Category: Over The Top Services

  • International streaming service Starzplay rebrands as Lionsgate+ in 35 countries

    International streaming service Starzplay rebrands as Lionsgate+ in 35 countries

    Mumbai: Starz has announced that its premium international streaming service, Starzplay, will rebrand as Lionsgate+ in 35 countries. This coincides with a new brand look and graphics package, rolling out globally on 29 September 2022.

    The new brand look, with its graphics package, colour palette, and design elements, will be deployed in the U.S. and begin rolling out in the majority of Starz’s 63 country footprint. Starzplay will rebrand to Lionsgate+ in 35 Starz markets, excluding the US and Canada, where it will remain Starz. Brand names for Starzplay Arabia, along with South and Southeast Asia’s Lionsgate Play, will also remain in place.

    “We recognised the potential of the global OTT market early, and over the last few years we have built an incredible global streaming service, which has become a destination for audiences seeking premium, provocative programming. Operating under Lionsgate+ internationally brings a distinct and differentiated identity in an increasingly crowded international marketplace and builds on the brand equity in the Lionsgate name that our extensive research has proven is strong around the world. Even with the separation of STARZ and the Lionsgate studio business, the Lionsgate brand will continue to be valuable to the ongoing success of our international platform,” said Starz president & CEO Jeffrey Hirsch.

    “Our commitment to delivering bold, curated stories where we push boundaries and defy expectations remains the same. We have built strong relationships with our viewers and look forward to continuing providing them with premium storytelling as Lionsgate+,” said Starz president of international networks Superna Kalle.

    Lionsgate+ subscribers have access to a library of exclusive, premium content, including original series premiering globally on the same day as the United States, such as the political thriller Gaslit; period dramas in its royal collection, such as the upcoming series Dangerous Liaisons; and a series set in the universe of the blockbuster Power franchise. Lionsgate+ is also home to Spanish-language original series such as the drama Señorita 89, sci-fi thriller El Refugio and crime drama Express, and offers first-run series on television, including the genre-bending series The Great, and the action-thriller series Gangs of London, plus a collection of movies added to the platform every month.

    Starz established itself as one of the first US linear channels to enter the global market upon launching its global SVoD service, now Lionsgate+, in 2018, offering audiences access to what it calls bold, curated storytelling. Since its initial launch, coupled with its Starzplay Arabia joint venture, Starz’s global footprint has expanded into 63 countries throughout Asia, Canada, Europe, Latin America, MENA and Southeast Asia.

    With the rebrand in effect, below is the breakdown of service names across the 63 countries where SVoD has a presence.

  • Jio Studios & producer Mahaveer Jain launch Newcomers to encourage new talent

    Jio Studios & producer Mahaveer Jain launch Newcomers to encourage new talent

    Mumbai: At Ficci Frames Fast Track 2022, Jio Studios along with producer Mahaveer Jain, launched an initiative, Newcomers.

    A consortium of 23 leading Indian filmmakers like Rajkumar Hirani, Rohit Shetty, Sukumar, Ashutosh Gowariker, Kabir Khan, Imtiaz Ali, Gauri Shinde and R. Balki, Aanand L Rai, Anees Bazmee, A.R.Murugadoss, Ashwiny Iyer Tiwari and Nitish Tiwari, Ram Madhvani, Ali Abbas Zafar, Siddharth Anand, Raj & DK, Abhishek Sharma, Mrighdeep Singh Lamba, Amit Sharma, Jagan Shakti, Vishnuvardhan has been formed. They will mentor and launch new talent.

    On Twitter Jio Studios said, “A special announcement today at @FICCIFRAMES 22!

    23 Leading Filmmakers of the Country have come together to Mentor & Launch New Talent under a unique initiative called #Newcomers.”

     

     

    “It’s our humble attempt to give back to the industry, by providing a platform to new actors, writers, directors, music talent and a wide range of technicians in this landscape. Together, we will work to build our tomorrow,” said Mahaveer. He conceived this idea along with Ficci media and entertainment committee chairperson & Viacom 18 CEO Jyoti Deshpande.

  • Stepathlon appoints sports industry veteran Nick Rusling as MD

    Stepathlon appoints sports industry veteran Nick Rusling as MD

    Mumbai: Technology-driven fan engagement company, Stepathlon has appointed Nick Rusling, a veteran of the sports industry, as managing director. Rusling will be based in London and will report to CEO & chairman Ravi Krishnan.

