Category: Over The Top Services

  • CricHeroes surpasses 15 million users, launches Shots for cricketers

    CricHeroes surpasses 15 million users, launches Shots for cricketers

    Mumbai: CricHeroes, an international cricket scoring platform, has announced that it has surpassed the 15 million registered user mark. The cricket network also announced the launch of Shots, an app for cricket short videos from the matches live streamed on CricHeroes.

    CricHeroes founder Abhishek Desai said, “We are extremely happy to achieve this milestone. Every day we are bridging the gap between grassroots cricket and international cricket with the help of technology. The consistent increase in our user base shows how CricHeroes is a useful and user-friendly platform for one and all who love the game of cricket. Such milestones certainly encourage us to come up with even more innovations and help spread the popularity of the game further. Shots is another step in that direction.”

    Shots will showcase curated moments from the matches live streamed on CricHeroes. All the videos are 10-20 seconds long, just like the very popular Instagram Reels. Cricketers will be able to submit their own “shots” very soon to make the game even more engaging.

    CricHeroes is the scoring home for many domestic cricket leagues in India and abroad. With several domestic and international associations as official partners around the cricketing world, CricHeroes helps streamline the scoring process, which can be accessed live and also at the same time by the players, coaches, and officials.

    The triumphs and achievements of our domestic cricketers have a permanent record because of CricHeroes. Recently, they have come onboard as the official scoring platform for the Tamil Nadu Premier League (TNPL) and Andhra Premier League (APL).

    More than three million matches have been scored using CricHeroes. More than 200 cricket associations are using CricHeroes as their official scoring platform. Major BCCI affiliated state associations such as Cricket Association of Bengal, Baroda Cricket Association, Tamil Nadu Cricket Association, and others, as well as ICC members such as Sri Lanka, Afghanistan, Bangladesh, Canada, and others, use CricHeroes officially for their leagues.

  • Bumble is back with new edition of its content series ‘Dating These Nights’

    Bumble is back with new edition of its content series ‘Dating These Nights’

    Mumbai: Dating and social networking app Bumble has launched the third edition of its series, Dating These Nights. Featuring Zoya Akhtar, Mrunal Thakur, Shriya Pilgaonkar, Jim Sarbh, Vijay Varma, and Srishti Dixit, the series aims to help people discover and navigate deeper and meaningful conversations around modern romance and dating in 2022. The series can be seen on Bumble’s YouTube channel.

    The first episode, ‘Romances and Bromances’, will feature award-winning filmmaker Zoya Akhtar and actor Jim Sarbh as they dive into “modern masculinity,” discussing what healthy masculinity looks like and more. ‘Age of Love’, the second episode will see popular actors Mrunal Thakur and Shriya Pilgaonkar discuss dating in their 30s—an interesting experience to date on their own terms and timeline. Ending the season, ‘Banking on Love’ will feature the star of the recently released film “Darlings,” Vijay Varma, and influencer Srishti Dixit, who explore the nuances of financial intimacy in relationships in the last episode.

    Bumble India communications director Samarpita Samaddar said, “We are excited to bring back our popular content series in its third edition, this year titled Dating These Nights. We’re flipping the switch with this after-hours series this year where we don’t sleep over it, instead we delve into deeper and more meaningful conversations around topics that are often considered taboo but need to be discussed openly. We are thrilled to be associated with such amazing talent, who are known to have carved their lives and journeys on their own terms. As a brand that understands and speaks to modern romance and evolving dating cultures in India, we hope Dating These Nights sparks more meaningful conversations and encourages healthy and equitable relationships.”

    Akhtar said, “Bumble’s Dating These Nights gives a platform to spark meaningful conversations on less-tackled topics around modern relationships that should be discussed openly.” 

    Sarbh shared, “I consider myself fluid when it comes to these concepts as I don’t hold myself to ‘what should be’ in terms of gender ideas. Masculinity is entirely subjective, but I believe we should consider each human being for what they are as opposed to caging them in societal norms. Hailing from an industry that easily typecasts, I am thrilled to be engaged in conversations that go beyond the shackles of traditional notions. More so with Bumble, as this turns out to be my second rendezvous with them, and I applaud the kind of work they do.” 

