Category: eNews

  • ABP LIVE achieves 200 mn users across platforms on 2024 election results day

    ABP LIVE achieves 200 mn users across platforms on 2024 election results day

    Mumbai: ABP LIVE, a leading digital news platform, set a new benchmark for digital news engagement on vote counting day on 4 June. It achieved a staggering threefold increase from its previous highest concurrent user count, reaching a record-breaking 50 lakh concurrent users across ABP LIVE platforms.

    ABP Network reached a remarkable 200 million users across its websites, apps, connected TV, YouTube, and Social Media channels on the 2024 election results day. This figure represents unduplicated users, showcasing the platform’s extensive reach.

    Speaking on this achievement, ABP Network CEO Avinash Pandey said: “ABP LIVE’s exceptional performance on election day underscores its position as a leading force in Indian digital news. Our commitment to in-depth coverage, innovative formats, and a strong regional presence has resonated with a massive audience, making ABP LIVE the go-to destination for election news in India.”

    ABP LIVE also secured the top spot on various social media and video streaming platforms. The network emerged victorious on Facebook, securing the number one position in both Marathi and Bengali platforms in terms of user interactions on 4 June (Source: Crowdtangle). Additionally, ABP Network’s regional channels dominated the YouTube leaderboard across Marathi, Bengali, and Gujarati on 4 June, achieving the number one position in live concurrent views for each respective language (Source: Data Beings).

    Furthermore, the ABP LIVE official app secured a coveted spot among the top recommended apps on the Google Play Store (news genre) during the crucial exit poll and counting day period (Source: Google Play Store | 1-4 June 2024).

    ABP LIVE’s innovative approach was also evident with its “ABP Election Centre Metaverse”. This virtual experience centre recorded a remarkable 50 lakh interactions on the counting day, showcasing the audience’s enthusiasm for this novel election coverage format. (Source: Google Analytics, AWS Servers).

    ABP LIVE’s latest launch – Car Play App – also observed over 100,000 seconds of LIVE TV & Podcast plays during the final stage of exit poll and results day combined, ensuring no one misses out on any updates even while driving.

    This monumental achievement on the counting day marks a significant milestone for ABP LIVE, solidifying its status as a trailblazer in digital news, especially when it comes to election coverage. With unparalleled engagement and a record-breaking user base, ABP LIVE has demonstrated its unwavering commitment to delivering comprehensive, innovative, and regionally relevant coverage. As it continues to set new standards in the digital news landscape, ABP LIVE remains dedicated to providing its vast audience with reliable and engaging news content. This landmark success is a testament to the platform’s excellence and its pivotal role in shaping the future of news consumption in India.

  • Sony Music Entertainment & D36 announce joint venture to propel South Asian music globally

    Sony Music Entertainment & D36 announce joint venture to propel South Asian music globally

    Mumbai: Sony Music Entertainment (SME) announces a global joint venture with Los Angeles-based record label D36. D36 is a Los Angeles-based company formed in 2021 that provides a platform to aspiring musicians from South Asia and its diaspora. Most recently, D36 released a remix of Pakistani indie act AUR’s breakout hit “Tu Hai Kahan” (feat. ZAYN), which now has over 400 million plays and counting across all streaming platforms between the original song and remix.  

    The global joint venture will allow SME and D36 to combine the strengths of both companies, fostering collaborations between artists, expanding the reach of South Asian artists in the US as well as help break South Asian diaspora artists in key markets outside the US. The new partnership will enable acts of South Asian heritage to cultivate a worldwide fanbase, better connect diasporic audiences with talent in South Asia and accelerate the community’s visibility in international markets, including in America.

    “Our collaboration with D36 goes beyond showcasing South Asian artists globally. We’re forging a new path in cultural exchange, fostering a deeper connection between artists and their heritage,” said Sony Music Entertainment Asia and Middle East president Shridhar Subramaniam. “The South Asian music scene is experiencing a surge in global recognition, fueled by a rising demand for diverse musical experiences. D36 boasts a proven track record of identifying and nurturing exceptional South Asian talent and by partnering with them, we can serve as a crucial bridge, connecting these talented artists with the global opportunities they deserve, further enriching the tapestry of international music.”

    “Our community – globally – is home to some of the most unique, exciting, and innovative music in the world” shared D36 CEO Abhi Kanakadandila. “This new partnership with Sony Music Entertainment allows us to meaningfully support artistry agnostic of geography and provide an infrastructure that can operate seamlessly across borders. The talent & fandom that exists across the several new waves of South Asian music is enormous. Our goal here is to lay the foundation for the same success that we’ve seen with music from other territories on the global landscape.”

