Category: Over The Top Services

  • MX Player appoints Suresh Menon as content and creative head, MX Studios

    MX Player appoints Suresh Menon as content and creative head, MX Studios

    Mumbai: MX Player has appointed Suresh Menon as content and creative head of MX Studios.

    Menon is an actor-comedian who has worked in the Indian film industry and featured in more than 50 films in his career and over 100 TV shows. Previously, he was the co-founder and managing director of the digital media company One Network Entertainment. He is also well-known for his 12-year stint at 93.5 RED FM as a radio jockey.

    “I have been a part of the media and entertainment fraternity for close to two decades and I have had a vast experience in scripting, ideating and storytelling across formats like theatre, television, films, and web series. I am excited to bring these strengths to my new role as the content and creative head for MX Studios,” said Suresh Menon.

    Menon’s notable appearances include his roles in the films “Houseful,” “Dasvidaniya,” “Phir Hera Pheri,” “Dil Toh Pagal Hai,” “Partner,” and “Bheja Fry 2.” He has also appeared as a judge on the game show “Hello Kaun? Pehchaan Kaun” along with Chunky Pandey.

    “We are delighted to announce the launch of MX Studios that will curate and produce scripted narratives in an entertaining fashion & we are excited to have Suresh Menon on board,” stated MX Media chief operating officer Nikhil Gandhi. “Having demonstrated a history of working across different entertainment media as well as running his own content production business, we believe he is the perfect addition to the team at MX Studios.”

  • aha Studio and Applause Entertainment partner to produce four bi-lingual web series

    aha Studio and Applause Entertainment partner to produce four bi-lingual web series

    Mumbai: Telugu OTT platform aha on Monday launched an independent content and IP creation entity – aha Studio, which has also entered into a partnership with Applause Entertainment to co-produce four premium bi-lingual series.

    Their first offering- a web series titled ‘Half-Lion’ will tell the story of former prime minister P V Narsimha Rao. Based on the book with the same name written by Vinay Sitapati, the series will be released in Hindi, Telugu and Tamil, the streaming platform announced at an event held on Monday.

    aha Studio will work on projects at a Pan-India level and tell stories that have their origins in the South. The entity will self-finance these projects and license it to various platforms once the production is finished. “The studio is an initiative to create content at an arms-length from the platform. Doing this helps us work with the top talent in the country. We’re looking for projects that have a Pan-India appeal but have their origins in the South, that’s our USP,” said aha CEO Ajit Thakur.

    “For us, this partnership is about collaborating with a strong creative and production company,” said Applause Entertainment chief executive officer Sameer Nair. “Geetha Arts is one of the largest content creation companies in South India and have been making movies and series for many years, and they’ve launched the platform aha. In order for us to do bigger, better and brighter things, we will have to collaborate with other content studios. This is not the age of going solo. Lot of creative people should work together on projects.”

    Elaborating on the new web series, Nair said, “We enjoy telling stories of this kind. These stories are increasingly being told in the language that they deserve to be told. ‘Scam 1992’ was equal part Hindi and equal part Gujarati. Once we’ve made it, I’m sure there will be a lot of people interested in it because it is an important story to tell.”

    The series will be helmed by National Award-winning director Prakash Jha known for his socio-political films such as ‘Gangaajal’, ‘Apaharan’, ‘Rajneeti’ and ‘Aarakshan’ and web series ‘Ashram’. “Hardly a small percentage of today’s generation knows about Rao, the ”man who changed India”. He brought about changes, systems in our polity, economy, society and everyday life in our country which now is completely irreversible,” said Jha.

    aha Studio had acquired the rights to the book ‘Half-Lion’ and approached Applause Entertainment that has the expertise in telling layered narratives with an ensemble cast. The content studio headed by Nair recently bagged 12 Filmfare OTT awards for ‘Scam 1992’ their biopic on stockbroker Harshad Mehta.

    “It’s been a remarkable journey with aha in Telugu so far,” said Geetha Arts managing director and aha promoter Allu Aravind at the event. “We are overwhelmed with the love and support we’ve received globally from the audience, who’ve made aha one of the fastest growing apps in India within a span of two years.  In what is another pioneering effort from aha, we believe aha Studio will help us work with the best creative talent in the country to present world class entertainment to our global audience.”

