Category: Over The Top Services

  • FanCode to present Bangladesh Premier League 2023 live in India

    FanCode to present Bangladesh Premier League 2023 live in India

    Mumbai: FanCode has once again bagged the exclusive digital broadcasting rights for the Bangladesh Premier League (BPL). Bangladesh’s flagship T20 league will be played from 6 January to 16 February and it will feature top cricketers from Bangladesh, Pakistan, the West Indies, and others.

    All matches will be streamed live on the FanCode app for Android, iOS, and linked TVs, as well as on www.fancode.com. FanCode is also offering tournament passes at low prices for fans without monthly or yearly subscriptions.

    Shakib al-Hasan, Litton Das, Mehidy Hasan Miraz, Tamim Iqbal, Haris Rauf, Mohammad Rizwan, Shoaib Malik, Wahab Riaz, and Mohammad Amir are slated to play in the tournament. The U-19 World Cup-winning captain for India, Unmukt Chand, is making his debut in the BPL and will play for the Chattogram Challengers.

    The other six teams in the contest are Fortune Barishal, Sylhet Strikers, Khulna Tigers, Comilla Victorians, Dhaka Dominators, and Rangpur Riders. The 2023 edition will feature 46 matches, more than the 34 matches played last season.

  • Lionsgate and PVR Pictures partner for 2023 theatrical slate in India

    Lionsgate and PVR Pictures partner for 2023 theatrical slate in India

    Mumbai: Following the announcement of its largest theatrical slate for 2023, Lionsgate has partnered with PVR Pictures for a massive roll-out of blockbuster content in India. This collaboration will provide moviegoers with an exceptional cinematic experience, with titles such as ‘Plane’, ‘John Wick: Chapter 4’, and many more.

    The first film to be released under this arrangement will be the action-packed blockbuster ‘Plane’, starring Gerard Butler and Mike Colter, in January 2023. That’s just the start; the 2023 film lineup also includes highly regarded titles including Francis Lawrence’s ‘The Hunger Games: The Ballad of Songbird & Snakes’, ‘White Bird: A Wonder Story’ starring Gillian Anderson and Helen Mirren, the comedy-drama ‘About My Father’, and the action-thriller ‘Bricklayer’.

    Commenting on the collaboration, Lionsgate India managing director of emerging markets Asia Rohit Jain said, “We are delighted to partner with PVR Pictures for all our theatrical releases in 2023. With movie aficionados returning to theatres, and the growing popularity of Hollywood films in India – we believe this collaboration will offer the best viewing experience of quality blockbuster content to all. With billion-dollar franchise titles and critically acclaimed cinema that will hit the screen this year – we are certain this is the biggest year for Lionsgate in India from a theatrical standpoint, and we are looking forward to it.”

    Speaking about the association, PVR Pictures CEO Kamal Gianchandani said, “We are absolutely thrilled to be working with Jain and his team. At a time when our industry has faced possibly its biggest crisis, we are excited to be partnering with one of the greatest film corporations in the world! The creative excellence, diversity, and quality of films that Lionsgate has presented to the global entertainment industry are invaluable. As India’s leading theatrical distribution company, we are committed to keep elevating the gold standards of cinema experience for movie enthusiasts. We are certain that Lionsgate’s 2023 film slate will be an absolute treat for the Indian audiences to watch.”

  • The Foundry inks a multi-project narrative deal with Audible 

    The Foundry inks a multi-project narrative deal with Audible 

    Mumbai: The Foundry, a premiere IP content development studio & production company, has signed a deal with Audible, a leading global provider of original spoken-word entertainment and audiobooks. The Foundry will produce over 60 hours of content, licensed to Audible. The licenced content comprises original scripted multicast fictions as well as adapted and dramatised classic stories in the audio format.

    An initial slate of titles from this deal that have been created by The Foundry’s dedicated audio division have premiered on Audible’s service and their rollout continues in the months ahead. Debuted audiobooks include the robust Hindi adaptation of Arthur Conan Doyle’s “The Adventures of Sherlock Holmes” (Sherlock Holmes Ki Romanchak Kahaniyan) and Munshi Premchand’s masterfully distinct literary classic “Karmabhoomi”; about turmoil in common colonial living. In the pipeline, is the delightful multicast Hindi adaptation production of Jane Austen’s “Pride and Prejudice.”   

