Category: DTH Operator

  • DD FreeDish e-auction put off due to technical errors

    DD FreeDish e-auction put off due to technical errors

    MUMBAI: In probably what is a first, DD FreeDish’s e-auction was scrapped yesterday. The reason: technical glitches on the site of the auctioneer C1 India Pvt Ltd.

    DD has made this announcement on its website admitting that, since bidders were experiencing problems, the bidding process was being put off until C1 India rectifies the errors.

    DD FreeDish had announced 5 October as the 31st e-auction date last month. It had put the reserve price for the vacant slot at Rs 4.3 crore despite the bid amount touching Rs 5.2 crore in the previous 30th e-auction. It had also urged private channels whose agreement with the free DTH was expiring on 31 December 2016 needed to take part in the e-auction to continue to be distributed by it.

    DD said it would keep bidders informed about the resumption date.

    The free TV service is gearing up to expand its capacity to 104 channels and then to 250 by 2018. It has started rolling out MPEG4 boxes with iCAS, in place of the earlier MPEG2 ones.

    DD FreeDish has come as a boon of sorts, helping India’s broadcasters to generate good revenues from old library and catalogue channels. Channels such as Zee Anmol, Sony Pal, Star Utsav – tenants of DD FreeDish — which show reruns of old TV shows and films have suddenly become the eye candy of the advertising community as they offer them reach in rural areas that channels distributed by cable TV and private DTH cannot.

  • DD FreeDish e-auction put off due to technical errors

    DD FreeDish e-auction put off due to technical errors

    MUMBAI: In probably what is a first, DD FreeDish’s e-auction was scrapped yesterday. The reason: technical glitches on the site of the auctioneer C1 India Pvt Ltd.

    DD has made this announcement on its website admitting that, since bidders were experiencing problems, the bidding process was being put off until C1 India rectifies the errors.

    DD FreeDish had announced 5 October as the 31st e-auction date last month. It had put the reserve price for the vacant slot at Rs 4.3 crore despite the bid amount touching Rs 5.2 crore in the previous 30th e-auction. It had also urged private channels whose agreement with the free DTH was expiring on 31 December 2016 needed to take part in the e-auction to continue to be distributed by it.

    DD said it would keep bidders informed about the resumption date.

    The free TV service is gearing up to expand its capacity to 104 channels and then to 250 by 2018. It has started rolling out MPEG4 boxes with iCAS, in place of the earlier MPEG2 ones.

    DD FreeDish has come as a boon of sorts, helping India’s broadcasters to generate good revenues from old library and catalogue channels. Channels such as Zee Anmol, Sony Pal, Star Utsav – tenants of DD FreeDish — which show reruns of old TV shows and films have suddenly become the eye candy of the advertising community as they offer them reach in rural areas that channels distributed by cable TV and private DTH cannot.

  • DTH players roll out festival offers

    DTH players roll out festival offers

    MUMBAI: Brands are bursting Diwali offers. As the festive season draws closer, all the D2H players, one after the other, are extending lucrative offers to consumers to buy their products and subscribe to their service. Tata Sky had run a promotional offer between 8 and 21 August on its tenth anniversary, under which it allowed subscribers to watch all its 500 plus channels at no extra cost.

    DishTV has now come up with a special Diwali HD offer. Customers can opt for a high-definition set-top box at minimal additional cost just by paying Rs. 120 extra. The subscribers can also view HD channels via DishTV’s small HD entertainment add-on packs.

    DTH operator Videocon d2h has hopped on to the bandwagon of the promotional offers. Videocon boasts of a 11-12 million active subscriber base and has branded the promotion as “Khushiyon kee Diwali.”

    New Videocon subscribers will have to pay only Rs 1820 for HD or Rs 1620 for a standard definition connection. On choosing a monthly subscription plan, the newbie can instantaneously upgrade themselves to the next higher upgrade plan for two months at no cost. Additionally, existing subscribers can also avail of the free two month upgrade by coughing up just Rs 10 extra on their monthly plan. The DTH operator had upped its prices by a minimum of about Rs 20 a month across subscription packges on account of the rise in service tax, various levies and other input costs.