    Rusling has been associated with the sports industry for over 25 years. After working with the sports behemoth, IMG, Rusling turned entrepreneur and started Human Race Events in 2010. Human Race acquired 10 other businesses during its growth phase, created many events from scratch, and in 2016, was acquired by ASO, the owners of the Tour de France, Dakar Rally, and Paris Marathon.

    Krishnan said, “I have known Nick for over 15 years. He’s not only a great professional from the sports industry but also has relevant commercial, digital, and leadership skills to complement the Stepathlon team. He brings with him many important and relevant relationships in the UK and European market in multiple areas that are relevant for the growth of the company.”

    Since 2001, Rusling has been primarily focused on the mass participation industries – running, marathons, cycling, and triathlon – delivering hundreds of events for millions of participants all around the world, including the UK, Abu Dhabi, Stockholm, and Barcelona. Prior to mass participation events, Rusling worked as a sports agent, representing Ian Botham, Pat Cash, and Damon Hill.

    Krishnan added, ” Nick has been building some of the most successful events in the market in some of the greatest cities in the world, pioneering digital progress to enhance the customer experience beyond event day.”

    Rusling commented, “I am driven, both personally and in business, by getting the world fit and active. The genius of Stepathlon is that we harness the power of fan communities in the world of sport, music and beyond, to inspire and motivate millions of people to get fit and healthy together—all by taking part in our virtual races, unrestricted by the capacity of roads. The opportunity is limitless as everyone is a fan of something.”

    Rusling has also been heavily involved in the charity sector, helping raise over £150 million for multiple causes, and has worked as a trustee for sports-based charities, Herne Hill Velodrome Trust and Women in Sport.

    The appointment follows a new global round of investment that Stepathlon has raised from a pre-eminent mix of individuals from the world of sports, entertainment, media and lifestyle, and prominent investors from private equity, technology, ESG and family offices. Demonstrating confidence in the technology-driven fan engagement business of Stepathlon, existing and new investors participated in this fresh round of capital raise by the company.

  • Saregama launches Carvaan Mini remembering Late Lata Mangeshkar on her birth anniversary

    Saregama launches Carvaan Mini remembering Late Lata Mangeshkar on her birth anniversary

    Mumbai: On the 93rd birth anniversary of the iconic singer, the late Lata Mangeshkar, Saregama has launched a special edition – Carvaan Mini.

    This dedicated speaker carries 351 of the most iconic songs from the ocean of gems that Lata Ji created. This special edition has 351 pre-loaded songs sung by the legend herself. The songs play without any internet or ad breaks, making it a prized possession for all Lata Didi fans.

    The lyrics of Lata Mangeshkar’s song “Meri Awaaz hi Pehchaan Hai.” forever characterise her journey to becoming the most recognisable and influential vocalist in India. She provided India with a song for every occasion with a career spanning more than 80 years and countless tunes.

  • Tiki launches #CuttputlliOnTiki campaign to promote Pooja Entertainment’s film

    Tiki launches #CuttputlliOnTiki campaign to promote Pooja Entertainment’s film

    Mumbai: Tiki, a short video-making community, has partnered with Pooja Entertainment to promote the recently launched movie “Cuttputlli,” starring Akshay Kumar and Rakul Preet Singh.

    After the movie was released on 2 September 2022 on Disney+ Hotstar, Tiki ran a two-week-long campaign, “#CuttputlliOnTiki,” which garnered more than 300 million views.

    As a part of this campaign, Tiki creators got a chance to make videos with Akshay Kumar and Rakul Preet, and its creators posted more than 80,000 videos supporting and promoting the movie.

    The platform helped the promoters connect well with tier two and tier three audiences.

    Speaking about the collaboration, Tiki CEO Ian Goh said, “We are elated to have strengthened our association with Bollywood. It is Tiki’s first movie collaboration, and it is an exciting opportunity for Tiki to be a short-video partner for the mega-banner movie. It is also a great opportunity for our creators to showcase their talent with the trending hashtag. Our aim is to promote and support our creators to work in the Bollywood industry. This collaboration will encourage them to work hard towards their dreams.”

    Commenting on the partnership, Pooja Entertainment producer Deepshikha Deshmukh said, “Tiki’s strong presence in the regional markets has helped us take “Cuttputlli” to remote regions in the country.  It is always fun to partner with creator platforms that aim to support original talent, spreading a wave of positivity and uplifting content creators across the country.”