    Telugu OTT platform aha is set to launch in Tamil language next year. The platform which has grown by 13+ million downloads in the last year and a half will increase its content investments in 2022 and launch new unscripted formats including ‘Indian Idol Telugu’.

  • Vi ties up with ‘Hungama Music’ to offer premium music streaming service

    Vi ties up with ‘Hungama Music’ to offer premium music streaming service

    Mumbai: Strengthening its OTT-based digital content offerings, the telecom major Vodafone Idea on Monday launched its music offering on the Vi App in association with Hungama Music.

    Vi’s music offering with Hungama was unveiled by the musician and composer duo – Salim Sulaiman, who also performed at the launch event. Under the partnership, Vi will offer a six months premium subscription of Hungama Music at no extra cost to all its post-paid and prepaid customers. As part of the offering, customers will be able to listen to ad-free music in as many as 20 languages across genres from Hungama’s library of songs, Bollywood news, and podcasts. Vi customers can also attend 52 Live Digital Concerts on the Vi App, said the teleco major.

    Vi CMO Avneesh Khosla said, “Vi strives constantly to enrich the lives of its consumers through its partnerships with brands that have experience and expertise in the field of entertainment, education, health and financial services. Vi is committed to work with partners across varied domains to provide unique and compelling digital offerings for its consumers with varied needs and preferences. In the near future we will continue to see a lot newer initiatives being launched as this agenda gains scale and momentum.”

    Khosla further added that the launch will fulfill the customers’ need for a comprehensive music streaming service. “Our association with Hungama will allow Vi users to get access to a rich repository of diverse music, across genres and in their preferred language,” he said.

    Hungama Media founder Neeraj Roy said, “Our association with Vi has seen us introduce a first-of-its-kind Pay Per View service model in India’s exploding Premium Video On Demand (PVOD) market, earlier this year. The partnership aligns with Hungama’s aim to explore and develop innovative ways to entertain and engage audiences across the world. Our repertoire is consistently expanding to include a diverse, and rich line-up of multi-genre, multi-lingual content across audio, video, and gaming.”

  • Nodwin Gaming picks up 10% stake in Rusk Media

    Nodwin Gaming picks up 10% stake in Rusk Media

    Mumbai: E-sports company Nodwin Gaming, the material subsidiary of Nazara Technologies Ltd, has acquired a strategic 10 per cent stake in the digital content IP media network Rusk Media.

    Continuing its ‘youth first’ philosophy, Nodwin Gaming aims to deepen and widen its portfolio of content IPs in the gaming and esports ecosystem by investing in Rusk Media, it said in a statement on Monday.

    “As a leader of esports in the South Asian region, we aim to eventually have a significant presence across the entire ecosystem in this sector,” stated Nodwin Gaming managing director Akshat Rathee. “Through our investment in Rusk Media, we aim to take further steps in the massification of esports and gaming by creating entertainment-first gaming IPs for the GenZ.”

    Rusk Media is India’s exclusive Gen-Z first digital content IP network. Nodwin Gaming’s investment in Rusk Media will enable the massification of entertainment-first gaming and esports content in the country and enable media platforms to have access to content that the above-mentioned cohort is looking for, said the statement.

    “We are excited to have Nodwin Gaming as a part of our journey to revolutionize entertainment for the Gen-Z and millennial audience. We want to bring together the worlds of entertainment and esports and create digital-first IPs that are made for gaming fans,” said Rusk Media CEO Mayank Yadav.

    Since its funding in March this year, Nodwin Gaming has been on an expansion and consolidation spree to augment its dominance in the Indian e-sports ecosystem. Recently, the company acquired the gaming and adjacent IP businesses of OML Entertainment, including the IP of the very popular Bacardi NH7 Weekender music festival.  

  • In a first, BookMyShow Stream rolls out TV series on-demand

    In a first, BookMyShow Stream rolls out TV series on-demand

    Mumbai: Big Tree Entertainment-owned transaction video-on-demand (TVOD) service BookMyShow Stream has announced the launch of TV series on the platform. With this, BookMyShow Stream will become the first TVOD platform in India to introduce on-demand TV series to audiences.

    The newly-launched TV series catalogue will feature exclusive titles and mini-series. Curated from across genres and languages (English, Spanish, French, German and others) the slate will also include the platform’s owned content under the BookMyShow Stream originals banner. The service premieres with the Danish-Swedish mini-series “The Investigation” on 17 December. 

