Category: Over The Top Services

  • Disney+ Hotstar to stream a new Korean drama ‘Revenge Of Others’

    Disney+ Hotstar to stream a new Korean drama ‘Revenge Of Others’

    Mumbai: Disney+ Hotstar is all set to stream a new Korean drama Revenge of Others. When a student at a high school suddenly dies without explanation, the rest of the semester is filled with vengeance against those responsible. That is the subject matter in Revenge of Others, a Star Original series coming soon.

    Following the suspicious death of her twin brother, Ok Chanmi, a shooting athlete, takes the extraordinary step of transferring to her brother’s school in an attempt to uncover the truth and find out why the police and the school seemed to have covered up his death. Driven by her love for her brother and a need to understand what happened, Chanmi will partner with another student Ji Suheon, to exact revenge by proxy on those who bully others. Filled from the opening bell with mystery, intrigue and a series of strange incidents being thrown at Chanmi, audiences will be left champing at the bit for each new episode of Revenge of Others.

    Revenge of Others stars Shin Yeeun (A-Teen, He Is Psychometric, Meow the Secret Boy, More Than Friends) as Ok Chanmi, a star shooting athlete whose brother dies under mysterious circumstances; Lomon (All of Us Are Dead) as Ji Suheon, a student committed to taking revenge on other people’s bullies; Seo Jihoon (Seasons of Blossom, Drama Stage: Midnight) as Seok Jaebeom, someone who is able to trace events through lost memories; Chae Sangwoo (Wretches, Nokdu Flower) as Ji Oseong, Lee Soomin (Two Universes, Pumpkin Time) as the secret-hiding Guk Jihyeon, and Chung Subin (Rookie Cops, Dark Hole) as Tae Soyeon.

    The show has been written by Lee Hee Myung and directed by Kim Yoojin. Disney+ Hotstar said it will cover entirely new ground in the teen thriller drama genre, using the mystery and tension that arises from the protagonist’s search for the truth to take audiences on a wild ride together with its exceptional cast.

    Revenge of Others is the latest Korean drama to be announced as part of the ever-expanding library of Asia Pacific storytelling available to audiences on Disney+ Hotstar. Recently The Zone: Survival Mission premiered on Disney+Hotstar. This is a laugh-out-loud Korean variety show starring Yu Jaeseok, Lee Kwangsoo and Kwon Yuri as they are thrown into a range of unexpected situations including battling against zombies.

  • Streamers account for 16% of investments in European original content

    Streamers account for 16% of investments in European original content

    Mumbai: The global streamers’ share of investments in European original content grew rapidly to 16 per cent in 2021. Netflix accounts for more than half (56%) of the global streamers’ investments in European original content, down from 92 per cent in 2019, as other streamers, notably Amazon Prime, increased their investments.

    A new report, ‘Investments in original European content—2011–2021 analysis,’ has been published by the European Audiovisual Observatory, part of the Council of Europe in Strasbourg. The report is based on data from Ampere Analysis. In 2021, private broadcasters accounted for 43 per cent of investments in European original content, slightly ahead of public broadcasters’ 41 per cent. Within the 16 per cent, Netflix claimed nine per cent, Amazon Prime four per cent, Disney+ two per cent and HBO Max one per cent.

    The report analyses the evolution of financing of original European content by broadcasters and global streamers since 2011. In the report, “original content” refers to all categories of original works (fiction, documentaries, game shows, talk shows, etc.). “European” refers to the EU27 + UK + Norway.

    Streamers’ investments have increased both for acquisitions and original content. However, investments in original content have grown faster than acquisitions and now account for the majority of content investments in Europe since 2020.

    Total investments in original European content have sharply increased with the entry of the global streamers into the European market. These investments by streamers were accompanied by a knock-on effect: they faced new competition and new standards for TV shows. Private broadcasters also increased their investments while public broadcasters faced budget constraints. 

    The increase in investments in original European content by global streamers has chiefly benefited Spain, and to a lesser extent, the UK. Spain’s economy therefore relies strongly on global streamers, whose investments account for 38 per cent of all investments. The comparatively low level of investment by the public broadcasters in Spain is compensated to an extent by the above-the-average investments of global streamers in the country. Germany and France appear to be lagging behind in their ability to capture global streamers’ investments.

