Category: Over The Top Services

  • ABS-CBN unleashes global sales extravaganza for ‘The Bagman’ at ATF

    ABS-CBN unleashes global sales extravaganza for ‘The Bagman’ at ATF

    Mumbai: With casting complete and production set to begin in January on its newest major tentpole co-production series The Bagman, after its successful Cattleya Killer, ABS-CBN, the Philippines’ leading media and entertainment company involved in the creation, production, and distribution of television programming both domestically and internationally, announced today it will be attending this year’s ATF in Singapore looking to secure worldwide sales for it’s eight x one-hour action-packed drama series The Bagman.  Additionally, the leading multi-awarded Filipino actor and star of Cattleya Killer and The Bagman series, Arjo Atayde, will be at the ABS-CBN international productions booth (K18) on 7 December promoting the series. The announcement was made today by ABS-CBN head of international productions Ruel S. Bayani, who will be attending ATF along with Gary Marenzi of Marenzi & Associates.

    With casting just finalised, The Bagman stars Atayde, reprising his character Benjo Malaya from the original Bagman series, a role that won him the 2020 Asian Academy Creative Awards Best Actor.  The series also stars John Arcilla (On The Job 2: The Missing 8, The Bourne Legacy), Volpi Cup Best Actor in the 78th Venice International Film Festival, and Judy Ann Santos-Agoncillo (Mindanao, FPJ’s Ang Probinsyano) 2019 Cairo International Film Festival Best Actress.

    “Having initially announced The Bagman in March of this year, the timing could not be better to now be offering worldwide sales at ATF for our suspenseful, gripping, and fast-moving drama series,” commented Bayani.  “As we continue to advocate for Filipino representation, we are thrilled to also be announcing the award-winning talent of Arjo, John, and Judy Ann who are now part of The Bagman. Filipino programming is continuing to grow and expand, and we are honored to be at the forefront in offering diverse new projects to meet the growing demands of the industry.”

    The Bagman, a spin-off of the original locally produced digital series Bagman for the Filipino audience is produced by Philippine-based companies – ABS-CBN International Productions, Nathan Studios Inc., Rein Entertainment and Dreamscape Entertainment.

    The original digital series, Bagman 1 and 2, which sold to Netflix Philippines, follows the story of Benjo Malaya, a neighborhood barber who landed a job as the governor’s henchman and gets caught up in a dangerous web of crime, corruption, and political turmoil.

    Now with The Bagman, when convicted prisoner and former governor, Benjo Malaya, learns the tragic news about his missing family, he is left with no choice but to return to the vicious underworld that he turned his back on, and take on a new mission, this time, as a Bagman for the sitting president of the Republic of the Philippines to stop an impending and civil war.

    ABS-CBN’s track record as a storyteller and content creator has been the main draw of the media company as a partner in international co-productions, as seen in its growing slate of global titles. The company has been a pioneer and leader in globalizing Filipino content.

  • Ed Sheeran reveals 14 fan-created music videos for Autumn Variations tracks

    Ed Sheeran reveals 14 fan-created music videos for Autumn Variations tracks

    Mumbai: Ed Sheeran proudly presents 14 fan-created, official music videos to accompany the 14 tracks on his acclaimed new album “Autumn Variations.”  The series launched last week with the premiere of the first two videos:   “That’s On Me” by  Beatriz Santamaria Pinha of Brazil and “American Town” by Michael Lamhang of the US, and the latest release is from India for “Head > Heels” by Anshul Mittal & Kanika Gupta (Digiscape.ai) which is streaming on Ed’s official YouTube channel now.

    Earlier this fall, Ed engaged fans from every corner of the globe to create music videos of their own for each song on “Autumn Variations.” After receiving over 4,000 entries courtesy of creators in over 75 countries. Ed personally handpicked a cohort of 14 winners, representing 14 different countries across five continents, namely Ireland, United Kingdom, Australia, Italy, The Netherlands, United States, Brazil, Germany, Japan, France, New Zealand, Taiwan, Mexico, and India. This endeavor continues the execution of Ed’s initial vision for “Autumn Variations” as an album for the fans and by the fans as he spotlights their artistry.  The remaining videos will roll out over the coming weeks (full list of videos and directors below).

    Ed commented, “I made Autumn Variations for the fans and I really wanted to bring them into the fold on this album. I was keen to see how they interpreted the music, so I decided to ask my fans from across the world to make videos for each album track. There were so many wonderful submissions and I’m very happy to announce that I’ll be launching all 14 fan-made videos over the coming weeks, kicking off with That’s On Me. I want to give special thanks to each and every fan who made these videos so special. I love them and hope you will too x”

    The India video directors Anshul Mittal & Kanika Gupta added, “ We’re two engineers working at fintech startups. We’ve recently embarked on our venture into digital content creation through artificial intelligence (AI) as @digiscape.ai driven by a profound passion on witnessing how AI is reshaping the landscape of the content creation industry. As die-hard fans of Ed, getting an opportunity to make a music video for him has been nothing short of a dream come true. Countless sleepless nights were invested in ensuring we captured the essence of this incredible song “Heads > Heels”. This venture is not just a project; it’s a heartfelt ode to Ed Sheeran and his music. We hope he enjoys the video as much as we loved creating it.