  • OTT streaming services are most popular entertainment than traditional TV: Magnite Asia MD Gavin Buxton

    OTT streaming services are most popular entertainment than traditional TV: Magnite Asia MD Gavin Buxton

    Mumbai: Creating a great ad experience and monetising all ad formats is the biggest challenge for media owners and brands today. Major global streaming platforms like Netflix and Disney+ are planning to roll out exclusive advertising solutions in 2023. With this, in-the-right-place-at-the-right-time, Magnite Asia MD Gavin Buxton stepped in to provide his input on strengthening such ad solutions for media owners and brands.

    By joining Magnite Asia in August 2021, Gavin and his firm are working with over 60 OTT clients looking to activate AVOD (advertising-based video-on-demand).

    Named as ‘one of the top people to look out for’ by the Digerati Asia Pacific in 2018, Gavin currently leads the growth of Magnite in the APAC region. His working knowledge stretches across television, digital, search, programmatic, mobile, content marketing, and social media.

    Gavin brings with him over 20 years of global experience in digital advertising. Previously, he held leadership positions at tech and publishing companies such as Microsoft, Turner Broadcasting System, and LinkedIn, spending the last ten years in Asia building businesses.

    He is an active participant within the advertising industry with multiple thought leadership publications, speaker slots, and contributions to industry bodies, including past board member of The Interactive Advertising Bureau of Southeast Asia and India (IAB SG), and participation in several committees.

    Magnite, an independent omnichannel sell-side advertising platform is helping publishers use their technology to monetise their content across all screens and formats—including desktop, mobile, audio, and connected TV (CTV).

    This is a one-of-its-kind platform that is built specifically to handle the complexities of over-the-top (OTT) video supply with real-time reporting and performance insights, automated ad pod functionality to manage frequency capping, competitive separation, and audio level detection to enhance the viewer experience.

    In an interaction with Indiantelevision.com, Gavin shared all things from monetisation, the CTV platform, the APAC market, and programmatic advertising to programmatic guaranteed deals. 

    Edited Excerpts:

    On his journey with SpotX- Magnite 

    Gavin: I have had work experience in the APAC region for 11 years now, five of which have been focused on the OTT digital advertising sector, originally with SpotX and onwards into Magnite.

    It has been a challenging, exciting, and rewarding experience to collaborate with some of the first OTT AVOD publishers in the region and assist them in being best positioned and embracing programmatic activations and collectively grow the ecosystem together.

    Today, Magnite is the leading OTT supply-side platform (SSP) in APAC. Brands are now embracing such AVOD activations due to their ability to reach and engage with scaled audiences in premium viewing environments.

    On collaboration with Samsung Ads

    Gavin: Our relationship with Samsung Ads is not exclusive. However, we work with them across major markets, including the US, EMEA, LATAM, South Korea, Australia, and India. Our technology helped them to monetise their inventory on their ad-supported streaming service, Samsung TV Plus, and deliver a better advertising experience for the end user.

    As Samsung scales up its Samsung TV Plus inventory, working with us has accelerated its expansion plans by making it programmatically available to brands and agencies in India.

    In India specifically, we have been excited to see how Samsung’s team, audience, and offers have grown. It is also exciting to watch their continued growth in advertising activation.

    On emerging CTV markets in APAC and the level of adoption 

    Gavin: Apart from India, APAC’s major CTV markets include Australia and New Zealand, Indonesia, the Philippines, Singapore, Thailand, and Vietnam.

    The OTT market in India is the fourth largest globally and one of the most competitively growing markets. Advertisers have unprecedented opportunities to reach audiences increasingly shifting to OTT streaming.

    According to Magnite research in Southeast Asia, OTT is now watched more regularly than traditional TV among audiences aged 16–34 who prefer ad-supported over ad-free content. While mobiles continue to be the dominant device for accessing streaming content, CTV is on the rise, especially among affluent OTT audiences, 20 per cent of whom watch CTV.

    In addition, GroupM’s “This Year Next Year” research found that OTT investment in APAC will grow from $4.3 billion in 2020 to $7.2 billion in 2026, increasing by around 67 per cent in six years.

    On adoption of programmatic

    Gavin: For several reasons, the adoption of programmatic has been slower in some markets in APAC. Magnite provides education and information about the opportunities and benefits that are on offer for buyers and sellers. There has been a marked increase in activation.