    The report’s other key findings are:

    • Whereas the audio-visual sector in Europe was stable between 2011 and 2019, the share of revenues invested in original content has grown since 2015. But global streamers’ investments did not substitute for broadcasters’ investments.
    • On the contrary, broadcasters increased their investments, at least until the pandemic, faster than before the entry of the global streamers on the European market.
    • Global streamers kept on increasing their investments during the pandemic, therefore offsetting the decrease in investments by the broadcasters.
    • The comparison of the content investments between categories of players faces limits: the broadcasters’ costs associated with the news are not available; among the streamers, investments in acquisitions are only available for Netflix and Amazon Prime.
    • In the case of Netflix and Amazon Prime, 54 per cent of their content investment was in originals and 46 per cent in acquired films and TV.
    • Nonetheless, investments in sports rights explain a large portion of the differences between players: none for global players, limited for public broadcasters, and dominant for private broadcasters.
    • Private broadcasters significantly increased their investments in original content, even though sports rights costs were experiencing strong growth.
    • In turn, public broadcasters’ investments have likely been limited by stagnating resources.
  • Disney+ Hotstar announces three Indian shows for Disney fan event-D23 Expo

    Disney+ Hotstar announces three Indian shows for Disney fan event-D23 Expo

    Mumbai: Disney+ Hotstar today announced three Indian titles at the global Disney fan event D23 Expo. The new lineup includes the talk show Koffee with Karan (Season 8), along with Showtime and Mahabharata. On September 9-11, D23 Expo will be held at the Anaheim Convention Centre in Anaheim, California.

    This announcement further strengthens the platform’s collaboration with ace Bollywood producer, director, actor, and host Karan Johar (Koffee with Karan and Showtime), and mints a new association with maverick producer Madhu Mantena, Mythoversestudios, and Allu Entertainment (Mahabharata).

    Koffee with Karan (Season 8) is produced by Karan Johar, Apporva Mehta and Aneesha Baig, Dharmatic Entertainment Production and Showtime is produced by Karan Johar, Apporva Mehta and Somen Mishra, A Dharmatic Entertainment Production.

    Disney Star head – content, Disney+ Hotstar & HSM Entertainment Network Gaurav Banerjee joined a panel on international content along with The Walt Disney Company chairman-international content and operations Rebecca Campbell, LATAM SVP, media distribution & production Fernando Barbosa, APAC head of content & development Jessica Kam-Engle, and EMEA director of scripted content Lee Mason. The discussion focused on eclectic global content trends, particularly highlighting Disney+ Hotstar’s role in shaping content in India and beyond.

    Sharing his views on the upcoming Indian lineup, Banerjee said, “Over the last several years, India has emerged as a content powerhouse, pushing the envelope with stories that transcend language and cultural boundaries. For a nation at the centre of the OTT revolution, Disney+ Hotstar’s pioneering stories have been dominating viewers’ preferred content library. We couldn’t have asked for a more profound curtain raiser on our upcoming lineup at a globally coveted platform such as D23 Expo 2022, where we have an opportunity to share a glimpse of soon to be launched shows Showtime, Mahabharata, and Koffee with Karan Season 8.”

    Producer, director, and host Karan Johar added, “I am excited to associate with Disney+ Hotstar for our new collaboration, announced at the prestigious D23 Expo. In addition to yet another exciting season of my beloved show, Koffee With Karan (Season 8), I am happy to announce an all-new Dharma Production series, Showtime, which will lift the curtain on India’s entertainment industry’s biggest trade secrets.”

    Producer Madhu Mantena said, “For centuries, Indian epics have captured the imagination of billions around the world. These epics are deeply woven into the very fabric of our nation. The Mahabharata is one of the oldest epics in India and, despite being as old as time, is still relevant today for the many lessons and words of wisdom hidden within its ancient verses. It is said that every known emotional conflict experienced by mankind finds form in the Mahabharata through its complex characters and storylines. We at Mythoverse are absolutely delighted to have this opportunity provided by Disney+ Hotstar to bring out a rendition of this great Indian epic, Mahabharata, and to announce this news on a prestigious global platform at the D23 Expo.”

  • Amazon miniTV kicks off its brand campaign ‘Young Janta Ko Yahi Mangta!’

    Amazon miniTV kicks off its brand campaign ‘Young Janta Ko Yahi Mangta!’

    Mumbai: Amazon miniTV has launched its brand campaign “Young Janta Ko Yahi Mangta.” The two quirky advertisements, which feature an astronaut and a ghost, emphasise that the youth of India prefer to watch relatable and entertaining stories-hatke or atrangi.

