Category: Over The Top Services

  • aha announces new web series ‘The Baker and the Beauty’

    aha announces new web series ‘The Baker and the Beauty’

    Mumbai: Telugu OTT platform aha in association with Keshet International has announced the latest web series “The Baker and the Beauty”, slated for the 10 September release.

    The show is an adaptation of the globally acclaimed Israeli series by the same name. “The Baker and the Beauty offers a realistic picture of the conflicts, aspirations of people across Telugu middle-class households and in the crème de la crème of the society,” said aha in a statement.

    The drama revolves around the unlikely romance between a middle-class youngster Vijay, who manages his parents’ small-time bakery and a film star Aira Vasireddy, a loner at heart.

    Starring Santosh Shobhan, Tina Shilparaj, Vishnu Priya, Sai Swetha and Venkat, the ten-episode show marks the first collaboration between aha and Annapurna Studios. The trailer of the show was unveiled amid the cast and crew in Hyderabad.

    “With nearly 11 million app downloads and an audience numbering 45 million across the globe, aha has set new standards for top-class content in the Telugu digital space in less than two years,”  said My Home Group, director, Meghana Jupally. “The success of genre-bending shows like Kudi Yedamaithe and Tharagathi Gadhi Daati recently, speaks for itself. I am sure The Baker and the Beauty would leave audiences spellbound as well.”

    “I feel privileged to be part of a memorable show like The Baker and the Beauty and equally humbled to associate with aha for a web show. This show kick-started my career as a lead actor and also reinstated my love for the craft and storytelling,” said lead actor Santosh Shobhan. “I resonated with the concerns, confusions, and sentiments of a middle-class boy like Vijay. The show will have something for everyone to identify with, and there can be no better occasion than a festival like Vinayaka Chavithi for families to come together and enjoy the show.”

    aha has premiered films and series including “Krack”, “11th Hour”, “Zombie Reddy”, “Chaavu Kaburu Challaga”, “Naandhi”, “In the Name of God”, “Needa”, “Kala”, “aha Bhojanambu”, “One”, “Super Deluxe”, “Chathur Mukham”, “Kudi Yedamaithe” and “Tharagathi Gadhi Daati” this year.

  • ZEE5 forays into Punjabi content with all-new lineup

    ZEE5 forays into Punjabi content with all-new lineup

    Mumbai: ZEE5 has launched an all-new Punjabi content slate under the ‘Rajj Ke Vekho’ initiative, in order to strengthen its footprint in Punjab and neighbouring areas in Northern India. The video streaming platform’s new content slate will address the demand of over three crore Punjabi native speakers in India, it said.

    The new offering consists of Punjabi films, web series, originals and shows including straight-from-the-theatre titles from Zee Studios including “Puaada”, “Qismat 2”, “Jinne Jamme Saare Nikamme”, and “Fufad Ji”, starring popular Pollywood actors Ammy Virk, Sonam Bajwa, Sargun Mehta, Binnu Dhillon, and Gurnam Bhullar.

    ZEE5 India, chief business officer, Manish Kalra said the ‘Rajj Ke Vekho’ initiative is an attempt to bridge the gap between the TV watching audience and OTT users, bringing everybody onto a common platform. “Punjab, today, boasts of over 70 per cent internet penetration, a telecom infrastructure density that ranks third in the country, with one of the highest GDPs and per capita incomes in India. Despite this, the content offerings in the local Punjabi language are not as diverse as a crucial market like Punjab deserves. While intent among the audience is high, the availability of options is low, which is precisely what ZEE5 is here to address with the initiative,” he added.

  • Prime Video India content head Vijay Subramaniam steps down

    Prime Video India content head Vijay Subramaniam steps down

    Mumbai: Amazon Prime Video India’s director and head of content Vijay Subramaniam has stepped down, the company confirmed in a statement. Country manager Gaurav Gandhi will take over his responsibilities going forward.

    Subramaniam has been associated with the company since 2017.

    “Vijay has played a key role in Prime Video’s growth in India in this period. We are grateful to him for his valuable contributions over the last four years,” said Prime Video India in a statement. “In his content leadership role, Vijay helped forge several key creator partnerships as well as laid great focus on expanding our content selection across languages. We wish Vijay the very best for his upcoming endeavours.”

    “Director and country manager Gaurav Gandhi will continue to lead Prime Video in India and work across all teams to accelerate Prime Video’s mission to be the most-loved entertainment brand in the country,” it further said.

    Subramaniam was previously with The Walt Disney Company, India before he quit as vice president – content and communication. He joined Disney in February 2007 and was responsible for the growth of its youth channel – Bindass. During his career, he has had stints at MTV Networks India, Entertainment Network India, Star TV Network, and Magna Publishing.