    BookMyShow Stream will be offering users the option to either rent a TV series of their choice for a finite duration or buy it for unlimited access. “The Investigation” will be followed by a slew of titles being released every fortnight over the next few months. These will include “The Trip Franchise” (English), “Miramar Murders” (Spanish), “The Sketch Artist” (French), “The Sister” (English), “Hard Sun” (English), “The Witnesses” (German), “Dark Woods” (German), and “Dalgleish” (English). Most of these titles will be available under BMS originals.

    “BookMyShow Stream has been extremely well received across age groups and languages. We are thrilled to offer cinephiles an enhanced experience with the launch of yet another content format on the platform,” said BookMyShow COO – cinemas Ashish Saksena. “With a multitude of genres and titles that span languages across the world, cinephiles can now access exclusive TV series and content titles every fortnight along with the rich ‘BookMyShow Stream Originals’ repertoire.”

  • SonyLIV announces six sponsors for ‘Shark Tank India’

    SonyLIV announces six sponsors for ‘Shark Tank India’

    Mumbai: SonyLIV has signed six sponsors for “Shark Tank India,” which is set to premiere on 20 December. The streaming platform has partnered with upGrad, Acko General Insurance, Black Dog Drinking Soda as the ‘co-presenting’ sponsors, Cashfree Payments as ‘payments’ partner, Flipkart as ‘digital’ partner and Dell Technologies as ‘technology’ partner.

    SonyLIV has sold out almost 75 per cent of its ad inventory two months before the show goes on-air. It has generated the maximum interest from categories like BFSI, e-commerce, ed-tech, digital payments, consumer durables, and technology brands. “With the launch of the India edition of Shark Tank, we will be adding to our library of diverse, engaging content,” said Sony Pictures Networks India senior vice president and head of ad revenue Ranjana Mangla. “The show has a unique proposition that has attracted brands from across categories such as e-commerce, ed-tech, beverages, consumer durables, handset, auto and BFSI. Currently, we have managed to sell over 75 per cent of our ad inventory and onboarded six sponsors for the show.”

    Based on the business reality show “Shark Tank,” the show will provide an opportunity for entrepreneurs to pitch their business ideas, business prototypes or active businesses to business experts aka ‘The Sharks.’ The show will be telecasted on Sony Entertainment Television channel.

    The ‘Sharks’ that will appear on the show include Ashneer Grover (BharatPe founder and managing director), Vineeta Singh (Sugar Cosmetics CEO and co-founder), Peyush Bansal (Lenskart founder and CEO), Namita Thapar (Emcure Pharmaceuticals executive director), Anupam Mittal (Shaadi.com – People Group founder and CEO), Ghazal Alagh ( Mamaearth co-founder and chief mama) and Aman Gupta (boAt co-founder and chief marketing officer). The show will be hosted by Rannvijay Singha who will act as a guide for the pitchers on the show and the audience alike.

    “We at Acko definitely understand what it takes to turn a dream into a successful venture. So, we are excited to be associating with the first-ever season of Shark Tank India, a show that we believe can help boost India’s start-up ecosystem and encourage entrepreneurship across India,” said Acko executive vice president marketing Ashish Mishra.

    “At upGrad, it is our aim to support professionals in their lifelong learning journey and equip them with evolving skills required to venture out into the professional world, which shall also help them survive the market roller-coaster,” said upGrad chief executive officer Arjun Mohan. “This is similar to what Shark Tank India aims to do with the aspiring entrepreneurs who are looking forward to creating successful businesses for a better future of our country.”

    “We are elated to associate with Shark Tank India, in their bid to support budding entrepreneurs and the rapidly-growing Indian start-up ecosystem,” said Cashfree Payments co-founder and chief executive officer Akash Sinha. “We look forward to nurturing this partnership, which will help us contribute towards the development of a favorable business environment to foster innovation in the startup space.”

  • Nielsen enhances identity system for digital ad measurement in 15 new markets

    Nielsen enhances identity system for digital ad measurement in 15 new markets

    Mumbai: Nielsen has announced the release of its enhanced identity system for digital ad ratings in 15 markets starting on 1 February 2022. This change enables more accurate digital ad measurement, connecting digital impressions to the demographics of people across billions of devices in preparation for a cookieless future, it said.