    The integrated campaign, which was conceptualised by Fatmen, takes a jab at tired tropes like hopeless romantic comedies and dull horror movies, which are no longer appreciated by today’s viewers when it comes to their entertainment preferences.

    Amazon advertising head Girish Prabhu said, “Over the last year, we have seen tremendous growth for Amazon miniTV—our free AVoD (advertising-supported video-on-demand) service. Our user base has grown by almost five times since January, and we are committed to bringing premium, exclusive, and free content to our audiences. We are building on this momentum with an increasing slate of inventive and exclusive content across web series, comedy shows, and unscripted series.”

    He further added, “We are focused on delivering high-quality ad-enabled content to our customers, complemented by the ad technology to help brands showcase their stories with the most digitally savvy customer base in the country.”

    Both advertisements conclude with a message from a helpful Amazon delivery representative alerting viewers about the fresh, fun, and cost-free programming on miniTV that is easily accessible on the Amazon shopping app.

    Ghost –

    Astronaut –

  • GUEST ARTICLE: How will metaverse shape the influencer and consumer engagement landscape

    GUEST ARTICLE: How will metaverse shape the influencer and consumer engagement landscape

    Mumbai: The internet is constantly evolving and has become more interactive. Soon, we will be able to experience it as a network of real-time virtual worlds. The metaverse is a three-dimensional virtual environment that allows your digital avatar to live, play, work, and socialise. It is a self-contained digital counterpart to the real world where you are engaged in your surroundings and experience and have access to various places, events, and activities while sitting in your living room.

    This next-generation version of the virtual space is a powerful tool. It offers excellent comfort, accessibility, interactions, and brand promotion opportunities, with user-generated content (UGC) playing an essential part in the form of text, images, audio, and videos. It will be a crucial building component for the metaverse in the coming years, providing uniqueness, credibility, and scalability.

    Brands and creators have acknowledged the first-mover advantage and are capitalising on consumer interest. As mega brands begin to leverage the metaverse, another trend that can stand to benefit is the realm of influencer marketing.

    Metaverse and influencer marketing

    Influencer marketing as a social media marketing tool emphasises product endorsements and recommendations from experienced influencers with a substantial social following. These influencers are highly regarded by their audience, and their product recommendations serve as social validation for brands’ prospective customers.

    Social media platforms have dramatically boosted the number of niche influencers and viewership in recent years. These creators have begun to engage with their audiences in new ways to widen the influencer-audience engagement time. They are eager to leverage the metaverse as a space to connect with a larger audience and provide a better consumer experience. Numerous opportunities exist for creators to collaborate and create engaging and multi-dimensional content to bond with their audience in the metaverse.

    Growth in virtual circles

    Social media platforms have significantly increased the number of influencers who interact with their audience. However, these interactions are frequently constrained to certain platform features.

    Metaverse can make the experience seamless and convenient for everyone. Creators can host virtual meetups and organise livestream sessions, fan fests, and other activities. Through metaverse, they can connect directly with their audiences’ digital avatars on the platform, garnering better engagement.

    Immersive influencer marketing

    The innovative use of technologies such as AR and VR expands the possibilities for generating immersive and engaging content while allowing creators to enter into new dimensions like the metaverse. For example, influencers in the music industry can stage virtual performances in the metaverse to attract viewers from all over the world, crossing all geographical boundaries.

    Similarly, artists can create and sell 3D art to display in virtual homes; fashion influencers can introduce their digital merchandise that their audience can purchase; and travel influencers can go on virtual world tours with their fans, making the experience more thrilling.

    The growing number of influencers has helped brands reach various demographics and engage with existing and potential consumers. Influencers can be present in more than one virtual space in the metaverse, which amplifies their reach. Brands can leverage this benefit to optimise their marketing strategies and interact with larger consumer segments.

    The future of influencer marketing

    Although celebrity influencers have pioneered influencer campaigns, micro influencers’ growth has expanded and will continue to strengthen business opportunities. Brands can easily connect with their consumers by leveraging a network of smaller influencers rather than investing in one or two big influencers.

    In addition, social media has witnessed an increase in AI influencers across sectors. Interestingly, brands have started creating virtual influencers, aka meta-influencers. This strategy enables brands to have ambassadors who can interact with consumers.

    In the coming years, AI influencers will coexist with their human counterparts in the metaverse, with brands having the power to control how they communicate their message and narrative.