    The Foundry will licence to Audible original series created by their creator-in-chief Vekeana Dhillon from their in-house development catalogue of over 90 audio IPs as part of this deal. This includes one of India’s first disaster audio series, Trapped, a powerhouse drama in which residents and rescuers grapple in the ruins of an urban high-rise building collapse; and a mind-bender of deception and suspense involving a coma patient in the mystery thriller The Woman in Bed#3.    

    The Foundry has previously produced the popular audio show on Audible titled Uncovidable which showcases the journey of a woman caught in the whirlwind of the nationwide lockdown during the covid 19 pandemic.  It is written by Vekeana Dhillon and voiced by Mahira Kakkar in English and Bollywood celebrity Rasika Duggal in Hindi.   

    Audible director of content – India Ridhima Thakral commented, “We are delighted to have stories produced by The Foundry, one of the country’s premiere content development studios, on our service. With stories produced across genres, including classics, mysteries, dramas, and many more debuting on our service, we are excited about the incredible entertainment in store for Audible members.”

    The Foundry head of production and business Vikram Dhillon said, “We’re fully committed to heightening the ‘cinematic’ experience of our handpicked stories. As it is, we’re thriving in our storytelling offerings of rich narratives and complex characters across mediums in series, feature films, and animation. Audio emboldens us to construct a next-generation entertainment experience, and we do so, proudly, in presenting our never-heard-before slate of content for our listeners.”

  • aha gets John Doe order from Delhi HC for ‘Unstoppable’ series

    aha gets John Doe order from Delhi HC for ‘Unstoppable’ series

    Mumbai: The Delhi high court passed a John Doe order restraining all websites and broadcasters, including www.vcinemas.com, and the ‘world at large’ from airing its talk-show Unstoppable, featuring Nandamuri Balakrishna as host, which is streamed via its OTT platform, aha, run by Arha Media and Broadcasting.

    Justice Sanjeev Sachdeva observed that, given the plaintiff’s investment in the show, any illegal broadcasting would severely affect its monetary interest and also diminish the value of the show.

    The media company is represented in the high court by the law firm Anand and Naik, and the same was argued by veteran attorneys Ameet Naik and Pravin Anand.

    The company has recently approached the HC by instituting a John Doe suit and seeking an injunction to restrain the illegal and unauthorised dissemination of the original web talk-show, which is set to air its upcoming episode on 30 December 30 and feature Telugu film industry superstar Prabhas. The company expects substantial viewership for this episode that would result in higher monetary gain. It has already spent Rs 17 crore on the production, promotion, and marketing activities of the talk-show series.

    Considering the investments the company has made in the talk-show series, the HC has observed that any illegal broadcasting would severely affect its monetary interest and also diminish the value of the talk-show series.

    Commenting on the verdict, Anand and Naik joint managing partner and lawyer Ameet Naik said, “Piracy of films, web-series, and entertainment content has always been a huge menace in the media and entertainment industries. Before a film is released in theatres, there are rogue websites and various links that make the movie available to the public at large, which has a significant adverse effect on the commercial performance of the film. In an effort to combat the said menace, the courts have historically been indulgent in granting John Doe orders prior to the release of films. The present order passed by the Delhi high court in favour of Arha Media, owner of the OTT platform ‘aha’, is a similar order wherein the Delhi high court has granted a John Doe order for the show Unstoppable, originally produced and made available exclusively by an OTT platform, wherein infringing links were making the show and its episodes available, even prior to the release of the show on the OTT platform. The order of the Delhi high court to address piracy and grant relief is highly commendable.”

    Unstoppable was first launched on 4 November 2021 and it concluded in February 2022. Following the success of season 1, season 2 started in October this year, and the show is still continuing.

    Also Read: ‘Unstoppable with NBK 2’: aha to stream mega episode starring Prabhas in two parts

  • ‘Unstoppable with NBK 2’: aha to stream mega episode starring Prabhas in two parts

    ‘Unstoppable with NBK 2’: aha to stream mega episode starring Prabhas in two parts

    Mumbai: Prabhas and his best friend Gopichand are set to appear on the celebrity chat show Unstoppable with NBK, hosted by actor Nandamuri Balakrishna. As per the initial schedule, part one of the mega-episode will stream on 30 December while the second part is scheduled to stream on 6 January.