    When talking about dating in her 30s, Mrunal Thakur said, “To me, it’s being more assertive about your priorities. In retrospect, even when I meet people who are in their 30s, they are clear about what they want. I am seeking that sort of transparency. Being a part of Bumble’s Dating These Nights series has been an eye-opening process as I’ve been able to discover myself more. These conversations are surely causing a positive change in the world, and I’m happy that I’m a part of this progressive society and blessed that I can pursue life the way I want even in my 30s.”

    Sharing her dating experience in her 30s, Pilgaonkar said, “As you continue to evolve as a person, your idea of love changes, it matures. We get more comfortable with ourselves as we age, and this stems from self-love. In my 30s, I can say that I have a better grasp of who I am and the type of companionship I want to have. It’s time that we normalise dating and explore relationships in our 30s. Bumble’s series does just that by having open conversations and helping individuals navigate their relationships by prioritising themselves over societal norms.”

    Varma, speaking on financial intimacy in relationships, shared, “As a society, we talk about money all the time but we shy away from direct questions about finances as they tend to make us feel insecure. While this stems from patriarchal thinking, I believe this can be destigmatized during the first date itself. Questions like, “Who will pay for the date?” or “Do we split the check?” are a great way to start the money conversation. The idea is to get your partner comfortable with discussing money from the very beginning. Personally, I am a firm believer in having a space to openly discuss these matters in a relationship, and I’m so glad that Bumble is taking the effort to make this mainstream.”

    Dixit candidly spoke about her finances, “Growing up, as girls, we’ve been taught to be very frugal with our money. I believe a lot of them are still learning how to operate their finances better—how to make more, save more, and invest more of their money, and be assertive in such situations. I’m glad I got to associate with Bumble to emphasise the importance of being financially independent in a relationship because, ideally, that is what modern dating should look like. It should be an equal partnership.”

  • With new partnerships, BBC Studios launches a fresh OTT platform for kids in South Africa, Taiwan

    With new partnerships, BBC Studios launches a fresh OTT platform for kids in South Africa, Taiwan

    Mumbai: BBC Studios, in partnership with Switch Media and MTN in South Africa and MyVideo in Taiwan, has announced the launch of BBC Kids in South Africa and Taiwan. BBC Kids offers inspiring, educational, and entertaining BBC content for families and children aged 0-12.

    The agreement with Switch Media and MTN makes South Africa the fourth market to launch the BBC Kids brand, following launches in Australia, the US, and most recently on Taiwan’s most influential OTT platform, MyVideo, on 1 July this year. Popular programmes in Taiwan include the natural history series Spy in the Wild and the cooking show My World Kitchen for kids.

    BBC Kids will be ad-free and carefully curate the BBC’s award-winning children’s programming according to age. Dedicated sections aimed at pre-school children and another for older primary school children will provide a safe space for children to enjoy an abundance of high-quality BBC Kids content and a service that parents can trust.

    It can be downloaded via the app store or play store. BBC Kids will be available to MTN customers via a flexible daily, weekly or monthly subscription.

    The programming for preschoolers includes Hey Duggee, Sarah and Duck, JoJo and Gran Gran, Yakka Dee, and Swashbuckle. Meanwhile, offerings for the older set include Jamie Johnson, Harry Potter: A History of Magic, The Bagel and Becky Show, Horrible Histories, and Gangsta Granny.

    BBC Studios president of global markets Nick Percy said, “BBC Kids provides parents with a go-to, trusted destination for award-winning children’s programming that can be accessed anytime, anywhere. With inspiring, educational, and exciting shows for preschool and older children at their fingertips, BBC Kids will be a welcome addition for families in South Africa and in Taiwan.”

  • Media Mantra wins the PR mandate for Super4

    Media Mantra wins the PR mandate for Super4

    Mumbai: Gaming app Super4 has announced Media Mantra as their official PR partner for their communications strategy across India.

    As the app’s strategic PR partner, Media Mantra is set to take the responsibility of aligning regional as well as national communications and positioning Super4 as a market leader in the fantasy gaming sector in India.

    The agency will be seen working on Super4’s corporate reputation, brand awareness, amplifying its visibility, media campaigns, strategic communication counsel, and overall public relations and media relations.

    Media Mantra will also be integral in developing effective stakeholder engagement strategies, the brand’s positioning and managing its external communication.

