough moolah in 2020 to produce all four seasons of marquee series The Crown, all six seasons of Peaky Blinders, or the equivalent of about 4.7 million annual Netflix subscriptions, based on average monthly subscription costs. The sales, the latest of which was on 21 December, were made as part of a trading plan believed to boost the streamer-producer’s content creation budget.

    Netflix stock has climbed 63 per cent this year as the streaming service has added 28.1 million new subscribers during the first nine months of 2020, accelerated by increased demand for at-home entertainment during the Covid2019 pandemic. In fact, Hastings has seen his wealth increase about $2.2 billion this year to $6.4 billion, going by Bloomberg Billionaires Index, which also pegs him as the 120th richest person in the US.

    Hastings sold 437,311 shares of Netflix stock on 21 December 2020 at an average price of $527.26 a share. The total sale was $230.6 million. Prior to this, he sold 213,346 shares on 23 November 2020 at the average price of $482.51. The price of the stock has increased by 9.29 per cent since.

    For the uninitiated, Hastings started his first tech business, Pure Software, in 1991, before going on to co-found Netflix with Pure colleague Marc Randolph in 1997.

    Another former Netflix director Anthony Wood, who is also the co-founder of Roku Inc, has made hay during the pandemic. Wood’s wealth has doubled in the last three months as sales of the firm’s streaming players increased 57 per cent in the third quarter from a year earlier.

  • Eros Now Select now on Apple TV channels in 11 new countries

    Eros Now Select now on Apple TV channels in 11 new countries

    KOLKATA: Eros Now, a leading South Asian streaming entertainment service owned by Eros STX Global Corporation, has made its content available through Eros Now Select for Apple TV channels on the Apple TV app on iPhone, iPad, Apple TV, iPod touch, Mac, and other platforms in 11 new countries.

    After its successful launch in the US, Canada and India, Eros Now Select is now available to customers in significant overseas markets, such as Australia, New Zealand, Singapore, South Africa, Cambodia, Indonesia, Israel, Malaysia, Philippines, Sri Lanka, and Tajikistan.

    The global demand for Bollywood movies and Indian originals makes Eros Now Select an ideal online destination for South Asian diaspora worldwide to access the best video streaming experience. As Indian entertainment content continues to attract a massive audience base worldwide, the expansion through Apple TV channels deepens Eros Now Select’s consumer footprint in these growing OTT markets.

    Subscribers to Eros Now Select through Apple TV channels can watch online or enjoy offline downloads of their favourite shows on the Apple TV app. Through family sharing, up to six family members can share subscriptions to Apple TV channels using their own Apple ID and password on their own devices.

    Eros Now CEO Ali Hussein said, “The rise in OTT consumption worldwide opens up immense opportunities for Eros Now Select – widely known for its extensive Bollywood and Indian originals – to expand reach and ramp up distribution in 11 new territories on the Apple TV app.”

    The Apple TV app brings together all the ways to watch shows and movies into one app and is available on iPhone, iPad, iPod touch, Apple TV, Mac, select Samsung, LG, and Sony smart TVs, Roku and Amazon Fire TV devices, and PlayStation and Xbox consoles. The Apple TV app also features Apple TV+, Apple’s video subscription service offering original shows, movies and documentaries from the world’s most creative storytellers, as well as other Apple TV channels, personalised and curated recommendations, and movies to buy or rent.

  • Kidswear scores high on Myntra in 2020

    Kidswear scores high on Myntra in 2020

    NEW DELHI: Kidswear is emerging as a strong and promising segment for online fashion major Myntra. The kids’ category is an integral part of the platform’s overall value proposition and has registered a 90 per cent growth over the last one year. This may be attributed to the growing attractiveness of online shopping, from the perspective of safety, during the pandemic.

    Myntra currently houses over 1.1 lakh styles from over 450 leading brands in the kid’s category. Some of the leading brands on the platform in the kids’ segment are H&M, UCB and GAP, among others, while leading products include dresses, T-shirts, sweatshirts, value packs and night suits. The category also performed extremely well during the course of the pandemic, when its share of revenues doubled, registering strong organic growth for home wear and day wear article types, such as value packs, night suits and innerwear, among others.

