Category: Over The Top Services

  • Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Voiro has always helped publishers to understand & manage their revenue better: Kavita Shenoy

    Launched back in 2014, Voiro is a revenue management product suite for media houses and digital publishers. It consolidates diverse technologies & multiple sources of revenue. A data technology company, Voiro brings automation and intelligence to media organisations across the world, enabling them to make data-driven business decisions.

    Currently, Voiro cpowers many OTT players, digital publishers & media houses in India. The company says that it is trusted by prominent OTT players and publishers such as Disney+ Hotstar, Voot, BookMyShow, Zee5, OLX, Flipkart, and DSTV (South Africa).

    Co-founded by Kavita Shenoy & Anand Gopal, Voiro Technologies positions itself as being India’s first definitive revenue analytics and technology stack for content, media and publishing. Voiro’s engineering products that power revenue optimization & workflow automation for ad-led companies. Its SaaS based product harnesses the power of data to track ad inventory in real-time and gives their customers instant access to actionable intelligence.

    The company’s technology has driven colossal live events year after year such as the IPL, the Oscars, Bigg Boss and Big Billion Day. The company has already raised ₹2.5 crore in a pre-Series A round from crowdfunding platform 1Crowd’s investor community and angel fund. The funding has propelled it to grow ~4x in the last year, pushing the annual recurring revenue (ARR) towards the ~$1mm mark that helped the company to bag its first international customer.

    An ex-googler and a tech-aficionado, Shenoy heads business strategy and development at Voiro. She is one of the few Indian women entrepreneurs who has carved out her niche and solidified her position in the tech and SaaS space. She believes that technology is an enabler and has the power to revolutionise & drive business, which is Voiro’s core strategy. She is devoted to solving problems faced by media houses, digital publishers and top OTT players in India, which is bringing the digital/operational transformation as well as helping to become future-ready.

    She is an undergraduate major in Economics from the University of Mumbai and began her career in advertising, with Lowe Lintas where she managed some of the country’s largest consumer brands. At Tirage Worldwide, she handled media consultancy & experiential marketing for various businesses. She proved her prowess in the content analytics domain by spearheading the launch of Doubleclick YouTube in India & South East Asia.

    At Google, she conceptualised & delivered compliant launches & programmes in media platform policies through advocacy and governance frameworks. Having worked intensively with large advertiser programs for Google, she used her deep understanding & knowledge of the space to identify gaps that existed between advertisers & publishers. Armed with this insight, she founded Voiro which was at the intersection of data meets technology, which is a strong central need in the market currently.

    At Voiro, she has been working hard to scale up the company and to build a dominating presence not only in India but also in the overseas markets. She has been leading a lean, agile, expert team towards steady growth over the past six years. She envisions Voiro being the SaaS partner of choice to all the major content companies in the world. 

    Indiantelevision.com caught up with founder & CEO Kavita Shenoy to find out more on the company’s plans.

    By Ashwin Pinto

    Excerpts: 

    On the market gap she witnessed in 2014 when Voiro was launched

    Voiro was built to address a gap on the publisher side of the advertising industry. That was a time when the use of data in digital advertising was only just beginning to proliferate, but a large part of the evolution was on the advertiser side. We realised that publishers were going to grapple with new data-related problems, and we set out to solve some of those. 

    The company evolved its offerings over the years

    The core problem that Voiro solves has always been to help publishers understand and manage their revenue better. And what has changed is that more & more sectors face similar challenges, so our product has evolved to serve not just media / OTT businesses, but also e-commerce, telecom and potentially gaming. Essentially, anyone who makes money from digital advertising.

    On the product front, we have been able to go deeper into our problem space every year. For example, we began with just revenue reporting, but have moved into workflow automation, as well as insights and recommendations. In short, anything to help publishers make more money from their ad inventories.

    On the goals for this year

    Our focus for this year is growth. We see the industry expanding, our target customer is growing, and we know that the problems we solve are problems that every publisher faces at some point in their growth journey. Our goal for the year is to ride this wave and take our products to more customers and geographies. 

    On how Voiro is leveraging growth in the OTT space

    OTT has for many years been our core focus, and we work with nearly all of India’s large OTT players. Our goals are to grow our presence in the OTT space abroad, while also ensuring that we take our product to other promising sectors such as e-commerce.