    Upon listening to the song, our first impression was that it delves into the theme of love that society often deems unacceptable. We wanted to spotlight the stories, challenges, love sagas, and triumphs of the LGBTQ+ community. The goal with this video is to amplify the message of inclusivity, advocating for a more open and accepting society that embraces diversity. What sets this creation apart, you ask? It has all been made possible by the magic of artificial intelligence, giving a fresh, tech-infused perspective to these heartfelt narratives. We’ve tried to weave together the highs and lows, celebrating victories, and embracing love – all through the lens of AI. We hope to have created an authentic and human experience that bridges technology and emotion in this captivating video. In the beautiful symphony of life, love is the universal melody, transcending boundaries and echoing the simple truth: love is love.

    Released in September, “Autumn Variations” topped billboard’s top albums sales chart, following the #1 debut of “-“ (subtract) on the same chart earlier this year.  Produced by Aaron Dessner, “Autumn Variations” marks Sheeran’s seventh studio album and first full-length to be released on his own Gingerbread Man Records.  Within days, he also dropped “Autumn Variations (Fan Living Room Sessions),” an extended version of his just-released “Autumn Variations” featuring live performances of each track captured at surprised fans’ homes during the record-setting, North American leg of his Mathematics Tour – each song title on the new collection pays homage to the fan by name (see full track listing below).  “Autumn Variations” and “Autumn Variations (Fan living room sessions)” are both available everywhere now.  

    Stream/download here

    https://es.lnk.to/LivingRoomSessions

    Ed recently wrapped up the North American leg of his Mathematics Tour, setting attendance records in 13 stadiums, including his biggest U.S. show to date at MetLife Stadium in East Rutherford, NJ, in front of over 89,000 fans.  Last week, Ed received a GRAMMY® Award nomination, his 17 overall, in the category of “Best Pop Vocal Album” for “-“. 

  • ‘Farar’ by Applause Entertainment and Zindagi shines at DC South Asian Film Festival

    ‘Farar’ by Applause Entertainment and Zindagi shines at DC South Asian Film Festival

    Mumbai: Following its stellar success at the Chicago South Asian Film Festival, Applause Entertainment and Zindagi’s drama series, “Farar,” directed by Mehreen Jabbar and featuring a stellar cast including Sarwat Gilani, Mariam Saleem & Maha Hasan is poised to extend its international journey by gracing the US East Coast at the upcoming DC South Asian Film Festival. Slated for a screening on 3 December, this series, renowned for its compelling narrative and outstanding performances, continues to enthrall audiences on a global scale. To coincide with it’s release, director Mehreen Jabbar and actor Maha Hasan will be present at the festival on Sunday, 3 December, at 2:30 PM, hosted at the American University School of Communication Doyle-Forman Theater.

    Presented by Applause Entertainment, a Zindagi original Farar, a six-part series, tells the story of three independent women who are navigating the complexities of modern life. The series highlights the universal human experiences of friendship, love, and personal growth, while simultaneously tackling issues such as societal pressures, identity, taboos, and body shaming.

    Mehreen Jabbar, acknowledged as one of Pakistan’s foremost directors, expresses her excitement about the series premiering at the DC Film Festival, a city known for its vibrant South Asian community and a festival championing diverse storytelling. She notes, “The anticipation of our series premiering at the DC Film Festival is truly exciting. This dynamic city not only embraces a vibrant South Asian community but also hosts a festival known for championing diverse storytelling. In a time where divisions persist, it’s uplifting to witness the union of two major South Asian nations in the spirit of storytelling at the DC festival.”

    The DC South Asian Festival stands out as a highly acclaimed cinematic celebration, held annually in the heart of the United States, Washington D.C. This festival, now in its 12 years, takes pride in showcasing and honoring the finest in alternative cinema from India, Pakistan, Afghanistan, Bangladesh, Nepal, Bhutan, Tibet, and Sri Lanka. Faraar,’ takes center stage as the only web series to be screened in the drama category, that delves into tangled relationships and individual evolution, promising to be a standout moment at the festival.

    Zee Entertainment Enterprises Ltd chief creative officer Shailja Kejriwal said, “From Farar’s successful Chicago debut to its significant move to DCSAFF, it’s indeed been a remarkable journey. The Zindagi and Applause Entertainment partnership reflects our shared dedication to diverse narratives. We’re excited to witness how the audiences embrace our storytelling heritage.”
     

  • Digital Reinvent Awards: Elevating excellence in streaming entertainment

    Digital Reinvent Awards: Elevating excellence in streaming entertainment

    Mumbai: The Digital Reinvent Awards, a prestigious event that celebrates and honours outstanding achievement in the world of streaming entertainment in India, inspiring and celebrating exceptional talents, exploring trends and insights in the ever-evolving media landscape, and creating networking opportunities that foster community and stimulate the birth of the next Big Idea. Digital Reinvent Awards, a distinguished ceremony recognising excellence in the Indian streaming entertainment industry, is set to take place on 1 December at 4 pm. The event will be broadcast live on the Digital Reinvent Facebook page.

    Digital Reinvent supports and recognises quality streaming entertainment in India. The awards ceremony will feature categories that span talent, content, promotion, marketing, design, and platform. The aim is to acknowledge the exceptional contributions of individuals and organisations that have redefined the digital entertainment landscape. The Digital Reinvent Awards will witness the presence of industry stalwarts and notable figures who have significantly contributed to the growth and success of streaming entertainment in India.

