Category: Over The Top Services

  • Avia concludes OTT Summit, gives hope for growth in Asia

    Avia concludes OTT Summit, gives hope for growth in Asia

    Mumbai: Asia Video Industry Association’s (Avia) latest OTT summit has come to an end with much optimism for growth in Asia and a strong focus on content and the consumer.

    To make this event a success, Avia hosted over 850 delegates and featured over 80 industry leaders at the OTT summit this year. The panelists were involved in conversations around the subject of growth, from subscriber and revenue growth to increased local content investment and an intense focus on the customer. The adage ‘Content is King’ was very much heard throughout the summit.

    Media Partners Asia co-founder and executive director Vivek Couto indicated that there’s a lot of room for growth in the OTT space. “With most markets having an SVOD household penetration of less than 50 per cent, there was certainly an upside for Southeast Asia and some parts of North Asia as well,” he highlighted.

    He added, “While the region remained bullish on growth, the average revenue per user remained low, particularly in the Philippines, Thailand, Indonesia, and India. As such, some tiers and price increases would be introduced along the way, especially when the premium sport started to be added to the platforms,”

    In MPA’s review of share of first-title consumption, premium local content was a key driver for customer acquisition, particularly in Indonesia and Thailand, with local content that showed some travelability, and as expected, Korean content traveling very well, and some Japanese content as well.

    This focus on content continued through to the fireside chat with Paramount Global SVP, head of office and streaming for Asia Catherine Park. She reiterated that their “mission is to unleash the power of the content with the belief that content is king.”

    “With different go-to-market strategies to unlock maximum value, Paramount Plus planned to launch first in Korea with CJ ENM, then Japan as the next market followed by Southeast Asia in 2023. Park also shared Paramount’s ‘glocal’ strategy – to have global vision but with local execution,” she noted.

    The importance of being local was also echoed by many panelists, as Asia could not be seen as one homogenous market. Discover Inc business development associate director Sagar Pandit feels that “when you gun for growth, especially in Asia, it’s about tailoring your approach for every region but keeping your consumer at the front and centre of whatever you are doing. And with increasing fragmentation in Asia, customer obsession became a key part of the strategy, as more platforms leveraged technology to deliver personalised experiences.”

    Taking the conversation ahead, Mediacorp chief commercial and digital officer Parminder Singh explained the three things a customer looked at. He said, “Customers look for highly personalised and relevant content, and new virtual interactive experiences, all built into one single experience, with the use of technology that would allow you to bring all of this to the customer.”

    “If you are only delivering a straightforward service, you are going to be left behind,” asserted Disney+Hostar head of technology, Akash Saxena.

    However, the challenge to integrate it all into an operator’s platform for a seamless experience very much remained, calling for perhaps greater aggregation and bundling for the OTT industry, as we started to see some fatigue from consumers working with multiple services to meet their content needs.

    Closing off the summit with bold predictions for the future of streaming Viacom 18 digital ventures COO Gourav Rakshit remained very optimistic, sharing that a large bet that platforms had not fully capitalised on was the area of media becoming social, with the opportunity to build communities. “We’ve really made rapid strides in the last five years, the next five will be focusing a lot more on delivering consumer delight,” Rakshit remarked.

    The summit was supported by Gold Sponsors Brightcove, Lumen Technologies, Synamedia, TV5MONDE, Xandr and Silver Sponsors Akamai, Amagi, Broadpeak, BytePlus, Discovery, Encoding.com, Endeavor Streaming, Irdeto, Magnite, Mediacorp, Mirada, NAGRA, Nielsen, PubMatic and Vindicia.

  • Disney Star India head of ad sales Nitin Bawankule moves on

    Disney Star India head of ad sales Nitin Bawankule moves on

    Mumbai: Disney Star India head of ad sales Nitin Bawankule has decided to move on from the company, highly placed sources have confirmed to IndianTelevision.com on Thursday. He has been associated with the company since October 2019.

    At Disney Star India, Bawankule was responsible for ad sales for linear entertainment and sports channels and OTT platform Disney+ Hotstar.

    He was previously associated with Google as country director for Google Cloud in India. In a career spanning more than 27 years, Bawankule has been associated with companies such as Dell, Motorola India, Whirlpool India and Godrej Appliances.

    He is an alumnus of the Indian Institute of Management, Bangalore.

  • Zee5 announces its next thriller ‘Forensic’

    Zee5 announces its next thriller ‘Forensic’

    Mumbai: Building on its success with thrillers, Zee5 has announced its next project “Forensic” featuring Vikrant Massey and Radhika Apte. The psychological thriller also stars Prachi Desai, Vindu Dara Singh, and Rohit Roy in pivotal roles.