    Says Videocon d2h executive chairman Saurabh Dhoot: “The festive season is all about mega enjoyment. This year our Diwali offer covers everyone from our existing subscriber to the potential subscriber opting for a new connection from Videocon d2h. This offer blends perfectly with our brand promise of providing wholesome entertainment for the family.”

    Adds Videocon d2h CEO Anil Khera: “Our Khushiyon kee Diwali promotion from 1 October to 30 November h Nov gives our existing consumer to enjoy the festive season with an upgrade to the next higher monthly plan for 60 days. We strongly believe that this attractive offer will create waves in the market in this festive season.”

    Videocon d2h offer subscribers 570 channels and services, including a host of regional channels. It offers a wide range of active services like smart services including smart English, smart games.

    DishTV’s HD sachets capture the interest of consumers towards HD viewing by offering them the channels at a nominal price of Rs.75 for one. This offering enables DishTV subscribers to select these small packs as per their preferences and needs. “With users aspiring for HD channels, this move is to encourage them to embrace HD channels at a minimal cost,” said DishTV CEO Arun Kapoor.

    For new HD connections, customers will now have to pay an introductory price of Rs. 1990 which will include subscription of one-month super family pack or jumbo pack and one HD add-on for one month at no extra cost. The new connection will also include a universal remote. DishTV has a complete offering and mix of 51 high-definition entertainment, music, news and regional language channels. The offer is available across all parts of the country.

  • DTH players roll out festival offers

    DTH players roll out festival offers

    MUMBAI: Brands are bursting Diwali offers. As the festive season draws closer, all the D2H players, one after the other, are extending lucrative offers to consumers to buy their products and subscribe to their service. Tata Sky had run a promotional offer between 8 and 21 August on its tenth anniversary, under which it allowed subscribers to watch all its 500 plus channels at no extra cost.

    DishTV has now come up with a special Diwali HD offer. Customers can opt for a high-definition set-top box at minimal additional cost just by paying Rs. 120 extra. The subscribers can also view HD channels via DishTV’s small HD entertainment add-on packs.

    DTH operator Videocon d2h has hopped on to the bandwagon of the promotional offers. Videocon boasts of a 11-12 million active subscriber base and has branded the promotion as “Khushiyon kee Diwali.”

    New Videocon subscribers will have to pay only Rs 1820 for HD or Rs 1620 for a standard definition connection. On choosing a monthly subscription plan, the newbie can instantaneously upgrade themselves to the next higher upgrade plan for two months at no cost. Additionally, existing subscribers can also avail of the free two month upgrade by coughing up just Rs 10 extra on their monthly plan. The DTH operator had upped its prices by a minimum of about Rs 20 a month across subscription packges on account of the rise in service tax, various levies and other input costs.

    Says Videocon d2h executive chairman Saurabh Dhoot: “The festive season is all about mega enjoyment. This year our Diwali offer covers everyone from our existing subscriber to the potential subscriber opting for a new connection from Videocon d2h. This offer blends perfectly with our brand promise of providing wholesome entertainment for the family.”

    Adds Videocon d2h CEO Anil Khera: “Our Khushiyon kee Diwali promotion from 1 October to 30 November h Nov gives our existing consumer to enjoy the festive season with an upgrade to the next higher monthly plan for 60 days. We strongly believe that this attractive offer will create waves in the market in this festive season.”

    Videocon d2h offer subscribers 570 channels and services, including a host of regional channels. It offers a wide range of active services like smart services including smart English, smart games.

    DishTV’s HD sachets capture the interest of consumers towards HD viewing by offering them the channels at a nominal price of Rs.75 for one. This offering enables DishTV subscribers to select these small packs as per their preferences and needs. “With users aspiring for HD channels, this move is to encourage them to embrace HD channels at a minimal cost,” said DishTV CEO Arun Kapoor.