    The awards ceremony will feature a diverse range of categories, including web series of the year, documentary or non-fiction program or series, lead actor of the year, supporting actor of the year, and many more. These categories have been carefully curated to recognise excellence across various facets of streaming entertainment. Digital Reinvent invites media professionals, entertainment enthusiasts, and the public to join the event’s live broadcast on their Facebook Page.

    Expressing his enthusiasm about the event, conference director Andy Chua stated, “The Digital Reinvent Awards are a testament to the creativity and innovation thriving in the Indian streaming industry. We are excited to recognise and celebrate the individuals and organisations that have made significant strides in this dynamic and ever-evolving field.”

    The Digital Reinvent Awards are proud to be associated with leading sponsors and partners, including RedFM 93.5, Shemaroo Entertainment, Moes Art, and The Awards Gallery. Their support has been instrumental in making this event possible and underlines the industry’s commitment to fostering excellence in streaming entertainment.

    Stay tuned as the industry comes together to applaud and honour the best in the business only on https://fb.me/e/8tcT4xtt0

  • Westlife continues from Mumbai to Bengaluru & New Delhi in ‘The Wild Dreams’ tour

    Westlife continues from Mumbai to Bengaluru & New Delhi in ‘The Wild Dreams’ tour

    Mumbai: In the Member’s Enclosure, Mahalaxmi Racecourse in Mumbai, The Irish pop band’s performance, part of The Wild Dreams Tour – India, produced and promoted by BookMyShow Live, the live entertainment division of BookMyShow, saw the enchanting melodies of Westlife echo through the air.

    Fans, both young and young at heart were left mesmerised by the magic woven on stage by the band’s leading men, Shane Filan, Mark Feehily, Nicky Byrne and Kian Egan, creating a dreamy atmosphere in the heart of the city. Kick-starting the India Tour in Mumbai with a captivating evening, Westlife brought their timeless music and unmatched showmanship to the country even as more magical moments await fans across the country, as the tour heads to Bengaluru and New Delhi next.

    The evening kicked off with the lively ‘Starlight’ from the Wild Dreams album, leading into timeless classics like ‘Uptown girl’ and ‘When you’re looking like that,’ beloved by fans in India and around the world. Engaging with the audience, the boyband excitedly asked if everyone was ready to ‘feel young’ again, receiving an enthusiastic response. Transitioning seamlessly into hits like ‘Fool again,’ ‘If i let you go,’ ‘Seasons in the Sun,’ and ‘Swear it again,’ Westlife stirred nostalgic memories for long-time fans. Expressing love for India, the quartet charmed the crowd with candid interactions between performances. A highlight was when they brought a dedicated Nicky Byrne fan on stage for a special dedication of ‘Nothing’s going to change my love for you,’ leaving the audience spellbound at this memorable Mumbai performance.

    Renowned for their chart-topping hits and incredible live performances, Westlife’s ‘The Wild Dreams Tour’ lived up to its promise of being a spectacular showcase of musical brilliance. Treated to all their favourite tunes, the crowd didn’t miss out on any chance to interact with the boyband even as Westlife didn’t shy away from delivering a few surprises that brought back sweet nostalgic memories from the golden era of music. A welcome surprise for an ecstatic audience was an unexpected medley of ABBA songs including Mama Mia, Gimme Gimme Gimme, Money Money Money, Take a Chance on Me, I Have a Dream, Dancing Queen, thank you for the music in a Westlife-special rendition!

    With the energies still running high and resounding across the grounds, Westlife transitioned into the next leg of their set performing their hits, ‘What about now’, ‘Nothing’s going to change’, ‘I lay my love on you’, ‘World of our own’, ‘Flying without wings’, ‘Hello my love’, ‘My love’, ending the evening on a high note and streams of confetti with ‘You raise me up!’

    A strong legacy of a quarter-century, Westlife continues to delight audiences globally and the India tour has begun no differently. The audience, comprising fans of all ages, revelled in every note and every beat as a testament to the band’s relevance after all these years, as they made their debut performance on Indian soil.

    The euphoria reached its peak as the band played their timeless classics with the crowd singing along, creating a harmonious blend of voices that resonated throughout the venue. Stay tuned as the tour continues to weave its magic across Bengaluru and New Delhi, promising more unforgettable moments in the journey of musical dreams. The India tour will be a trip down memory lane and will give Indian fans, a chance to relive their memories of a younger self, with some catchy tunes, legendary singalongs and much more!

    The India leg of the tour kicked-off at the Members Enclosure, RWITC, Mahalaxmi Racecourse, Mumbai on Friday, 24 November and will be followed by their performance at Bharatiya Mall of Bengaluru, Bengaluru on Saturday, 25 November, culminating with the final stop at Jawaharlal Nehru Stadium in New Delhi on Sunday, 26 November 2023.

    Fans can get their hands on the tickets for the Bengaluru and Delhi shows exclusively on BookMyShow.

