Category: Events

  • Pitch game: Sell your idea in 30 seconds says Paritosh Painter

    Pitch game: Sell your idea in 30 seconds says Paritosh Painter

    MUMBAI: The last session of PromaxBDA witnessed a candid and fun conversation between broadcast executives and agencies, who acknowledged the elephant in the room – pitching. For many agencies and their clients, pitching is a hot and sensitive topic.

     

    The session with Namit Sharma, Abhijit Avasthi, Maxus South Asia’s Kartik Sharma and Reliance Broadcast Network’s Paritosh Painter was moderated by Reliance Broad Network CEO Tarun Katial.

     

    Panelists had a unanimous answer to the three key points that one must prepare before engaging in a pitch. They are as follows: 1) Knowing what the client wants, 2) A unique idea and 3) Conviction to pitch the idea before presenting it to the client.

     

    Sharma was of the opinion that one should share ideas in the time given. He said, “You have five minutes to convince the client. If he is not convinced in that time then you should move on to plan B,” he said.

     

    Avasthi added, “You need to be ruthless to yourself while evaluating the idea so that you can get the best out of it.”

     

    Maxus’ Sharma further added, “You need to work for the client, so that he can benefit and that should also be a point that one should keep in mind.”

     

    Replying to Katial’s question as to whether ideas should be original or inspired, Painter said, “Ideas are generally original, but the client might not understand it at the first instance. At that point, one needs to give them referral points so that they understand it better. Hence they are original and inspired.”

     

    On questioning about the tangibility of the idea, Sharma said, “It can be a combination of both. But pitching needs execution.”

     

    An agency wins or loses a pitch on the basis of the execution. Maxus’ Sharma said, “A brilliant idea can help us win a pitch.” Stating an example, he said that there have been times when his team has gone unprepared for a pitch, but the client has liked the idea and they have won pitches. Indeed, he is of the opinion that winning or losing a pitch doesn’t depend on the tangibility of the idea.

     

    When asked as to what happens when a tangible idea is not strong, Avasthi said, “Personally, since I come from the advertising background, I feel one needs to evaluate the idea and then pitch it. I have seen instances when my team has come up to me and we have brainstormed the idea because I am quite aware that they will not be able to polish it. So I try to pull out something breakthrough from their idea.”

     

    Painter asserted that one should sell the idea in 30 seconds. He said, “I am generally convinced about my idea so that I can sell it. When I evaluate pitches, I first try to understand the intention of the pitch. Is it business or passion that is driving the person? If it is business then the person sitting in front of me has to do a lot of hard work to convince me, but if it is passion, 70 per cent of the convincing job is done. You just have to push the person the extra 30 per cent for you to say yes. And that person will do it, because a lot of passion drives him to do that.”

     

    The discussion then took the curve of whether an experienced person’s pitch value is more than that of a youth. Sharma opines that the idea must be focused on and not the experience of the person. On the other hand, Avasthi and Maxus’ Sharma opined that it depends on the client. If the client is new then youngsters do present pitches, while if it is an old and important client then an experienced person should give the pitch.

     

    Concluding the discussion with tips on what one should do after the pitch, Avasthi said, “The person should take ownership of the pitch and it is important that the other person is concurrent with that.”

     

    Painter asserted, “One must do a thorough research on the idea and on the client.”

     

    Concluding, Maxus’ Sharma said, “Ask a lot of questions and you will get rich insights. During the pitch have a feedback and close the pitch with a dialogue.”

  • Both TV & digital mediums are here to stay: PromaxBDA

    Both TV & digital mediums are here to stay: PromaxBDA

    MUMBAI: With the advent of social media and new usage platforms, the way people consume media has changed and how.

     

    At the PromaxBDA conference, an interesting session with Google partnership director South Asia Ajay Vidyasagar and Discovery Networks VP marketing Rajiv Bakshi threw light on how media is consumed and is leading the way for television of tomorrow.

     

    Spatial Access founder Meenakshi Menon moderated the session.

     

    Vidyasagar said, “The space has moved from creating content to creating a fan base. The consumer uses content to express himself.” Citing an example of when he joined Google in 2010, he said, “In 2010, the Indian audience gave a total of 500 million views, while today it gives about 350 billion views for the content that is available on YouTube.”