    Unstoppable 2 with NBK, and his advent has grabbed the eyeballs of many. The episode is set to serve a full-course meal to the fandom as it has captured countless memories of Prabhas and Gopichand with Nandamuri Balakrishna. That being the case, aha has had a tough time editing the episode because the moments one should experience are worthwhile. Therefore, the 100 per cent local platform decided to air the Baahubali episode in two parts.

    In the history of the show, this is the first episode to be cut into two different episodes. While the first episode is a fun interaction between Nandamuri Balakrishna and Prabhas on 30 December exclusively on aha as a new year treat, the 6 January episode is about Prabhas and his best pal, actor Gopichand, and NBK, where they share their struggles in the industry and how their friendship blossomed over the years.

    According to an official source, “We have received numerous messages from fans asking us not to edit the episode. Additionally, aha and Prabhas have been delighted with the outcome. Therefore, we decided to go ahead with the two parts after consulting Prabhas, Nandamuri Balakrishna, and the team internally. There is no better way to celebrate the new year than with the Prabhas episode with NBK on aha. Expect the unexpected, as so much fun, and revelations will hit the aha screens on 30 December and 6 January.”

    In the episode Baahubali: The Beginning of Unstoppable 2 with NBK, Nandamuri Balakrishna reveals a bit of fun by asking Prabhas about his relationship with Seetha, to which the latter reveals a lot of things that were unheard and unseen by the people across.

  • Planet Marathi OTT dominates the Marathi entertainment market in 2022

    Planet Marathi OTT dominates the Marathi entertainment market in 2022

    Mumbai: In 2022, Planet Marathi owned the Marathi entertainment space with breakthrough content, OTT innovations, and business integrations. Planet Marathi OTT, being the only OTT that exclusively streams Marathi content worldwide, dominates the Marathi OTT market.

    Planet Marathi is currently streaming across 60+ countries, amassing nine lakh Marathi audiences across the world.

    The content slate voraciously expanded throughout the year with releases like Anuradha, Badlee, Mein Punha Yein, Raanbaazaar, Sahela Re, June, Sumi, Athang, and Baby on Board, to name a few. A massive variety of genres like romance, comedy, family drama, politics, crime, thriller, and satire were explored in the Marathi web series category, which changed the game for Marathi content in the web space entirely.

    Planet Marathi OTT pushed cutting-edge content into the mainstream spotlight with national award-winners like Sumi and the world’s most watched Marathi web series like Raanbazaar and Athang. With the best quality Marathi content, the immense capability it holds to shape the future of the regional OTT space was well demonstrated.

    On the theatrical release front, Planet Marathi has brought to life a variety of cinematic spectacles, right from experimental content to period drama magnum opus films, by investing in high production values and marketing efforts. Its extravagant releases of 2022 have names like Pondicherry, Tamasha Live, Sunny, Chandramukhi, and Goshta Eka Paithanichi, among others.

    The phenomenal branding efforts pushed boundaries and redefined the way films from the Marathi industry were viewed much before their release. This year was a national award-winning year for Planet Marathi, as its Goshta Eka Paithanichiwon the best Marathi and premiered internationally in Singapore.

    Along with its large-scale investment in production value, branding, and marketing efforts, Planet Marathi expanded its reach vertically and horizontally through impact-driven business collaborations with mega players. Its collaboration with Tata Play, set precedent as it was among the only few OTTs that joined hands with the content distribution giant to reach out to audiences more conveniently. It has entered into upcoming international and local collaborations, which are in the announcement pipeline.

    “We started Planet Marathi to disrupt the Marathi entertainment industry and take it to a global audience. With a quality content slate like big theatrical releases of Chandramukhi and national award-winning Gosht Eka Paithanichi, to name a few, and the Planet Marathi OTT platform and its content like Raanbaazaar, Athang, and Anuradha, among others, we were able to raise the bar for the industry. These victories have humbled us even more and made us hungrier to do bigger and better work of value. This is not just our win; it is the win of all the people who have worked with us across teams and the win of our audiences. Looking ahead, we’ve envisioned and are working toward greater technology, massive productions, and significant collaborations to accelerate our growth in this journey,” commented national award winner and Planet Marathi OTT founder Akshay Bardapurkar.