    For new HD connections, customers will now have to pay an introductory price of Rs. 1990 which will include subscription of one-month super family pack or jumbo pack and one HD add-on for one month at no extra cost. The new connection will also include a universal remote. DishTV has a complete offering and mix of 51 high-definition entertainment, music, news and regional language channels. The offer is available across all parts of the country.

  • DishTV, Shemaroo tie up for ‘Comedy Active’

    DishTV, Shemaroo tie up for ‘Comedy Active’

    MUMBAI: DishTV is all set to expand its bouquet of value added services (VAS). DishTV has partnered with Comedywalas, a division of Shemaroo Entertainment, to launch a new service called ‘Comedy Active’.

    Comedy Active Service, that aims to take the comedy quotient a notch higher, will connect the subscribers to all genres of comedy ranging from comic shows and gags, on the DishTV platform. Comedy Active offers original content, created especially for this service along with the best of classic comedy television shows like ‘Nukkad’, ‘Ye Jo Hai Zindagi’, and ‘Zabaan Sambhalke’. Segmented in two parts, Comedy Active will air content in the form of ‘Classic comedy shows’ and introduced ‘short format comedy shows’.

    Comedy Active Service will be packaged as a 24X7 ad free service which will showcase comedy programs throughout the day. Subscribers will get an opportunity to view some of the most classic comedy shows, Bollywood repurposed shows, Spoofs, Gags, Hidden camera pranks and Stand-up comedy, and be delighted by pure light hearted entertainment.

    DishTV chief executive officer Arun Kapoor said, “We have always taken the lead in enhancing the value proposition and provide the best in entertainment to our subscribers. Laughter is infectious as it binds people together and brings happiness. While there are a lot of channels for a variety of entertainment, there are hardly any that offers uninterrupted content for Comedy. Comedy Active service will provide a single destination for comedy catering to all age groups of viewers at a time convenient to them.”

    Shemaroo Entertainment director Hiren Gada said “There is lack of good comedy content on television platform. Hence, consumers depend on other platforms.”

    DishTV is providing free preview of Comedy Active to its subscribers till 12 October after which DishTV subscribers can avail the service at an introductory price of Rs 39 per month.

  • DishTV, Shemaroo tie up for ‘Comedy Active’

    DishTV, Shemaroo tie up for ‘Comedy Active’

    MUMBAI: DishTV is all set to expand its bouquet of value added services (VAS). DishTV has partnered with Comedywalas, a division of Shemaroo Entertainment, to launch a new service called ‘Comedy Active’.

    Comedy Active Service, that aims to take the comedy quotient a notch higher, will connect the subscribers to all genres of comedy ranging from comic shows and gags, on the DishTV platform. Comedy Active offers original content, created especially for this service along with the best of classic comedy television shows like ‘Nukkad’, ‘Ye Jo Hai Zindagi’, and ‘Zabaan Sambhalke’. Segmented in two parts, Comedy Active will air content in the form of ‘Classic comedy shows’ and introduced ‘short format comedy shows’.

    Comedy Active Service will be packaged as a 24X7 ad free service which will showcase comedy programs throughout the day. Subscribers will get an opportunity to view some of the most classic comedy shows, Bollywood repurposed shows, Spoofs, Gags, Hidden camera pranks and Stand-up comedy, and be delighted by pure light hearted entertainment.

    DishTV chief executive officer Arun Kapoor said, “We have always taken the lead in enhancing the value proposition and provide the best in entertainment to our subscribers. Laughter is infectious as it binds people together and brings happiness. While there are a lot of channels for a variety of entertainment, there are hardly any that offers uninterrupted content for Comedy. Comedy Active service will provide a single destination for comedy catering to all age groups of viewers at a time convenient to them.”

    Shemaroo Entertainment director Hiren Gada said “There is lack of good comedy content on television platform. Hence, consumers depend on other platforms.”