    Directed by Vishal Furia, “Forensic” is the Hindi remake of a Malayalam film of the same name and is set to premiere on Zee5 this year. It is produced by Mini Films and Soham Rockstar Entertainment.

    2022 saw a slew of thrillers including “Mithya,” “Love Hostel,” “Bloody Brothers,” and a glimpse of “Abhay 3” premiering on the platform.

    “Thrillers have been one of our best performing genres. In fact, starting 2022 we have introduced successful titles like Mithya, Love Hostel, Bloody Brothers, along with the upcoming Abhay 3,” said Zee5 India CBO Manish Kalra. “With this particular genre witnessing an overwhelming response from audiences, we’ve taken a concerted effort to diversify our content slate further with respect to thrillers as a category. In line with this strategy, we are happy to bring yet another intriguing title Forensic, with a prominent star-cast for our viewers.”

    “Forensic is one of those projects where we just knew that we had to make it. The film is a complete edge-of-the-seat thriller that will keep you hooked. ZEE5 has given a platform to many unique and important stories, and it has a wide reach globally so we are excited to be presenting ‘Forensic’ on this platform,” added producer Deepak Mukut.

    “A milligram of DNA can reveal the identity of a person. Forensic is a taut thriller with twists that will surprise and facts that will shock the viewers,” remarked director Vishal Furia.

  • Netflix elevates Ankit Gokani to India director – VFX

    Netflix elevates Ankit Gokani to India director – VFX

    Mumbai: Netflix has elevated Ankit Gokani to the position of India director – VFX, according to his LinkedIn update.

    Gokani has been associated with the streaming platform for more than three years. He joined Netflix as VFX specialist – international originals, India. He was later promoted to India manager – VFX in November 2019.

    He has more than a decade of experience working in the film industry, with a thorough understanding of post-production and VFX.

    Prior to Netflix, he worked with production houses such as Method Studios, Industrial Light and Magic, Double Negative, Jar Pictures, and Rhythm and Hues.

  • Zee5 announces content slate of 20 Tamil originals for 2022

    Zee5 announces content slate of 20 Tamil originals for 2022

    Mumbai: OTT streaming service Zee5 is all set to launch 20 Tamil original series in 2022, Zee Entertainment Enterprises Ltd (Zeel) chief cluster officer – South (linear and OTT) Siju Prabhakaran told IndianTelevision.com. Zee5 Tamil and Telugu language content library is second only to Hindi language content.

    The content lineup was announced at a star-studded gala in Chennai ahead of the Tamil New Year. The event was attended by director, screenwriter, and producer Vetrimaaran who is releasing his first original series “Nilamellam Ratham” featuring Ameer and music by Yuvan Shankar Raja on Zee5.

    He was joined by Prakash Raj who will star in a drama series “Anantham,” veteran actor Radikaa Sarathkumar who will feature in the political drama “Thalamai Seyalagam” and Kalidas Jayaram who will appear in “Paper Rocket.”

     Zee5’s Tamil content slate includes director Vijay’s teen dance drama “Five-Six-Seven-Eight,” “Kolaigara Kairegaial” directed by SR Prabhakaran and the mystical thriller “Aindham Vedham.”

    The showcase included a sneak peek into upcoming titles such as “Alma Mater,” “Ayali,” “Fingertip season 2” and films such as “Yaanai” featuring Arun Vijay and Priya Bhavani Shankar, “Thamezharasan” starring Vijay Anthony, Suresh Gopi, Sonu Sood and Remya Nambeesan.

    The cast and crew for Zee5’s most-watched Tamil original “Vilangu” were present at the event as well as the lead cast and crew of their shows “Malaysia to Amnesia” and “Vinodhaya Sitham.” Recently, Zee5 premiered the film “Valimai” starring Ajith which recorded 500 million streaming minutes of watch time on the platform, it said.

    “It is encouraging to see the momentum Zee5 has gained in expanding entertainment exposure for the creators and consumers alike with real, engaging, and authentic multilingual storytelling,” said Zee5 India chief business officer Manish Kalra. “Tapping into the hotbed of entertainment resulted in exponential success for us in the state of Tamil Nadu. Today, Zee5 has disrupted the Tamil industry with phenomenal response to content, bringing the best of Tamil talent to showcase their artistry across the globe. 2022 will see us double down on our focus for our viewers here and we have ensured the content lineup has something for everyone.”