  • MX Player’s Mansi Shrivastav bids adieu to the world

    MX Player’s Mansi Shrivastav bids adieu to the world

    Mumbai: As the world celebrated Christmas and was a jolly environment for many on Sunday, it was not the case for MX Player global content acquisitions & alliances senior vice president Mansi Shrivastav. Little did she know that she would breathe her last on a day that the world rejoices.

    Shrivastav was a professional and leader in the media & entertainment space for over two decades, working with MX Player. As senior vice president of content acquisitions, alliances, and distribution at MX Player, she was instrumental in the creation of India’s largest video-on-demand service, which has transformed the current digital landscape by developing first-of-their-kind, ground-breaking, and one-of-a-kind content strategies to expand market size with a robust and diverse content portfolio.

    Throughout her career, she also conceptualised and laid the groundwork for some of India’s leading TV channels, including Movies Now, Zoom, Romedy Now, MN+, and Channel V, where she oversaw the programming and content strategies that ensured market leadership in their respective segments.

     

     

    With her mantra of life being “forget the day’s troubles, remember the day’s blessings—tomorrow is another day,” as Scarlett O’Hara says – Shrivastav was a damsel who lived in the moment.

    A girl who loved spending time with her family and friends and was an absolute fan of her mother’s cooking, Shrivastav was strong about great nutrition, long walks, yoga, and meditation, and also had a parallel life interest in watching American reality TV shows and rom-coms.

    Shrivastav thought that more kindness would make the world a better place. She was of the view that life is all about balance. “You don’t always need to be getting stuff done. Sometimes it’s perfectly okay and absolutely necessary to shut down, sit back, do nothing, and reset,” she believed.

    Here’s hoping she has a great reset, up above.

  • “Idea is to have Watcho as a one-stop solution.”- Dishtv corporate head Sukhpreet Singh 

    “Idea is to have Watcho as a one-stop solution.”- Dishtv corporate head Sukhpreet Singh 

    Mumbai: Following a successful run with its original content, Watcho is expanding its choices by providing packed bundles of the most popular OTT platforms. This gives its consumers access to a wide range of new digital content while maintaining the convenience of a single subscription.

    Watcho offers OTT content from Disney+ Hotstar, Zee5, Sony LIV, Lionsgate Play, Hungama Play, HoiChoi, Klikk, EpicOn, Chaupal, and Oho Gujarati through a single login and subscription system.

    Subscribers also have access to a massive library of original content, including 35+ captivating web series, user-generated content, snackable shows, and live TV from Watcho exclusives.

    Indian Television.com spoke to Dishtv corporate head Sukhpreet Singh, who shed light on the various aspects of Watcho being an OTT aggregator as a one-stop solution.

    Singh has been associated with Dish TV since 2016 and is presently designated with the company. In his current role, he is responsible for planning & implementing a brand strategy for Dish TV, package construction & pricing, managing the interactive channels of Dish TV, corporate communication, media buying, and building brand equity for Dish TV.

    Edited excerpts: 

    On the campaign ‘One Hai Toh Done Hai’

    Watcho has been an OTT platform with its own content for the past two years, and we have very good short-form content as well as a variety of other features. The campaign is focused on the next step, which is the integration of OTT bundles.

    Watcho was designed to be different from other OTT platforms because there are so many. It aspired to be an OTT platform that is more than just a passive platform for consumption, but also one that encourages active participation through user-generated content. Watcho has short-form content and various other enrichment features, and it is intended to be an active participation forum rather than just a streaming platform.

    As a result, we had a lot of success with it. And obviously, when we looked at our consumers who were consuming content from Watcho, we noticed that they were also consuming content from other OTT platforms and liked to watch live TV.

    The customer is at the centre of everything, and the goal is to provide a platform that serves everything in one place. Watcho is more than just a platform that aggregates content from other OTT platforms; it also has its own content. It also has a user-generated content feature as well as a library of other content and languages. It creates content about tropical topics. We are delighted that all of the major and well-known OTT providers have integrated with Watcho.

    One good feature about Watcho and Watcho OTT bundles is that they are accessible to anyone, whether you are a customer or not. All our connected devices have Watcho inbuilt in it.

    On the strategy

    We are a content provider, and our strategy is to bring the best content available to whichever technology and platform are available to all of our customers and potential customers, whether it is on a satellite platform or streaming content, whether it is on television, mobile phones, or your laptop. We want to be the gateway for customer content consumption. So our strategy is straightforward: content can be distributed and delivered to consumers in a very convenient manner from anywhere, on any screen, and using any technology.