    Way forward

    The metaverse is set to bring about profound changes in how we all live. It will alter our interaction with the physical world, from perception to content creation. There is an enormous potential for all creators to harness technology to create outstanding content in the metaverse and thrive in their domains. Content creators will play a critical role in the development of the metaverse, which will be pivotal to their success in the long term.

    The author of this article is AnyTag India Lead Shuchi Sethi.

  • Metaverse ecosystem opening up new influencer opportunities for brands, creators, & consumers: FleishmanHillard report

    Metaverse ecosystem opening up new influencer opportunities for brands, creators, & consumers: FleishmanHillard report

    Mumbai: FleishmanHillard and its research practice, True Global Intelligence, in partnership with Eleve Media, have released the ‘Web 3.0 Influencer and Intelligence Report 2022.’ It showcases the ways that conversation and influence are quickly changing in India around the rising evolution of the metasphere.

    Both the creator economy and the topics driving discussion of web 3.0 on social media have sharply increased over the past 12 months. The report research included a survey of over 500 influencers, content creators and select web 3.0 players from March through April 2022, in addition to the analysis of more than 12 months of social conversations. The research confirms the massive excitement around web 3.0, as well as specific areas of interest, including education, regulation and the need for re-imagined communities. 

    “Our report confirms the rapidly growing appetite for news and views about the metaverse and web 3.0-related trends. These advancements are already setting a precedent for brands and content creators who can design highly engaging and differentiated campaigns that leverage this advantage. We hope this report will increase our understanding of the subject and contribute toward the adoption of Web 3.0 in a meaningful way for brands and creators,” said FleishmanHillard India MD and partner Munavar Attari.

    The report also provides a detailed conversation analysis and an overview of the web 3.0 landscape in India.

    “Our research inspected the developments in the web 3.0 space over the past year and highlights just how dynamic the topic is, and how much open territory still exists for brand communications that satisfy this hunger. As brands adopt new technologies in web 3.0, understanding the velocity and direction of the current conversation can be valuable to start from a place of intelligence and understanding in India,” said FleishmanHillard TRUE Global Intelligence, managing director of APAC and global head of analytics Michael Rinaman.

    Major themes and findings are discussed in detail in the report, including how:

    •     The popularity of web 3.0 content reveals a dire need for a better understanding of the new generation of web technologies.
    •     The evolving landscape requires close attention to shifting conversations to understand emergent trends, nuances, and new risks.
    •     Most influencers want to create a community (web 3.0) over algorithms (web 2.0) in the metaverse.
    •     Influencers are on the lookout for next-gen tools to strengthen the creator economy.
    •     Creators and non-fungible tokens (NFTs) have paved the way for the metaverse to become an accelerated reality.
    •     Creators vote for Discord, virtual influencers, and social interactions as key web 3.0 tools.

    “Web 3.0 promises a more direct relationship between brands and consumers. And we would want brands to be equipped to experiment and explore web 3.0 platforms and opportunities. The ‘Web 3.0 Influencer & Intelligence Report 2022’ is a joint effort with FleishmanHillard in India to help brands strategically leverage this societal shift,” said Eleve Media CEO and founder Prince Khanna.

    From the web 3.0 Influencer and Intelligence Report 2022, the research from FleishmanHillard in India and Eleve demonstrates a sense of urgency that brands need to start to develop web 3.0 strategies now while there is still room for differentiation and partnership. As audiences become more familiar with web 3.0 topics such as NFTs, cryptocurrencies, blockchains, and tokens, there will be fewer opportunities to differentiate.

    Web 3.0 is set to change the influencer ecosystem and continue to drive conversation. In the report, brands can learn more about immediate opportunities to act – from embracing the key trio with creators (creation, consumption, and compensation) to crafting the right strategies and messaging to be considered relevant.

  • The sixth edition of All About Music will facilitate growth and spark discourse

    The sixth edition of All About Music will facilitate growth and spark discourse

    Mumbai: After two years of the pandemic, India’s biggest music conference is back in person for its sixth edition with its primary partner, Youtube Shorts, which is all set to take place from 20th to 22nd September at Taj Lands End, Mumbai.

    Since its first edition in 2017, All About Music has grown to become one of the country’s premier B2B networking events, with five sold-out editions. The annual event brings more than 6,000 stakeholders and experts from key areas of the entertainment industry.

    This year’s edition is packed with three whole days of curated keynotes, panels, workshops, artist showcases, masterclasses, and success stories, along with opportunities to network and pitch ideas. This year, All About Music focuses on the creator economy’s impact on Indian and global music and the world’s economy at large, whether it’s branded content, sync deals, monetisation or music distribution. Understand how music makes the Indian creator economy louder than ever before.