     

    YouTube is a platform for creators to engage and communicate with audiences, which television lacks. Sharing his views on how television will continue to exist, Bakshi said, “We’re no longer a traditional medium. We’re a contemporary medium. In spite of having entered the phase of digitisation, we are growing. So even if digital exists, television will continue to be there for the audiences. It caters to different sets of audiences. Moreover, people like to consume content on all platforms.”

     

    “We started Discovery in India with two channels. Today we have 11 channels, including one GEC – ‘Investigation Discovery,’ which we launched recently. So there is an audience for all types of content. India is evolving and TV is robust and growing,” Bakshi added.

     

    Raising a question, Menon asked how TV reconciles with the fact that content cost on TV is very high, whereas on YouTube it is bare minimum and in spite of this, YouTube gets a million views and a billion fans to their content.

     

    Answering Menon’s question, Bakshi said, “From a short term business point of view, the YouTube model is fine. But from a long-term business point of view, one needs to have a 24-hour content model. Eventually, in India people want maximum entertainment and minimum effort and TV is giving exactly that.”

     

    Speaking about the evolution of media, Vidyasagar said, “When print came, the word of mouth publicity did not lose its business. Similarly, when radio and television came, print did not die. None of them have impacted the value of existing media. The need for one to consume news is increasing and hence every medium is here to stay. The only important point to keep in mind is that content is an asset and in today’s world it needs to be made relevant to different devices.”

     

    While we know that a lot of producers are creating content for digital and showing it on digital, Vidyasagar stated an example where Jimmy Fallon actually engages with audiences on digital to bring relevant content back on TV. In the end, it’s a loop of usage. Digital is not taking away from anybody, and neither is television. Both the mediums engage consumers.

     

    Vidyasagar added, “For instance, in India the highest searched channels on YouTube are that of television networks because their content is available on YouTube. Eventually, the consumer gets the core benefits of the content available on digital and on television.”

  • Promos have the power to make or break TV shows: Raj Nayak

    Promos have the power to make or break TV shows: Raj Nayak

    MUMBAI: Promos are an important medium via which television channels showcase their shows and entertainment properties. Citing the ever important role of promos in today’s cluttered and competitive television environment PromaxBDA conference chair and Colors CEO Raj Nayak said as the number of channels and shows increase, the task for promo makers gets tougher and bitter.

     

    “Everyone wants to get noticed with the help of that teaser. While some channels want to retain their audience, some others want to get audiences back.The small teaser is burdened with different aspirations. Promo is no longer just another brick in the wall; it is now one of the important aspects that has the power to determine the fate of a show,” Nayak asserted.

     

    The audience, which comprised promo makers and creative talent, was buoyed by Nayak’s encouraging comments directed towards them. “You are the real heroes of the television industry, which is evolving every day.You are the one that make every second of a promo count and that is one of the reasons why promos became such an important aspect. They have emerged as a major teamwork, which has the power to decide success or failure of an innovation. You all are the backbone of creativity in the television industry and with the growth of technology, I hope it gets better and bigger,” Nayak said.

     

    Talking about Colors’ voyage, he said, “We at Colors believe about disruption and differentiation. Television viewers have evolved and are not the same anymore. They expect quality in each and every segment and promos are one of them. While with Ashoka we portrayed love, power and affection of a mother – son relationship, Udaan was sensitive as well as esthetic. On the other hand, Code Red had to be different from all other daily crime shows and it was the promo that had the responsibility of communicating the message that Code Redwas different and that’s how important that short teaser is.”

     

    “Creativity is doing summersaults every now and then and you all are the real warriors of the war that wages every day in Indian television. I feel proud to chair the conference in PromaxBDA, which addresses to the creative pillars in the industry,” Nayak concludes.

  • Strategic brand discussions are a rarity these days: D Shivakumar

    Strategic brand discussions are a rarity these days: D Shivakumar

    GOA: While delivering a keynote at the Goafest, PepsiCo India CEO D Shivakumar pointed out that technology is taking a toll and becoming a priority, which in turn is leading to negligence of a brand’s strategy.

     

    “Nowadays, we see ads put up on platform at a certain point of time, which have no relevance with the strategy of the brand. We are just getting carried away by the tactics and suppressing the strategy,” said Shivakumar.

     

    He went on to add, “Clients meet agencies again and again, which signifies that they are not clear in their head. Hasty decision-making and confusing agencies leads to debacles. Many campaigns fail because of clients’ confusion, as the discussion is always around buying, planning and selling. Strategic discussion has become a rarity, which needs to change.”