    On the challenge that media & entertainment companies face in being data first

    Today, collecting data is never a problem, especially for any business in the media space. Putting that data to good use is a completely different problem. We see businesses across our target sectors struggle to organise their wealth of data, ask the right questions, and put the data to use in a way to help drive growth. It is because growth is the only thing that matters to these businesses; just having data is not enough.

    On Voiro’s recently launched revenue reconciliation product

    Revenue reconciliation is at the heart of what Voiro does, and is built to answer a single crucial question for publishers: “How much have I earned so far?”

    Digital advertising is incredibly dynamic, and advertising campaigns are subject to extensions, truncations, changes in targeting, and several other situations that affect the delivery of these campaigns. For a media business to understand the state of delivery of several hundreds of parallel campaigns can be challenging, and borders on impossible at a large enough scale.

    Revenue reconciliation automates this process for publishers, helping them understand how much money they have made at any point in time, where it came from, and what they should do to grow.

    On finding the right product market fit in a rapidly evolving media & entertainment industry

    Although media and entertainment businesses are rapidly evolving, the core problem that Voiro solves are the revenue visibility and management – is constant. A business could make money via direct sales or programmatic, from India or abroad, via their website, app or streaming platform. As long as they sell ads, we can help them. And to that extent, product-market fit has not been a challenge to find. 

    On the evolution of ad tech from where it was a few years ago

    As with the broader industry, adtech is constantly evolving. Products have appeared that solve all kinds of problems on either side of the advertising equation.

    But for both publishers and advertisers, the challenge is this: building an adtech stack is easy. Getting the most out of the stack, making sure all the parts work together, and building the right organization around that stack, are the most important questions about adtech today.

    OTT platforms need to be more innovative in terms of offering solutions to advertisers

    OTT platforms are constantly experimenting with the solutions that they offer advertisers. In fact, to use a prominent example, the growth of IPL ad revenue over the years is due in large part to Star’s willingness to experiment & innovate.

    Advertisers are always looking for new ways to reach their customers, just so long as the value is clear. Therefore, OTT platforms are always going to continue to look for new ways to earn their next marketing dollar.

    On whether the lack of single currency measurement for digital is hurting the revenues that OTT platforms get

    Measurement is an essential aspect of advertising. Advertisers have been willing to accept a variety of measurement metrics for digital marketing, which led to the growth of performance marketing. So on the contrary, this has probably helped grow digital ad revenues, rather than hurt them. However, all publishers (including OTT platforms) must be aware that advertisers will always seek a balance between brand and performance spends. The publishers will always have to look for better and more accurate ways to demonstrate outcomes, even more so as ad rates rise and if businesses are under economic pressure.

    On platforms needing to improve the ability to deliver ads in the right context

    The challenge here is to achieve micro targeting in a cookie-less world. And inevitably, the answer is for publishers (including OTT platforms) to make use of first-party data. A platform that is able to truly leverage their first-party data will outperform the one that does not, and should be able to command a significant premium for their ad inventory.

    On the role of augmented reality (AR) and virtual reality (VR) when it comes to content & advertising on OTT platforms

    AR and VR, at this point, are very nascent technologies, even more so in markets like India. It may be a while yet before we see commercial-scale content and advertising making use of AR and VR, but smart advertisers and publishers are always going to keep an eye out for opportunities.

    On how she observes Viacom18 faring with the digital rights of the IPL in the next five years.

    The bids for IPL rights, as expected, were significantly higher than the 2017-22 auction, and the winners are going to find it challenging to make a profitable business of it. Regarding the digital rights, it is clear that Viacom18 will have to explore all possible monetisation routes: subscriptions, advertising and transactions.

    We see their road ahead in three parts: first, ensuring that they win over all the viewership that Hotstar has amassed over the last five years; this will by no means be automatic. Second, building the infrastructure to deliver advertising at scale to this audience. And finally, pulling out all the stops to maximize their ad revenue over five years. This last part will be hard; Viacom18 will have to really innovate to create more ad spots, formats and properties to monetise, as well as demonstrating real value to advertisers so as to command premium rates.

    On whether it is mainly going to be a subscription play

    It is hard to see the winners being able to monetise their rights solely via subscriptions. India has been a hard market to win over from a subscriber point of view; this is most easily seen in Netflix & Disney’s performance over the last two years. These companies, both running massive and successful global subscription businesses, have both struggled to match that success in India. For the winners, the next five years has to be about a combination of advertising & subscriptions.