    While programmatic trading simplifies the supply chain, continued education and case study examples will assist in educating clients on the benefits and value it can bring to publishers and brands.

    On the OTT/CTV front, unless there’s transparency and an understanding of the different roles linear TV and OTT play, clients won’t just buy based on the availability of existing tech, but on their understanding of the benefits of such technology.

    For programmatic to develop further, it needs to be pushed forward from both the buy and sell side. For publishers, programmatic enables them to maximise revenue through technology and provides greater efficiencies.

    On major players’ rollout of advertising solutions 

    Gavin: The upcoming ad solutions provided by major streaming players are clear evidence that the publishers are now ready to embrace the AVOD model.

    This shift will increase available CTV inventory in the market and its demand by pushing more supply out of walled gardens and into the open programmatic ecosystem.

    Magnite, thus, expects the continued expansion of biddable inventory as a progressive step toward true utilisation of premium streaming services. Since publishers are now realising the actual potential of programmatic demand activations competing with direct deals, they’ll continue leaning into this real-time biddable inventory to take advantage of the increased yield opportunities it generates as the value of premium addressable video from brands grows.

    On duplication of audiences in an omnichannel environment 

    Gavin: Identity fragmentation across the ecosystem is limiting the brand’s ability to effectively communicate parameters, such as ad frequency. The sell-side is uniquely positioned to help brands curb ad quality issues such as repetition and improvisation in delivery. In today’s identity space, the publisher increasingly controls the interaction with content viewers and has access to personal information about them.

    By leveraging frequency capping in the SSP, buyers can lower ad frequency even across publishers’ wishes to protect their user data from being used outside their chosen sell-side platforms.

    The SSP’s close relationship with the publishers has resulted in the most accurate user identifiers in every bid request. Because they are only one or two “hops” away from the publisher, SSPs can reach audiences more effectively than traditional publishers. To gain insight into user IDs and campaign reach, sell-side technology evaluates all bid requests, including those that demand-side platforms (DSPs) reject due to queries per second (QPS) limits and other restrictions.

    With more users ingesting media across platforms, addressing fragmentation to improve ad experiences has never been more critical. To help improve the performance of campaigns, buyers can be proactive by talking to their SSP about frequency capping and other identity-related ad delivery criteria. By reaching audiences across touchpoints in a controlled, planned way, brands can drive efficient impact and ROI.

    On the major areas of investment

    Gavin: CTV is the fastest-growing digital medium, and advertising in this space is poised to be largely traded programmatically in the future. 42 per cent of Magnite’s business is now CTV. However, the company is now focused on continuing its investment in a diverse omnichannel strategy to build upon and scale CTV capabilities to better serve new and existing clients.

    The acquisitions of SpotX and SpringServe by Magnite in 2021 created the largest independent CTV and video advertising platforms, and thus advanced Magnite’s programmatic OTT and CTV innovations. In early 2022, the company acquired Carbon and Nth Party to strengthen its audience and identity capabilities. This collaboration helped Magnite accelerate the integration of audience and identity solutions across its omni-channel offerings. Magnite strived to give retailers all the tools necessary to maximise their audiences across all channels.

    On the programmatic guaranteed (PG) deals preference

    Gavin: With programmatic guaranteed, the publisher commits to their video inventory in exchange for a “guarantee” of a certain rate and impression goal. While a buyer bids 90-100 per cent of the time on PG, they bid as the market demands and the audience layers they apply on a private marketplace (PMP). PG is essentially a high-fill PMP.

    Depending on campaign goals, PG may effectively suit a marketer’s KPIs. However, by solely “checking the box” of PG instead of bidding on inventory across PMPs, brands may be missing opportunities for cross-publisher and omnichannel flexibility.

    If publishers restrict their inventory to just PG activations (even for a guaranteed fill rate), they risk making less money than they might in a higher bid-density auction. For sellers, the upside of PG is that it enables them to forecast their inventory fill with a set volume and price, as committed upfront to the buyer. However, this doesn’t necessarily guarantee a greater yield.

    An area that created concern for publishers in activating PMP is the lower fill rates achieved per campaign, which could result in ad server timeouts and slow decisioning where the publisher is using a suboptimal waterfall ad server. However, with a modern ad server built with programmatic in mind or header bidding tools, activating PMP results in higher fills and less timeout, leading to potentially higher yields and better viewing experiences. This is a growing area of interest and education in India and across the APAC region.