    Kanakadandila’s leadership of the new venture will be aided by D36’s general manager and co-founder Abdullah Ahmad, whose expertise involves shepherding the careers of Young Thug to Kevin Gates and Jelani Aryeh prior to his tenure at D36. Ahmad has been critical to realizing D36’s key successes to date and will work hand in hand with Kanakadandila to expand upon those by utilizing the new infrastructure that this partnership affords.

    Sony Music Entertainment India MD Vinit Thakkar added, “The South Asian music market is fast establishing itself as a powerhouse within the global music industry. With our deep understanding of the local music landscape and our market strength, this partnership positions us to not only empower local artists but also bridge the gap between their exceptional talent and a worldwide audience.”

  • Paytm Insider, Paradox, and WMS partner to introduce ZAMNA Festival to India this September

    Paytm Insider, Paradox, and WMS partner to introduce ZAMNA Festival to India this September

    Mumbai: The popular international electronic music festival, ZAMNA is set to make its grand debut in India! After captivating the world and establishing itself as the epicentre of electronic music, Paradox and Paytm Insider in association with WMS are bringing this globally acclaimed festival to India.

    Originating from the vibrant heart of Mexico, ZAMNA is more than just a festival; it’s a unique musical heaven that connects people, fostering a sense of community. Electronic music fans can witness stellar performances by global DJs and artists, top-notch production with custom lighting, state-of-the-art sound design and jaw-dropping visuals. This festival is also a representation of life, music, and the beautiful spirit of Tulum!

    With roots of the Mayan civilization, the ZAMNA Festival has grown into a global phenomenon, attracting attendees from over 120 countries every year. It has achieved undeniable success with each of its editions including cities like Barcelona, Madrid, Mexico City, Miami, New York, Ibiza, Milan, São Paulo, Dubai, and Malta, making it the ultimate hotspot for the newest sounds, natural beauty and cultural significance.

    Zamna founder Stefano Laporta said, “We are very happy to bring Zamna to India for the first time. India has an incredible fan base that visits us in Tulum every January and brings a beautiful vibe, that is the concept we want to show here; of unity, of brotherhood and love for music and nature.”

    Paytm Insider COO Varun Khare said, “Bringing Zamna to India for the first time is a monumental milestone for Paytm Insider. Working with Paradox and WMS has enabled us to present this globally acclaimed electronic music spectacle to our audience, enhancing the already vibrant music scene in the country. This is a must-attend event for all music enthusiasts because it showcases how electronic music is experienced on an international scale. Join us as we make history by introducing the magic of Zamna to India.”

    Paradox founder Karan Narang stated, “Bringing Zamna to India is an extraordinary feeling. This has resulted from the relentless efforts to bring Paradox to where it is today along with our productive partnership with Paytm Insider and WMS. We look forward to the most elaborate forms of creative expression through the best Dance Music. It is our way of paying homage to music enthusiasts who will discover a new way to not just listen, but to experience the curated magic that comes with Zamna.”

    WMS co-founder Akshat Kumar stated, “Along with Paytm Insider and Paradox, we are ecstatic to bring Zamna to India for the very first time. This festival is a celebration of the best in dance music, and we are thrilled to help music enthusiasts discover why Zamna is the ultimate destination for electronic music fans. The opportunity to create a beautiful experience for all attendees and uphold the Zamna name with its curated magic makes us even more excited. Join us as the spirit of Tulum lands in India!”

    Since 2017, its annual showcase in Tulum has been winning the hearts of music aficionados – seamlessly blending beats, nature, and art and creating a vibe like no other. Picture yourself dancing under the stars, surrounded by mesmerizing visuals and an electric vibe that only ZAMNA can offer.

  • News18 announces leadership on YouTube in an ad campaign

    News18 announces leadership on YouTube in an ad campaign

    Mumbai: News18 Network has launched a media campaign to showcase its leadership on YouTube on Counting Day of 2024 Lok Sabha elections in India.

    The news network released a front-page ad in all editions of The Economic Times and The Indian Express to showcase the highest concurrent views of News18 India and CNN-News18 on the crucial hour of Counting Day. The campaign is set to go live on digital and social media, with extensive visibility on trade media.