    He has almost three decades of experience in the media industry across TV, radio, publishing and digital media. His expertise includes content development and creation, programming and branded content, marketing strategy and implementation, revenue optimisation and sustainable growth and team building.

  • Koo onboards Phaneesh Gururaj as president, technology

    Koo onboards Phaneesh Gururaj as president, technology

    Mumbai: Homegrown microblogging platform Koo on Friday brought onboard Phaneesh Gururaj as president- technology to lead the engineering and innovation team at the company. He has moved from redBus as leader of the engineering and product teams.

    Along with Gururaj, the technology team at Koo will consist of Google – VP of engineering, Badri Narayan; GoJek – VP & head of mobile division, Pavan Kunchapu; Walmart Labs – engineering leader & head of data platforms, Vivek Yadav. This newly appointed team will be tasked to further accentuate the engineering capabilities and ensure that the technology at Koo is prepared to manage the next level of scale.

    “In order to give shape and direction to creating a robust technology platform, Koo has put together a best-in-class engineering team that will work closely with Gururaj in India,” said the company in a statement.

    “Koo is the first social media platform that is being built from scratch in India. With the number of languages and features, Koo will eventually offer a robust technology team that will be the backbone of this effort,” said Koo, co-founder & CEO, Aprameya Radhakrishna. “With tremendous experience in building and managing platforms, Phaneesh and team have the credentials to support the growth expected at Koo.”

    At the end of August 2021, Koo achieved one crore downloads in just 16 months of going live. Koo is currently available in eight languages and has several pioneering technology features, said the company.

  • Disney to phase out Hotstar US operations by 2022: Report

    Disney to phase out Hotstar US operations by 2022: Report

    Mumbai: The Walt Disney Company plans to phase out Hotstar operations in the US by late 2022, according to a report by Deadline.

    All sports-related programming on Hotstar including the Indian Premier League will be streamed on ESPN+ going forward. ESPN+ will acquire all the cricket rights owned by Hotstar to stream in the US. IPL 2021 that resumes on 19 September will be available to US audiences via ESPN+. Other live cricket events including ICC Men’s T20 World Cup will also stream on the service.

    All entertainment-related programming including Hotstar specials and Bollywood films will move to Hulu on a rolling basis. Currently, Hotstar specials like the Indian adaptation of “The Office”, “Hostages”, “Out of Love”. “City of Dreams”, “Live Telecast” and “Ok Computer” and films such as “Dil Bechara” and “The Fault in Our Stars” are available on Hulu.

    Subscribers of Hotstar US who are not subscribers of any other Disney streaming service are eligible to get the Disney bundle including Disney+, Hulu and ESPN+ till the end of their Hotstar annual subscription, at no additional charge.  

    The programming migration began on 1 September.

  • TikTok tops ad equity charts for second year: Kantar

    TikTok tops ad equity charts for second year: Kantar

    Mumbai: Data, insights and consulting company Kantar on Thursday released its report titled Media Reactions 2021, the second edition of Kantar’s global ad equity ranking of media channels and media brands. Ad equity refers to the attitudes consumers have towards the advertising experience within specific platforms and ad formats.

    Across branded digital platforms, TikTok remains top of the global ad equity rankings. Although leading the highest spot as overall platform in only one market – Taiwan, TikTok is the leading global digital platform in the important US market and is first or second-ranked of the global digital platforms in 9 of the 22 markets where it was measured.

    The inclusion of commerce platforms in this year’s ranking illustrates their increasing importance across the digital advertising landscape. Amazon ranks second globally among consumers, topping the list in 4 markets. Together with regional e-commerce giant Mercado Libre, which leads in Argentina, Amazon’s success showcases why e-commerce has entered the online media channel ad equity rankings in third place.

    Despite the prominence of digital platforms in daily life, consumers continue to be more positive about offline ad platforms such as cinema, sponsored events, magazine ads, and point of sale (POS). The popularity of podcast adverts has risen. Positioned at #11 in the overall ad equity ranking, they have overtaken influencer content as the preferred digital ad medium. Podcast ads are perceived as both better quality and more relevant compared to 2020, but also more repetitive, unsurprising given the increase in ad spend on the platform.

    Global vs Local: The report highlights the importance and challenge of market-specific media strategies. In 16 of the 23 markets surveyed the top-ranked media brand was a local media brand or a localised version of global media brands. The 10 of these 16 are news and magazine brands. This local success, together with differing attitudes to the ads on global digital media brands, makes balancing the benefits of scale of global media platforms with the promise of greater relevance from local media gems ever more important.