    The Super4 application allows cricket fans and enthusiasts across India to create teams prior to the start of a match. But unlike other apps, Super4 provides fans with India’s first-ever cricket scorecard, empowering fans to create fantasy scoreboards of the first innings after a progressive self-study of the pitch and the match conditions.

    The users can gather maximum points from both innings to increase their tally on the leaderboard, create a team and win prizes. The Super4 application allows fans and enthusiasts to also play different games like cricket, quiz, etc. while the match is on to make the entire fantasy experience more interesting and engaging.

    The Super4 app also cuts down the challenges of creating and editing teams in the shortest span of time for the ease and convenience of fans and enthusiasts.

    Media Mantra founder and director Udit Pathak said, “It’s a matter of great pride for Media Mantra to partner with Super4 and add yet another interesting sports account. Acting on our role as strategic advisers and brand communicators, we intend to apply our vast knowledge and expertise to execute innovative, disruptive, and high-impact PR campaigns that will create a positive impact for Super4 and their business in India alongside creating awareness about the startup app and its features.”

    “With our 10th year in the industry, Media Mantra has carved its own niche as a leading multi-practice and full-service PR and digital media agency across sectors. Gaming is one of our strong practice areas, and the current mandate will help consolidate this practice even further. We are excited to assist Super4 in its bid to enhance its visibility, credibility, and prominence in the media ecosystem at large, and amongst their target audience in particular.”

    Super4 founder and director Rohit Bansal said, “We are excited to have Media Mantra on board as our official PR partner across India. As a brand aiming to disrupt the fantasy gaming market, our visions align with Media Mantra, and we believe that their services will help us position our brand and amplify our presence in the country. We look forward to a long-term and mutually beneficial relationship with them.”

  • Mipcom to host screening of ‘The English’ on 16 October

    Mipcom to host screening of ‘The English’ on 16 October

    Mumbai: RX France (formerly Reed Midem) and All3Media International announced the special red carpet screening of the western “The English” at the entertainment content marketplace Mipcom Cannes on 16 October. The event will be attended by leads Emily Blunt and Chaske Spencer, and writer/director Hugo Blick.

    The screening will take place at 18:00 (CET) at the Grand Auditorium in Cannes’ Palais des Festivals and will be followed by a Q&A with the attending talent for both delegates and the general public.

    More than 10,000 senior international television producers, buyers, commissioners, and creatives from the top studios and platforms in the business will attend the 38th edition of Mipcom Cannes from 17-20 October 2022. The annual international co-production and entertainment content market will feature more than 250 exhibiting studios and distributors from 45 nations.

    “The English” is produced by Drama Republic and Eight Rooks. It was created by Hugo Blick—who also serves as an executive producer, director, and writer. Emily Blunt also serves as an executive producer, alongside Greg Brenman (Peaky Blinders, The Honourable Woman) for Drama Republic and Mona Qureshi for the BBC. Colin Wratten (Killing Eve) is the producer. “The English” was commissioned for the BBC by chief content officer Charlotte Moore and BBC drama commissioning former director Piers Wenger. It is co-produced by Amazon Studios and the BBC in association with All3Media International, who handled international sales.

    “The English” takes the core themes of identity and revenge to tell a parable about race, love, and power. An aristocratic Englishwoman, Lady Cornelia Locke (Emily Blunt), and Eli Whipp (Chaske Spencer) come together in 1890 mid-America to cross a violent landscape built on dreams and blood.

    Both of them have a clear sense of their destiny, but neither is aware that it is rooted in a shared past. They must face increasingly terrifying obstacles that will test them to their cores, physically and psychologically. But as each obstacle is overcome, it draws them closer to their ultimate destination, the new town of Hoxem, Wyoming. It is here, after an investigation by the local sheriff, Robert Marshall (Stephen Rea), and young widow Martha Myers (Valerie Pachner), into a series of bizarre and macabre unsolved murders, that the full extent of their intertwined history will be truly understood, and they will come face to-face with the future they must live.

    RX France entertainment division director Lucy Smith said, “Mipcom Cannes is back at full strength this year with the biggest global stars hosting screenings of eagerly awaited international series. And what a cast, and what a series to start us off this year. A huge thanks to All3Media International and all the partners for making it happen and we look forward to welcoming Emily, Chaske and Hugo to Cannes and the Grand Auditorium.”