    The ad campaign launched in Thursday’s newspapers highlights News18 India’s lead over its competitors. (Source: DataBeings, 4th June, 2024, 12:30 PM)

    The ad also illustrates the leadership figures of CNN-News18. With over 5.5 lakh concurrent views, CNN-News18 surpassed all competitors. (Source: DataBeing, 4 June 2024, 1:00 PM)

    News18’s programming on Counting Day started at 6 AM, bringing the most accurate trends throughout the day. Combined with live on-ground reportage, the Counting Day coverage stayed on top of all key developments and reactions as they came in.

    Bolstered by top anchors such as Zakka Jacob, Kishore Ajwani, Anand Narasimhan, Amish Devgan, Aman Chopra, Shivani Gupta and Prateek Trivedi, CNN-News18 and News18 India not only aim to expand their market share but also enhance brand image and establish stronger ties with advertisers with growing visibility.

  • Cathay and Singapore Airlines collaborate on sustainability initiatives

    Cathay and Singapore Airlines collaborate on sustainability initiatives

    Mumbai: Cathay and Singapore Airlines (SIA) have signed a Memorandum of Understanding (MoU) to collaborate on a broad range of sustainability initiatives. These collective efforts are aimed at advocating for the development and use of sustainable aviation fuel (SAF) in the Asia-Pacific region, a critical decarbonisation lever for the sector, and sharing best practices to boost sustainability performance.

    The MoU was signed by Cathay Group’s chief executive officer (CEO) Ronald Lam and Singapore Airlines CEO Goh Choon Phong in Dubai, the United Arab Emirates, on the sidelines of the 80th International Air Transport Association (IATA) Annual General Meeting and World Air Transport Summit.

    The agreement, which focuses on two key areas, underscores both carriers’ commitment to achieving net zero carbon emissions by 2050 and affirms their aspiration to help drive sustainability changes in the airline industry.

    Firstly, Cathay and SIA will jointly advocate for the greater use of SAF in the Asia-Pacific region. Initiatives in this area will include raising public awareness about SAF’s critical role in decarbonising aviation, advocating for supportive policies in the region, and promoting the creation of a standard global accounting and reporting framework to ensure the transparency and verifiability of emission reductions from the use of the fuel. The airlines will also explore potential opportunities for joint procurement of SAF at selected locations. These are aimed at boosting SAF production and supporting its wider adoption in the airline industry.

    The second area of focus will be the exchange of best practices to reduce single-use plastics, minimise waste, and improve energy efficiency in ground and cargo operations. This will allow Cathay and SIA to improve their sustainability performance, and speed up the development and implementation of sustainable solutions in their operations.

    Cathay Group CEO Ronald Lam said: “As part of our collaborative ethos of ‘Greener Together’, we actively seek like-minded industry leaders for strategic partnerships in transitioning to sustainable aviation. Our collaboration with Singapore Airlines aims to accelerate and support the development of the SAF supply chain in the region, fostering a reliable SAF ecosystem to enable the industry to achieve its long-term decarbonisation goals. Cathay was one of the first airlines in Asia to set a target of 10 per cent SAF for its total fuel consumption by 2030, and we are undertaking a multi-pronged approach to contribute to the aviation industry’s transition towards a greener future.”

    Singapore Airlines CEO Goh Choon Phong said: “Singapore Airlines is committed to embedding sustainability in all aspects of our operations. At the same time, we recognise that we cannot achieve our targets alone. Our partnership with Cathay signifies our mutual ambition to enhance collaboration in sustainability initiatives in the Asia-Pacific region. Together we are helping to set the foundation for a more sustainable aviation industry, and ensure that future generations continue to reap the benefits of air travel.”

  • A sonic renaissance: The resurgence of vinyl and physical media in the modern age

    A sonic renaissance: The resurgence of vinyl and physical media in the modern age

    In a dimly lit room, the setting sun’s rays breach your solitude as you handle your prized vinyl. The turntable stands ready, and a rack of records decorates the wall. With utmost care, you remove an exquisite jacket to reveal a fragile David Bowie record. As dusk falls, you place the record on the platter, anticipating Bowie’s enchanting voice. The moment the groove starts, the evening is marinated in nostalgia, showcasing the indelible power of the 12-inch long play (LP).

    Nostalgia evokes a longing for simpler, pre-digital times, with art allowing us to explore different eras. In ‘Velvet Goldmine’, Christian Bale’s character, Arthur Stuart, immerses himself in a Maxwell Demon LP, illustrating how vinyl records uniquely connect us to the past through their rich and warm aural experience.

    There is a strong connection between our emotions and memories, and music serves as a powerful conduit for triggering specific feelings through its sound. Whether it’s the melody, lyrics, or rhythm, music has the potential to evoke nostalgia and deeply personal experiences.