    There is the convenience of having a single subscription and managing everything in one place. In today’s world, where subscribers are confused about what content is on which platform and the management of subscriptions and payments, we are simplifying those things for customers and being an independent provider to the customer.

    On opportunities

    The biggest opportunity is the explosion of content. While people are still watching linear TV, and it is also growing in rural areas, there is also a lot of individual consumption of streaming content, which is the biggest opportunity for anyone else in the content distribution business.

    We’ve been given the opportunity to expand, which will require deep integration to bring it to the masses because Dish TV has also integrated our retail trade and offline payment methods into our OTT bundle plan.

    OTT providers are very important to us because they invest in producing high-quality content. We are assisting them in expanding their reach, which is a very traditional partnership between a content provider and the platform that distributes it.

    On the challenges

    There will always be challenges when there are opportunities, such as the availability of adequate bandwidth to watch high-quality content. That is the difficulty.

    Looking at the lower states and rural areas, new technologies such as 5G, as well as other technologies on the horizon, will take time to reach tier 2 cities, ensuring that high-speed internet is also available at a reasonable cost, further catalysing content consumption.

    India is a very diverse country. So when creating content, there’s a lot of regional content coming up now, and we have regional language partners to overcome the challenge of diversity in Indian languages and content preferences.

    On new trends

    The current trends could be going in a variety of directions. For instance, a lot of content consumption currently takes place on mobile devices. However, there is a movement to move that to a larger screen. Additionally, more individuals are watching streaming material on connected TVs.

    Second, the increase in regional content consumption; and third, the availability of all these different types of content on a single platform. One of the emerging trends is OTT bundles, and businesses like ours will assist in simplifying things for the user.

    On TV vs. OTT

    India is a huge country. Some people do not even have a television in their homes.

    As a result, parts of India that previously did not have television are now purchasing it at a rapid pace. Rural electrification is taking place, and as a result, electricity is now available in the majority of India’s villages. At the same time, rural economies in India have become more diverse in recent years.

    Economic cycles are occurring in the top-tier cities, but because our economy has been relatively stable, growth is occurring in all categories, including television, which will continue to grow.

    Rural areas are also gaining access to the internet.

    There is family consumption of television content versus individual consumption of mobile and personal devices. This is yet another factor that will lead to hybrid consumption across multiple screens.

    On the balance between content and business

    We are not required to balance it. I believe the customer will strike a balance. The subscriber, viewer, or customer can balance their content consumption, whether through television, streaming devices, or various platforms and methods.

    What we will try to do is figure out the customer’s pain points and try to solve them. For example, if multiple subscriptions are a pain point, we will try to solve them. We will also look at the seamless availability of content on various screens, whether it is a television, a mobile phone, or a laptop. We can assist them with our UI (user interface). We will try to do so because our job is to see where the customer and technology are going and then make it as convenient for the customer as possible.

  • Netflix unveils new content line-up to binge watch over Christmas

    Netflix unveils new content line-up to binge watch over Christmas

    Mumbai: It’s almost Christmas, which means it’s time to watch movies, drink hot chocolate, and enjoy the nice weather. From Scrooge: A Christmas Carol to The Christmas Chronicles 2, here is a list of fun Netflix titles that are ideal for the holiday season.

    Scrooge: A Christmas Carol

    Directed by Stephen Donnelly and starring Luke Evans, Olivia Colman, and Jessie Buckley in the lead roles. Scrooge: A Christmas Carol is a Netflix musical animated movie. An adaptation of Charles Dickens’s novel “Holiday Chestnut,” the story centres around Ebenezer Scrooge, a selfish miser who is presented with an opportunity to fix his past mistakes and improve his future by an unexpected guest.

    Holiday Home Makeover with Mr. Christmas

    Netflix’s Holiday Home Makeover with Mr. Christmas is a lighthearted drama about an interior designer, starring Benjamin Bradley as Mr. Christmas. This four episode series centres on Mr. Christmas and his troop of “elves,” who assist families in decorating their houses for the holidays and give different residences a magical makeover in time for Christmas.