    Following the roll out in the UK, Italy, and France on 1 February, the enhanced Nielsen Identity System for digital ad ratings is planned for release in Japan, Australia, India, and Germany on 1 April; Spain, Brazil, Indonesia, and Canada on 1 May; and Singapore, Mexico, Thailand, and Hong Kong on 1 June. Nielsen plans to release the enhanced Identity System across other markets on a monthly cadence following the initial releases in 2022, said the company in a statement.

    In addition, Nielsen continues to enter into and expand its relationships with both global and local data providers to power up the Nielsen Identity System. Today the firm has added more than two billion de-duplicated identifiers across markets into the Identity System, growing every day.

    “With this enhancement to our Identity System, we are taking another step to assure the longevity of ad measurement amidst the rapidly evolving digital ecosystem,” commented Nielsen SVP – product management Sarah Miller. “Because of Nielsen’s unique data assets, we are not only able to adjust and correct licensed third-party user registration data using panels, we have also developed sophisticated machine learning algorithms to cluster digital IDs into people and correct for any possible imbalances from the market’s universe of users. It is this advanced data science methodology fuelled by the sheer volume of Nielsen Identities that will empower the digital ad measurement into the future.”

    To combat the issue of cookie and mobile ad id erosion and in preparation for an increasingly fragmented future, Nielsen previously announced the revolution of digital audience measurement by providing holistic people-based measurement across devices, de-duplicating across platforms and publishers.

    The Nielsen Identity System serves to unify the identity data that Nielsen receives in an interoperable way across the media ecosystem. Advertisers and publishers can use Nielsen measurement with confidence knowing that when a digital ad is viewed then the measured demographics are appropriately assigned and the audiences are deduplicated across mobile and PC platforms in order to get to true people-based metrics. Nielsen achieves this by uniquely combining Nielsen assets with third-party data sets calibrated against truth sets.

    “Nielsen continues to evolve its technologies and methodologies for independent measurement of audiences as the industry itself evolves to utilise cross-media measurement,” said Nielsen’s international chief growth officer and president Sean Cohan. “Nielsen’s strategic measurement approach positions the company to deliver deduplicated audiences across linear and digital as part of Nielsen One.” 

  • India’s OCC providers expected to generate $2.6 billion in revenue by 2025

    India’s OCC providers expected to generate $2.6 billion in revenue by 2025

    Mumbai: The revenue generated by India’s online broadcast and video sector increased by 159 per cent between 2012 and 2019.to reach $483 million. This is expected to touch $2.6 billion by 2025, according to a new report.

    A white paper by Frontier Economics in partnership with Creative First, FICCI, Producers Guild of India and Motion Pictures Association Asia Pacific found that online curated content (OCC) providers’ investment in content and production was not only a significant engine of growth within the media and entertainment industry but also the wider economy. According to it, 60 per cent of production costs are spent outside the specific M&E sector in the general economy to support media companies’ investments, for example on catering, hospitality, construction and legal services.

    The proportion of the Indian population using the internet has almost tripled since the entry of OCC providers in 2012, mainly due to the government’s initiative, but in part due to demand for OCC services drawing people to increase their internet usage; 34 per cent of Indians now use the internet (compared to 12.5 per cent in 2012)

    The research found that the geographic distribution of OCC investment in original titles is broadly proportional to each country’s number of global OCC subscribers, and as subscriber numbers continue to grow in India, so will investment in local and regional content.

    Globally, OCC providers are expected to pump $61 billion into original and licensed content by 2024. They collectively invested $24.7 billion in content in 2020. In 2019, The Walt Disney Company, NBCU, WarnerMedia, and ViacomCBS collectively poured $45 billion into content spending and creation globally (excluding sports).

    The study also showed that 56 per cent of hours watched on Indian OCC services was local content. It also found via a survey that 70 per cent of Indians consider it important that their OTT platforms provide local content.

    Investments in content have a disproportionately large contribution to the GDP as it provides skilled, well-paid employment stimulates economic growth, and supports a country’s exports. Since producing top-quality content is costly and content creation is a risky investment, policies like tax rebates or subsidies mitigate the risk and have been found to significantly increase investments in content, according to Frontier Economics.

    According to it, India’s existing policy framework has encouraged investments in the M&E sector and created a virtuous cycle of content creation and skill development. However, it pointed out that policies that discourage or constrain foreign investment and market entry can disrupt this virtuous cycle. “Protectionist policies intended to shield local companies from international competition could result in local industries that are inward-looking, less innovative and less able to produce high-quality content that is in demand internationally,” it said.