    All3Media International CEO Louise Pedersen said, “We are thrilled that Mipcom has selected The English for this special red-carpet screening. Everything about the show is premium – a brilliant script, stellar cast, expertly directed and produced by Drama Republic. Visually stunning, this will be a real treat for MIPCOM delegates and the public alike on the big screen at the Palais.”

    Drama Republic CEO and executive producer Greg Brenman said, “Hugo Blick has created a compelling, modern love story set against the epic landscape of a Western. The English is a true adventure that will tell us as much about the times we live in today as the period in which it is set.”

  • GUEST ARTICLE: Experiential marketing to thrive in the post-pandemic world

    GUEST ARTICLE: Experiential marketing to thrive in the post-pandemic world

    Mumbai: The immersive experience was popular earlier, but the Covid-19 pandemic accelerated its application by several companies, making it take centre stage rather than being offered as an add-on. Let’s see how the dynamics changed during the pandemic and the way forward.

    The world is seeing the light on the other side of the tunnel. The Covid-19 pandemic’s effect has weakened now and after two years of struggle and adversity, the world is slowly paving its way back to normalcy. As the world starts connecting in person once again, experiential marketing is seeing an uptick in demand from consumers. Before the pandemic hit, experiential marketing was well perceived by consumers, with marketers seeing the potential of immersive brand experiences and events. With a locked-down lifestyle of over two years, the demand for real-life experiences has now grown exponentially.

    Live events, which were seen in their element after a hiatus of over two years, got all the more creative and we could see they are now heavy on technology to bring out the personalised impact. Intimate experiences are what consumers in the modern day are striving for, and after the upheaval of the pandemic, wherein the uncertainty surged suddenly, people now want to live it to the fullest with their dear ones.

    Weddings have evolved to be upbeat and intimate. For that matter, destination weddings are slowly gaining standard status in India across all economic classes. From event companies to branded hotel chains, everyone has tailored their offerings to thrive in this space by providing exhilarating experiences at bespoke destinations with breathtaking natural views in the background. Customers are now looking beyond just what is basic. They want all that with their close ones, and ideally, only close ones will witness it all. The one big event inviting multiple people is not what patrons are looking at for multiple reasons, with the Covid-safe environment taking centre stage.

    People have been striving to immerse themselves in human interactions and in-person events for the longest time. Covid-19 kept them away from each other. Yet, the world somehow found ways to connect, though virtually. Events were being hosted online. Live events and destinations have started hosting virtual tours through the internet. Be it concerts, corporate events, car and bike expos, or destination conventions and trade shows, the brand value was kept alive online, but people longed to witness them again in person. Hence, marketers redefined how customers experience these events with an added value. For example, a tour and travel firm, during the Covid times, introduced a subscription-based VR experience to showcase to customers how they can sense various destinations. If they liked the appeal of a close-to-real experience, the customer could engage in a valuable package to travel to the destination once the lockdown was lifted.

    Real-life experiences create happy memories for the customers, and that has been shown to contribute a lot to increased conversions or sales. In the foodservice industry, many upbeat events saw drastic closures during the pandemic. Hotels turned into quarantine centres, and their restaurants remained confined to receiving delivery orders only. However, they conceived things differently. Instead of sending just the end products, hotels reimagined the live-kitchen experience of their award-winning restaurants at the patron’s home. Hence, the concept of DIY signature dishes was born. The hotel sent individual ingredients for the signature dishes, and patrons were guided on how to make the dish via a note or virtual live guidance from the executive chef. The results were lip-smacking. The hotels that practised this approach expressed an increase in customers visiting them currently who wanted to experience the signature dishes at the hotel in the ambience provided by the hotel.

    Experiential marketing has come a long way, and digitization has certainly helped people remain connected all the time. People are finding newer ways to stay connected, and experiential marketers are trying their best to make a point of how the patron is as immersed in the product or service as possible. While 4D in cinema dates back several years, the application of virtual reality and augmented reality has come a long way in the events sector too. From headphones-based beach parties to VR gaming zones, experiential marketing has revolutionised how people looked at events previously.