    Unfortunately, in today’s digital age, the traditional listening experience is being compromised by the widespread adoption of digital music streaming platforms accessed mainly on phones, sadly through phone speakers. This shift has raised concerns about the diminishing historical and personal significance of music in our lives. However, the antiquated entity that is vinyl, comes out of its jacket to rescue us!

    In modern times, there is a gap between exteroception and sonic experiences perceived by humans. No medium other than vinyl could have reinstated the relationship between people and lived experiences. The vitality of the medium lies in the enshrined physicality of its format.

    The disparate component between streaming platforms and vinyl lies in the recording of the music. Music reproduced on vinyl captures analogue sound, and the grooves on the record encapsulate the actual recording. Whereas, digital music is a digital approximation of the original sound. The craft of ardent creation sublimes into an unconscious routine with streaming, possibly doing a disservice to the art.

    However, with the rise of compression and portability, vinyl’s prominence diminished as cassettes and CDs took over, subsequently reducing the tangible aspects of the musical experience, even further. But as it turns out, the vinyl’s enduring influence extends far beyond fads. Music’s ability to transcend space and time immortalizes the auditory influence on the human brain. Therefore, vinyls stand as poignant historical markers, invoking deep emotional connections and serving as a tangible link between humanity and material culture. The imprints left by this artefact epitomize the profound relationship between humans and the physical world.  

    The yearning for a haptic experience is giving rise to the inclination towards a lived and unadulterated music experience. This is reflected in the rise of interest in vinyls amongst audiophiles, pining for an extraordinary aural experience.

    In the past thirty years, there has been a resurgence in the popularity of vinyl. This revival can be attributed to the efforts of independent record companies and stores, which have brought together music enthusiasts and crate diggers through the annual celebration of World Record Day since 2008. In 2023, the USA saw a remarkable 49 million sales of records, while the UK witnessed the sale of six million units. Beyond the dedicated day for commemorating this timeless medium, certain artists have also played a significant role in propelling its revival.

    The resurgence has been driven by the appeal of collectable editions from legendary artists like The Beatles, Metallica, and Elvis Presley. However, the demand for vinyl has also been boosted by modern streaming artists such as Ed Sheeran, Harry Styles, and Taylor Swift. Notably, Taylor Swift’s latest album, ‘The Tortured Poets Department,’ set a new record for single-week vinyl sales with 700,000 copies sold!

    The fanatic fandoms have been at a chart war against their favorite’s contemporaries. The love and loyalty for an artist are propelling vinyl sales. The strategic commerce that Taylor Swift has been applying to boost chart numbers and album sales by producing limited editions of certain vinyl is proving to be beneficial for the vinyl case.

    There has also been an undercurrent of a sonic revolution happening in India. The diversified milieu in the country has birthed some of the most unique sounds. Historically, the listening experience has had a human factor associated with it.

    The live musical experience has been cemented since the inception of classical music through jugalbandis and amphitheatre concerts. Because of this, it was easier for vinyl to penetrate Indian markets. However, the accessibility hindered the popularity of the medium as the people with higher income strata boasted it as a status symbol rather than an immersive experience.

    In its history of music consumption, vinyl records never gained the widespread popularity in India that they did in other regions. However, the landscape changed with the advent of cassettes and CDs, which brought about a significant transformation in how people from diverse social strata experienced and enjoyed music.

    During the 1970s, LPs and EPs were popular until the introduction of “2-in-1” radio cassette players, which led to the rise of cassettes. This shift paved the way for cassettes to become popular in rural India, fueled by the emergence of competitors like T-series and Venus who curated regional music content in the heartland of India. In the 1990s, India underwent significant economic changes, including liberalization and privatization, which impacted the music industry. This era saw the emergence of more advanced and portable music devices, witnessing a partial extinction of vinyl in India.

    Currently, India is experiencing a renewed interest in vinyl records. The baby boomers, who witnessed the rise and fall of the antiquated medium, are showing a renewed interest due to improved standards of living and reminiscence factors. In the US, around 36 per cent of baby boomers are willing to buy vinyls. The nostalgia factor that comes with this physical medium has paved the way for its resurgence.

    Due to this rising interest and nostalgia factor, major cities such as Bengaluru, Delhi, and Mumbai are abode to renowned record stores, attracting passionate collectors and music enthusiasts. Despite being predominantly favoured by an older demographic, there is a noticeable curiosity about vinyl records among individuals below the 35-year age bracket.