    DishTV is providing free preview of Comedy Active to its subscribers till 12 October after which DishTV subscribers can avail the service at an introductory price of Rs 39 per month.

  • ‘Love Cinema Live Cinema’ with Tata Sky’s new service

    ‘Love Cinema Live Cinema’ with Tata Sky’s new service

    MUMBAI: If you are a passionate movie-lover but miss screenings or are closely related to some aspect of filmmaking which only few are privy to, you need not worry at all as Tata Sky has brought in a solution. After brainstorming for a year, the DTH player has launched a first-of-its-kind service in cooperation with the Jio MAMI Festival with Star. Purpose: To retain and make their existing subscribers happy. This comes after a successful run of its kids showcase which will now be replaced with this new initiative. 

    An ad-free service, Tata Sky Mumbai Film Festival will not just cheer up the movie buffs but will also highlight the efforts that are invested during the film festival.

    With no additional cost, this service is available to all the subscribers irrespective of their package, set top box, demography and geography.  Despite having a very good story line, made in high quality, movies sometimes do not find their way to the public. The idea with this initiative is to give niche movies a boost by screening them on TV.

    Starting from 7 October, the service will be available on channel no 302 &302 in both SD and HD. The temporary service will complement the new edition of the film festival and will also be a catch-up for all the movies that were premiered in the previous editions. It  will run three films on a daily basis and already has 20+ movies to air from renowned Indian and international directors in multiple languages.

    Silent films, movies made in Hindi, English, Assamese, Marathi, Malayalam, Punjabi, Arabic, Russian, French, etc will be featured on this service for the subscribers.  They can also enjoy works of directors like Hansal Mehta, Anup Singh, Ravi Jadav, Bikas Mishra, Pan Nalin, Nitin Kakkar, Lea Hjort Mathiesen.

    “We are not selling this service. We care enough to curate and create a mix of some popular and some hidden gems from the field of film-making for our viewers from the last few editions of the Mumbai Film Festival. We have several people who pay us on a monthly basis. We are in the business of acquiring subscribers but we also have to retain them. Sometimes you do things because you want to make them happy. The monetizing cannot always be direct and immediate. The ambition and aspiration with this is that people will be more loyal to us after this,” asserts  Tata Sky chief content and business development officer Paolo Agostinelli.

    Agostinelli further adds, “We have talked to the producers and have bought rights for selective titles. We did not want them exclusively with us. A person can still put it on his/her digital platform, we are just giving them one extra opportunity. Technology is only going to make good stories available to people who deserve and want to watch them.”

    Through this unsponsored yet innovative initiative, subscribers can look forward to an exciting mix of award winning and nominated features, short films, documentaries, animations covering varied genres of comedy, drama, thriller, mystery, crime and adventure. The promising star casts include names such as Sanjay Suri, Irfan Khan, Seema Biswas, Atul Kulkarni, Tisca Chopra, Soham Maitra, Manoj Bajpai, Rajkummar Rao, etc.

    MAMI Festival director Anupama Chopra added, “We were delighted when Tata Sky extended their support and suggested taking these curated films from both Indian and international to viewers living across the country. This unique and unconventional approach just goes to prove that the entertainment and media industry needs to come together for the benefit of the extraordinary passion and talent of movie makers and lovers in India.”

    Research was done to make good movies available for people at a different level. This service will bring a selection of movies from the film festival on TV giving them exposure at a different level.

    “The fact that this MAMI Festival needs to be promoted and needs awareness is what we are working for. India is the most prolific and probably the most receptive movie country in the world. The number of people who are passionate about movies and the number  of people working in the film industry  are enormous. So, people care about movies here.”

    Several DTH players have expanded their services to rural India which is only expanding. Agostinelli is of the opinion that the people living in rural areas were sometimes more educated about movies than urban. He said, “Rural market is definitely a huge market and is expanding enormously. People there are equally passionate and love entertainment as in cities. So, we aim to serve also this potential subscribers.”