  • Loco, Glance Live acquire streaming rights to Nodwin Gaming’s BGMI Master Series tournament

    Loco, Glance Live acquire streaming rights to Nodwin Gaming’s BGMI Master Series tournament

    MUMBAI: Nodwin Gaming’s upcoming ‘Battlegrounds Mobile India Masters Series tournament’ is set to go live from 24 June 2022. Nodwin Gaming has on-boarded game streaming & esports platform, Loco and the android lock-screen platform Glance as its digital streaming partner for the mega event that is set to change the way esports is perceived in India.

    Loco said that it is paving the way for gaming to go from a niche hobby to mainstream national interest. The platform has organized over 32 BGMI tournaments since its launch, witnessing a steady rise in its live viewership numbers.

    Loco founder Ashwin Suresh said, “We are very excited to partner with Nodwin Gaming once again after our landmark Nodwin Loco All Stars Invitational in April which saw the highest concurrent viewership for any esports tournament on an Indian game streaming platform. Nodwin is looking to take things to the next level with the BGMI Master Series and there’s no better home for it than India’s largest game streaming platform, Loco. Being the Indian gaming community’s town square, we expect a majority of viewership for this tournament to occur on Loco and we look forward to delighting our users with yet another high quality event experience.”

    Also Read: Star Sports forays into esports, teams up with Nodwin Gaming 

    “We are very excited about this never-before-attempted televised esports event. We’re making sure the tournament can be accessed across platforms be it television or the digital medium.  You can watch it on Star Sports 2, and we’ve also tied up with Loco & Glance Live for further digital access. Through these partnerships, we want to amplify the biggest event in the esports calendar this year! Both these brands will give access to advertisers associated with the tournament to an extended consumer base while letting us promote a 360-degree outreach to both the digital and linear television audience,” said Nodwin Gaming co-founder & managing director Akshat Rathee. 

    The event will be held from 24 June to 17 July, 2022, at the Nowdwin studios in Delhi. The tournament will award a mega price pool of Rs 1.5 crore. The winning team will be awarded Rs 2,500,000 and Rs 100,000 for the tournament most valuable player. 

    The tournament will see the participation of the top 24 teams which will play in three groups of eight members each. These three groups will battle each other over a period of three weeks, and the top team on the leaderboard at the end of the fourth or final week will win the tournament. The finale of the tournament will be held from 13-17 July 2022.

  • Govt supports self-regulation for OTT industry, says I&B minister Anurag Thakur

    Govt supports self-regulation for OTT industry, says I&B minister Anurag Thakur

    Mumbai: The minister of information and broadcasting, sports & youth affairs, Anurag Thakur said that the government supports self-regulation for OTT industry. He said while addressing the inaugural of CNN-News18 Town Hall recently.

    “When we decided on self-regulation on OTT, we wanted to create an industry driven check on everything,” Thakur said.

    Thakur said that systems and processes were already in place for viewers to raise any complaints or grievances. He said that in case the government had any complaints with any scenes, they raise it directly with the platforms.

    “There are age groups, where a viewer can submit their credentials and watch whatever they wish to. We have never stopped a movie, or certification. But in case there are complaints for a particular scene we do raise the same with the platforms and the same is usually taken down by themselves to ensure that there is no tension in the country.” Thakur added.

    CNN-News18 hosted the inaugural session of ‘Town Hall,’ an on-ground event where top policy makers, opinion leaders and prominent voices engage in meaningful conversations with the channel’s news team.

    The first edition of Town Hall was held on Saturday with top union ministers of the Narendra Modi government such as Dr S Jaishankar, Anurag Thakur and Smriti Irani were present.

  • Gather Network gives additional responsibilities to Ashesh Koul; appoints him CTO

    Gather Network gives additional responsibilities to Ashesh Koul; appoints him CTO

    MUMBAI: Dubai based Web3.0 & blockchain content monetisation platform, Gather Network has announced their expansion plans for India’s operations with additional responsibilities assigned to the Chief Technology Officer (CTO) Ashesh Koul. In his new role, he will manage the company’s growth in the South Asian market and will also lead a team of 40 employees.