    The Innovator’s Dilemma: The report also underlines the challenge for brands in keeping their media mix reflective of the latest consumer media preferences as well as reflective of their own values and brand positioning. Marketers favour channels and platforms they believe provide both trustworthy and innovative advertising environments. Among the global brands, Instagram best manages this balancing act. YouTube, Google and Facebook are trusted platforms but are considered slightly less innovative.

    TikTok is not yet trusted by marketers as much as the more established platforms, but it has made enormous improvements in the past year. It remains comfortably the most innovative place for ads, and trust has doubled, so many more marketers are now positive about placing ads on the platform.

    Ad Spend Outlook: The report marketers’ survey provides insights into probable media growth areas for 2022. The vast majority of global marketers plan to increase spend on their favoured ad formats: online video, influencer content and social media ads. Many will reduce spend on print ads.  YouTube, Instagram, and TikTok are the platforms set to benefit most.

    Discussing the findings, Duncan Southgate commented: “The ad industry has been encouraged by the rapid recovery in 2021, as advertising has been used as one of the levers to fuel recovery in the wider economy. As we emerge into a new media landscape, brands need to understand which consumer and marketer attitudes have changed, and which have stayed the same. Which media brands have retained their appeal, and which have grown stronger? While the pandemic accelerated the growth of digital in every aspect of life, we have seen robustness in consumers’ preference for offline advertising, and some strong local news brands in particular.”

    “Marketers need to ensure their strategies respect those preferences alongside the benefits of scale delivered by global digital platforms. TikTok has done an impressive job retaining its differentiated advertising proposition with consumers – even as its user base has almost doubled over the past year. We have also seen the re-emergence of retail as a critical ad platform, both online and physically. Advertising strategies that seamlessly align with omnichannel retail strategies provide a great opportunity for marketers to deliver more popular campaigns.”

    Kantar, head of media- South Asia, insights division, Sandeep Ranade added, “Moving into 2022, we will see consumers adopting more and more digital channels and it will impact advertiser’s appetite for digital connection opportunities. Consumers do not differentiate between the way media is bought and hence it will no longer be offline vs online but a balance of reach vs receptivity and global vs local media partners to bridge the gap between what consumers prefer vs what advertisers perceive consumers prefer. We have also seen that Indian consumers generally have more pronounced views on advertising compared to the global audience”

  • Lucinda Martinez joins Netflix as VP, multicultural marketing

    Lucinda Martinez joins Netflix as VP, multicultural marketing

    Mumbai: Netflix has brought on board veteran marketing executive Lucinda Martinez as vice president of multicultural marketing. She is set to take on her new role later this month and will report to Netflix CMO Bozoma Saint John, reported Variety.

    In this newly created position, Martinez will build a multicultural marketing team and lead Netflix’s targeted marketing efforts to the Latino, Black, Asian, LBGTQ, and faith audiences.

    She is a strategic marketing and management professional with a strong record of contributions in sales, marketing, new business development, new product launches, promotions, and brand management, for both business-to-business and direct-to-consumer products & services.

    Martinez previously served as executive vice president of HBO and HBO Max brand marketing for more than 20 years. She was responsible for developing a distinct, resonant and inclusive brand narrative for HBO and HBO Max. She also led the expansion of talent development and emerging artist programs across all WarnerMedia brands.

    “We want our marketing to be just as entertaining and inclusive as our films and shows, and want to ignite conversations about our brand worldwide,” said Bozoma Saint John, as mentioned by Variety. “Lucinda is a leader in the space and under her direction, we will continue to sharpen the inclusion lens in our marketing and engage our audiences in authentic and culturally relevant ways.”

    “When I received the call from Netflix with the opportunity of building from the ground up a global multicultural marketing team, it was a pivotal moment that I could not resist,” said Martinez about her new role. “I look forward to amplifying Netflix’s authentic storytelling and continue to elevate and celebrate diverse audiences worldwide.”

  • Lionsgate Play acquires streaming rights to ‘The Father’

    Lionsgate Play acquires streaming rights to ‘The Father’

    Mumbai: OTT player Lionsgate Play has acquired the digital rights to the Oscar-winning film ‘The Father’ which will begin streaming on 3 September.

    Besides winning the Academy Award for ‘Best Actor’ and ‘Best Adapted Screenplay’, the film was recognised globally and bagged numerous awards and nominations across the Golden Globes, the BAFTAs, and many more.

    Directed by Florian Zeller, the film features Anthony Hopkins, Olivia Colman, Mark Gatiss, Imogen Poots, Rufus Sewell and Olivia Williams in the lead. The film led to Hopkins’ sixth Oscar nomination and second win and also had success in the box office. It is co-written by Zeller and is based on his 2012 play ‘Le Pere’ with fellow playwright Christopher Hampton.