    Connaught Place in New Delhi is home to the ‘Radio & Gramophone House,’ established in 1951. Joginder Luca Singh, the founder of Pagal Records in Hauz Khas village, is experiencing significant growth in his business, reflecting the increasing popularity of vinyl records. As per him, vinyl never disappeared for its reappearance in popular culture.

    Kolkata has always been at the centre of cultural renaissance. The city was already teeming with musical enthusiasts, indulging in the beauty of vinyl. Now, the younger generation is exploring the joy of a spinning record, emitting the enchanting voices of the musical luminaries. Varun Desai, every Sunday, heads the vinyl listening sessions at Zee’s Coffeeshop. The Jazz Club culture is also reviving the charm of vinyl, which, in turn, is aiding people to rummage for more sonic relics.

    Mumbai, the cultural hotpot, is also witnessing a thriving vinyl scene with vinyl-themed cafes and vintage stores collaborating for an immersive eating experience with a hint of nostalgia served! The Revolver Club, established in 2017, has seen the trend of increasing Gen-Z’s inquisitiveness towards vinyl. In a month, they sell around 1,000 records, says Jude de Souza, the Founder of the Revolver Club.

    Records Coffee by Veranda, a quaint cafe in the Western suburbs of Bandra, offers a tactile musical and culinary experience while listening to their favorite records, and reminiscing the good ol’ days. Owners of these cafes and stores testify that in this age of instant gratification, vinyl records remain a timeless medium for the art of music, attracting the attention of musical enthusiasts towards the medium.

    The dialogue around the vinyl resurrection has been in the nascent stage in the popular media. However, there have been people who have preserved the craft of vinyl collection, keeping the tradition of the lively sonic experience alive. Suresh Chandavankar, an ardent collector of vinyl, has walls decorated with vintage vinyls of thumri, qawali, and percussion artists.

    There are also aficionados like I. Mathieu Josso, a DJ artist who has international artists like Stevie Wonder and the rock-rap band, Beastie Boys records. He also possesses some rare collectable records from artists like The Beatles, Ananda Shankar, and others. Gautam Muralidharan, an ecopreneur, is an avid collector of hip-hop vinyl records, possessing over 600 records. These collectors are conservators of fables that have immortalized time in the 7-inch and 12-inch alluring discs.

    Despite the rising success of vinyl records for established artists, smaller independent artists perceive this trend as a potential challenge. The disparity between demand and supply has put pressure on pressing plants, making it difficult for smaller artists to have their music released on vinyl.

    Amarrass Records is taking on the responsibility of producing vinyl records for their artists, playing a crucial role in the resurgence of vinyl in India. Ashutosh Sharma and Ankur Malhotra, the founders, are leading the way in providing opportunities for small-scale artists in the country, working as a catalyst for promoting indie artists through the most authentic medium.

    Due to the growing interest, the entertainment and music industries must take notes to utilize this rising market for vinyls. Music artists, during tours, can weaponize merchandising to provide LPs to their fans during concerts. Recently, SaReGaMa has launched vinyl for retro music from artists like Lata Mangeshkar, Kishore Kumar, etc. Taking a leaf from this restoration, film producers can generate limited-edition vinyl to reprise the magic of enchanting compositions.

    Vinyl records serve as a timeless medium for preserving musical legacies, preventing the loss of past musical identities. Despite the wear and tear that comes with time, these records provide the background score to human history.

    These physical artifacts not only evoke nostalgia but also allow us to experience the universal emotions associated with lived experiences, ensuring that we become the custodians of these musical narratives.

    The article has been authored by Dharma Cornerstone Agency head of the music division Hamza Kazi.

  • Riyadh Air & Singapore Airlines sign strategic agreement to establish commercial partnership

    Riyadh Air & Singapore Airlines sign strategic agreement to establish commercial partnership

    Mumbai: Riyadh Air and Singapore Airlines (SIA) have signed a Memorandum of Understanding (MoU) to establish a new partnership between the two airlines.

    The agreement was inked by Riyadh Air CEO Tony Douglas and Singapore Airlines CEO Goh Choon Phong on the sidelines of the 80th International Air Transport Association (IATA) Annual General Meeting and World Air Transport Summit in Dubai, the United Arab Emirates, on 2 June 2024.

    Under the MoU, the carriers will explore opportunities for interline connectivity on each other’s services, subject to regulatory approval. They will also work on other potential areas of commercial cooperation, including codeshare arrangements, reciprocal benefits for their frequent flyer programme members, cargo services, customer experience, and digital innovation as a precursor to a deeper, long-term, strategic partnership.