     

    Talking about the innovative Pepsi campaign for the IPL, Shivakumar said, “PepsiCo, with its IPL campaign, has turned consumers into an agency as we asked them to make an ad, and promised that better words will find place in television. We will release six different ads made by consumers during the course of the tournament. The first will be launched on 12 April. We will put all the videos online for people to vote and select the best one according to them. The agency has been assigned the work of judging the videos so that nothing that violates law and order is put up and consumers can go to any level with their imagination.”

     

    “We always keep track of what is happening. Who is saying what about Kohli, Ranbir etc. These factors play a vital role in coming to a consensus. Moreover innovative ideas also come out from trending topics, so it is highly important to be in the loop,” he concludes.

  • Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    Choreographer Longinus Fernandes joins Amelia and Satish Reddy for ‘Bollywood Dance Seminar’

    NEW DELHI: Even as Japan and some Southeast Asian countries have taken to the dance styles of Indian cinema, the interest also appears to be spreading to Europe.

     

    Choreographer Longinus Fernandes, popular for choreographing Jai Ho from Slumdog Millionaire, is conducting a dance seminar and workshop organised by Oriental Dream and Scribes Paris India Connection (INC) at the prestigious club located in the heart of Paris this month.

     

    The workshop will start on 12 April at Club Montmartrois, 60 Rue Ordener in Paris, France.

     

    The Seminar will be a combination of all the ingredients of music, dance, costumes, drama and emotions. Fernandes has made actors in Slumdog Millionaire dance to his tunes and also directed a sequence in Hollywood film Eat, Pray & Love.

     

    Amelia of Oriental Dream said, “I am very happy to receive the Choreographer Longinus Fernandes from Bollywood. All passionate lovers of Indian dances and fans of Indian movies are very excited to meet him finally in real. This International Dance Seminar will be a big success in Europe.”

     

    Satish Reddy of Scribes INC said, “It was a pleasure to be associated with the workshop as we will be bringing more Indian artistes and Culture to Europe. I am happy that I am getting a chance to explore in Paris through this Seminar.”

     

    Many movies have been shot in Paris. Preity Zinta revived the trend after a long gap when she shot her last film Ishq in Paris. The Shammi Kapoor- Sharmila Tagore film An Evening in Paris was the first Hindi film to be filmed there. 

  • Aabid Surti to get lifetime achievement award at Comic Con, Bangalore

    Aabid Surti to get lifetime achievement award at Comic Con, Bangalore

    NEW DELHI: National Award Winning Indian author, artist, cartoonist and playwright Aabid Surti will receive the fourth Annual Comic Con India Lifetime Achievement Award this year.

     

    The Comic Con India Awards 2015 ceremony will take place in Bangalore for the first time, during the Bangalore Comics Convention 2015 at White Orchid Convention Centre on 4 April. The event is being held from 3 to 5 April.

    Surti will personally receive the award at the convention. For the competitive categories, nominations have been accepted and the winners will be announced at the ceremony.

     

    The Jury – CCI Awards consists of Neelabh Banerjee (author & artist), Vishwajyoti Ghosh (author) and Abhishek Sharma (writer & filmmaker). The jury will go through the submitted entries and eventually shortlist and announce the winners.

     

    Comic Con India founder Jatin Varma said, “We at Comic Con India are honoured to bestow our Lifetime Achievement Award to Mr Surti. His contribution to Indian comics has been phenomenal. We are very lucky to have him accept the award at the upcoming Bangalore show and interact with his legions of fans.”

     

    Comic Con India Awards is an initiative of Comic Con India. CCI Awards aim to recognize the work of all the professionals of India’s comics industry. It’s an attempt to bring into focus the novelty of this art form and acknowledge the efforts of numerous writers, artists and publishers in this field.

     

    “I am very glad to announce the nominees for the CCI Awards this year, a tremendous amount of talent was on display, it certainly wasn’t an easy task shortlisting the nominees. And I am very excited to host the ceremony at the upcoming Bangalore Comic Con, in midst of thousands of fans,” said Varma.

     

    So far, R.K.Laxman, Padma Vibhushan late Mario Miranda and Giant of Indian comics Pran Kumar Sharma have been honoured with CCI Lifetime Achievement Awards.

    A National Award Winning Indian author, Surti published his first story Tootela Farishtain Gujarati in 1965. Since then, Surti has written numerous short stories, novels, plays, children’s books, comic books, and travelogues. In 1993, he won a National Award for his short-story collection Teesri Aankh.