    The crux of the success of experiential marketing remains the feeling of ownership that it creates. People love taking control of things and using them for the best according to themselves, so experiential marketing creates just the environment. For example, the new-age apparel stores online are coming up with features wherein one can see how they will look in a particular outfit even before deciding to buy it. They sense how they would look in it and how it’d feel to own it. This can lead the customers to buy or choose another outfit. So, the feeling of ownership even before making the sale has led to the success of experiential marketing. In the case of events, people love to witness how their prospective event will look through a virtual environment. A virtual walkthrough of the event’s flow helps the customer visualise how their event will look before the day.

    Experiential marketing has come a long way in these years where it originally came as an ancillary service but has become a crucial element of the marketing mix for many corporates. It is in line with the evolving needs of customers, who are now savvy and demand more from brands and are well over the age-old advertising tactics.

    The author of the article is Hubble Entertainment co-founder and managing partner Hafiz Khan.

  • U-TO Solutions announces strategic partnership with Barcelona’s NPaw

    U-TO Solutions announces strategic partnership with Barcelona’s NPaw

    Mumbai: India-based media technology company U-TO Solutions and the Barcelona-based company, which works in the areas of video business intelligence and predictive analytics for streaming services, NPaw, have signed a strategic partnership agreement to offer NPaw solutions to the Indian market.

    U-TO is now a partner for NPaw offerings in India, and it will lead initiatives to generate market awareness and localise services to custom fit regional market dynamics.

    In today’s hyper-competitive video streaming space, industry players need to gather as many end-user insights as possible to optimise their content strategy and boost their user experience. The NPaw suite of apps unifies all consumption and perceived quality of experience data into a single analytics platform from which all departments — from marketing to technical teams — can collaborate and make data-based business decisions.

    With market experience and an understanding of the media industry, U-TO delivers quality and efficiency with its product portfolio, which includes RightsU (a content rights management system) and BroadView Software (a broadcast management system).

    “This strategic partnership brings a whole new dimension to our product offerings in the region. The NPaw suite helps us bridge the gap between video, application, and user insights. It is a phenomenal addition to our analytics capability, solving the problem of crunching huge data sets to draw consumption insights across the board,” said U-TO Solutions founder and chief information officer Sumit Suri.

    NPaw chief sales officer Ruben Senor-Megias added, “Reliable, holistic, and actionable analytics insights are our core offering to the streaming industry at large. We are thrilled to be partnering with the team at U-TO, who bring great media expertise and a strong local presence in the Indian region. Together, we look forward to helping local platform providers turn raw end-user data into meaningful insights with which to boost their business and viewing experience.”

  • Jetsynthesys’ Global Music Junction & Warner Music India announce strategic partnership with Artium Academy

    Jetsynthesys’ Global Music Junction & Warner Music India announce strategic partnership with Artium Academy

    Mumbai: Online music education platform Artium Academy has entered into a strategic partnership with JetSynthesys’ digital entertainment subsidiary Global Music Junction and Warner Music India.

    This collaboration will help these entities to identify, nurture and scale aspiring talents at the academy, helping put them on the national and global map while collectively building on content-creation, artist management, revenue generation, digital monetisation, branding and sponsorships.

    Artium Academy, co-founded by Ashish Joshi, Vivek Raicha and Nithya Sudhir, boasts a panel of maestros including Sonu Nigam, KS Chithra, Shubha Mudgal, Ananth Vaidyanathan, Aruna Sairam, Louis Banks and Raju Singh, has worked towards its core objective of offering training to aspiring singers, composers and instrumentalists to enable them to reach their full potential and eventually step into the spotlight both in India and globally. Global Music Junction, along with Warner Music India, will work towards taking these performers on to their next level of growth, supporting their livelihood and creating music IPs and high-class content. Together, they will also identify avenues of revenue generation, digital monetization, branding and sponsorships.

    JetSynthesys founder and CEO Rajan Navani said, “In a bid to fuel the growth of digital entertainment further in India, Global Music Junction and Warner Music India have joined forces with Artium Academy to take another step towards putting Indian talent on the global map. While Global Music Junction and Artium Academy will work towards scaling the talents on the platform, along with identifying and nurturing them for the future, Warner Music India will work on the global repertoire of these talented budding artists, giving their exposure an international leg. Together, our eventual goal is to work towards creating more global musical maestros from our country.”

