Category: Over The Top Services

  • Netflix announces a new Korean show ‘Parasyte: The Grey’ based on the comic book

    Netflix announces a new Korean show ‘Parasyte: The Grey’ based on the comic book

    Mumbai: OTT platform Netflix has confirmed the production of Parasyte: The Grey, a series by director Yeon Sang-ho based on Hitoshi Iwaaki’s comic book published by Kodansha. The story is about unidentified parasitic life-forms that live off of human hosts and strive to grow their power. As they start to disrupt society, a group of humans wage war against the rising evil.

    Hitoshi Iwaaki’s original comic book series “Parasyte” about invasive life-forms that seize and control human bodies has sold over 25 million copies in over 20 territories and countries. The story has spawned animation and live-action adaptations.

    Sang-ho made the movies “Train to Busan” and “Peninsula,” which launched the K-zombie craze. For Netflix, he also made the series Hellbound. Netflix added that given his incisive insight into human nature when people are faced with chaotic world order, many are curious to see how he will translate the world portrayed in Parasyte with a Korean twist. Ryu Yong-jae, the screenwriter of Money Heist: Korea – Joint Economic Area, which topped Netflix’s Global Top 10 TV (non-English) within three days of its release, joins Sang-ho in knitting this story.

    Jeon So-nee plays Jeong Su-in, who falls victim to a parasite, and when it fails to take over her brain, she enters into a bizarre coexistence with it. Koo Kyo-hwan and Lee Jung-hyun, both of whom have previously worked with Sang-ho in the film “Peninsula,” joins the cast. Kyo-hwan plays Seol Kang-woo, who tracks down parasites in order to find his missing sister. Jung-hyun plays Choi Jun-kyung, the team leader of “Team Grey,” a task force battling parasites. Having lost her husband to these invasive life-forms, she devotes herself to their demise.

  • Banijay CEO Marco Bassetti to deliver a keynote address at MIPCOM Cannes

    Banijay CEO Marco Bassetti to deliver a keynote address at MIPCOM Cannes

    Mumbai: RX France (formerly Reed MIDEM) has announced that Banijay CEO Marco Bassetti will give a keynote address at MIPCOM Cannes, happening between 17 and 20 October.

    As the CEO of the biggest independent content producer and distributor in the world, Bassetti is in charge of a growing operation that spans 22 countries, more than 120 production companies, and a library that includes Big Brother, Peaky Blinders, Survivor, and MasterChef, in addition to the upcoming blockbuster films “Rogue Heroes,” “Blow Up,” “Starstruck,” and “Marie Antoinette.”

    Banijay CEO Marco Bassetti said, “After three years away, we are proud to be back in Cannes with over 200 of our global talent in tow. MIPCOM always stands as a momentous occasion for our business, and I look forward to taking the time to share more about our current strategy and the trends we are recognising across the globe. So much has changed for us since we were last here, so it will be great to fully reconnect with the market and introduce our scaled-up group officially.”

    It will take the stage on the second day of the market as part of the agenda-setting Media Mastermind keynote series, which features eminent global executives and TV industry creatives speaking from the renowned Palais des Festivals stage.

    The discussion will include Bassetti’s observations on both the overall industry trends and the strategy of the world’s producers and distributors.

    MIPCOM Cannes and MIPJUNIOR director Lucy Smith said, “MIPCOM Cannes is back and supersized this year. Hearing from the man at the helm of what is now one of the world’s largest independent production groups couldn’t be more appropriate. We look forward to warmly welcoming Marco back to Cannes and back to the Grand Auditorium stage.”

    The 38th International Co-production and Entertainment Content Market will feature exhibitors from over 45 nations, including the biggest studios and platforms in the world of TV. The highly anticipated market is expected to draw over 10,000 delegates in total.

    The Seaview Producers Hub, an inaugural 1,000 square metre networking lounge and event space set against Cannes’ iconic sea view, is also being added for MIPCOM Cannes in 2022. It was introduced to reflect the market’s increased focus on exploring early-stage development, co-production, financing, and funding partnerships.

    With screenings of eagerly anticipated series and exclusive trend insight presentations alongside the keynotes, the weeklong MIPCOM Cannes conference programme helps define the TV industry’s year.

    Diverse, inclusive storytelling and mentoring will continue to be at the heart of the MIP mission and will be emphasised throughout the programme and market.