  • Warner Bros, DC Comics aim to set Super Hero world record

    Warner Bros, DC Comics aim to set Super Hero world record

    MUMBAI: Warner Bros. Consumer Products (WBCP) and DC Entertainment (DCE) plan to set a world record for the largest gathering of people dressed as DC Comics Super Heroes held at multiple venues around the globe within 24 hours. The DC Comics Super Hero World Record Event – to take place on 18 April, 2015 – will kick off in Queensland, Australia with a celebration at Movie World Australia theme park, and come to a commemorative close in Los Angeles, CA, USA at Hollywood and Highland.

     

    “Warner Bros. Consumer Products is thrilled to team up with partners around the world to set the world record for the most people dressed as DC Comics Super Heroes. We invite fans of all ages to come out for this exciting family event and don their capes, cowls and masks to represent their favorite DC Comics Super Hero,” said Warner Bros. Consumer Products president Brad Globe.

     

    At each event, fans dressed as DC Comics Super Heroes will gather to celebrate with interactive games and activities inspired by the famed world of DC Comics before formally attempting to set the world record. The DC Comics Super Hero World Record Event cities unveiled, include: Birmingham (UK), Cardiff (UK), Kaohsiung (Taiwan), Lille (France), London (UK), Los Angeles (USA), Lyon (France), Madrid (Spain), Manila (Philippines), Mexico City (Mexico), Paris (France), Queensland (Australia), Rome (Italy), Sao Paulo (Brazil) and Warrington (UK).

     

    To participate in setting this heroic world record, DC Comics fans must dress from head-to-toe as an instantly recognized Super Hero that has been featured in a DC Comics published book, television program or film. The DC Comics Super Hero universe includes Batman, Superman, Wonder Woman, The Flash, Green Lantern, Batgirl, Supergirl, Aquaman, Cyborg, Robin, Green Arrow, and many more. Both homemade costumes as well as official costumes from licensees and official event retail partners will be considered as long as they are a full representation of the Super Hero and are as close to the original DC Comics’ Super Hero’s costume as possible.

     

    The world record will be set once fans gather in the assigned area at each local event and stay there for a full five minutes to be counted towards the record. WBCP will be working closely with retail and licensing partners in each market to offer exclusive merchandise, promotional support and more, to bring fans this exciting global event in each participating city.

     

    Leading up to the one-day event, WBCP and DCE, together with local sponsors and organizers, will present DC Comics’ most ardent fans with the opportunity to demonstrate their fandom by entering into various photo contests and sweepstakes, including the “Best Super Hero Post” photo contest and the “Best Super Hero Photo Bomb” contest. DC Comics enthusiasts will also be able to compare and preview their costumes with a “Costume Preview Polling” contest presented by event organizers on social media. Follow #DCWorldRecord on Facebook and Twitter for more information on the contests.

  • Third Indian Panorama Film Festival to kick off in Shillong

    Third Indian Panorama Film Festival to kick off in Shillong

    NEW DELHI: A festival of selected films from the Indian Panorama is being held in Shillong in Meghalaya from 12 March. 

     

    To be inaugurated by Meghalaya Chief Minister Mukul Sangma in the presence of Information & Broadcasting Secretary Bimal Julka at the U Soso Tham Auditorium, it will present a bouquet of the best of contemporary Indian cinema produced in different languages with a view to promoting quality cinema from different parts of the country.

     

    Eight feature films and three non-feature films will be screened over three days. The film festival is being organised by the Directorate of Film Festivals in collaboration with the state government.

     

    The festival will open with the Marathi feature film, Dr. Prakash Baba Amte – The Real Hero directed by Samruoddhi Porey. 

    Other feature films to be screened during the festival are Drishyam (Malayalam), December 1 (Kannada), Kuttram Kadithal (Tamil), Ankhon Dekhi (Hindi), Othello (Assamese), Ri (Khasi), Teenkahon (Bengali) and Ranjana Ami Ar Ashbona (Bengali). Non-feature films to be screened during the festival are Songs of the Blue Hills by Utpal Borpujari (Nagamese/English), A Dream Never Dies (Assamese) and Ek Hota Kau (Marathi). 

    Indian Panorama Film Festival is being held in Shillong for the last two years and this will be the third edition of the festival.