    “We have been successful in creating a strong content repository for Zee5, offering a diverse range of content to viewers by leaning on our strong legacy and market expertise,” said Zeel’s Siju Prabhakaran. “The year is about to get more exciting as we bring to you over ten captivating original series and some of the most anticipated blockbuster movies, which will be available for our viewers in India and worldwide. The vibrant slate includes shows such as ‘Anantham’ featuring the prolific Prakash Raj, Vetrimaaran’s original series ‘Nilamellam Ratham’, new themes like Paper Rocket by ‘Kiruthiga Udhayanidhi,’ the return of a popular IP ‘Fingertip’ and many more to keep you captivated and at the edge of your seats. Besides, we are also keen to bring to fore stories which are the vision of promising budding makers and showcase fresh talent which may define the future of the Tamil OTT segment.”

    “We are delighted with the exponential growth of Zee5 in establishing itself as a prominent player in India’s exploding OTT ecosystem, especially our success with viewers across Tamil Nadu,” said Zeel’s head of content strategy business unit across TV and digital and international business Punit Misra. “We believe our clear design thinking and strategic approach to building a compelling slate along with our partnerships with the best of talent in Tamil Nadu and other key markets, will help accelerate the platform’s popularity further. What sets us apart is our approach to content design, which we call #SoultoScreen, which rests on an intimate understanding of the culture and people, creating stories and characters that are inspired from their life and crafted to stoke their imagination.”

  • VerSe Innovation raises $805 million in latest funding rounds

    VerSe Innovation raises $805 million in latest funding rounds

    Mumbai: Local language technology platform VerSe Innovation has raised $805 million in the latest funding rounds from marquee global investors Canada Pension Plan Investment Board (CPP Investments), Ontario Teachers’ Pension Plan Board (Ontario Teachers’), Luxor Capital, Sumeru Ventures and others. VerSe Innovation owns the family of ‘Bharat-focused’ apps namely Josh, Dailyhunt, and PublicVibe.

    Existing investors Sofina Group, Baillie Gifford and others will also participate north of their pro-rata in this round resulting in VerSe Innovation’s valuation reaching ~$ five billion.

    The fresh round of investment follows close on the heels of a $650 million+ fundraise from Siguler Guff, Carlyle Group, Baillie Gifford, Falcon Edge Capital via Alpha Wave Ventures, Glade Brook Capital, Google, and Microsoft and Qatar Investment Authority taking the total capital raised in the past year to ~$1.5 billion.

    The investment will be focused on strengthening the company’s leadership position as the largest, fastest-growing local language AI-driven content platform in the country.  

    VerSe plans on deepening as well as broadening its AI/ML and data science capabilities to further cement its leadership position across all user, engagement and retention metrics, drive deeper monetisation including influencers, e-commerce and live streaming and forays into Web 3.0 experiences across its local language creator base of over 50 million creators as well as its local language content ecosystem which experiences over 80 billion video plays per month.

    Avendus Capital was the exclusive financial advisor to VerSe Innovation on the transaction.

    “India’s digital content is experiencing phenomenal growth, and VerSe Innovation is well-positioned to be one of the leaders in the fast-growing short video and local language content space,” said CPP Investments MD and head of private equity Asia Frank Su. “This investment aligns with our approach of providing strategic capital to industry leaders in India’s technology sector. We look forward to supporting the next phase of VerSe Innovation’s growth journey, which we believe will deliver strong risk-adjusted returns for the CPP Fund.”

     “We are pleased to make a significant investment in VerSe Innovation through our new Alternative Capital Solutions team, which offers flexible capital to high-quality public and private growth companies,” commented Ontario Teachers’ MD and global group head of high conviction equities Maggie Fanari. “We have been impressed by the company’s innovative local language offerings, market leadership and strong management team, and are excited to be partnering with them in this journey as Ontario Teachers’ continues to build out its portfolio in India.”

    “We are privileged and honoured to have prominent and stellar long-term partners like CPP Investments, Ontario Teachers’, Luxor Capital and Sumeru Ventures on board with us,” said VerSe Innovation co-founders Virendra Gupta and Umang Bedi.

    “This partnership will strengthen our ability and leadership to deliver on our vision to build the largest AI-powered local language content platform across a family of apps serving the next billion users. With a strategic focus on video content and building for India, we have seen explosive growth emerging from the next billion users coming out of regional India. This investment comes at a time when we’re on a path to further expand our offerings, monetisation models, deliver superlative Web 3.0 experiences for the globe and create an IPO scale business,” they added.

  • Sergio Bonelli Editore, Powerkids strike content partnership deal

    Sergio Bonelli Editore, Powerkids strike content partnership deal

    Mumbai: Italy’s leading comics publisher Sergio Bonelli Editore’s (SBE) Bonelli Entertainment has announced its partnership with animation company Powerkids Entertainment. This association aims to jointly unlock the expandable SBE comics universe for a wide range of kids animated adaptations.