    The initiative will be promoted through direct marketing  via its various other channel. They will also leverage social media. All the normal modes through which their subscriber is in touch will be used. Agostinelli is also of the opinion that the DTH industry has place for more players. “There is enough space for many players to serve this industry.” 

    Tata Sky will continue to explore new ideas and take up various initiatives to make a difference in this competitive industry. They might look at other festivals depending on the success  with this one. 

    With such initiatives in its kitty and presence in 1.5 lakh towns, it only plans to expand in the future. It currently has 418 SD, 77 HD channels, 15 interactive service, 6 SD, 6 HD movie showcase platforms and several interactive services.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/tata-sky.jpg?itok=DrjyssM8

  • ‘Love Cinema Live Cinema’ with Tata Sky’s new service

    ‘Love Cinema Live Cinema’ with Tata Sky’s new service

    MUMBAI: If you are a passionate movie-lover but miss screenings or are closely related to some aspect of filmmaking which only few are privy to, you need not worry at all as Tata Sky has brought in a solution. After brainstorming for a year, the DTH player has launched a first-of-its-kind service in cooperation with the Jio MAMI Festival with Star. Purpose: To retain and make their existing subscribers happy. This comes after a successful run of its kids showcase which will now be replaced with this new initiative. 

    An ad-free service, Tata Sky Mumbai Film Festival will not just cheer up the movie buffs but will also highlight the efforts that are invested during the film festival.

    With no additional cost, this service is available to all the subscribers irrespective of their package, set top box, demography and geography.  Despite having a very good story line, made in high quality, movies sometimes do not find their way to the public. The idea with this initiative is to give niche movies a boost by screening them on TV.

    Starting from 7 October, the service will be available on channel no 302 &302 in both SD and HD. The temporary service will complement the new edition of the film festival and will also be a catch-up for all the movies that were premiered in the previous editions. It  will run three films on a daily basis and already has 20+ movies to air from renowned Indian and international directors in multiple languages.

    Silent films, movies made in Hindi, English, Assamese, Marathi, Malayalam, Punjabi, Arabic, Russian, French, etc will be featured on this service for the subscribers.  They can also enjoy works of directors like Hansal Mehta, Anup Singh, Ravi Jadav, Bikas Mishra, Pan Nalin, Nitin Kakkar, Lea Hjort Mathiesen.

    “We are not selling this service. We care enough to curate and create a mix of some popular and some hidden gems from the field of film-making for our viewers from the last few editions of the Mumbai Film Festival. We have several people who pay us on a monthly basis. We are in the business of acquiring subscribers but we also have to retain them. Sometimes you do things because you want to make them happy. The monetizing cannot always be direct and immediate. The ambition and aspiration with this is that people will be more loyal to us after this,” asserts  Tata Sky chief content and business development officer Paolo Agostinelli.

    Agostinelli further adds, “We have talked to the producers and have bought rights for selective titles. We did not want them exclusively with us. A person can still put it on his/her digital platform, we are just giving them one extra opportunity. Technology is only going to make good stories available to people who deserve and want to watch them.”

    Through this unsponsored yet innovative initiative, subscribers can look forward to an exciting mix of award winning and nominated features, short films, documentaries, animations covering varied genres of comedy, drama, thriller, mystery, crime and adventure. The promising star casts include names such as Sanjay Suri, Irfan Khan, Seema Biswas, Atul Kulkarni, Tisca Chopra, Soham Maitra, Manoj Bajpai, Rajkummar Rao, etc.

    MAMI Festival director Anupama Chopra added, “We were delighted when Tata Sky extended their support and suggested taking these curated films from both Indian and international to viewers living across the country. This unique and unconventional approach just goes to prove that the entertainment and media industry needs to come together for the benefit of the extraordinary passion and talent of movie makers and lovers in India.”

    Research was done to make good movies available for people at a different level. This service will bring a selection of movies from the film festival on TV giving them exposure at a different level.