    “A light touch regulation has been our intention, the government being an enabler, rather than bring any brakes to the system of decision making, investment and employment opportunities,” said the ministry of information and broadcasting joint secretary Vikram Sahay on Friday.

    He added “Policy is always an evolving process with time, experience, and learnings. The government has always worked with the industry and other stakeholders, and we look forward to your suggestions and views. The industry has taken the Digital Media Ethics Code positively and has incorporated the spirit of the ethics code diligently in its decision-making process. The grievances received by the Government have drastically come down and it shows that the regulatory mechanism with the self-certification process is working well.”

  • Outbrain begins to rollout of new Native Header Bidding solution

    Outbrain begins to rollout of new Native Header Bidding solution

    Mumbai: Outbrain Inc, a leading recommendation platform for the open web has announced the global rollout for a new Native Advertising Header Bidding solution designed to help media partners boost their monetisation strategy by enabling Outbrain to serve ads on any ad placement.

    Native Header Bidding allows the Outbrain advertising engine to programmatically bid into the display and video ad units to serve Outbrain Native Ads. This strategic move is designed to help Outbrain media partners maximize revenue from traditional ad units while creating more opportunities for Outbrain advertisers to show their ads and engage customers with Outbrain Native Ads.

    “We are committed to innovate and help media partners in the open web fund content creation. With Native Header Bidding our goal is to help our partners maximise revenues while delivering a better advertising experience to consumers through Outbrain Native Ads,” said Outbrain chief revenue officer Eytan Galai. “Native Header Bidding unlocks new revenue potential by creating more advertising opportunities for Outbrain while increasing yield on traditional display and video ad placements.”

    Outbrain enters the Header Bidding space by leveraging its deep integration with media partners which provides unique visibility into contextual performance and behavioral interest signals, enabling bidding efficiency. The result is a more personalised and relevant ad experience for the consumer and maximum performance for marketers.

    “Up until now, Outbrain ads were only shown in our recommendation feed but with Native Header Bidding, we now show ads also on display and video ad placements.” said Outbrain VP of advertising Ayal Steiner. “The expected result is that users will experience more relevant ads served through native ad experiences that are much more user friendly, and Outbrain advertisers will benefit from more ad inventory which creates new opportunities to engage potential customers on the open web.”

    Outbrain’s Native Header Bidding leverages open web header bidding standards with Outbrain remaining an active member and contributor to prebid.org. Outbrain now begins a global rollout of Native Header Bidding with strategic media partners.

  • WinZO inks principal sponsorship deal with two PKL teams

    WinZO inks principal sponsorship deal with two PKL teams

    Mumbai: Social gaming platform WinZO has been announced as the new principal sponsor for Future Group-owned Bengal Warriors and Adani Group’s Gujarat Fortune Giants for the Vivo Pro Kabaddi League’s (PKL) season 8.

    Focusing on developing a culturally relevant sporting ecosystem, WinZO sees this sponsorship as organic and supporting local talent which promotes ‘Bharat ka Khel- Kabaddi,’ said the platform in a statement

    With a presence in deepest parts of the country and 80 per cent of the user base consuming content in vernacular, WinZO persists to provide social interactive games and formats that are enjoyed by the masses. Hosting 80+ games in 12 languages for a user base of 65 million+, 90 per cent of WinZO’s user base is spread across tier 2 to tier 5 markets, it further said.

    “Just like Kabaddi, WinZO is also homegrown and is building for Bharat. The opportunity struck an instant chord with us,” said WinZO co-founder and CEO Paavan Nanda. “We believe that the Vivo Pro Kabaddi League will certainly provide a massive boost to the growth of the sport and players in the country. It’s a matter of great pride for us to play our part in the advancement of Kabaddi in India.”  

    Vivo PKL, India’s professional Kabaddi league, is the second most viewed sporting event in the country, second only to the Indian Premier League (IPL), with a viewership of 430 million, said the statement.

    “We are delighted to welcome WinZO as the lead sponsor for Bengal Warriors. The game Kabaddi has really found its rightful place as the largest sports league in India,” stated Bengal Warriors CEO Sandip Tarkas. “Bengal Warriors is one of the founding teams of Vivo PKL and is one of the most exciting teams in the league. With WinZO’s association, we are sure Kabaddi will make a BIG splash in the online games space as well.”