  • DistroTV announces content & distribution partnership with IN10 Media Network

    DistroTV announces content & distribution partnership with IN10 Media Network

    Mumbai: DistroTV, a leading independent, free, ad-supported streaming TV (FAST) platform, today proudly announced its partnership with IN10 Media Network, a leading media and entertainment company.. This collaboration brings IN10 Media Network’s flagship channel EPIC and Hindi general entertainment channel, Nazara, to DistroTV’s extensive service. This addition significantly enriches DistroTV’s diverse content line-up, offering viewers a wide range of quality entertainment options.

    In a groundbreaking move, IN10 Media Network’s OTT platform, EPIC ON, will now integrate DistroTV’s streaming service through a seamless app-in-app integration. This integration represents a significant advancement in streaming technology, providing a smooth and integrated viewing experience for consumers on EPIC ON. DistroTV’s simple yet innovative app-in-app approach ensures that viewers can easily access a vast array of content, including popular Indian and international channels, across multiple devices.

    This partnership marks a significant milestone for DistroTV as it continues to expand its diverse content line-up, offering hundreds of channels in India and globally. The integration with EPIC ON further enhances DistroTV’s reach, allowing viewers to access a wide range of content, including popular Indian and international channels, across multiple devices.

    “We are thrilled to partner with IN10 Media Network, a renowned name in the entertainment industry,” said DistroTV’s parent company DistroScale co-founder and CEO Navdeep Saini. “This partnership not only enriches our content library but also strengthens our commitment to providing diverse and quality entertainment to our audience worldwide.”

    IN10 Media Network MD Aditya Pittie commented, “Joining forces with DistroTV aligns perfectly with our mission to deliver high-quality content to a global audience. This partnership enables us to leverage DistroTV’s extensive platform, ensuring our channels reach a wider audience and offer an unparalleled streaming experience.”

    DistroScale, Inc APAC head Vikas Khanchandani added, “The collaboration with IN10 Media Network is a testament to our vision of delivering exceptional viewing experiences. The addition of EPIC and Nazara to our platform, along with the integration of DistroTV on EPIC ON, represents a significant step in our journey to redefine the streaming landscape.”

     

  • The rise of Playflix OTT app

    The rise of Playflix OTT app

    Mumbai: One Take Media, the global content producer, syndication and distribution company has entered the OTT space with its app Playflix. Playflix is a wholesome entertainment app – and a true one-stop destination for Korean dramas in Hindi and other regional languages. Besides, its library also boasts of Hollywood movies, kid’s animated shows and movies, and many more.

    Amid the rise of the OTT wave globally, Playflix has crossed millions of downloads in the past one year. One of the strongest content forces the app has is its popular Korean dramas. One Take Media founder & CEO Anil Khera said, “Our Korean dramas are carefully curated keeping the Indian audience in mind. The fact that they are dubbed in regional languages like Hindi, Tamil and Telugu make it an exciting offer for the diverse viewers of India.”

    Even before the SVOD trend started in India, OTMC strongly believed in the SVOD model and Playflix has always been a subscription-based app. The recently released FICCI-EY Media & Entertainment report 2023 says that the number of households paying for at least one subscription video-on-demand (SVOD) service will rise up to 52 million by 2025 from 45 million currently. Adding to its already rich library, Playflix boasts of popular K-dramas like ‘Cyborg Mom, ‘Shopping King Louie’, ‘20th century Boy and Girl’, ‘Lucky Romance’, ‘Money Flower’ and many more. Playflix has also started a content feature called ‘Korean Paathshala’ where avid Korean viewers can learn the Korean language as well as know more about Korean culture through Indian Korean teachers and presenters.

    Playflix is determined to curate popular Korean dramas and Korean movies for the diverse Indian diaspora. Besides Korean content, Hollywood movies, kids animated shows cooking content can also be accessed on Playflix. Playflix app can be also be subscribed as a bundled app with Tata Binge, Airtel Xtream, or downloaded via Amazon Firestick or from app stores.

  • Beyond the notes: Navigating the crossroads of AI and artistry in music: Part 1

    Beyond the notes: Navigating the crossroads of AI and artistry in music: Part 1

    Mumbai: As technology continues to evolve with each passing day, artificial intelligence appears to gain a strong and steady foothold in the very existence of human beings. The inescapable integration of AI is becoming more palpable, shaping a formidable future that blurs the lines between the artificial and the human.

    Soon, AI’s omnipresence threatens to permeate every industry, from the harmonies of music to the intricacies of architecture. In this era of rapid transformation, the ascent of artificial intelligence is not merely a paradigm shift; it is an indomitable force reshaping the narrative of our collective tomorrow.

    Through conversations with renowned music personalities, industry experts, and key figures, we have gleaned insights into their perspective on AI causing a potential threat to the music industry and artists’ creative processes with the rising use of AI tools to make dubbed versions of a song in different artists or people’s voices.

    Singer Sonu Nigam

    Technology will keep springing surprises on humanity. The Universe will keep striking the appropriate balance. So we have to just chill and keep working on our skills

    Singer Jyotica Tangri

    Using AI for different voices in songs is a cool new thing in music. Some worry it might hurt artists, but I think it’s a chance for singers to step up their game. AI is like a tool that can help artists try new stuff.

    Singers bring feelings and a special touch that AI might not get. That’s what makes human voices special in music. AI can’t replace that.