    Shaun The Sheep: The Flight Before Christmas

    Starring Justin Fletcher, John Sparkes, and Laura Aikman, Shaun The Sheep: The Flight Before Christmas is a Netflix animation comedy drama. The show revolves around Timmy, who is missing after a raid on a farm house to get bigger stockings for the flock. Timmy’s absence makes Shaun’s festival season difficult, as he has to make plans to bring him back. In the midst of Shaun’s search for a bigger stocking, the entire farm embarks on a wild holiday adventure, complete with a sleigh ride.

    A Storm for Christmas

    Even in the best of times, travelling can be a nightmare around Christmas. The Norwegian comedy-drama A Storm for Christmas is the ideal holiday therapy. Directed by Per-Olav Sorensen, this limited series is an ensemble story set in an Oslo airport on Christmas Eve as a storm grounds all the flights, potentially forcing all the travellers to miss Christmas.

    A Trash Truck Christmas

    All kids who love trucks, cars, and other vehicles will enjoy this one. Eddie Rosas directed the film, which starred Henry Keane, Glen Keane, and Lucas Neff.

    A Trash Truck Christmas is a Netflix animated series about Santa Claus and an unfortunate occurrence. Over the Christmas holidays, Santa crashed and ended up in a junkyard. Hank, Trash Truck, and their animal friends need to get themselves out of town to prevent the holiday from turning into waste!

    Just Another Christmas

    Directed by Roberto Santucci and featuring Leandro Hassum, Elisa Pinheiro, and Danielle Winits in the lead, JustAnother Christmas is a Netflix comedy film about a modern-day scrooge. Jorge, played by Leandro Hassum, a father who dislikes Christmas. As a result, waking up on Christmas Eve every year is his most terrifying nightmare.

    The Christmas Chronicles 2

    Directed by Chris Columbus and featuring Kurt Russell, Goldie Hawn, and Darby Camp in the lead Netflix’s comedy series The Christmas Chronicle centres on a girl who is dissatisfied with her mother’s new love connection. Because of this, Kate flees and ends up at the North Pole. She encounters a mischievous elf there. In order to stop a sinister evil from permanently ruining Christmas, Kate must reconcile with Santa.

  • Tata Play Binge adds Lionsgate Play to strengthen its OTT partnership portfolio

    Tata Play Binge adds Lionsgate Play to strengthen its OTT partnership portfolio

    Mumbai: Tata Play Binge, a streaming service that offers one-stop convenience and simplifies content discovery in a single user interface, onboarded Lionsgate Play, a global content platform, as its 19th app to broaden its OTT partnership portfolio.

    As part of the collaboration, Tata Play Binge will give viewers access to Lionsgate Play’s titles, which include critically acclaimed and enormous content libraries consisting of Indian originals, along with celebrated movies and shows across the world, such as John Wick: Chapter 3 Parabellum, Angel Has Fallen, Gaslit, Feels Like Home, Knives Out, Tokyo Vice, Jungle Cry, Hiccups & Hookups, and many more.

    Commenting on the integration of Lionsgate Play, Tata Play chief commercial and content officer Pallavi Puri said, “Every new addition makes Tata Play Binge more dynamic and places it well within the consideration set of the OTT content consumers. With Lionsgate Play, users will have access to a broader range of premium and high-quality content, especially from Hollywood. With the benefit of a unified front end and a single bill, the best of OTT entertainment is just one click away on Tata Play Binge.”

    Lionsgate Play EVP Amit Dhanuka said, “We at Lionsgate Play are excited to partner with Tata Play Binge. OTT space in India is ever-evolving, and we believe it’s the future. This service aids easy access and content discovery in a cluttered industry, helping both brands reach a wider consumer base. With this partnership, we will offer the best premium content at an affordable price point with an enhanced viewing experience.”

    Lionsgate Play will join the band of the 14+ most popular OTT platforms on Binge like Disney+ Hotstar, ZEE5, MX Player, SonyLIV, ReelDrama, Voot Select, hoichoi, Planet Marathi, NammaFlix, Chaupal, SunNxt, Hungama Play, Eros Now, ShemarooMe, Voot Kids, CuriosityStream, EPIC ON, and DocuBay. Content from all these platforms is available to the viewers of Tata Play Binge through a single subscription and a single user interface. Free gaming is also available on Tata Play Binge as another point of engagement. Netflix and Amazon Prime Video plans are available for Tata Play DTH subscribers.