    Koul has been a technologist at Gather Network for over four years. He has a keen understanding of both the business as well as consumer’s needs. Therefore, his skills & experiences will help to create a Web3 powerhouse for leading business strategy, tech consulting & building blockchain capabilities.

    With core competencies in business strategy, tech consulting & software development, his role has been instrumental in leading global teams and owning end-to-end wide range of business functions & technology solutions. He comes with 18 years of experience in the technology industry, having led large teams of  more than 200 engineers as well as working hands-on in Fortune 500 enterprises and technology start-ups. Ashesh has a strong technical background in mobile, middleware, automation, and big data, & recently applied for a patent as well.

    Gather Networks intends to significantly increase its workforce in India with its new Indian operation headquarters that recently opened its doors in Gurugram, NewDelhi.

    Koul said, “I am really excited to contribute to Gather Network’s vision of expanding across the South-East Asia region. The company’s journey in South Asia over the last few months has been both enriching and exhilarating and I look forward to applying what I’ve learned in the current role in the enhanced profile. From the perspective of our clients and talent, there are tremendous opportunities to create interesting synergies across geographies. I am really grateful to Gather Network for this opportunity and their trust  in me”.

    Gather Network CEO, founder Reggie Raghav Jerath commented, “I’m overjoyed to have Ashesh lead the growth and operations in the region. We intend to capitalise on his knowledge and experience as one of our core members from the last four years to achieve even greater momentum in the Blockchain & Crypto space. To that end, we intend to pursue specific organic and inorganic growth strategies while continuing to invest in innovation. We believe that Ashesh’s experience and strong financial acumen will play a vital role in driving these initiatives and maximizing value for our clients and stakeholders in the South Asian market.”

    Gather has various products that help in enabling monetisation for content creators such as Gather Online, where web and mobile developers can monetise from the end-user processing power with their express permission,  Gather Enterprise, which is a consultancy service providing solutions for business on tokenization, and Gather Cloud, a decentralized cloud services providing businesses with the processing power that keeps the cost of cloud computing in check with the use of their own existing devices.

  • Zee5 to stream 16 Telugu original series in 2023, says Zee’s chief cluster officer A Gudur

    Zee5 to stream 16 Telugu original series in 2023, says Zee’s chief cluster officer A Gudur

    Mumbai: Streaming service Zee5 has 16 Telugu original series in the pipeline for financial year 2023, Zee Entertainment Enterprises (Zee) chief cluster officer – Telugu Anuradha Gudur told Indiantelevision.com. The platform announced 11 out of 16 titles at a gala event in Hyderabad recently.

    After launching Telugu originals shows on and off for the last four years, Zee5 has unveiled an entire slate of content in 2022 increasing its focus on regional content, specifically in the south. The platform had announced its Tamil original slate in May.

    Zee5 is planning to launch one to two Telugu shows every month till March 2023. Many of the series are written by debutant writers and will showcase fresh faces on the screen.

    On 17 June, Zee5 will begin streaming its upcoming title Recce, a multi-starrer thriller featuring Shiva Balaji, Sri Ram, Dhanya Balakrishna, Rajeshwari Nair, Aadukalam Nareyn, Sharanya Pradeep, Sammeta Gandhi and Ester Noronha. The plot revolves around a supari killing that takes place in Tadipatri which becomes a political hotbed. The story follows the point-of-view of the murderers.

    There’s Maa Neella Tank, a romantic comedy based in a small village set in the Vellore district in Andhra Pradesh that marks the OTT debut of Sushanth opposite Priya Anand. ATM is a heist comedy featuring Subbaraju, Prudhvi and VJ Sunny, set in the slums of old Hyderabad city. Aha Nee Pellanta is a romantic comedy of a man’s failed attempts at finding a spouse.

    Zee5 has associated with the production house Pink Elephants once again for Hello World! created by Niharika Konidela. The show is based on the life and trials of a group of youngsters on the cusp of their careers in the prominent IT sector of Hyderabad. Pink Elephant was the studio behind Zee5’s successful show Oka Chinna Family Story that touched the pulse of the Telugu audience.

    Oka Chinna Family Story was set in Warangal (district in Telangana) and was about a boy who refused to grow up and become a responsible son. It showed the relationship between a mother and son after their father took out a loan of Rs 25 lakh and passed away the next day leaving the family in a fix,” said Zee’s Anuradha Gudur.