    “The fact that this MAMI Festival needs to be promoted and needs awareness is what we are working for. India is the most prolific and probably the most receptive movie country in the world. The number of people who are passionate about movies and the number  of people working in the film industry  are enormous. So, people care about movies here.”

    Several DTH players have expanded their services to rural India which is only expanding. Agostinelli is of the opinion that the people living in rural areas were sometimes more educated about movies than urban. He said, “Rural market is definitely a huge market and is expanding enormously. People there are equally passionate and love entertainment as in cities. So, we aim to serve also this potential subscribers.”

    The initiative will be promoted through direct marketing  via its various other channel. They will also leverage social media. All the normal modes through which their subscriber is in touch will be used. Agostinelli is also of the opinion that the DTH industry has place for more players. “There is enough space for many players to serve this industry.” 

    Tata Sky will continue to explore new ideas and take up various initiatives to make a difference in this competitive industry. They might look at other festivals depending on the success  with this one. 

    With such initiatives in its kitty and presence in 1.5 lakh towns, it only plans to expand in the future. It currently has 418 SD, 77 HD channels, 15 interactive service, 6 SD, 6 HD movie showcase platforms and several interactive services.

    http://www.indiantelevision.com/sites/drupal7.indiantelevision.co.in/files/styles/large/public/tata-sky.jpg?itok=DrjyssM8

  • IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    GOA: Has the pubcaster DD’s free to air platform FreeDish emerged as a viable proposition for advertisers? What are its expansion plans, going forward? These were some of the questions posed by the Indiantelevision.com founder, CEO & Editor in chief Anil Wanvari at IDOS 2016 in Goa during the session on FTA channels to SAB Group CEO Manav Dhanda, B4U broadcasting division COO and CFO Sandeep Gupta, Starcom India group CEO Mallikarjun ‘Malli’ Das, and DD’s FreeDish deputy director-general (engineering) AK Jha.

    Jha started out by saying that the DTH platform has 55 private tenants including those from the majors – Sony Pictures Television Networks, Star India, and Zee TV – as well as from smaller broadcast networks such as B4U and the SAB group. “We want more such customers to come on our platform,” he expressed. He, however, confessed that getting an exact count of the number of subscribers was difficult as FreeDish was only a platform and the STBs were distributed by recognized vendors. “But, by extrapolating TRAI DTH data, conversations with STB manufactures and chipset suppliers, our estimates are that it could be anywhere between 20 million and 40 million. We would safely put it at about 25 million,” said Jha.

    Gupta and Dhanda explained why the two networks have taken the FTA route on the DTH platform.

    “As a broadcaster, we wanted to be on every platform. Since our focus was to be present everywhere, we got on to it very early when there were very few tenants. Although we were pay channels, we were FTA on DD FreeDish. B4U Movies was the Star Plus of DD direct is what MSOs told us. Only after BARC data rolled out did we come to know that rural has got so much of weightage. Otherwise, FreeDish was only one of the means of getting ourselves available everywhere,” said Gupta.

    Added Dhanda: “We wanted to build the maximum reach. We have five channels. We are also on cable, DTH and other platforms. It was not triggered by the advent of BARC data which suggests you need to be there. There is a cost for entry. Distribution and content are major costs for broadcasters. As a broadcaster, we want ROI. Syndicated content channels like us have not managed to build a compelling pay TV channel proposition. Hence, it is safe to go to FTA.”

    But, is it good to go FTA on DD FreeDish? Since the only revenue stream is from advertising, is the platform attracting advertiser interest?

    “FTA has just come into focus as BARC gave a new set of lenses. Earlier, TAM used to measure LC1 but media planners did not take it seriously as they were urban focused. Now with the 6,000 metres under BARC’s rural sample, it has taken on a different hue,” said Malli. “There are three segments advertisers look at from an audience segmentation – HD – 9 million-10 million homes; the fat middle with all the pay channels. And, there is the rural which is FTA. For brands, which are purely rural, it makes sense to go FTA. Distribute the spends over 30-40 weeks on an FTA media outlet, rather than finish it over eight to nine weeks on the more expensive pay channels. Some money is going into FTA from existing TV channel spends, some is coming from local cable, wall paintings and OOH.”