    In the fast-changing music world, artists can use AI to add new flavors to their music. It’s a chance for cool collaborations between humans and tech. Artists can use these tools to make even better music. It’s like mixing human feelings with tech magic for a unique sound. Let’s see it as a way to make music more exciting!

    Rapper and producer Brodha V

    With so much chatter about AI being revolutionary, its complete capability still remains unknown, we are learning as we go and I believe that AI cannot replace human creativity. Dubbed versions of songs in different languages in different artist’s voices may be a nice way to consume music in a way you otherwise would have never thought of, it’s imaginative and certainly feeds curiosity, but I do look at it as an accidental way of homogenising music.

    AI is after all algorithm-driven which will of course cater to popular consumer trends that not only homogenize music but to a certain extent also endanger artist rights. An artist will work for months to years to put a song together, it’s a product of their story, their labor of love, when an AI tool simply takes and flips that it could be very disillusioning and disorienting for an artist who actually owns that piece of music. While I am a believer in using technology for productivity, its assistance in streamlining our work should not be confused for actually putting in the work.

    I would love to see how AI tools can help better improve music production by automating tasks or helping in reducing production costs, I think the use of AI tools in music could be positive in terms of streamlining work and improving productivity, but we need to be wary when we think of its impact on creativity and artistic development. However, when it comes to the actual music created by artists being flipped by AI and being made popular is a potential threat to artist creative integrity and their music ownership rights, AI tools are definitely gonna help artists and creative ppl achieve a bit more in that, it may nudge them in the direction they want to take but it won’t be a full-time replacement as art has always sustained and evolved and been consumed through history only because of human touch.

    For instance, when paintings were the most popular forms of art, a brush and canvas were the accessories and in a way they evolved into photography and the brush and canvas got replaced by a camera and lens, but that’s not to say the art of painting is forgotten or holds no value. it’s still humans behind them both creating the art. Similarly, AI is the new evolution and only the humans who perfect it, I believe will stand out.

    Parashara band founder and frontman, singer/songwriter and producer Sachin Bhagat

    Creating music is a time-consuming and creative process where multiple stakeholders are involved. A beautiful track is a result of an artist’s journey, and when it reaches the listener, it can create a personalized bond with them, something AI cannot replicate.

    With one click, you can now create an album featuring collaborations between Beyonce, Panic at the Disco, and Periphery. There is no doubt that AI can enhance creativity and efficiency in the music industry—from obtaining stems to striking the right chord, AI could be a helpful tool.

    However, achieving the right balance is what we require. Preserving the authenticity of human creativity is a challenge, while leveraging the benefits of AI is a challenge for the industry moving forward.

    In order to skip the expensive process of getting musicians and technicians in one room, labels would rather prefer these tools, costing millions of their jobs.  Not to mention, this is even scarier for independent artists. With the market saturated with similar-sounding music, gaining visibility will be a struggle. Moreover, the increasing use of AI leads to a greater inclination towards virtual experiences, which is like another lockdown for artists. Live performances are our main income source, and this appears to be a potential threat in the near future.

    Singer and digital content creator Aksh Baghla

    Art comes from emotion and AI cannot replicate human emotions.

    I believe AI is a great addition to an artist’s workflow. It makes the tedious tasks that have to be done again and again much faster. That’s where it shines. Because of this they can be even more productive.

    So it’s more of a helper than a threat.

    Singer and musician Nikhil Paralikar aka The Tabla Guy

    AI’s impact on the music industry and artists’ creative processes has been a topic of both fascination and concern. While AI offers innovative tools for music creation, it also raises questions about its potential threats.

    Artificial Intelligence has revolutionized music production, aiding artists in composing, arranging, and even generating entire tracks. This efficiency can streamline the creative process, but it may compromise originality and emotional depth in music.

    One of the primary concerns is the potential loss of human touch and creativity. While AI can replicate patterns and styles based on existing music, it might lack the inherent emotional depth and personal experiences that human artists bring to their work. The fear is that relying heavily on AI-generated music could homogenize the industry, leading to a lack of diverse, unique artistic expressions.

    Moreover, the accessibility of AI-generated music tools raises questions about ownership and copyright. Who owns the rights to music produced by AI? Can AI-generated music infringe upon copyright laws? These legal and ethical dilemmas pose challenges for both artists and the industry.

    Despite these concerns, AI can be a valuable collaborator, enhancing creativity rather than replacing it. It can inspire new ideas, assist in overcoming creative blocks, and offer fresh perspectives.

    Ultimately, the use of AI in the music industry remains a complex issue. While it presents exciting opportunities for innovation and efficiency, it also poses potential threats to artistic authenticity and the creative process. Striking a balance between AI-assisted creation and preserving the unique human touch in music will likely be crucial for the industry’s future.

    Actor, singer, dancer and digital content creator Sai Godbole

    Every invention or piece of machinery that was ever invented as a substitute to human effort was always used to support the functions of humans and make the processes quicker and more efficient with a much smoother result because now AI is capable of completely ’replacing’ human voice (as the claims are suggesting).

    I don’t think it can ever replace emotion and music is a phenomenon that reaches a part of the brain that no other sound can and if this AI technology is used to better human life on those lines then it will be magical but when it comes to taking the place of talent based artists in music, the emotion will always win Now when we come to the process of creating music and writing, prototypes in softwares, pre-existing mixes and templates have always been there and with AI they’ll get even better and more unique. So that is something to look forward to.