    “The story did extremely well in terms of completion rates and subscription numbers on Zee5. There was a lot of feedback from audiences who felt emotionally connected to the show,” she added.

    In the coming months, Zee5 will offer a variety of Telugu narratives such as spy drama Mission Tashaffi produced by Kamakshi Movies and directed by Indo-American film director Praveen Sattaru (known for PSV Garuda Vega), and legal drama called The Black Coat written by Anand Ranga and featuring Karthik Ratnam, Hebah Patel and Kamna Jethmalani.

    It will also showcase Prema Vimanam produced by Abhishek Nama aimed at viewers who prefer more light-hearted content. Another Zee5 Telugu series Hunting of the Stars is created by Kona Venkat and stars Lavanya Tripathi & Aadi Saikumar.

    Speaking about the shows that resonate with Telugu audiences, Gudur responds, “When a show gets the regional nuances and emotional connect, right then, there is far more affinity towards the content from audiences. That’s what OCFS (Oka Chinna Family Story), which was set in Warangal, did so well. The slang and way the characters conversed was spot on.”

    Gudur notes that she expects advertising video-on-demand (AVOD) audiences to slowly convert to subscription video-on-demand (SVOD) because of Zee5’s inclusive line-up of Telugu originals. “The audiences for AVOD and SVOD are two distinct audiences. The AVOD viewers come to watch catch-up content and may subscribe to watch the same content before TV. But we have family-oriented shows in our original line-up that they may want to watch.”

    Zee5 recently began streaming SS Rajmouli’s “RRR” on its platform that garnered 1000 million streaming minutes of watch up within 10 days of streaming and has been trending on No. 1 across four languages (Telugu, Tamil, Kannada, Malayalam).

    The platform has been ramping up their regional library with blockbuster acquired as well as original content to further consolidate their foothold in regional markets and keep the viewers entertained with quality content.

  • Eros Investments, Wipro sign agreement to develop content localisation solution

    Eros Investments, Wipro sign agreement to develop content localisation solution

    Mumbai: Eros Investments on Thursday announced that it has signed an alliance agreement with IT firm Wipro to evolve and scale the artificial intelligence (AI) and machine learning (ML) based content localisation solution.

    The solution will automate the time-consuming manual content localization process of subtitling and dubbing with near human-level accuracy, driving significant cost and time savings for global media organizations, post-production, and direct-to-consumer over-the-top (OTT) streaming platforms.

    Eros Investments’ data science experts, in collaboration with Wipro’s technology team, will leverage latter’s Vantage solution, an AI/ML-powered content intelligence platform which uses Google Cloud’s Translation AI suite of services to develop both ‘Speech to Text models’ and ‘computer-generated voice from Text to speech’, including voice cloning, emotion tagging, and speed syncing in various languages.

    The first phase of automated translation (Subtitling) will be available in multiple languages, including English, French, Spanish, Arabic, Mandarin, Malay, Bahasa, Tamil, Telugu, Hindi, and Bengali. The ‘use cases’ will be useful in training models to develop the solution in other languages later. Wipro’s Vantage helps extract intelligence/metadata from various forms of content, video, audio, images, printed text and more.

    Eros Investments and Wipro’s joint content localization service will be available to media and entertainment companies in two deployment models: platform-as-a-service and private cloud deployment.

    “Organizations across the media and entertainment space are increasingly seeking out solutions that enable language translation with accuracy and at scale,” said Google Cloud managing director- global systems integrator partnerships Victor Morales. “Wipro and Eros Investments’ content localization service, combined with Google Cloud’s machine learning capabilities, will provide customers the functionality they need to deliver audiences everywhere exceptional viewing experiences”.

    “In a world where content is taking precedence and crossing the cultural & language barrier, subtitles and dubbing have become a critical component of the video viewing experience,” said Eros Investments director Swaneet Singh. “It is well known that ‘good subtitles can’t save a bad film, but bad subtitles can ruin a good one,’ which is one of the reasons why we are co-investing with Wipro in a robust and automated translation solution. As global content reach grows, accelerated and accurate localization will be key in making premium original and catalog programming available to new global subscribers and audiences.”