  • Zee Digital to host its second edition of MSME National Summit & Awards 2022

    Zee Digital to host its second edition of MSME National Summit & Awards 2022

    Mumbai: Zee Group’s digital media publishing arm, Zee Media Digital, announced the second edition of the MSME National Summit & Awards 2022. The event is scheduled for 27 August 2022, from 11:00 a.m. to 4:00 p.m.

    After witnessing the enormous success of the first edition of the MSME National Summit and Awards, the second edition aims to be bigger and better. The second edition aims to reinstate the importance of MSMEs for our economy and their role in defining the trajectory of the nation’s development, especially post Covid-19.

    The event will be inaugurated by the minister of state for commerce & industry, government of India, Anupriya Patel, followed by panel discussions on “Smart Manufacturing and Working Capital Issues & Funding for SMEs” by various MSME industry leaders.

    The event will also host leadership talks by IIM Lucknow Incubator director and professor of strategic management Dr. Anadi Saran Pande; and UNCTAD, Empretec India Foundation national director Arnab Chakrabortty.

    Some of the dignitaries who will be gracing the event are IamSMEofIndia chairman Rajive Chawla; MCCIA director general Prashant Girbane; Paragon Apparels MD & Alcis Sports founder Roshan Baid; Dawar Group chairman Puran Dawar; M1Xchange CEO Sundeep Mohindru, among others.

    Speaking of the event, CRO-digital Shridhar Mishra said, “The MSME sector was hard hit during the pandemic, yet the initiatives undertaken by the government gave them the much-needed thrust for revival. Today, the MSME sector has an instrumental contribution to the economy, and it is important to recognize the same. This summit is an attempt to recognize the same.”

    The event will be promoted across all social media, microsites, and content hubs. Special workshops will also be conducted as a part of the promotional event. The entire event is to be hosted on the Zee Business Facebook page.

  • Media experts are concerned about changing policies impacting their digital media buys: Report

    Media experts are concerned about changing policies impacting their digital media buys: Report

    Mumbai: Integral Ad Science (IAS), in collaboration with YouGov and a market research firm, has released its report ‘2022 Future of Privacy-First Advertising.’

    IAS surveyed 346 digital media experts and 1,131 consumers about their opinions on the future of ad targeting, upcoming changes to online data and privacy policies, and how media quality solutions can help marketers be more effective.

    The findings revealed that consumers have serious concerns about the security of their personal information when using the internet; that they are unaware of the laws governing the collection and use of their personal data; and that they are very uncomfortable when their online activity is used for advertising.

    IAS Global chief commercial officer Yannis Dosios said, “With upcoming online data and privacy policy changes coming down the pipe, privacy continues to be a priority for both consumers and media experts.”

    He further added, “IAS is well-suited to help ease the concerns of privacy policy transitions through our contextual targeting solutions that will help advertisers reach their ideal audience at scale, all while respecting their privacy.”

    The report explores a gap between what organisations are actually doing to deal with these changes and how crucial it is for media professionals to understand data privacy policies, as well as how concerned they are about how these policies will affect their work.

    The report also examines how brands are currently dealing with cookie depreciation through contextual, privacy-first advertising strategies that don’t use individuals’ personal information to target customers.

    Online data privacy 

    One of the report’s key findings was that while consumers value online data privacy, their trust in the security of their online data is low.

    While consumers agree that data privacy is important, only half (50 per cent) are confident in the security of their online data while surfing the web. More than two-thirds (67 per cent) of consumers also claim to be more cautious than ever when it comes to their privacy and online data.

    Targeting techniques 

    The study also discovered that consumers are aware of various targeting techniques. However, they might feel uncomfortable with their data being used for advertising.

    Although the majority of consumers (68 per cent) are still uncomfortable with personalisation, despite the fact that 90 per cent (nine in ten) of users are aware that websites and apps collect and share their data for advertising purposes.

    Brands have the chance to change the targeted ad experience so that contextual relevance is the driving factor. This would result in a better user experience for consumers and better results for advertisers.

    Privacy policy 

    Although the majority of media experts are concerned about evolving privacy policies, many are unaware of them and the majority lack a clear management strategy.

    Almost two-thirds (62 per cent) of media experts concur that this year it is important to understand data privacy, and an overwhelming majority (89 per cent) say that brands are particularly concerned about PII privacy.

    However, only about half of digital media experts are knowledgeable about privacy policy-related topics pertaining to browsers (53 per cent), regulations (51 per cent) or mobile identifiers (45 per cent).