    The story revolves around Anthony (Hopkins), a mischievous 80-year-old living alone who develops dementia. Anthony is unwilling to take help from his daughter Annie (Colman), who finds it difficult to stop by daily. Unwinding the reality, he begins to doubt his loved ones and struggles to accept his condition. The lead character Anthony battles to come to terms with the truth of his mental health condition that has clouded the lines between his past, present, and future.

    “This is yet another feather in the hat, as we have stayed true to our promise of delivering high-quality premium content in India,”  said Lionsgate, executive vice president, Amit Dhanuka. “The Father is an empathetic tale of an elderly person losing his memory, showcasing the real struggle of a person suffering from dementia. We hope that the film’s powerful storytelling helps our audiences find moments of hope and inspiration during these challenging times.”

  • Promax India’s Digital Reinvent 2021 to be held on 8 Oct

    Promax India’s Digital Reinvent 2021 to be held on 8 Oct

    Mumbai: Promax India has announced the second Digital Reinvent show – ‘OTT and Digital Marketing Innovation Conference and Awards’ for 2021. The event will be held virtually on 8 October.

    The speakers for the event will include leaders, content and business heads from MX Player, SonyLIV, Discovery+, VOOT, YouTube, Amazon Prime Video, Netflix, Disney+ Hotstar, hoichoi, Eros Now among others.

    “The OTT platforms have triggered perhaps the greatest transformation in the Indian media industry. The 500 million-plus smartphone penetration across urban and rural landscapes along with the rapidly growing broadband access will continue to boost OTT growth, thereby attracting billions of dollars of investments from both Indian and global media giants,”  said Zee Entertainment Enterprises, chief operating officer – revenue, Rajiv Bakshi.  “While the initial phase of this OTT revolution focused on differentiated and massive content creation and customer acquisition; the upcoming phase will strengthen the monetisation models for the entire ecosystem. I am a firm believer of collaboration-for-growth and therefore have chaired and co-created the industry’s foremost OTT conference for incisive discussions with content, tech, and business leaders.”

    “These are exciting times – with the rise in demand for new content and investments in technology, it is the best time for the OTT platforms to shine,” said Promax Asia Pte Ltd, country head and strategic partnerships (India, Hong Kong, and the Philippines), Rajika Mittra. “We are privileged to host one of the most spectacular virtual conferences and awards bringing together the best minds in the business of OTT and storytelling. At Promax, our endeavour is to create and build a highly engaging community that believes in collaborative partnerships, growth, and new opportunities.”

    The awards aim to support and recognise quality digital entertainment in India. These celebrate and honour outstanding achievements in talent, promotion, marketing, and design. Building on the overwhelming response to the first edition of the awards in 2020, this year there are 39 categories in Gold and Silver.

    The event is supported by ‘platinum’ sponsor MX Player, ‘powered by’ sponsor SonyLIV, ‘gold’ sponsor Discovery+ and VOOT, ‘official music’ sponsor BMG Production Music.

  • Synamedia launches pre-integrated security & business solutions for Android TV

    Synamedia launches pre-integrated security & business solutions for Android TV

    Mumbai: Independent video software provider Synamedia on Wednesday announced that it has integrated a broad range of its video offerings with Android TV and has extended its Infinite cloud TV platform to support Android TV devices.

    Using Google’s Broadcast Stack for hybrid set-top boxes (STBs) powered by Android TV, Synamedia has developed pre-integrated solutions including user interfaces, watermarking and broadcast/OTT security, Clarissa business insights, and Synamedia Iris addressable advertising, the company said in a statement.

    Launched in October 2020, Google’s Broadcast Stack is designed to accelerate the reach of the Android TV operating system by providing the video technology providers with clarity and direction about how hybrid services can be deployed rapidly and economically.

    Video service providers can now pick and mix from these pre-integrated services to build an Android TV solution that best meets their needs, while also having the option to use the entire bundle for a complete end-to-end package. Each service is tested and proven to work with a choice of STB hardware, said the statement.

    “Our agnostic approach is designed to bring the best of Synamedia innovation to all platform eco-systems. Now, with this Android TV initiative, we are delivering on that commitment,” said Synamedia’s CTO, Nick Thexton. “For many years we have worked on Android TV applications and bespoke security integrations. With these latest solutions, we are making it easy and affordable for customers to realise all the benefits of the Android TV ecosystem, including its wealth of applications, voice control, and smart integration.”

    “Using these pre-integrated Synamedia solutions – either individually or as a bundle – operators can go live in just six months while cutting development costs,” Thexton added.

    Synamedia said it is also working to define new interfaces and integration points for advanced features so that operators can select best-in-class products for their hybrid Android TV solution.