    The partnership kicked off with one of SBE’s best-selling comics “Dragonero,” created by Luca Enoch and Stefano Vietti. SBE, Powerkids, Rai Spa through Rai Ragazzi and Nexus TV are currently co-producing the first season of the “Dragonero” series.

    Powerkids will be responsible for its global distribution, licensing, and merchandising. Commenting on this new development,  Sergio Bonelli Editore Spa head of property business development and Bonelli Entertainment executive producer Vincenzo Sarno said, “We are very proud of our vast slate of comic books that have entertained generations and are distributed across the globe. Now, we want to bring our legends to life through animation to entertain both existing and a new generation of viewers.”

    Sarno further said that the publishing house wants to broadly share the universe of SBE. He hinted that “Dragonero” is just the beginning and there is so much more to come in this fantasy universe.

    He also thanked Rai who is a co-producer and Italian broadcaster and Powerkids for this legendary project. “We are very excited to partner with Powerkids, to develop and bring these characters, comic books and stories to life. We are confident that our partnership will be an incredible success given the experience and long track record of Powerkids’ management team,” he added.

    Powerkids CEO Manoj Mishra also expressed his joy on the creative alliance. “We are thrilled to initiate this partnership with Bonelli Entertainment. We are humbled and excited that they have trusted us to bring these amazing stories, and iconic characters to life through animation. These amazing adventures combined with our years of experience in co-production, and global distribution will bring pleasure to audiences around the world. We have very exciting plans for our partnership and it has been a real pleasure working with the dynamic and dedicated team of Bonelli Entertainment,” he said.

  • India is no longer a follower in digital space: Newgen’s Arvind Jha

    India is no longer a follower in digital space: Newgen’s Arvind Jha

    Mumbai: Newgen Software, which has recently completed its 30 years of enterprise journey is extensively working to make communication personalised. From helping brands across the globe to simplify data to providing efficient platforms to manage large volumes of documents, the company has many products to offer.

    In a conversation with IndianTelvision.com, Newgen SVP for software development Arvind Jha speaks about their products, top trends in the digital space, and the new products in the pipeline.

    Jha has been associated with Newgen since November 2020 and is responsible for product development at Newgen. He is recognised by the Indian tech community as an innovator and community builder. Before joining Newgen, Jha also held the position of Pariksha Labs CEO and led the product development team at Polaroid, Adobe, Monsoon Multimedia, and Movico Technologies.

    In an exclusive chat, Jha shares that India is no longer a follower in the technology space, rather the country is leading towards rapid growth, leveraging cutting-edge technology.

    Top digital trends for future

    According to Jha, India was a follower of technology two years ago but looking at the latest numbers, 30 per cent of business now comes from India. “We can say that India is definitely no longer a follower (in this regard),” he asserts.

    Jha feels that over the years India has moved from the backend to the front end. He further explains the digital trends which will lead the industry in the upcoming years.

    Noting the first digital trend, Jha says, “Earlier we had a lot of paperwork and the majority of the work was being done physically, now we have it all in digitised form on our screens. People do not want anything to be hidden, they want everything to be done in front of their eyes on their smartphones.”

    He emphasised that companies who will not adopt the technology on time will be left behind in the competition. “We have clients from across the world and we process huge amounts of data every day, but one thing which all leading companies want is a transparent CMS. They want the live data to be shared with their customers,” he adds.

    Coming to the second trend, Jha says fast processing is the need of the hour. “How fast you serve your customers will be a major factor in deciding the growth rate of any company, especially in the BFSI sector,” he highlights.

    He feels that 24*7 availability of the business will be the third most important trend. “Ever since the first lockdown happened, how we operate in our everyday lives has changed. With this transition, people want things to be available as per their own time and preferences. They do not want to be bound between ten to five business hours,” he tells.

    Technology is no more restricted to particular age group

    While comparing the Indian market to the global market, he says, the user behavior of the Indian population has drastically changed over the period of last two years.

    “Before the pandemic hit the world, technology was a thing of millennials in India, however, now it is not limited to a certain age group or gender,” Jha shares. “Be it a five-year-old kid or a 60-year old man, nobody wants to stand in long queues to get their work done in physical format. They all want it all instantly. From opening a bank account to buying their everyday household stuff, people have become so used to digital,” he adds.

    Technological development & policies

    According to the Global Innovation Index, India is witnessing a burgeoning start-up and innovation culture. Jha says that this shift has accelerated the momentum in India’s development on the global platform in the technology space.