    Furthermore, only 36 per cent of media experts claimed that their company had set up a team to handle upcoming policy changes, while 29 per cent said that they had taken no action.

    Contextual content

    The report suggested that brands should match their advertisements with contextually relevant content that appeals to consumers more.

    After seeing a targeted advertisement, 66 per cent of consumers said they are likely to visit a brand’s or product’s website.

    Considering consumers’ privacy concerns and desire for relevance, contextual targeting is an easy option for advertisers, but only 29 per cent of media experts have used this tactic.

    The majority of media experts (51 per cent) concur that ad buyers and sellers must actively cooperate throughout privacy changes and that media quality solutions will become more crucial for ensuring the right audiences are reached.

  • ZEE5 Global partners with the Patel brothers

    ZEE5 Global partners with the Patel brothers

    Mumbai: ZEE5 Global has announced its partnership with the Patel Brothers, a US-based Indian grocery chain, to facilitate connecting with diaspora audiences on the occasion of the 75th year of Independence.

    Commenting on the partnership, ZEE5 chief business officer global Archana Anand, said, “We’ve seen exponential growth in the US in our first year of launch, and we are happy to have been able to delight our audiences here with our rich content library. There’s no better way now to cement our leadership position in this market than with this partnership with the Patel Brothers, another iconic and much-loved South Asian brand, and we look forward to a long, wonderful relationship with them.”

    Actor Sonali Bendre inaugurated the Patel Brothers shop on Oak Tree Road in Edison, New Jersey. Sonali discussed the collaboration and how it will help Indians living in the US.

    Sonali recently made her comeback and a successful debut on ZEE5 Global with The Broken News.

    Bendre added, “I’m very happy to be here to kick off this partnership between two deeply rooted South Asian brands, The Patel Brothers and ZEE5 Global.  As the leading South Asian streaming service, ZEE5 Global has stepped out of the screens and is making an effort to bring together the diaspora audiences across the US through multiple community initiatives. Together with the Patel Brothers, who are America’s oldest, largest, and best-loved Indian chain in the US, we can expect many wonderful initiatives and experiences from this partnership.”

    At the store, ZEE5 Global also held a competition where participants had to respond to inquiries about the platform and Patel Brothers. As part of the “Shop with the Stars” competition, the winner received the chance to shop for groceries worth $200 for free with Sonali. 

    Patel Brothers’ Kaushik Bhai Patel said, “We’re always looking for ways to cater to the needs of NRIs and South Asians in the US hungry for their home culture. We are very happy to partner with ZEE5 Global that shares this ethos.”

  • SVOD subscribers base to reach 22 million in Arab countries: Report

    SVOD subscribers base to reach 22 million in Arab countries: Report

    Mumbai: In a forecast report from Digital TV Research on Monday, it is noted that there will be 21.52 million paying SVOD subscriptions [TV episodes and movies only], up from 9.49 million in 2021, across 13 Arabic countries by 2027 in the next five years.

    The largest player in the region will continue to be Netflix, which will see its Arabic base increase from 3.55 million to 5.45 million by 2027.  Despite its fast growth, Disney+ will remain behind Shahid VIP (second place), increasing from 2.16 million to 3.77 million, while Starzplay will be in third with 3.47 million. 

    With its launch in the region earlier this year, Disney+ is set to have an explosively growing launch period to become the fourth largest player with 3.39 million, with Amazon seeing similar massive growth from 715,000 in 2021 to 2.35 million in 2027.

    After Disney+ withdrew its content and launched as a standalone platform, OSN lost some traction. However, OSN will retain exclusive rights to HBO Max and Paramount+ content. By 2027, OSN will have 1.60 million paid SVOD subscribers.

    Digital TV Research principal analyst Simon Murray commented, “Netflix will continue to lead the market, although Disney+ has provided a strong challenge since June. We assume that Netflix and Disney+ will add hybrid ad-supported tiers in a pan-Arabic platform from 2024.”

  • Sajith Sivanandan becomes EVP & head of Disney+ Hotstar

    Sajith Sivanandan becomes EVP & head of Disney+ Hotstar

    Mumbai: Disney’s international content and operations group has appointed Sajith Sivanandan as executive vice president and head of Disney+ Hotstar.

    Sivanandan, who joins Disney+ Hotstar from Google, will start in October and report to Disney’s international content and operations group chairman Rebecca Campbell and Disney Star president K Madhavan.

    Sivanandan will be in charge of Disney+ Hotstar’s overall business operations in India, with direct responsibility for defining the streaming service’s strategic business priorities and charting a product roadmap for the streaming service’s continued and exponential growth in the coming years.