    But, are media buyers buying air time on channels on FreeDish purely for the rural audiences or for urban and rural audiences as defined by BARC? “When media planners are buying for rural, it makes sense,” he said. “When they look at rural+urban, they start looking at old currencies, and things don’t move. There’s still some confusion. Once these old data currencies are exhausted, and some new benchmarks are set for rural, the ad dollars will start flowing in aggressively. HD channels have only nine to 10 million subscribers, yet planners are putting the advertiser’s money into them. Whereas FTA has a larger reach, but the currency dynamics need to be taken care of.”

    Is there a ROI coming in for advertisers? “It’s a little too early. The plane has to yet land,” opined Malli. ”Retailers, distributors and sales people say, take Star Plus. The rural sample is 6,000 metres. We have to triangulate what the trade says with the BARC data, as they will want the spectacular as they will want the ads to be in the biggest properties. Currently, we have put the money for our clients on FTA. We have to get a larger body of evidence.”

    Jha said that DD FreeDish is augmenting its capacity by 24 channels and gearing up for this by moving to MPEG4 STBs, which are going to be made available to subscribers soon. “Currently, we are empanelling the STB manufacturers for MPEG4 boxes,” he explained. “Within four months, the STBs will roll out. Post that, the existing subscribers will be able to receive the 80 channels, whereas the new subscribers with MPEG 4 boxes will get 104 channels after the auctions conclude and tenants got on board.”

    Malli expressed that this was good news, it was not something that the advertising community would put its money immediately on .”At least, we know what we are investing in with the MPEG-2 boxes now,” he said. “We will have to see how many MPEG4 STBs roll out, how they are accepted before we put our might behind them.”

    Jha responded to this by saying that, in the new regime of MPEG4, DD FreeDish will be able to tell the advertiser community, exactly how many subscribers there were because the conditional access was being built in to the STBs. “Over time, we hope the entire universe of FreeDish will migrate to the new boxes,” he said.

    Jha is bullish about the prospects of free TV. “Customers in rural areas cannot afford the high sticker prices of Rs 3,000-7,000 per year that commercial DTH players are charging consumers,” he said. “Customers need to pay just Rs 2,000-Rs 3,000 for the STBs once to be able to receive a bouquet of good channels free. Hence, we are quite confident of DD FreeDish and the alternative we offer to Indian TV viewers.”

  • IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    IDOS 2016: The DD FreeDish alternative for TV channels & advertisers

    GOA: Has the pubcaster DD’s free to air platform FreeDish emerged as a viable proposition for advertisers? What are its expansion plans, going forward? These were some of the questions posed by the Indiantelevision.com founder, CEO & Editor in chief Anil Wanvari at IDOS 2016 in Goa during the session on FTA channels to SAB Group CEO Manav Dhanda, B4U broadcasting division COO and CFO Sandeep Gupta, Starcom India group CEO Mallikarjun ‘Malli’ Das, and DD’s FreeDish deputy director-general (engineering) AK Jha.

    Jha started out by saying that the DTH platform has 55 private tenants including those from the majors – Sony Pictures Television Networks, Star India, and Zee TV – as well as from smaller broadcast networks such as B4U and the SAB group. “We want more such customers to come on our platform,” he expressed. He, however, confessed that getting an exact count of the number of subscribers was difficult as FreeDish was only a platform and the STBs were distributed by recognized vendors. “But, by extrapolating TRAI DTH data, conversations with STB manufactures and chipset suppliers, our estimates are that it could be anywhere between 20 million and 40 million. We would safely put it at about 25 million,” said Jha.

    Gupta and Dhanda explained why the two networks have taken the FTA route on the DTH platform.