    With web3 on the cusp of a revolution, All About Music is excited to feature speakers like illustrator Santanu Hazarika, offering a creator’s perspective on grasping NFTs and the metaverse.

    This edition of India’s biggest music conference includes talks on global music publishing by Warner Chappell Music co-chair & chief executive officer Guy Moot and the potential of music education in India from Global Music Institute director-strategy & development Megha Balanim. The event will also see RadioOne’s national brand head Hrishikesh Kannan talk about his journey from music jockey to helming a radio channel.

    Plus, some of the biggest and brightest names in Indian and global music will be present under one roof. They include OML Entertainment chief executive officer Gunjan Arya, Universal Music Group (India & South Asia) vice president, new business and brand partnerships, Preeti Nayyar, Bigtree Entertainment founder and chief executive officer Ashish Hemrajani, superstar singers Armaan Malik and Prateek Kuhad, and many more.

    Speaking about this year’s power packed edition, create and collab business head Ashish Jose said, “The purpose of All About Music is to create space for conversations and interactions that amplify the voices of key stakeholders who are bright spots within the music industry. We do this because we believe that the whole is greater than the sum of its parts and that when we invest the time to listen, ask, share, and learn, we grow together.”

    One of the most important events in India’s musical calendar, All About Music bridges the chasm between the aspiring and the established while addressing the lacunae of the music industry. This year, engage in one-on-one discussions with the industry’s movers and shakers through connect corner, a unique 60-minute networking opportunity to meet, greet and turn ideas into reality.

    For the first time, All About Music will also showcase the talents of a few selected artists who get to perform in front of a live audience that’s packed with all the stakeholders of the music business.

    Last but not the least, the conference will continue with its endeavour to empower artistes to present their work directly to filmmakers, showrunners, and record labels, allowing for immediate feedback and reviews.

  • Saregama launches first ever keypad phone with pre-loaded songs

    Saregama launches first ever keypad phone with pre-loaded songs

    Mumbai: Saregama has launched Carvaan Mobile. It said that this is a utility-based product that not only serves functional needs but at the same time gives an added feature of pre-loaded songs, which it claims is unheard of in the keypad phone market.

    Carvaan Mobile is a first ever keypad mobile with pre-loaded songs, speakers, a long-lasting battery, dual sim, FM, a LED torch and other features. Saregama plans to launch the phone in all regional languages.

    Just as Carvaan reinstated a lean-back listening experience for its users with pre-loaded songs, Carvaan Mobile aims to do the same while being on the go. It is a one-in-all mobile for users who still swear by the keypad phone experience. Pre-loaded songs are organised based on artists like Lata Mangeshkar, Asha Bhosle, Kishore Kumar, Md. Rafi, and many other legendary artists, moods like happy, sad, etc., for seamless and hassle-free selection of songs by the users. No internet is required to play pre-loaded songs, and there are no ad breaks to disturb the listening experience.

    Apart from 1500 pre-loaded Hindi songs, the phone is power-packed with features like wireless FM, digital camera, LED torch, aux out, multi-language support, voice recording, call recording, dual sim, 8GB memory card with 2GB free space for any personal music collection, videos or images, and many other features.

    According to the company, it has a large display and a 2500 mAh battery for a long talktime. It comes loaded with a MediaTek processor, which gives the phone superfast processing power and an unmatched user experience. It is backed by a one-year warranty too.

    Carvaan Mobile comes in two screen sizes-2.4 inch and 1.8 inch, priced at Rs 2,490 and Rs 1,990, respectively. There are three colours to pick from: emerald green, classic black, and royal blue.

    It is currently available in Hindi and Tamil across retail markets and e-commerce platforms like saregama.com, Amazon and Flipkart.

  • Triton Digital and VTION Digital demonstrate effectiveness of podcast in new study

    Triton Digital and VTION Digital demonstrate effectiveness of podcast in new study

    Mumbai: The global technology and service provider to the digital audio and podcast industry, Triton Digital, has unveiled the results of their “Podcast Advertising Effectiveness Study,” commissioned with VTION Digital Analytics, a leading digital consumer behaviour intelligence platform.

    The survey highlights the strong growth of podcast listening in India and the effectiveness of podcast advertising to drive brand and product recall.