    He will also collaborate closely with local leadership in international markets, as well as the Disney+ team in the United States, to drive the continued growth of Disney+ Hotstar, which has become India’s leading streaming service due to its unrivalled scale, innovation, and breadth of content.

    Speaking on the appointment, Campbell said, “I am delighted to have Sajith join our executive team and lead the innovative team at Disney+ Hotstar. His deep experience in the region, combined with his strong leadership and business management skills, will greatly benefit Disney+ Hotstar as the platform embarks on its next phase of growth.”

    Adding to this, Madhavan said, “After witnessing rapid growth in recent years, the OTT market in India has entered a transformational phase which calls for an ingenious approach to the manner in which we innovate for growth. Sajith’s wealth of experience that he has gained over the years makes him the best person to lead Disney+ Hotstar on this journey.”

    “Disney and Star are brands with an incredibly rich history of innovation, user focus, and storytelling, and Disney+ Hotstar brings those attributes together flawlessly. The opportunity to come back home to where I started my career and to work alongside a very talented team to serve Disney+ Hotstar users in India and in emerging countries is one that is both a privilege and an honour,” added Sivanandan.

    Sivanandan is an accomplished professional with extensive experience in strategic business and leadership roles in global markets.

    He has been with Google for over 14 years, most recently as managing director and business head of Google Pay and Next Billion User Initiatives for the APAC region.

    Prior to that, he led Google Pay in India, where he was responsible for starting from scratch, defining and designing the overall strategy and growth for the service in the country.

    Sivanandan began his professional career in 1996 with Star TV in India, where he managed Channel V’s North India market.

    He attended St. Columba’s School in Delhi and attended Hindu College at Delhi University.

    He has two master’s degrees in management, one in marketing from the Fore School of Management in New Delhi and the other in finance from the Asian Institute of Management in Manila.

  • Apple Maps likely to show in-app ads from next year: Report

    Apple Maps likely to show in-app ads from next year: Report

    Mumbai: Apple is reportedly planning to show search ads in its Maps app on the iPhone. This development is expected to take place next year.

    According to MacRumors, Bloomberg’s Mark Gurman wrote in the subscriber-only version of the Power On newsletter that he believes the engineering work is already underway. He noted, “I believe the engineering work is already underway to launch search ads in the Apple Maps app, and we should begin to see it be implemented sometime next year.”

    “Apple is set to expand ads to new areas of your iPhone and iPad in search of its next big revenue driver,” Gurman wrote, referring to the paid search results expected to be rolled out on the app.

    The ads on Apple Maps will differ from the traditional banner ads that we see on websites. They are expected to function more like paid search results, in which a restaurant or business pays to appear near the top of the results when a user searches on Maps.

    Gurman added in the report that Apple’s advertising division generates approximately $4 billion in revenue per year and that Apple’s advertising chief Todd Teresi hopes to increase that figure to at least $10 billion per year over time.

    While Apple is aggressively pushing its privacy policy, this move is quite surprising to many. In fact, Apple launched a feature called App Tracking Transparency (ATT) last year to support users in keeping a check on apps. It will be interesting to see how Apple will ensure privacy with this feature.

  • GUEST ARTICLE: The role of crypto in facilitating the content creator economy

    GUEST ARTICLE: The role of crypto in facilitating the content creator economy

    Mumbai: With technology opening myriad opportunities across sectors, it has ushered in an era of growth for the creator economy. Content creators today have a new means of monetising content, which is empowering them to become the sole owners of what they produce and engage directly with the audiences. Blockchain is revolutionising how content creators can make money from their creativity and hard work online. In the past, they relied on brands by engaging, promoting or representing them. Despite having millions of followers or influence on social media, they have to depend on brands to make money from their content. 

    With the growth in digital spheres such as streaming platforms and even the metaverse, for instance, they are now able to explore new avenues to showcase their work, establishing a link with audiences and earning directly. At present, the total creator economy market size is over $100 billion, and it also states that 46 per cent of creators generating content for over four years are earning more than $20,000 annually.

    Undoubtedly, the creator economy empowers content creators by giving them ownership. They now do not have to think much about the ever-changing online algorithms, worry about how much brands will value them, and can depend on their actual supporters, fans, or audiences for income. They can decide where and when to work and how to engage with audiences directly to make money. Thus, cryptos are democratising the ecosystem by unlocking many options to make, share, and sell content across platforms.