    “As a broadcaster, we wanted to be on every platform. Since our focus was to be present everywhere, we got on to it very early when there were very few tenants. Although we were pay channels, we were FTA on DD FreeDish. B4U Movies was the Star Plus of DD direct is what MSOs told us. Only after BARC data rolled out did we come to know that rural has got so much of weightage. Otherwise, FreeDish was only one of the means of getting ourselves available everywhere,” said Gupta.

    Added Dhanda: “We wanted to build the maximum reach. We have five channels. We are also on cable, DTH and other platforms. It was not triggered by the advent of BARC data which suggests you need to be there. There is a cost for entry. Distribution and content are major costs for broadcasters. As a broadcaster, we want ROI. Syndicated content channels like us have not managed to build a compelling pay TV channel proposition. Hence, it is safe to go to FTA.”

    But, is it good to go FTA on DD FreeDish? Since the only revenue stream is from advertising, is the platform attracting advertiser interest?

    “FTA has just come into focus as BARC gave a new set of lenses. Earlier, TAM used to measure LC1 but media planners did not take it seriously as they were urban focused. Now with the 6,000 metres under BARC’s rural sample, it has taken on a different hue,” said Malli. “There are three segments advertisers look at from an audience segmentation – HD – 9 million-10 million homes; the fat middle with all the pay channels. And, there is the rural which is FTA. For brands, which are purely rural, it makes sense to go FTA. Distribute the spends over 30-40 weeks on an FTA media outlet, rather than finish it over eight to nine weeks on the more expensive pay channels. Some money is going into FTA from existing TV channel spends, some is coming from local cable, wall paintings and OOH.”

    But, are media buyers buying air time on channels on FreeDish purely for the rural audiences or for urban and rural audiences as defined by BARC? “When media planners are buying for rural, it makes sense,” he said. “When they look at rural+urban, they start looking at old currencies, and things don’t move. There’s still some confusion. Once these old data currencies are exhausted, and some new benchmarks are set for rural, the ad dollars will start flowing in aggressively. HD channels have only nine to 10 million subscribers, yet planners are putting the advertiser’s money into them. Whereas FTA has a larger reach, but the currency dynamics need to be taken care of.”

    Is there a ROI coming in for advertisers? “It’s a little too early. The plane has to yet land,” opined Malli. ”Retailers, distributors and sales people say, take Star Plus. The rural sample is 6,000 metres. We have to triangulate what the trade says with the BARC data, as they will want the spectacular as they will want the ads to be in the biggest properties. Currently, we have put the money for our clients on FTA. We have to get a larger body of evidence.”

    Jha said that DD FreeDish is augmenting its capacity by 24 channels and gearing up for this by moving to MPEG4 STBs, which are going to be made available to subscribers soon. “Currently, we are empanelling the STB manufacturers for MPEG4 boxes,” he explained. “Within four months, the STBs will roll out. Post that, the existing subscribers will be able to receive the 80 channels, whereas the new subscribers with MPEG 4 boxes will get 104 channels after the auctions conclude and tenants got on board.”

    Malli expressed that this was good news, it was not something that the advertising community would put its money immediately on .”At least, we know what we are investing in with the MPEG-2 boxes now,” he said. “We will have to see how many MPEG4 STBs roll out, how they are accepted before we put our might behind them.”

    Jha responded to this by saying that, in the new regime of MPEG4, DD FreeDish will be able to tell the advertiser community, exactly how many subscribers there were because the conditional access was being built in to the STBs. “Over time, we hope the entire universe of FreeDish will migrate to the new boxes,” he said.

    Jha is bullish about the prospects of free TV. “Customers in rural areas cannot afford the high sticker prices of Rs 3,000-7,000 per year that commercial DTH players are charging consumers,” he said. “Customers need to pay just Rs 2,000-Rs 3,000 for the STBs once to be able to receive a bouquet of good channels free. Hence, we are quite confident of DD FreeDish and the alternative we offer to Indian TV viewers.”