    “With the ability to scale easily based on client needs, our AI translation solution is ideal for media companies looking to expand their global audience footprint,” said Wipro senior vice president and sector head-communications, media and information technology Malay Joshi. “In addition to improving the accuracy of translated content, our offering will reduce the manual effort involved in translation, bringing down costs and time to market significantly. Improving the ability of viewers worldwide to access and enjoy content from other markets will help increase overall global viewing and OTT platform growth and we are very proud to support this effort.”

    Eros Investments is a global media, entertainment and technology portfolio of ventures including Eros Media World, Eros Now, Xfinite’s Mzaalo and others.

  • Voot Studios, Deutsche Welle renew content partnership

    Voot Studios, Deutsche Welle renew content partnership

    Mumbai: Streaming service Voot’s brand solutions arm Voot Studios has renewed its partnership with German broadcaster Deutsche Welle for a second year. Voot will showcase various content on its platform starting 17 June with Choices.

    A seven-episode series starring encouraging mentors such as Padma Shri awardee Sakshi Malik, pathbreaker Prashasti Singh and artistic director Ashley Lobo, ‘Choices – Dare 2 Dream’ will showcase young Indians get challenged by these role models to live their fantasy life for a few days. The series aims to highlight the inspiring journey of these role models who with pure passion have created their own path and pursued their calling outside of societal norms.

    “At Voot, it is our constant endeavour to provide our users with content that is diverse in nature while at the same time relevant along with a universal appeal,” said Viacom18 Digital Ventures head AVOD (Voot) Chanpreet Arora. “Our partnership with Deutsche Welle, last year, successfully struck a chord with our viewers, thereby helping us to widen our content library and meet the growing content demands. Unique in its concept, Choices successfully captures the increasing aspirations of the millions of ambitious and enterprising Indians who are given an opportunity to live their dreams, away from the notions of age or gender, making it extremely relatable and intriguing for our viewers. We are happy to associate with them and look forward to exploring and deepening this existing relationship once again.”

    “It has always been our intent to make our content widely accessible and our partnership with Voot last year provided us with this excellent opportunity,” said DW in Asia distribution manager Daniel Schulz. “We are once again excited to collaborate with them and reach out to India’s diverse audience with our fresh, relevant, engaging and universally appealing content. With shows like Choices, we aim to bring forth stories that deserve to be narrated and manage to strike a chord with viewers on Voot.”

    “India has always been a key market offering tremendous opportunities to narrate stories that deserve universal attention. Through Choices, we at DW, aim to showcase content that encourages and inspires viewers to acknowledge and appreciate the tough life of India’s young role models who have excelled in their fields and carved their own path,” said DW distribution representative for India, Sri Lanka, Afghanistan, and Bangladesh Jaya Oberoi. “We are thrilled to launch Choices on Voot and look forward to reaching out to our target audience through a long-term fruitful association.” said Jaya Oberoi, DW Distribution Representative for India, Sri Lanka, Afghanistan, and Bangladesh.

  • MX Player’s ‘Ek Badnaam…Aashram 3’ releases globally

    MX Player’s ‘Ek Badnaam…Aashram 3’ releases globally

    Mumbai: MX Player has released ‘Ek Badnaam…Aashram 3’ globally. With the first two seasons seeing a major rise in viewership, the recently launched season 3 has been released across 33 countries globally.

    While the first two seasons were greatly appreciated by audiences, the recently launched season, ‘Ek Badnaam…Aashram 3’, has also very quickly and successfully entered the 100 million viewership club within thirty two hours of its release in India.

    Ek Badnaam…Aashram 3 features an ensemble cast comprising Bobby Deol, Aaditi Pohankar, Chandan Roy Sanyal, Darshan Kumaar, Anupriya Goenka, Esha Gupta, Sachin Shroff, Adhyayan Suman, Tridha Choudhury, Vikram Kochhar, Anuritta K Jha, Rushad Rana, Tanmaay Ranjan, Preeti Sood, Rajeev Siddhartha and Jaya Seal Ghosh.

    Speaking about launching the show globally, MX Media chief operating officer Nikhil Gandhi said, “We are expanding our viewership and penetrating newer markets internationally. After receiving such huge success in India for our No 1 homegrown series, Aashram, launching it simulcast across other countries gives our users all over the world the opportunity to watch the series at the same time that it’s launched in India. We believe that it is the power of good content that makes people connect with the story as season 3 of Aashram is also breaking all records of viewership that we achieved in its earlier seasons. We are humbled at the response from audiences and thank them with a promise of returning with many more such incredible stories.”