    The scare here is AI music being misused, artists being replicated without getting credit or money and from now more laws should be made around this so that later we don’t complain about prevention being better than cure.

    All in all it will be a positive change and we’ll be able to experience the dawn of a new era where the hope is that burnout will be reduced and everyone will get to create.

    Actor and digital content creator Zervaan Bunshah

    While AI offers innovative possibilities, there’s a delicate balance to strike.

    On the positive side, AI can democratize creativity, enabling diverse interpretations of a song. It’s like having a digital jam session with AI contributing its unique flair. This widens the creative spectrum and opens doors for unconventional collaborations that might not have been possible before.

    However, the potential threat lies in the risk of homogenizing artistic expression. If AI becomes too dominant, we might witness a standardization of musical elements, diluting the distinctiveness that artists bring to their work. It’s essential to preserve the soul and authenticity of music, ensuring that it remains a genuine reflection of human emotions and experiences.

    Moreover, the human touch in music is irreplaceable. There’s an intangible magic when an artist pours their heart and soul into a performance, something that AI, for all its capabilities, might struggle to replicate authentically. The emotional depth and nuanced creativity that artists bring to their craft are an integral part of what makes music a universal language.

    In navigating this evolving landscape, it’s crucial for the industry to harness AI as a tool for augmentation rather than replacement. Collaborative efforts between AI and human creativity can yield groundbreaking results, pushing the boundaries of what’s possible in music.

    So, while the rise of AI in dubbing songs is a fascinating development, it’s imperative to approach it with a thoughtful and balanced perspective, ensuring that the essence of human artistry remains at the forefront.

    Pulp Strategy founder & MD Ambika Sharma

    In the ever-evolving landscape of digital innovation, AI-powered voice cloning tools have emerged as a catalyst for transformation within the music industry. With their ability to replicate voices and offer new avenues for creative expression, these tools hold immense potential for artists to explore untapped vocal styles, expand their fanbase, and even unlock additional revenue streams.

    The possibilities that AI voice cloning presents are truly revolutionary. Artists can now delve into uncharted territories, experimenting with diverse vocal personas and pushing the boundaries of their artistic capabilities. By harnessing this technology, they have the power to captivate audiences in ways previously thought unimaginable.

    However, as with any disruptive innovation, concerns have arisen in parallel with the opportunities. Authenticity, ownership, and the potential for misuse are valid apprehensions that need to be addressed. The fear of having one’s voice replicated without consent or remuneration is a genuine worry for artists who rely on their distinct vocal identity to connect with their fans.

    Furthermore, the convenience of creating dubbed versions of songs in different voices raises questions about attribution and originality. The line between authentic and synthetic performances could become blurred, potentially jeopardizing the reputation and rightful recognition of artists.

    To navigate these challenges, it is crucial for the music industry to establish clear guidelines and regulations regarding the use of AI voice cloning. By setting standards and expectations, the industry can strike a balance between fostering creativity and safeguarding artistic integrity. Artists must assert their intellectual property rights and insist on transparency from companies developing and employing AI voice cloning technologies.

    Collaboration and open dialogue among artists, industry stakeholders, and AI developers are equally important in ensuring the ethical and responsible use of these tools. By actively engaging with one another, we can collectively shape the future of AI in music, safeguarding the interests of both artists and audiences.

    TIPS Industries Ltd MD Kumar Taurani

    Music industry has embraced a lot of challenges earlier also and should see this AI disruption change in a positive way. With this change that AI platforms are trying to do, they should ensure that music rights are respected and the industry is part of the evolution. From a legal perspective, the source of music and voice used to train AI models, may include existing content, which may be under copyright! Hence, there is the genuine concern of AI-generated music infringing on existing copyrights.

    The use of AI in music, especially for creating dubbed versions of songs, increases accessibility to an artist’s work by overcoming language barriers is powerful and helps expand the usage of the original track. The flip side of this is, it can undermine the originality, the unique artistry and emotional depth that an artist brings to their work.

    AI could be used as a tool for enhancement; however, we are not sure whether it will become a substitute for human creativity and authenticity that lies in the soul of music.

    BrandMusiq founder and soundsmith Rajeev Raja

    At a basic level, AI may pose a nuisance, relating to the existence of fake images today leading to possible fake music releases. However, I believe that, like other challenges, the music industry will find ways to identify and counteract such issues. While it may be troublesome, I don’t perceive it as a significant threat to the artistry of musicians or the irreplaceable skill set they bring.”

    “The second aspect involves generative AI creating entirely new songs, sparking fears of it replacing musicians. I believe we are a considerable distance away from AI authentically replicating the human essence in music. The very fabric of music, rooted in human imperfection and emotionality, cannot be easily mimicked by AI, which, crucially, lacks emotional depth. Although AI possesses a formidable intellect and replication abilities, the creation of truly original content still necessitates the source—the creativity of human musicians. Therefore, while AI may find interesting applications in music, I am optimistic that, in the near future, it won’t pose a substantial threat to the music industry as a whole or the indispensable role of musicians.