    These will potentially offer Riyadh Air’s guests access to SIA’s network in South East Asia and the South West Pacific region, and SIA’s customers greater access to the Middle East region through Riyadh Air’s network.

    Riyadh Air is a new airline based in Saudi Arabia, and it is expected to commence commercial operations in 2025, offering customers travel options to and from the Middle East.

    Riyadh Air CEO Tony Douglas said: “Our strategic partnership with Singapore Airlines unlocks significant benefits for our future guests as it grows our network in partnership with the World’s Best Airline. We see huge potential for strong connectivity in South East Asia and both Australia and New Zealand through the award-winning hub at Singapore Changi Airport, while also providing opportunities for westbound passengers to connect across the Kingdom of Saudi Arabia and the Middle East region on Riyadh Air. This relationship is a meaningful and deep cooperation that starts with a wide-ranging codeshare agreement and is expected to include a broad range of areas including digital and technology, loyalty and cargo.”

    Singapore Airlines CEO Goh Choon Phong said: “This win-win strategic partnership with Riyadh Air will enable us to offer even more options, enhanced connectivity, and greater benefits to our customers. Together, we can facilitate the growth of passenger travel between Saudi Arabia and Singapore, and beyond, via our respective networks, supporting both tourism and business links. The MoU will also allow us to find ways to work together to enhance customer experience and cargo services, and harness digital tools and solutions, potentially bringing greater benefits to both airlines in the future.”

  • Message for the members of the fourth estate from the desk of Dr Subhash Chandra

    Message for the members of the fourth estate from the desk of Dr Subhash Chandra

    Mumbai: Media is considered the fourth pillar of democracy but faces increasing pressure from the Governing Class, whether the legislature, executive, corporations and more. There are structured attempts by them to align the media to achieve their agenda. Governments exert pressure on media through advertising influence or the use of state machinery to threaten so that the press can be prevented from publishing factual information.

    Zee Media’s flagship channel – Zee News, recently faced an alarming incident of  Governmental suppression of the media’s independence. On 23  May 2024 an interview of chief minister of Delhi, Arvind Kejriwal was conducted by a senior journalist of Zee News.  Post the interview, the independent editorial team at Zee Media decided not to telecast it,  keeping in mind some objectionable content in the interaction. Some portions of the interview

    were telecasted as well but the spokesperson of Aam Aadmi Party (AAP) kept insisting that  “Zee News must publish the entire interview else it will face consequences like withdrawal of advertising (which was substantial on a monthly basis) by Punjab Government at the least”. I wondered, what else will they do to penalise/prosecute our freedom.

    I discovered soon that the Government of Punjab forced a blackout across the state,  leveraging a monopoly of a particular Multiple System Operator (MSO). The blackout was forced, not only for Zee News but also for Zee PHH & Zee Delhi NCR. The state government also extended the blackout of Zee Entertainment channels. To add further AAP withdrew all the spokespersons from participating in debates held by Zee Media’s news channels.  Unfortunately, none of our fellow News networks raised any voice. Zee group neither could provide true news nor it could entertain its loyal viewers of Punjab for a good 8 days.  Zee fought this battle independently and got the channels restored by seeking justice through a legal approach.

    This is a real-time and live example of political parties suppressing us as a fourth state. Today it is Zee, while tomorrow it can be any other news channel, news publication or platform.

    On 3 May 2024, which is celebrated annually as World Press Freedom Day, I released a video message, expressing my thoughts and views on freedom of the press. This video went viral within a short frame of time. The media fraternity appreciated this step. Most of them were even shocked yet noticed this bold statement of mine. As a result, my office received 54 press interview requests. Hence, I took yet another proactive step and conducted a Media-Meet Press Conference, leading to a constructive round of conversation with the senior members of the media fraternity.  

    The after-effects of the viral video led to various speculations and the governing class demanded explanation. Zee Media could not only explain the reason (As mentioned above) but added that it was not directed to any particular party or person(s). This step worked in favour of the fourth estate since Zee Media got an assurance from the system that post elections, they will work with/in the new Government and make efforts to improve the ranking of India from the current 159th position amongst 180 nations. I was told that the mentioned rating has been low for two decades and the respective governments did not attend to this issue.

    Unfortunately, many of the news channels, newspapers, social media and digital platforms have started accepting the pressure as part of life, instead of resisting or voicing out their disagreement. This is one reason why India ranks 159th out of 180 in terms of press freedom. The natural blame gets inclined towards the Government, but the media itself is equally responsible.