    According to the study, on an average, audio content consumers in India listen to podcasts three to four times per week. In metro cities, this rate is even greater, with 70 per cent of respondents listening to podcasts weekly and 30 per cent listening daily.

    He added, “Our study further demonstrates a high brand recall in the region and a willingness to receive additional advertisements, setting the medium up for a long future of success.”

    Additional key findings of the study include:

    Podcast listeners are willing to listen to ads. In fact, out of the total respondents who have reported ever hearing a podcast ad, 42 per cent had no issues with hearing ads in the middle of podcasts that are free.

    Advertising frequently leads to purchases. 80 per cent of listeners who have heard of a product are interested in learning more about it, with 29 per cent claiming to have bought the product they heard advertised.

    Podcast advertisements catch people’s attention. 40 per cent of listeners state that ads in between podcasts always or often capture their attention, with 40 per cent of these listeners saying they trust these advertisements.

    “We are grateful to be commissioned by Triton Digital to study the state of podcast listening in India and measure the effectiveness of podcast advertising in the region,” said VTION Digital Analytics chief executive officer Manoj Dawane.

    “Podcasts are clearly becoming a popular medium in India. It is great to see listeners respond positively to podcast advertisements as well,” he concluded.

    The report surveyed 354 VTION panellists who defined themselves as podcast listeners between 1 August and 7 August. Triton Digital will be sharing these results at Radiodays Asia, 6-7 September in Kuala Lumpur, Malaysia.

    Check the full report here: (Embed Link) https://info.tritondigital.com/podcast-advertising-effectiveness-survey

  • Netflix announces slate of upcoming made-in-Indonesia films and series

    Netflix announces slate of upcoming made-in-Indonesia films and series

    Mumbai: OTT platform Netflix has announced a slate of upcoming made-in-Indonesia films and series, which it said is its most ambitious yet. The 7 new titles, spanning sci-fi thrillers, comedy, and period drama, were unveiled at the Waktu Netflix Indonesia (Time for Netflix Indonesia) event recently.

    Speaking on the occasion, Netflix content lead-Indonesia Rusli Eddy said, “The Indonesian film industry has evolved rapidly in recent years. More and more creators and stories from Indonesia are now being seen and appreciated by audiences and critics around the world. Our upcoming slate from Indonesia gives you authentic and unique stories, a representation of our country that is rich with stories and cultures, and brings you high-calibre talent whose significant works have shaped the film industry.”

    Since Netflix’s establishment in Indonesia in 2016, it has showcased stories such as Ali & Ratu Ratu Queens and Photocopier. The company added that the upcoming slate reflects its company’s commitment to helping the industry build compelling content from the country’s resources and taking these stories to the world.

    At the end of this year, members can catch the first action-comedy film from Timo Tjahjanto called “The Big 4.” It tells the story of a by-the-book female detective who teams up with a group of down-on-their-luck assassins to investigate her father’s murder. Tjahjanto, who has signed a multi-project deal with Netflix, said, “To be able to share my story with the world, made possible by Netflix, is exciting. I cannot wait for people to see the movie.”

    Showrunner Shanty Harmayn, in collaboration with directors Kamila Andini and Ifa Isfansyah, will release Netflix’s first Indonesian period drama, “Gadis Kretek,” set against the backdrop of the country’s cigarette industry in the 1960s. “Rooted in Indonesia, I believe this beautiful story will resonate with audiences everywhere,” Harmayn added.

    Director Joko Anwar will unveil his new sci-fi thriller Nightmares and Daydreams, about ordinary people encountering strange phenomena. The series has multiple storylines which intersect with each other and lead to a dramatic denouement. Anwar said, “Indonesia is so full of unique and extraordinary stories. I’m always excited to have the chance to bring these stories to a wider audience, especially those that relate to the origins of our world.”

    Other films and series announced include “Dear David,”  an unconventional coming-of-age story, created by Muhammad Zaidy and directed by Lucky Kuswandi. Then there is a sitcom: “Klub Kecanduan Mantan” (Ex-Addicts Club) by Salman Aristo; “Hari Ini Akan Kita Ceritakan Nanti” (Today We’ll Talk About That Day), and the latest instalment from the universe “Nanti Kita Cerita tentang Hari Ini” (One Day We’ll Talk About Today) by director Angga Dwimas Sasongko. Meanwhile, Komedi Kacau (Comedy Chaos) is a series from writer, director, and comic Raditya Dika that presents a glimpse into the comedy world. Finally, there is a project with writer-director Ernest Prakasa.