    MX Player in international markets has a subscription-based offering, MX One wherein viewers outside India can watch Aashram and other MX Original Series by subscribing to it.

    MX Player vice president and business head of gaming and international business said, “Our focus for the coming year is to diversify content offerings and reach our audience beyond the Indian market. International expansion was always on the charts, and this move to launch Aashram globally is our first step in that direction. The series has been a massive hit among the Indian audiences, and we hope this love will further multiply as our viewers worldwide will be able to experience this record-breaking show.”

    Commenting on the same, Producer and Director Prakash Jha said, “It’s exciting news for all of us. We are really looking forward to global audiences watching the show as wherever I visit around the globe, I’m always asked when we can see the next season. I’m grateful to the fantastic cast, my crew and Team MX Player for being excellent partners in creating this series.”

  • BBC Studios partners with Vuulr to list over 3,000 hours of British content in Asia

    BBC Studios partners with Vuulr to list over 3,000 hours of British content in Asia

    MUMBAI: Vuulr, an online content marketplace for film & TV has announced that BBC Studios has signed an agreement to list over 3,000 hours of its premium British content on the Vuulr marketplace.

    BBC Studios’ library of documentary, comedy, factual entertainment and lifestyle content will be immediately made available for licensing to customers in Asia, featuring titles like Top Gear, Death In Paradise, Call The Midwife, Attenborough and the Sea Dragon and The Young Offenders.

    Additionally, BBC Studios has commissioned a BBC Studios branded content sales platform from Vuulr at bbcstudios.vuulr.com. This BBC Studios Branded Sales Platform (BSP) will allow interested buyers to search the catalogue, watch trailers and screeners on-demand, check rights availability and place licensing offers easily and conveniently.

    All 7,000 buyers already registered with Vuulr will be able to login to BBC Studio’s BSP with their Vuulr credentials. New buyers will only need to do a quick registration to gain full access to the platform.

    “The entertainment industry is fast evolving, and we need to expand the ways to showcase our extensive content catalogue to capture customers that we can’t always reach. Working with Vuulr enables us to reach out and connect with buyers across the diverse Asia and South Asia regions, bringing our bold British premium content to new audiences” BBC Studios senior VP & GM Asia Phil Hardman said.

    “BBC Studios is well known for producing some of the most engaging and premium British programming, with many iconic and much-loved titles. We are incredibly excited to be working with BBC Studios and to present their amazing catalogue on Vuulr,” Vuulr CEO Ian McKee said.

  • Bharti Airtel launches multiplex on Partynite metaverse platform

    Bharti Airtel launches multiplex on Partynite metaverse platform

    Mumbai: Bharti Airtel has launched a multiplex on Partynite metaverse platform. The Xstream multiplex is an extension of Airtel’s Xstream premium offering.

    Airtel’s Xstream multiplex will be a 20-screen platform with access to content from leading OTT partners available on the application. The multiplex will enable sampling of top original shows and movies with content pieces such as the first episode of an OTT original or initial minutes of a movie in regional languages, besides English and Hindi.

    The idea was conceived by Essence, Airtel’s media agency of record, and developed by Gamitronics, the creator of blockchain-powered digital parallel universe Partynite. “The Xstream multiplex offers an immersive content experience with multiple engagement layers, which allow users to interact on Partynite Metaverse,” said the statement.

    “Airtel’s Xstream multiplex provides a larger-than-life experience, which brings together Web 3.0 apps and immersive storytelling, and an assortment of content from our partners,” said Airtel director – marketing Shashwat Sharma. “We all know people’s love for movies and entertainment in India. Through the metaverse, we are looking to tap into a larger audience, giving content enthusiasts an opportunity to sample Airtel’s Xstream Premium offering and, thus, aiding in driving higher adoption.”

    “We are delighted to partner with Airtel and bring alive India’s first multiplex in the metaverse. Airtel Xstream Premium’s multiplex experience is one of the most scalable use case scenarios for the metaverse,” said Partynite (Gamitronics) founder Rajat Ojha. “Future opportunities here include movies, music, live events and premium sports streaming. Apart from the robust scope, it will also allow social engagement, open up newer methods of content delivery and, of course, provide an immersive experience at the core of it.”

    Recently Airtel reported that its OTT platform Xstream reached two million subscribers within 100 days of its launch.