    How is blockchain boosting the creator economy?

    The rise of creators, consumers, and engagement on social media have made these online platforms leverage emerging and new-age technologies to offer realistic, advanced, and real experiences to their users. It is vital to make sure that creators get paid for their hard work without relying on anyone else as the ecosystem grows. With the advent of technology like blockchain, decentralisation is happening, and as users are gaining ownership of what they create online, it is making the ecosystem more equitable for them by linking consumers and producers through a direct exchange.

    Blockchain, which is the basis of non-fungible tokens (NFTs) and cryptocurrencies, has made it possible to track or record transactions or exchanges in real-time. Content creators today are using NFTs to digitally trade their assets and collect royalties. Once issued, the NFTs assign a monetary value to these digital assets. Also, a token is tied to the content that makes it the original piece. The owners then sell or auction off these NFTs with cryptocurrencies, which can be later converted into real money.

    How does it bring additional benefits for creators?

    The most significant advantage of blockchain technology for content creators is that it empowers them by allowing them to earn directly from their audiences without the use of intermediaries. They get full control, complete rights, and visibility of their earnings. The content creators, thus, by engaging, are able to earn, which greatly boosts the creator economy. Moreover, the benefit of crypto is that it stores the value of financial incentives with the distributed ledger to decentralise each financial transaction with the help of blockchain. The networks don’t hold or store a centralised source of original information, which makes it safe from hacking or exploitation.

    Taking a step ahead, the creators can use creator tokens to create and offer unique resources and provide unique experiences to their followers for community building. For example, they can offer member passes to grant greater access to fans and create new income pathways. Also, such tokens let fans get closer to creators by paying extra. The creators will subsequently be able to expand their income source by possibly investing their earnings in crypto assets. Today, there are leading platforms such as Taki, Chingari Clubhouse, and others that are providing opportunities for content creators to earn money. This sector is gaining huge traction, and as technology, demand, and awareness develop further, it can definitely provide an alternative source of income and possibly higher returns to content creators.

    The way forward

    It is indeed welcoming to see that the Indian government hasn’t banned but regulated the crypto ecosystem, leaving scope for learning and understanding to bridge the trust deficit and address the hesitations. As per reports, the creator economy in India has grown to Rs 1,300 crore in the last couple of years as many small, medium, and even global brands are actively opting for social media creators and influencers to promote their products, which shows that the future is bright. The country, which is on its way to emerging as a resilient digital economy, has to formulate its policies to adopt the innovations and trends to not miss this bus at this juncture. India is witnessing a rise in its internet and social media population, and a conducive ecosystem for the development of blockchain, NFTs, cryptos, and web 3.0 can empower the content creators by making them sole owners of their content and selling it directly to their loyal fan base. 

    The author of this article is Taki co-founder Sakina Arsiwala.

  • Warner Bros Discovery puts HBO Max launch in India on hold

    Warner Bros Discovery puts HBO Max launch in India on hold

    Mumbai: Warner Bros. Discovery has put the launch of HBO Max in India on hold. According to a major business publication, the company is considering cost-cutting measures around the world and is working on integrating discovery+ and HBO Max in existing markets.

    The company announced plans to launch a combined streaming service with discovery+ and HBO Max.

    In an official statement from Warner Bros. Discovery Company, the company said, “The intent is to launch a combined streaming service, including in key Asia-Pacific territories in 2024.”

    It further added, “The existing licensing agreement with Disney+ Hotstar includes a selection of HBO Originals and other content from Warner Bros. Discovery.”

    Also read: HBO Max and Discovery+ to merge into single streaming platform by 2023

    The company also confirmed the news of HBO Max India head of content Saugata Mukherjee’s departure. The statement said, “Saugata Mukherjee decided to leave the company. He is an incredibly talented leader, and we wish him the very best in his future endeavours.”

    The company further informed Indiantelevision.com that Arjun Nohwar has been appointed as general manager, Warner Bros. Discovery for South Asia and Jason Monteiro is heading streaming for the APAC region, in addition to leading integrated marketing for the India, South East Asia, and Korea markets.

    Earlier, Warner Bros. Discovery had planned to launch American subscription video-on-demand (SVOD) service HBO Max in India, and Saugata Mukherjee was appointed as head of content for HBO Max India. After news of Saugata quitting, speculation was made that Warner Bros. Discovery had delayed HBO Max’s launch in India. Mukherjee is expected to go back to SonyLIV.