    On key trends in the programmatic advertising space in APAC

    Gavin: Firstly, OTT/CTV will continue to be one of the largest growth areas in programmatic activation in the region and secondly, advertisers will further see the value of an omnichannel open internet approach to deliver scale, addressability, performance, and return on investment (ROI).

    Furthermore, header bidding/holistic ad decisioning adoption across all digital formats will prove to be the best direction for the supply and demand side in enabling scaled audience activation, programmatic and direct campaign synergy, improved yield management, more opportunities for inventory monetization, and collective ROI.

  • Prime Video onboards Varun Dhawan as its first #PrimeBae

    Prime Video onboards Varun Dhawan as its first #PrimeBae

    Mumbai: Varun Dhawan has been named as the first “#PrimeBae” on Prime Video. Dhawan will make sure that the hordes of Prime Video fans are the first Bae (Before Anyone Else’) to learn about the upcoming Prime Video projects, in addition to being the first to get their hands on all the news and updates about them.

    The launch of #PrimeBae is a significant step in Prime Video’s aim to build an even more personal and deeper relationship with its viewers by delighting fans who constantly seek the latest information on their favourite Amazon originals & exclusives.

    Prime Video, India head of SVoD business Sushant Sreeram said, “Over the years, we have built a strong relationship with our customers, who now rely upon us as their trusted friend—one who encourages, inspires, motivates, and can be relied upon to entertain at all times.”

    “We see customers’ love and appreciation for us in their enthusiasm and inquisitiveness to know more about our upcoming shows and movies. With Varun as our first-ever #PrimeBae, we aim to build an even more tight-knit community of super-fans, taking them deeper and helping them experience the inner world of Prime Video,” said Sushant.

    The brand hopes to establish a humorous and tongue-in-cheek connection with viewers through Varun Dhawan, who is not only a well-known movie star but is also known and admired for his down-to-earth and friendly persona. As #PrimeBae, Varun brings his off-screen personality, style, humor, and love for Prime Video’s content to build a fun-loving conduit between the brand and the customers.

    Sushant further added, “Our shows and movies aim to entertain and immerse audiences in their world—why should the latest news on them not be entertaining too? And what better way to kick-start Prime Bae’s journey than with one of India’s favourite actors, Varun Dhawan? His humour and style are sure to make this an interesting ride. Honestly, there’s no knowing what details #PrimeBae might share next. Just get on-board and see where it takes you!”

    Talking about his new role as #PrimeBae, Varun said, “Actors often call their on-screen roles ‘challenging’, but trust me, my new real-life role as #PrimeBae is even more challenging. Let me tell you, getting the andar ki khabar ‘before anyone else’ from Prime Video on their upcoming series and movies is an almost impossible task! But, as a Prime Video super-fan I have accepted the challenge to uncover all the latest news from all the amazing series and movies in the works at Prime Video and share this information with my fans and content lovers across the world. To begin with, I can share with confidence that the first mazedar announcement I will make as Prime Video’s #PrimeBae next week will absolutely delight you. I have all the scoop on it.”

    Audiences will be treated to Varun’s personal, inimitable style, as he reveals the scoop on topics ranging from “where is Srikant Tiwari off to next?” to “what happens to Munna Bhaiyya?”, leaving no stone unturned to reveal what Prime Video has managed to keep hidden!

  • PlayerzPot to cross 10 crore users by March 2023, aims to become top fantasy and casual gaming platforms in next five years: Sunil Yadav

    PlayerzPot to cross 10 crore users by March 2023, aims to become top fantasy and casual gaming platforms in next five years: Sunil Yadav

    Mumbai: Co-founded by Yogesh Doiphode and Mitesh Gangar in 2015, PlayerzPot is a fantasy sports arena which blends the excitement and thrill of real-world sports with fantasy gaming. Whether it is cricket, football, kabaddi, basketball or baseball, it allows players to experience their favourite games on multiple levels, along with earning real money. PlayerzPot offers users the liberty of choosing their own league, players, and lucky pot. The company said that it offers a customer-centric approach, hassle-free payment options, best-in-town referral programmes and an unflagging spirit.