    These incidences are not isolated. Various organisations/people in the governing class  (political, bureaucracy, corporations and others with money mussels) have historically employed numerous tactics to suppress media organisations, from leveraging advertising revenue to exerting pressure through corporate avenues and the use of investigating agencies. Despite these challenges, Zee Media’s news channels and platforms have steadfastly upheld its credibility and commitment to public interest journalism.

    I not only recognise but also take pride in the importance of a free press in a democratic society and condemn any attempts to stifle journalistic freedom. The governing class has forgotten the defeat of Mrs. Indira Gandhi post-emergency era. One of the major reasons for her own team’s atrocities did not come to light or her notice; was because the same team had suppressed the media. If she knew about those horrific things, she would have never let it happen to people, hence I believe that media’s freedom is essential for the senior/top leadership of the Government of the day. Zee Media’s news channels and platforms will continue to focus on public interest stories, bringing crucial information to the forefront regardless of external pressures.

    I would like to reinforce Zee Media’s Commitment towards strengthening the Fourth Estate: Despite these challenges, Zee Media remains committed to delivering unbiased and credible news focused on public interest.

    I urge all stakeholders, including our viewers and regulatory bodies, to recognize and stand against these threats to press freedom. Free and independent media is crucial for the health of our beloved Country in terms of its economy, social structure, protection of weaker people in society, reduction of corruption and finally democracy. I and my team are ready to pay a price or face any consequences, to keep fulfilling our ‘Dharma’  towards our readers/viewers.

    Zee Media has always aimed to set an example for other media organizations through its work practices and core values. Key pointers that highlight its commitment are as follows:

    •Boldly inform about the truth to the government.

    •Intensify their focus on public issues, whether or not they are seen as government criticism.

    •Utilize their nationwide network to expose any government trying to exert undue pressure,  turning it into a campaign across the country, provided all of us are together.

    •Always provide training to journalists on handling pressure and maintaining integrity under duress.

    •If necessary, file lawsuits as public interest litigation for violating press freedom and seek legal remedies. 

  • AniMela brings Indian animation to the global stage at Annecy 2024

    AniMela brings Indian animation to the global stage at Annecy 2024

    Mumbai: AniMela, an initiative of the Aniverse & Visual Arts Foundation, is all set to elevate Indian animation on the global stage at the Annecy International Animation Film Festival 2024. For the first time in the history of animation, Indian animation will be showcased at NAMASTE MIFA, an exclusive India Pitch Event at MIFA (Marché International du Film d’Animation) in Annecy, considered the Mecca of the animation world.

    Besides the above, MIFA will also have an Indian Pavilion organized by the Govt of Karnataka, ABAI and K Tech Innovation Hub which will showcase the best from the Indian animation and VFX industry. 

    The four projects that will be showcased are:

    •    Hide & Seek, a short film by Krishna Chandran
    •    Rising Tides, a short film by Pari Satarkar
    •    Lala, a series by Isha Mangalmurti & Shreeya Wagh
    •    Table for One, a series by Debjyoti Saha & Dhruv Sehgal

    The above projects, which were part of the International MIFA Campus in India at AniMela 2024, received mentorship from experts from Annecy Festival during a 4-day workshop and were exhibited at the IMC (International MIFA Campus) event during the AniMela Festival in January 2024. The International MIFA Campus was supported by the French Institut in India and Rubika, Pune.

    Launched in early 2023, with the support of the Government of India and in partnership with the Annecy International Animation Film Festival (AIAFF), AniMela is India’s first international Animation, Visual Effects, Gaming, Comics, and XR (AVGC-XR) Festival which aims to empower emerging Indian artists, developers, animators, storytellers, producers, and filmmakers.

    Speaking on the initiative, AniMela co-founder  Kireet Khurana said, “With the super successful launch of AniMela in February 2023 and an unprecedented selection of 6 Indian projects at the prestigious MIFA Pitch and Namaste MIFA, 2024 is turning out to be a momentous year for the Indian Animation Industry, where we would be showcasing the best Indian films. I am quite confident that we would be in a position to keep the spirit and the momentum aligned at the 2nd edition of AniMela in 2025.”  

    Highlighting the importance of Indian animation at Annecy, Assemblage Entertainment CEO  Arjun Madhavan said, “The Indian animation industry has demonstrated significant resilience and growth despite facing global challenges.  The focus on high-quality, culturally rich content and international collaborations is enhancing India’s global presence and therefore there is an utmost need to create and harness such festivals according to the likes of discerning audiences who are always eager in spending to watch such festivals.”