  • “Streaming allows every story to find its own audience”: Sushant Sreeram

    “Streaming allows every story to find its own audience”: Sushant Sreeram

    Mumbai: Prime Video, India’s most loved entertainment destination, participated in an insightful OTT roundtable session on ‘What’s the secret ingredient that gives Indian content its global appeal?’ at Film Bazaar at the ongoing 54th International Film Festival of India (IFFI), Goa. Sushant Sreeram, country director, Prime Video, India joined the conversation that was moderated by Rajeev Masand, COO at Dharma Cornerstone (DCA). The panel also featured Prithul Kumar, Joint Secretary (Films), Ministry of Information & Broadcasting and Managing Director, NFDC, as one of the co-panelists, along with other eminent leaders from the industry.

    “I believe we are very close to having that definitive breakout hit internationally because the signs are all there when you see your stories travel so brilliantly,” shared Prime Video, India country director Sushant Sreeram talking about when India will have its own breakout moment on the international stage. He also spoke about the need for authentic local storytelling; these are stories that resonate with local audiences and then become breakout hits across the country with audiences outside the country eventually discovering and loving these rooted narratives, giving examples of Pushpa: The Rise and Kantara. He underscored that 50% viewership of Prime Video’s local language content comes from outside the home states, while 25% audience of Indian titles comes from outside India. Continuing in the vein he said, “I think our storytelling has gotten incredibly rich. We have creators, studios and talent imagining a world of great storytelling, and with streaming providing the reach for every story to find its own audience, we are already breaking out internationally.” He cited examples of Prime Video’s Original series like Farzi, Jubilee and Made in Heaven that were loved not just within the country but also outside. While Farzi was streamed by viewers in 170 countries and territories just over the launch weekend and entered the top 10 trending titles lists on Prime Video in multiple countries beyond India, including the U.S., UK, Canada, UAE, Saudi Arabia, Bahrain, Singapore, Australia, New Zealand and Malaysia, Made in Heaven in its launch weekend it entered the top 10 trending titles lists on Prime Video in over 20 countries including the U.S., Canada, Australia, New Zealand and Malaysia. Jubilee has been on a winning spree at every award show, including the Best Series award at the International Film Festival of Melbourne.

    Responding to a question on independent, low budget or experimental filmmakers not finding a home for their films, Ministry of Information & Broadcasting Joint Secretary (Films) and NFDC MD Prithul Kumar elaborated that just a few years ago, when streaming services did not exist, an independent filmmaker would have found it tough to go to an exhibitor and even conceptualize distributing their films. However, he added, streaming services have enabled such films and filmmakers finding a home for their films on OTT.

    Elucidating further on this point, he added that streaming services have helped content producers dream big, even if they have smaller budgets, something that they were unable to do in the pre-streaming era. He highlighted that from the government’s perspective, the sector is doing fairly well and getting investments into India.

    Responding to the question whether streaming is becoming the domain of big-budget star vehicles exclusively, Sushant cited Prime Video’s content slate released in 2023, emphasizing the diversity of titles and talent, from Farzi and Jee Karda to Happy Family Conditions Apply to docuseries like Cinema Marte Dum Tak, Dancing on The Grave, among others, emphasizing that the diversity made for interesting storytelling. He added, “Many of the shows that we have launched this year and over the past 7 years have been with new upcoming creators. We have over 100 projects in various stages of production and development. While we will continue to bring back the successful franchises – Mirzapur, The Family Man, Pataal Lok, our conscious effort has been to ensure that we also continue to work with new and upcoming creators.” He also spoke about streaming not only providing access to content, or expanding the linguistic palette for customers, but it also acting as a window into many cultures.

    While discussing the impact of the direct-to-streaming (DTS) model on the overall creative ecosystem, as well as on the customers Sushant said, “Our approach has been pretty straightforward, if it is a good story that we think we ought to bring to customers, in over 240 countries and territories, we find a way to make it work. DTS is a part of our repertoire of being able to bring stories to customers”. He elaborated how Prime Video has not just pioneered the DTS model, but also produces Original movies like Maja Ma, Ammu, and the upcoming Ae Watan Mere Watan, and co-productions like Ram Setu, Neeyat, the upcoming Yodha as well, which premiere first in theatres before coming on the service. “We actually started off with the DTS approach in India during the pandemic and in over 3-4 years, we have had over 60 DTS releases,” he added, “I believe that direct-to-streaming has been a win-win for customers globally, as well as for the creators to be able to think untethered of the distribution.”

    Making a point on the longevity of streaming content, Sushant said, “It’s an incredibly diverse landscape of entertainment. There is no one language, genre, or one type of customer. We had that epic realization very early on. Our programming across 10 languages, across a very diverse state of genres, for very different customer types, keeps us rooted in the reality.” Giving example of the longevity of a show, he spoke of Mirzapur, Pataal Lok, The Family Man, Made in Heaven. He said, “If you look back to 2018-19, Mirzapur was this show that that nobody had heard of. Now we get to call it a culture defining show, but back then it was just a story well told. I think if we back the right creators and honest storytelling, then the shows go on to become these large culture-defining moments. Today, 6 of 10 shows on IMDb’s list of highest rated Indian streaming shows are from Prime Video.”