    “India is not just becoming self-reliant but also offering its service across the globe,” he notes. Coinciding with his 30-years-long career, he shares how he has seen everything changing- from what we consume, how we conduct our lives, the entire economy of the country, and the businesses growing in India, everything is disrupted by Covid-19. “If we have to scale down the differences, the health crisis actually turned out to be an opportunity for the digital brands in India.”

    On being asked how government initiatives have helped in this change? He says that policies and regulations play a vital role.”In the last five to six years, the government has done much to encourage digital transformation in the country. Today we have a robust infrastructure that allows any business to make a shift to digital easily,” Jha explains.

    Spending patterns of Indian brands

    In the concluding section, Jha talks about how spending patterns of Indian brands have evolved during this time. “Despite the major growth and transformation in the industry, Indian brands are still very conservative when it comes to their marketing budgets,” he points out.

    Comparing the behavior of Indian brands to the global ones, he says global players start marketing 10 months prior to even launching their products, whereas, in India brands still follow a slow pace.

    However, Indian brands have shifted their focus from those regular elements of budgets. While Indian brands were known to spend more on their HR teams than infrastructure, today it is completely changed. “Now brands have started to realise the importance of having a robust digital presence and a seamless infrastructure where employees can operate the business flawlessly,” Jha remarks. 

  • Watcho premieres new crime thriller ‘Happy’

    Watcho premieres new crime thriller ‘Happy’

    Mumbai: Streaming service platform Watcho has announced the premiere of a new crime thriller titled “Happy.” The eight-episode Hindi web series is currently live now on the platform.

    “Happy” follows the journey of a chef named Happy Singh who makes his living working as a chef at a girls’ hostel. The show revolves around Happy’s pursuit of happiness, who is known for his grumpy demeanor and extraordinary culinary skills.

    The thriller is written by Hitesh Bali, under the production of Percept Purple. It features Bhagwan Das Patel playing the titular character, alongside Deeksha Sahu – who essays the role of Gunjan, the parallel character. 

    “‘Happy’ is an unconventional crime thriller that comes with a blend of suspense and hard-hitting drama. The series has carefully crafted characters which makes the story delve into the theme of the class divide and how it reflects upon our society,” commented DishTV and Watcho’s corporate head of marketing Sukhpreet Singh. “As a promoter of entertainment, we have always strived to invent and deliver innovative content for our viewers. ‘Happy’ is yet another testimony to our path-breaking content that appeals to regional audiences,” he added.

  • Here’s how ALTBalaji disrupted AVOD world with new show ‘Lock Upp’

    Here’s how ALTBalaji disrupted AVOD world with new show ‘Lock Upp’

    Mumbai: Streaming platform ALTBalaji recently launched its first reality show “Lock Upp” through an advertising-based video on demand (AVOD) model. The AVOD system allows viewers to access the free original content. This strategic move by ALTBalaji is on its way to set a new benchmark in the Indian entertainment industry.

    The Kangana Ranaut-fronted show turned out to be a great success for the streaming service platform. On the subscription video-on-demand side (SVOD), ALTBalaji has witnessed 36 per cent quarter-on-quarter growth in FY21. In addition, the platform saw a 75 per cent increase in active subscriber base to 2.1 million from 1.2 million last year, compared to the same period the previous quarter in 2020. As a result, the platform has more than 35 million subscribers with nine million monthly active users, according to the streaming service. 

    With over 80 per cent of ALTBalaji’s audience under 35 years of age; an exciting library boasting 91+ original shows and many in the pipeline; a flourishing SVOD business; AVOD is the next step in building the business further.

    For the first time, a platform with no network support has attempted to build an AVOD business, as it garners a record number of views based on the strength of the path-breaking content that it delivers regularly. According to the platform, the goal is to reach out to an even wider audience base, penetrating further into the hinterlands.  

    Speaking on this success, ALTBalaji spokesperson said the introduction of AVOD will not only be an added layer of advertising revenue to existing revenue streams but will also help them drive further subscriber base via cross-sell and up-sell. “We are excited about providing a further simplified and seamless experience with thousands of hours of free content for mass India,” added the spokesperson.

    ALTBalaji has a history of creating ventures and opportunities that are very well received by the audience. Currently catering to an MAU base of 10+million, it has sold 2.9 million subscriptions in H1 alone. The platform sees an audience engagement metric of 83 minutes per day, with different genres catering to varied audiences. According to a recent report by global technology research powerhouse Omdia, AVOD streamers will flourish over the next three years and will hit revenues of almost $260 billion by 2025.

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