    During the current year-end festive season, Myntra witnessed huge demand for party and outerwear, with sequins and embroidered dresses for girls and blazers and suits for boys. Winter jackets and sweatshirts are also emerging as a favourite among kidswear.    

    The festive and summer holiday seasons witnessed peak purchases, along with Children's Day. The ratio of products for boys and girls being sold on the platform was 45:55. 

    The ongoing End of Reason Sale on Myntra, which will end on 24 December, offers over 150 brands and 11,000 winter styles, with some of the top brands offering ‘specially curated for Myntra’ ranges, bringing a very differentiated and fashionable line-up that is priced sharply.

    Strengthening the kids category even further,  the e-commerce platform has launched a toys segment recently. Coming as it does, ahead of Christmas, the section is live with 850 styles currently and on track to introduce 1,500 more in the next three to four months. Some of the leading brands in the segment include ToysRus, Disney, Barbie and Mattel among other leading toys brands in the country.

    Myntra head of business Ayyappan Rajagopal said, “The kids’ category is one of the major areas of focus for Myntra, especially after a very successful run in the recent months, peaking during the festive period. We have always been stronger in this segment in the metros and up north, and with the launch of a number of south and regional selection and brands our penetration into tier-2 and tier-3 cities has also increased significantly. Right now, we are witnessing over 100 per cent growth in kids’ winter wear, with teens and pre-teens in the age group of eight to 16 years, growing the highest. Overall, we are expecting strong traction in winter wear, T-shirts, dresses, infant apparel and ethnic wear, as a category in the days ahead.” 

    The etailer has also strengthened its portfolio in the infant space with big launches like Chicco and Mothercare. Along with that, many new launches like Max, Levi's kids, converse, Jordan helped Myntra grow its footprint in the branded space, added Rajagopal.

  • Indian short-video platforms score funding from global investors

    Indian short-video platforms score funding from global investors

    KOLKATA: When one door closes, another opens. The ban on TikTok resulted in a wellspring of similar short video format platforms which became home to India’s considerable content creation community. Josh and Roposo are among these homegrown video sharing apps which rode the vocal for local wave and expanded their market shares post the government cracking the whip on Chinese apps. They quickly racked up several million downloads and an active user base within days of launch. Now, their growth trajectory has piqued the interest of top-notch global investors.

    TikTok copycat Josh’s parent company Bengaluru-based VerSe Innovation has raised nearly Rs 740 crore ($100 million) from investors like Google, Microsoft, AlphaWave. VerSe Innovation is valued at more than around Rs 7,400 crore ($ 1 billion) following the investment. Additionally, Roposo’s parent company Glance InMobi has just concluded a Rs 1,070 crore ($145 million) investment round from Google and Mithril Capital.

    Google is optimistic that the investments in leading Indian start-ups will enable them to further scale the availability of relevant and engaging content in different formats across various Indic languages.

    “We’re also eager to support the wider ecosystem in India, particularly local startups innovating in this space. When we shared details of the India Digitization Fund in July this year, we identified enabling affordable access and information for every Indian in their own language, whether it’s Hindi, Tamil, Malayalam, Gujarati, and more as a key pillar in order to drive forward India’s digitisation,” Google said in a blogpost.

    VerSe Innovation has joined India’s unicorn club on the back of this latest round of funding, which will be deployed towards the augmentation of local language content offerings, the development of content creator ecosystem, and innovation in AI and ML along with focusing on Josh. The app currently has more than 77 million monthly active users and 36 million daily active users and plays over 1.5 billion videos per day.

    On the other hand, Glance will use the new investment to deepen its AI capability across Glance and Roposo, expand its technology team, and launch services on the platform. The app has more than 33 million monthly active users and has been downloaded more than 100 million times on Google Play Store.

    Back in September, ShareChat (behind the short video format app Moj) also raised roughly Rs 300 crores ($40 million) from investors including Twitter Inc and Lightspeed Ventures. According to a recent report, short-form videos have emerged as the fastest-growing content category in India with 180 million users in the financial year 2020.