    “Platforms like MIFA and AniMela significantly contribute to the narrative of Indian animation by providing exposure, facilitating learning, fostering collaborations, opening market access, building recognition, and garnering support. These benefits collectively help Indian animation advance on the global stage, ensuring growth and success.” added, Zebu Animation Studios creative director Veerendra Patil.

    MIFA participant and well-known actor-writer, Dhruv Sehgal said, “The future of Indian animation is promising if our writing can meet international standards. Animation communities like MIFA and AniMela provide networking opportunities, financial and creative support, and opportunities to showcase work on international platforms like Annecy. In essence, they’re building bridges.”

    The other highlights from Brand India at Annecy Festival scheduled for June 2024 are:

    MIFA Pitch:  Each year, the Annecy International Animation Film Market (MIFA), selects projects from around the world, to showcase the best original animation projects in development. In another major feat for Indian animation, this year, at the MIFA Pitch, four out of the 41 shortlisted projects from across the world are Indian projects.

    •    Hide & Seek by Krishna Chandran NAIR (shortfilm)
    •    Rising Tides by Pari SATARKAR (shortfilm)
    •    Mangal – The Holy Beast by Triparna MAITI (feature)
    •    Mr. Bagwan by Alfredo Gerard KUTTIKATT (TV series)

    Indian Film Selections at Annecy:

    This year, we also have three Indian films in competition at the film festival.

    •    15 Years of Studio Eeksaurus “The Seed” by Suresh Eriyat
    •    Basha by Paul Anirban
    •    Maatitel by Govinda Saoin

    Indian Juror: While Indian creators are showcasing their projects, we also have the presence of an Indian Juror Nina Sabnani, a National award-winning animation filmmaker, illustrator and among India’s leading educators on this year’s jury for TV and Commissioned Films at Annecy 2024.

    Besides the above, MIFA will also have an Indian Pavilion this year which will showcase the best from the Indian animation and VFX industry.

    Aniverse Visual Art Foundation is a not-for-profit organization founded by Kireet Khurana, Archana Trasy, Anne Doshi, Neha Jain, Tehzeeb Khurana and Anita Karnik to promote and develop Animation and other Visual Arts (like VFX, XR, Gaming & Comics).

  • CricFan & Radio City partner to put fans in the spotlight ahead of T-20 World Cup

    CricFan & Radio City partner to put fans in the spotlight ahead of T-20 World Cup

    Mumbai: CricFan, a dynamic fan-centric platform for cricket enthusiasts, has announced a strategic partnership with one of India’s leading radio stations – Radio City, to amplify fan engagement ahead of the ICC Men’s T20 World Cup in the United States and West Indies. This collaboration aims to revolutionise the cricket entertainment industry through innovative formats and interactive fan experiences.

    CricFan has been at the forefront of cricket entertainment, introducing inventive TV formats such as FanzoneTV, Cricket Chirps, and Queens of Cricket. These shows have created a space for fans to come together and share their passion for the sport and its superstars. Building on this success, CricFan recently launched CricWin, a fun and engaging free-to-play contest designed to bring the cricketing community even closer.

    The partnership with Radio City is set to take fan engagement to new heights by offering fans an opportunity to be part of the ICC Men’s T20 World Cup 2024 craze via CricWin. CricFan founder Marc Hayward expressed “India has always been at the top when it comes to cheering for Cricket. Fans always want to feel involved with their favourite teams; honestly, without them, there is no thrill in the sport. Our main idea behind the partnership with RadioCity is based on the same. CricWin’s free-to-play contest is just a simple way for the fans to feel involved in being the 12th man of the team and also stand a chance to win gifts of great value.”

    In this association, India’s first private FM station, Radio City will promote CricWin through prominent mentions by popular RJs and on-air promotions in cities with high radio penetration, such as Mumbai, Pune, Delhi, and Bangalore. These cities were selected for their significant cricket fan base, ensuring maximum participation in CricFan’s free-to-play prize competition platform – CricWin.

    In return, CricFan will provide Radio City with exclusive content integration as the ‘exclusive title sponsor,’ including in-show call-outs, graphics, and co-branded promotional assets on social media for its flagship podcast series – FANZONE UNPLUGGED.

    CricWin is the sister company of CricFan that allows cricket fans to participate in free-to-play contests and win exciting prizes like merchandise of your favourite cricket teams, signed cricket items, electronic gadgets, and many more. To participate in the free giveaway at CricWin, visit https://giveaway.cricfan.tv/, click on the play now button, enter your details, and submit an entry to try your luck at winning.