    Prime Video’s participation at IFFI is a testament of the pivotal role video streaming sector is playing in enabling the growth of India’s creative economy, and acting as a robust platform to showcase Indian stories, talent, and creators in the global arena.  

    Over the years, IFFI has established itself as a melting pot of myriad rich cultures and cinematic excellence, as it brings the world’s most outstanding films and shows, as well as stellar creators, talent, and storytellers together under one roof. As one of Asia’s oldest film festivals, it celebrates the rich cinematic excellence, creativity, and innovation that embodies the rich and vast entertainment ecosystem within India and from around the world.

  • Prime Video highlights VFX’s application in modern filmmaking at Film Bazaar, 54th International Film Festival of India

    Prime Video highlights VFX’s application in modern filmmaking at Film Bazaar, 54th International Film Festival of India

    Mumbai: Prime Video, India’s most loved entertainment destination, today conducted an engaging session on how VFX technology is an emerging and rapidly evolving avenue of artistic expression at Film Bazaar at the ongoing 54th International Film Festival of India (IFFI), Goa. Using the popular Original series Mumbai Diaries Season 2 as an example, the session elucidated how VFX helps in moving the narratives forward by creating worlds and storylines that defy traditional boundaries. The session was spearheaded by Nikhil Madhok, head of Hindi Originals, Prime Video, Monisha Advani, Producer, Emmay Entertainment, Madhu Bhojwani, Producer, Emmay Entertainment, Malay Prakash, Director of Photography, and Vishwas Savanur, VFX Head. To give the attendees an experience of the VFX behind the much-loved series, Prime Video has also set up a zone at the Tech Pavilion at Film Bazaar that was visited by Anurag Singh Thakur, Union Minister of Information and Broadcasting and Youth Affairs & Sports.

    “If storytellers are the ones who inspire us and open our minds by taking us into new worlds, then it is VFX that acts as the wind beneath their wings,” said Prime Video, India head of Hindi Originals Nikhil Madhok, highlighting that VFX is helping creativity transcend the boundaries of imagination and changing the game in the global entertainment landscape. He further explained that VFX goes beyond just creating visually stunning spectacles, and gives storytellers the power to envision worlds and narratives without being bound by practical constraints. He further added, “Earlier, storytellers faced constraints at the very inception of a project, often holding back ambitious visions at the script stage due to uncertainties about execution. If someone wanted to narrate a story that involved significant world-building, they often first had to question their own belief and answer questions on execution even before they had finished writing their story. However, today, thanks to the advancements in VFX technology, storytellers can dare to dream big. They now place the narrative at the forefront of their creative process, and are able to focus on creating immersive worlds on paper, fully knowing that VFX will help them bring their vision to life.”

    By bringing in elements of realism, scalability, cost-effectiveness, and safety, VFX is helping creativity transcend the boundaries of imagination and changing the game in the global entertainment landscape. However, Nikhil also cautioned the industry to avoid looking at VFX as just a way to reduce costs. “While the cost advantages are great and we must make the most of it, but focusing on the cost would be like missing the wood for the trees. We must think of VFX as this powerful tool that helps unleash the imagination of our storytellers!” he explained.

    The session commenced with an insightful address by Nikhil Madhok, head of Hindi Originals, Prime Video, India. This was followed by an interesting talk on Mumbai Dairies Season 2 and the role of VFX in it by  producer Monisha Advani and producer Madhu Bhojwani. Next on the agenda was an engaging presentation by Malay Prakash, cinematographer, and Vishwas Savanu, VFX producer on the VFX technology and its potential to be a game changer in filmmaking. The session concluded with an incisive panel discussion among these presenters on the contribution of VFX technology in moving the story narratives forward.

    “VFX has transformed filmmaking across genres, elevating production quality and opening new avenues for employment. The flood sequence in Mumbai Diaries Season 2, brought to life by VFX, showcases the technology’s prowess in tackling scenes once deemed too complex or risky to film – offering creators a newfound freedom to explore narratives and visual elements that elevate the overall cinematic experience for audiences,” said Prime Video, India head of Hindi Originals Nikhil Madhok.

    Prime Video has used the technology in a number of their Originals, as well as co-productions. From recreating Afghanistan in Film City to creating an immersive underwater marvel in the co-production Ram Setu, spine-chilling effects in the supernatural Original Adhura, the period Original Jubilee’s recreation of a bygone era with incredible detailing, creating a world beyond the realm of reality in the first Tamil Original horror series The Village that just premiered at IFFI, to recreating one of the worst disasters the city of Mumbai had to face in Mumbai Diaries Season 2 – Prime Video has used VFX to redefine storytelling, and create cinematic experiences through immersive world-building.

    Emmay Entertainment producers Monisha Advani and Madhu Bhojwani spoke about how VFX technology gives creators an opportunity to realize their vision on screen and tell stories that immerse audiences into magical and fantastical worlds.

    Malay Prakash, director of photography of Mumbai Diaries Season 2 and Vishwas Savanur, VFX producer, spoke about the need for filmmakers to be aware of what can be achieved with VFX technology and how it can make a scene more believable by keeping the shots relevant, moving and organic.

    Prime Video’s participation at IFFI is a testament of the pivotal role video streaming sector is playing in enabling the growth of India’s creative economy, and acting as a robust platform to showcase Indian stories, talent, and creators in the global arena.