  • Alt-Rock sensation Switchfoot to tour India with Vh1 Rock Rules

    Alt-Rock sensation Switchfoot to tour India with Vh1 Rock Rules

    MUMBAI:  This March, Vh1 is all set to bring international alt-rock sensation Switchfoot to India with Micromax Vh1 Rock Rules.

     

    This tour marks the debut performance of the California-based, Grammy award-winning band in India. Alt-Rock fans will get a chance to witness the band perform live in India in Mumbai, Pune and Gurgaon at Hard Rock Café on 25, 27 and 29 March respectively.

     

    After the release of nine studio albums, Switchfoot is geared up to finally take Indian fans down a nostalgic lane with their three-city tour. Being their maiden trip to India, Switchfoot promises to entertain fans with the best hits of their eighteen years.

     

    Viacom18 EVP and English entertainment head Ferzad Palia says, “Switchfoot has created a rage amongst the Indian audience with their super-hit tracks and albums for several years. We are immensely delighted to present the band’s maiden tour in India through Micromax Vh1 Rock Rules.”

     

    Switchfoot member Jon Foreman added, “I had the chance to visit India on my own a few years back, and it blew my mind. Ever since, I’ve been begging for the chance to bring my bandmates back with me to play some shows. We can’t wait to bring these songs to India.”

     

    Switchfoot became a sensation with their popular tracks in ‘A Walk To Remember’. The band then commenced their journey to success with hit singles such as ‘We are One Tonight’, ‘Need To Live’ to name a few. The band comprises singer/songwriter Jon Foreman, his younger brother (and co-writer) Tim Foreman on bass, drummer Chad Butler and multi-instrumentalist Jerome Fontamillas.

  • Russian film gets top award at the 45th IFFI

    Russian film gets top award at the 45th IFFI

    NEW DELHI: The Russian film, Leviathan, directed by Andrey Zvyagintsev has been awarded the Golden Peacock at the 45th International Film Festival of India (IFFI). More than 13,500 delegates and viewers turned up in Panaji for the 11-day event.

     

    Producers Alexander Rodnyansky and Sergey Melkumov Aksi received the awards at the ceremony by Goa Governor Mridula Sinha and veteran actress Waheeda Rehman at a glittering closing ceremony. 

     

    The festival which commenced on 20 November 2014 had 310 films from 79 countries including about 130 films from overseas. The dignitaries and the luminaries who were present included Nana Patekar, Jackie Shroff , Ravi Kishan and Jayaram among others. 

     

    The lifetime achievement award was given to the internationally acclaimed and cosmopolitan Chinese filmmaker Wong Kar-Wai. At 56, he is the youngest filmmaker to get the lifetime achievement award at IFFI. He said that he was very much moved as well as honoured by the award. He appreciated the hospitality extended to him and the support to Chinese Cinema at IFFI. 

     

    Speaking on the occasion, minister of state for Information and Broadcasting, Rajyavardhan Rathore commented that the focus of the film festival was on China, which showed that films connect hearts across nations and cultures. He added that the ministry was committed in facilitating the growth of the Indian film industry through policies that established the positioning of India as a ‘soft power’ and as a film destination. The policy of facilitating and co-production in film markets would be pursued proactively. He further added that the government was committed in taking forward the initiative of the national film heritage mission and the museum of Indian cinema.

     

    Rathore explained that IFFI was an endeavour to understand the various social and cultural ethos through the eyes of cinema. The festival of films went beyond language, boundaries and connected people with one another. The entire film architecture involving different aspects connected the audience with one another. IFFI 2014 as a platform had succeeded in achieving this objective.

     

    Rathore appreciated the effort by the social-media team of his ministry which created a special programme entitled ’Talkathon’ which served as a platform for interaction between the audience and film personalities on social media at IFFI . This was the first of its kind initiative undertaken by the new media wing of the Ministry. It drew huge response from Netizens as they posted their queries/views to the celebrity guests on a real time basis. He said: “This innovation succeeded in connecting the film lovers from all over the world with the international festival by converging social media tools on one platform i.e. Twitter, Facebook and YouTube”.

     

    Earlier, Goa chief minister Laxmikant Parsekar announced that efforts would be made to enhance infrastructure in Goa as the number of the delegates at IFFI is growing phenomenally. Artistes from the North-East, which had a special place in the festival with a section on women-centric films, gave scintillating performances encapsulating various dance forms from the region.