    PlayerzPot was started in 2015 from a small garage in Airoli, Mumbai, by the co-founders who shared the same passion for fantasy sports and a vision to build India’s best fantasy sports platform. Being first time entrepreneurs, the initial days trying to grow the company were accompanied by hard lessons and experiences. But taking these as learning opportunities and course correcting their strategies to innovate and adapt, PlayerzPot was revamped in 2017 and was the first to come up with concepts like ‘Refer & Earn for Lifetime’ along with the option of instant withdrawals, in India. Since then, the platform has continued to add more features. PlayerzPot recently roped in cricketers Bhuvneshwar Kumar and Smriti Mandhana as its brand ambassadors.

    Indiantelevision.com caught up with PlayerzPot Media CEO Sunil Yadav. His association with PlayerzPot goes way back, right to its inception in 2015 as a consultant and then joined as a marketing director in 2019. He was then elevated as a CEO in 2021 and he continued to spearhead the company’s vision of being India’s ultimate gaming destination.

    Under his able leadership, PlayerzPot successfully introduced Skilled based Casual Gaming and a plethora of consumer loyalty programs that kept users returning to the platform in spite of no sports events in a tough year like 2020. He has also laid the framework for PlayerzPot getting into Real Money Gaming at the right time. 

    Apart from that, he is an avid traveller, and loves exploring new places. He believes he is a lifelong student, and even in his down time, he likes reading case studies and researching market growth strategies.

    Edited Excerpts:

    On the market gap that was witnessed by the brand when it launched seven years back

    Sunil: PlayerzPot started in 2015 from a small garage in Airoli, Navi Mumbai, with a vision to become a one-point destination for the Indian online gaming community. Considering the invincible craze of cricket in our nation and our love for IPL, we wanted to channel that excitement for sports in every Indian by offering a gamut of fantasy games. Our primary aim was to bridge the gap between reality and acceptance of fantasy sports. That’s how PlayerzPot was born. The first version of PlayerzPot was web-based. It was launched in April 2016 and our first mobile app was launched in April 2018.

    The situation presented an opportunity to learn from on-ground glitches. We noted the challenges, revised our strategies with a user-first approach and introduced unique features such as ‘Refer & Earn’, ‘Instant Withdrawals’, and ‘private game’. These features eventually helped us to build credibility and trust. As a result, in six years, we surpassed the 10 million user base and continued to outshine user expectations with rich fantasy and casual games. 

    On USPs of the company

    Sunil: We offer a wide range of gaming action with nine fantasy sports, 15+ casual games and three card games on our platform. We are engaged in constant research and development to provide an excellent gaming experience through USPs such as refer & earn quick withdrawal, 24*7 customer support, leaderboard, free leagues, and user retention policies. We analyse user journeys, behaviours, and gameplay time and curate our offerings to individual users to increase their stickiness. As a brand, we promote responsible gaming and thus provide a complete secured registration process and payment gateways.

    On how the Covid-19 pandemic impacted the company’s business 

    Sunil: Before the pandemic turned the world upside down, online gaming has been largely considered a hobby or just another mode of entertainment. Today, people are charting their entrepreneurial careers in online gaming, a sector expected to become a community of 510 million gamers by 2022-end, as per KPMG. In terms of revenue, the market is expected to grow at a compound annual growth rate of 21 per cent over the next five years, meaning that it will reach $3.84 billion. Such encouraging statistics are based on the rising interest of Gen Z and millennial gamers. The multifarious roles in the employment generation of this sector have encouraged the Centre to take note of gaming as a great source of domestic and global investment.

    During the pandemic, there were no fantasy sports available for users. Understanding the pulse of the users, we decided to diversify ourselves by offering casual games on our platform. PlayerzPot, being an industry leader as one of the fastest-growing super gaming apps with 1 crore+ users, turned tables by launching 15+ casual games in less than two years. Our massively successful IPL 2022 campaign #CricketKaBhoot garnered a resounding reach, close to 500 million and a 300 per cent revenue jump in fantasy gaming. We grew 3X on our user base year-on-year and launched over seven casual games. We partnered with Indian cricketers Bhuvneshwar Kumar and Smriti Mandhana, and the new sensation, Rashmika Mandanna, were landmark moves to boost our popularity in the evolving gaming community in the country. 

    On the business model of the company 

    Sunil: We offer three different categories of skilled games viz., fantasy games, casual games and card games, which are our key revenue generators. The model is as per industry standards and as the guidelines of the All India Gaming Federation.