    JetSynthesys is known for its global publishing partnerships with the likes of cricket legend Sachin Tendulkar, Bollywood star Salman Khan, heavyweight Floyd Mayweather, and brands like WWE, Square Enix, and Warner Music Group (WMG).

    “Artium Academy offers a world-class faculty and state-of-the-art facilities to train students through personalised performance-based music learning, be it in the space of vocals, compositions or instruments. We are excited to tie-up with veterans in the digital entertainment and talent management space that will further help us scale our platform to the next level,” said Artium Academy founder and CEO Ashish Joshi.

    Artium Academy aims to make learning music fun and accessible to people of all ages through modules that are designed by industry maestros and taught at a 1:1 ratio by Artium-certified teachers. The four courses offered at the Academy are vocals, strings, keyboard and percussion.

    “Music is instrumental in the Indian entertainment industry, and we have seen a rising interest among aspiring performers to learn the nuances professionally. We aim to tap into that potential through this association and amplify the reach across audience groups. We also want to ensure that on-boarded talents get world-class support to fulfil their dreams and be the stars of tomorrow,” said Global Music Junction CEO Rajkumar Singh.

  • Planet Marathi OTT unveils new content slate on achieving 500 per cent subscriber growth globally

    Planet Marathi OTT unveils new content slate on achieving 500 per cent subscriber growth globally

    Mumbai: Vistas Media Capital’s Planet Marathi OTT, home to record-breaking original content, is ready to step up its robust performance as it completes its one-year run.

    The platform has seen a phenomenal spike of 500 per cent in its subscriber base, which spans globally across the UK, US, New Zealand, the continent of Africa and other countries. The first platform of its kind, it hosts web series, films, talk shows, music, reality shows, and other forms of entertainment in Marathi.

    Since its inception in August 2021, the platform has seen a whopping 550K+ instals and 24+ million video plays. Various marquee and big league players, including Tata Play and Jio Ads, have collaborated with Planet Marathi OTT on various levels to capitalise on the robust, superlative library being the only exclusively Marathi OTT player. To increase its own reach and cater to a wider audience, the OTT platform has entered into partnerships and will be collaborating with telecom providers.

    Emerging as a name to reckon with in the Marathi entertainment industry, Planet Marathi OTT has established itself as an innovative player given its fresh, experimental, and original approach to the web space. The upcoming impressive slate of titles includes Mrinal Kulkarni’s directorial venture “Sahela Re” starring her, Sumeet Raghavan, and Subodh Bhave; RaanBaazaar director Abhijit Panse’s next political outing Raaji-Naama; new age romantic drama, “Eka Hatacha Antar.” Other names in the content line-up include “Athang,” Soppa Nasta Kahi Season 2, Gemaadpanthi, Compass, Aamcha Aahe, Baby On Board, Chikatgunde Season 2 and Crypto Aajji.

    Speaking about this record breaking milestone, Planet Marathi OTT founder Akshay Bardapurkar commented, “We have been fierce in our vertical and horizontal expansion and as we complete one year, the entire Planet Marathi OTT team is able to look back with pride and satisfaction on the kind of achievements we have had. However, we are far from done. We are excited to announce a large slate of OTT content which will further blur boundaries and catapult us to compete with big league content players. The goal gets bigger every year and we are just beginning to make a mark.”

  • US SVod revenues to be flat from 2024-2027: Digital TV Research

    US SVod revenues to be flat from 2024-2027: Digital TV Research

    Mumbai: Despite being the world’s most mature market, US SVod (subscription video-on-demand) revenues will grow by $14 billion from $43 billion in 2021 to a peak of $56 billion in 2024, according to new data from Digital TV Research. However, revenue growth will be almost flat from 2024 to 2027 due to price competition and new hybrid AVoD-SVoD tiers from major players such as Disney+ and Netflix.

    Digital TV Research principal analyst Simon Murray said, “Netflix will remain the SVoD revenue winner. However, the platform will lose $1.4 billion in SVoD revenues between 2022 and 2027 due to lower ARPUs from 2023. Netflix will more than recoup these SVoD revenue losses with AVoD (Advertising-based video on demand) sales.”

    Netflix will have 63 million subscribers by 2027 – down by 4 million from 2021. Hulu, Disney+, HBO and Paramount+ will each boast 40-50 million subscribers by 2027. Some consolidation – mergers and closures – is likely.