    On the growth of the gaming industry

    Sunil: Technology is the life force of online gaming, and the Indian industry has always been one of the earliest adopters of advanced tech to create new demands for users. With the lockdown directing first-timers to online gaming as a new mode of entertainment, the gamers’ community have grown in leaps and bounds.

    We see a welcome change in the gender ratio of gamers, as women have started playing actively. As real-money gaming rises exponentially, proper checks and balances need to be there in the form of simplified regulations to encourage safe, responsible gaming.

    On how the platform is boosting its offerings to attract users 

    Sunil: Advertising and marketing play important roles in spreading awareness about services, new launches, offers, prizes, competitions, and other relevant information about the platform to the target group. It is very important to communicate the right message, that too through multiple marketing channels. 

    We at PlayerzPot keep a 70 per cent share of our annual profits for marketing activities and campaigns. This IPL season, we had the #CricketKaBhoot campaign live on social media channels, short-format video platforms and the OTT platform of Hotstar. This collaboration garnered a unique reach of close to 500 million, pan-India participation with a 50 per cent increase in registrations and 30 per cent of early users returning to the platform. The successful collaboration reinforced the importance of OTT platforms and short video sharing apps and thus helped to reach the masses.

    On the regulation that the gaming industry requires

    Sunil: There has been a major disconnect between the rising popularity of online gaming and the dearth of awareness and regulations for the same. This creates confusion between skilled-based gaming and gambling. 

    I believe that the increase in GST from 18 per cent to 28 per cent, would also help to have a concrete set of regulations, which will assist the entire ecosystem. It may initially be a speed-breaker by tightening the cash flow and slowing down the growth momentum in gaming initially, but it will bring online gaming under the legal framework and thus, attract global investments because of its credibility from the government.  

    On challenges in terms of tech hiring and mobile gaming segment 

    Sunil: Gaming is a developing industry in India, and its impressive growth can be attributed to better internet penetration in remote corners of the country and increasing affordability of feature-rich smartphones. With such an easy entry point, the industry is bound to grow with new career opportunities being created regularly.

    Yet, there is a considerable lack of tech-skilled talent in a market flooded with new technology every other day. Since there is some uncertainty associated with a growing industry, tech professionals tend to avoid online gaming as a career option. Therefore, the biggest challenge gaming brands are taking head-on is hiring talented tech professionals at all levels to manage technical operations and services online.

    On the role of augmented reality (AR) and virtual reality (VR) in business and the use of non-fungible tokens

    Sunil: Online gaming has levelled up with new technologies such as AI, ML, and Data Science, aided by tech-savvy young players. The market is very competitive, and players are diversifying models with AR and VR to excite users.

    Metaverse is going to be a litmus test for Indian online gaming brands facing the challenge of building a breath-taking virtual reality experience. Tapping on real-time emotional responses, gamers will also be rewarded with play-to-earn concepts allowing them to win virtual gaming items, trade them and earn physical money. Non-fungible tokens (NFTs) will improve ownership of digital and physical assets on the blockchain and thus, make the metaverse more exciting. On the other hand, AI integration will check any form of data leak, ensure a safe environment for gamers, and appeal to investment based on trust.

    As one of the leading fantasy gaming platforms, we are exploring suitable possibilities on the metaverse by creating unique selling propositions (USPs) and minimum viable product (MVP) building with some scalable tech architecture designs, market rollout strategy, and customer engagement strategy.

    On the plans of growth of users, increasing revenue, expansion and funding

    Sunil: Currently, PlayerzPot has over 10 million active users and is focusing on launching more skilled games, with other exciting offerings for RMG enthusiasts. We predict an addition of 1 crore + users by March 2023 and are set out to become one of the topmost fantasy and casual gaming platforms, five years down the line.

    Self-sustenance is vital for PlayerzPot to achieve that goal, and we plan to do that through the launch of various card games and entry into the NFT space. We also plan to incorporate metaverse aspects in our technology roadmap to create USPs in the virtual world. As far as acquisitions and investments are concerned, we look forward to investing in talented companies who share our long-term vision of becoming a major contributor to Indian online gaming.

  • MX Player joins Tata Play Binge as its 17th OTT platform

    MX Player joins Tata Play Binge as its 17th OTT platform

    Mumbai: Tata Play Binge and MX Player have collaborated to entertain India and Bharat together. Following this partnership, MX Player will join the band of the 16 existing popular OTT platforms on Binge like Disney+ Hotstar, ZEE5, SonyLIV, Voot Select, hoichoi, Planet Marathi, NammaFlix, Chaupal, SunNxt, Hungama Play, Eros Now, ShemarooMe, Voot Kids, CuriosityStream, EPIC ON, and DocuBay. Content from all these platforms is available to the viewers of Tata Play Binge through a single subscription and a single user interface. Viewers can also enjoy free content on Tata Play Binge.

    With the latest addition, viewers will have access to an additional 5000+ films and 800+ shows in Hindi, Tamil, Telugu, and other languages from MX Player, further strengthening its commitment to offer viewers the best of entertainment. 

    MX Player will unlock a differentiated content library on Tata Play Binge consisting of MX Originals, Bollywood and Hollywood movies, South Indian dubbed movies, Korean dramas and more.

    Subscribers of Tata Play Binge who have MX Player as part of their package will get to enjoy an ad-free content viewing experience without any interruptions. Tata Play Binge can be accessed through large-screen connected devices—Tata Play Binge+, an Android set-top box, and the Tata Play edition of the Amazon FireTV stick, along with the Tata Play Binge mobile app and the website.

    Commenting on the addition of a new partner app, Tata Play chief commercial and content officer Pallavi Puri said, “We now proudly host 17 coveted OTT apps under one roof and aim to create a unique and robust platform for all things entertainment through Tata Play Binge. Teaming up with MX Player and adding its rich content library to our OTT aggregation platform will bring great value to our viewers; and together, we hope to expand the viewership base of each other.”

    Speaking of this collaboration, MX Player business head-SVoD Abhishek Joshi said, “At MX Player we are committed to creating an immersive digital entertainment ecosystem that provides our users with content that is universally appealing and engaging. Our partnership with Tata Play Binge gives us an opportunity to make our content widely accessible and available, further strengthening our existing user base. We are delighted to partner with them in their endeavour to bring the best of entertainment and unleash the power of an enriching content viewing experience for all viewers.”

  • Banijay celebrates 25 years of Survivor

    Banijay celebrates 25 years of Survivor

    MUMBAI: Banijay is celebrating 25 years since the adventure reality format, Survivor, debuted in Sweden in September 1997. The milestone achievement follows the format’s most successful year-to-date last year, with 25 productions in 2021.

    Survivor tests the spirit of a group of ordinary, yet extraordinary people who are marooned, with little more than the clothes on their backs and their own animal cunning. As they catch their own food, build their own shelter and order their own society, castaways must compete in increasingly difficult tests of strategy and guile.

    Ranked the Best Reality Show Of All Time (Variety), Survivor, the format which is created by Charlie Parsons, has been commissioned in 50 territories and is one of the most loved and watched formats around the world. The anniversary follows the recent announcement that Survivor will return to the UK in 2023, with Remarkable Entertainment (part of Banijay UK) producing the series for BBC One and BBC iPlayer. Other recent comebacks for the format include Brazil, Norway, Bulgaria and Romania, with all-new first-time adaptations in Mexico and Serbia, as well as an upcoming launch in Canada (French).

    Banijay global head of content operations Lucas Green said, “Survivor has all the elements of a hit format combining jeopardy, reality, strategy and adventure. Whilst each version is unique to its territory, every Survivor season celebrates the core values of this much-loved show. It has been honed through hundreds of seasons of expertise and is head and shoulders above the countless copycats which never quite stand up to the test. We are proud to produce the original – and in our view the best – adventure reality format on television. Most of all, we give thanks to those hard-working production teams around the world, with whom we celebrate this distinguished anniversary.”

    Amongst the hugely successful iterations around the world are the U.S., which is the longest-running version with season 44 confirmed and more than 7.5 million viewers tuning in to the most recent season on CBS; The Netherlands, which has aired every year since 2000; the hugely popular French series, which will air its 29th season next year; and the originating market Sweden, which recently aired its 21st run of Expedition Robinson. The format also enjoys successful companion shows, all-star spin-offs and celebrity versions.

    Survivor has created iconic moments over the last 25 years. These include an Israeli contestant meeting his child for the first time via video link at the Tribal Council, a player voting off her mum so she could progress in series 29 in the US, a proposal between two All Star contestants in the US. There was even a visit to the beach from Ivanka Trump in the Italian production, in heels and a sequinned dress!